Braun T52 // Transistor Radio (Germany, 1961)

the brass ring of unimaginable swag, 2025

the thing about this post is that, in my experience, people don't complain about so-called smith college problems (which was always itself an awfully snide coinage) because they don't understand that they're localized problems; they complain about smith college problems because said problems are cropping up like caltrops in a subcultural space to which they belong, and rendering it hostile to them.

and obviously one can come up with examples of this dynamic it's very easy to portray as ridiculous and entitled, like the first two in this reblog: 'support women who shave their legs and wear makeup every day' and 'let's hear it for masculine men.' absurd! but the thing is, it's also very easy to imagine the sort of subcultural toxicity that would produce complaints like that: criticism of compulsory femininity, while hella justified, can very easily tip over into an anti-femininity that's liable to leave a lot of femmes feeling as though they're being sneered at, because, well, they are! similarly, a lot of this website is sufficiently misandrist¹ that it leaves very little room for eg trans men looking to lean into a masculinity that broader society tried to deny them. and then there's this reblog of the smith college problems post, that rolls its eyes at bisexuals who object to other-gender attraction being framed as necessarily straight, and the first reply to the more recent post, that says snidely 'normalize not transitioning,' as if there weren't plenty of queer spaces in which sneering at 'bihets' and 'theyfabs' is a nastily common pastime.

i don't, personally, think it's an accident that all these examples affect groups who exist in a liminal space between hegemonic acceptance and outgroup acceptance, and in practice end up feeling alienated by both types of space. and personally, i think we can and should do better; i think we have to disarm broader societal inequality by working towards actual equality, for everyone, and firmly refusing to indulge this persistent, pernicious urge to revenge that wants, so very badly, to just tilt the social seesaw in the opposite direction…

⸻ ¹ no, misandry does not per se count as oppression. it does, however, combine with other axes of oppression like Blackness, transness, queerness, &c, in complex ways. it's also just tar pit behavior, imo, when indulged in with any serious frequency.

just having one of those little upswell-of-gender-despair moments, you know how it is

specifically of the nonbinary variety where like. you know you don't really like how you look¹ or how other people react to you but the Opposite Version wouldn't really be better, really you want something in-between or ambiguous or nothing at all but that isn't actually a real option you get to have in real life, in real life you either get to be a mannish woman whose real gender desires are a painful secret or you get to become Pronoun Pin Guy and then are still effectively seen [and treated!] as a mannish woman, just, you know, a crazy, annoying one

i mean obviously part of the problem here is that i don't really have nonbinary/agender/&c people in my life, i'm super isolated and then even my internet circles have historically been comprised of like. trans people μέν who care about medical transition but not about the language other people use for them (which to be clear is perfectly valid but like. unfortunately my maybe-deepest identity is 'poet (non-practicing)' and i care so much about language. [i may or may not also care abt (some aspects of) medical transition but like. i don't atm have any health insurance or income and also due to the ongoing cptsd frozen-rabbit psychological situation it's a bit hard to tell what ""i"" might ""want"" so. question mark there]). cis+ people δέ who basically are like 'well the real practical, adult approach is just to accept that one's Basically Materially Cis unless one's strongly motivated to medically transition, but, like, your special-snowflake baby sensitivities are Valid or whatever…'² which, again, you have to let people frame things for themselves and pretend it doesn't imply anything abt you, because if nothing else, your differences of inclination wrt how to frame things make your situations different! but unfortunately, even though i do genuinely intellectually believe that, emotionally it hurts my feelings every time, because i really resent this idea that like. cis is the box everyone starts in + stays in unless they kick hard enough to get out of it. bodies shouldn't mean anything by default!!

⸻ ¹ i think this gets worse every time the season changes and i have to re-figure out how to walk the extremely narrow sartorial line i can actually bear, is part of what's going on here ² to be clear and fair to the people in question the level of superiority i've portrayed here is entirely my projection onto them, it's not on them that this stance makes me feel this way, it just does :/

[IDs: (1) Nine brands of butter substitute with increasingly desperate names:

is it butter?

isn't it butter

Could it be Butter?

I Think It Tastes Like Butter

You'd Think It's Butter!

What, not butter!

Unbelieveable… This is not butter

who needs butter!

Memories of Butter

and (2) a tag by Tumblr user @‍stripedtabbycat that reads:

#the emotional journey evoked by reading these in order is beautiful

/end IDs]

This is one of my favorites hand down

birds that remind me of dinosaurs, sketch pile digital / photoshop 2025

---------------- that's the bearded vulture, nightjar, cinereous vulture, cassowary, Walden's hornbill and smooth-billed ani in no particular order

Die Mimik der Tethys (The Expressions of Tethys) is a high sea buoy (last was in Pinacoteca Agnelli, Turin, 2024), that is suspended in space and moves synchronously to another buoy in the Atlantic Ocean near Nantes. Continuously transmitting motion data via satellite to its relocated double, the information guides eight electric motors and cable winches, which precisely reproduce the buoy's movement in the ocean. The buoy functions as a hypnotising machine that inevitably leads to the idea of waves lapping around inside the exhibition space, creating an ocean in the minds of people.

Video source

Idea sent by @macfanatic, thanks for it <3

go away forever with me

unrelatedly changing seasons is always kind of a brutal renegotiation with the mysterious rules of dysphoria but i WISH i understood why like. the exact same tank tops will have been totally fine with certain bottoms and then with others it's suddenly like 'agh nooooo we're doing a bad job of Man AND of Woman, time for death 💀💀💀'

The Crown (Diu Crône) by Heinrich von dem Türlin translated by J. W. Thomas

Daniel von dem Blühenden Tal translated by Michael Resler

Erec by Hartmann von Aue translated by Cyril Edwards

Iwein Knight with the Lion by Hartmann von Aue translated by Cyril Edwards

Lanzelet by Ulrich von Zatzikhoven translated by Thomas Kerth

Parzival by Wolfram von Eschenbach translated by Jessie Weston

Parzival by Wolfram von Eschenbach translated by Edwin Zeydel

Tristan and Iseult Vol. I by Gottfriend von Straßberg translated by Jessie Weston

Tristan and Iseult Vol. II by Gottfriend von Straßberg translated by Jessie Weston

Wigalois Knight of Fortune’s Wheel by Wirnt von Grafenberg translated by J. W. Thomas

Wigalois Knight of Fortune’s Wheel by Wirnt von Grafenberg (in German)

Wigamur translated by Joseph M. Sullivan