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Halloween with Donald.
Jet Witch, by Carl Barks. November 1961.
Blender Cycles Shadow/Splash Board
Hey guys. so for my most recent project I’ve been working with compositing inside the Blender Cycles engine. Up until fairly recently it wasn’t possible to create a shadow board within Cycles alone, instead requiring awkward and complex work around using both the new and old engines to fake the effect. In fact one of my first posts to this blog was to demonstrate this using both shadow boards and sub-surface scattering. Thankfully a shadow input (among others) has finally been added allowing us to finally create a composite scene entirely using the Cycles engine.
The setup above shows how this is executed. By placing your objects and your environment into separate render layers you can mask each from the other in the scene panel. This means when rendering the ground, the foreground object appears black. Vice versa for the object layer. When inside the compositor you can render out separate channels of ambient occlusion, shadow and indirect diffuse from the environment layer. This is important as it gives you control over the look and intensity of each parameter to match the scene you’re compositing into. These parameters can be seen individually in the bottom left of the second image. The indirect diffuse layer must be added back into the mix after the video plate is introduced to add bounce light back onto the floor. This is especially important for glossy or brightly coloured objects which reflect light. That pretty much sums up what is needed, after all this time it is fairly quick to achieve a reasonable looking composite using the compositor almost exclusively.
The only thing I haven’t mentioned is the reflection on the cube which I achieved using a quick and dirty 2.5D projection to the floor, which is necessary for reflective objects. I’ll be posting a follow up to this soon describing how to achieve a complex composite where masks, holdout objects and lights are introduced which is a whole different story. Until then I hope you enjoy!
Scene at the death of King Henry VII at Richmond Palace, 1509, Drawn by Sir Thomas Wriothesley(d.1534), Garter King of Arms, a courtier who though not present on the day, shortly thereafter wrote an account of the proceedings, from discussions with those present. Attendees, clockwise from the King's L. hand: (1)Richard Foxe, Bp. of Winchester(d.1528). Arms: See of Winchester impaled with Foxe: Gules, 2 keys indorsed in bend the uppermost argent the other or, a sword interposed between (Winchester); Azure, a pelican in her piety or vulned proper (Foxe).(2)Tonsured cleric; (3)Tonsured cleric. (4)George Hastings(d.1544). Arms: Argent, a maunch (sleeve) sable. (5)Sir Richard Weston of Sutton Place, Surrey(d.1541). Arms: Quarterly 1st. & 4th. Ermine, on a chief azure 5 bezants (gold coins of Byzantium); 2nd. & 3rd. Argent, 3 camels sable. (both arms suggest a past crusading connection) (6)Richard Clement (of Ightham?)(d.1538); (7)Matthew Baker(d.1513); (8)John Sharpe. Arms: Argent, 3 rooks' heads erased sable a border azure bezantee. (9)Physician holding urine bottle; (10)William Tyler. Arms: Sable, on a fess or between 3 tigers passant guardant erminois a cross pattee between 2 crescents gules. (11)Hugh Denys of Osterley(d.1511). Arms: Quarterly 1st. & 4th. Gules, 3 leopards' faces or jessant-de-lis azure over all a bend engrailled azure (Denys). 3rd. & 4th. Argent, a raven proper within a bordure sable bezantee (Corbet of Caus & Siston); (12)Physician holding urine bottle; (13)?William FitzWilliam?(poss. too young, as born c. 1490, d.1542)(holds staff & closes King's eyes). Arms: 1st. Quarter, Lozengy, argent & gules (FitzWilliam). (14)Physician holding urine bottle. The armourials depicted for each attendee have allowed the above names to be assigned, using for reference Burkes Armorials (1884) together with Wriothesley's own text in the MS. The armourials are likely to be accurately blasoned in view of Wriothesley's standing as a Herald.
Tannakin Skinker, bewitched in her mothers wombe in 1618 - A Certaine Relation of the Hog-faced Gentlewoman (1640)
Alphonse Mucha, Monaco
Escape from Saigon