As A Dark Academic Who Has Searched Long And Hard For A Subculture Of Dark Academia To Wear This Summer,

Emphasis on cannibalism

10 Non-Lethal Injuries to Add Pain to Your Writing

New Part: 10 Lethal Injury Ideas

If you need a simple way to make your characters feel pain, here are some ideas: 

1. Sprained Ankle

A common injury that can severely limit mobility. This is useful because your characters will have to experience a mild struggle and adapt their plans to their new lack of mobiliy. Perfect to add tension to a chase scene.

2. Rib Contusion

A painful bruise on the ribs can make breathing difficult, helping you sneak in those ragged wheezes during a fight scene. Could also be used for something sport-related! It's impactful enough to leave a lingering pain but not enough to hinder their overall movement.

3. Concussions

This common brain injury can lead to confusion, dizziness, and mood swings, affecting a character’s judgment heavily. It can also cause mild amnesia.

I enjoy using concussions when you need another character to subtly take over the fight/scene, it's an easy way to switch POVs. You could also use it if you need a 'cute' recovery moment with A and B.

4. Fractured Finger

A broken finger can complicate tasks that require fine motor skills. This would be perfect for characters like artists, writers, etc. Or, a fighter who brushes it off as nothing till they try to throw a punch and are hit with pain.

5. Road Rash

Road rash is an abrasion caused by friction. Aka scraping skin. The raw, painful sting resulting from a fall can be a quick but effective way to add pain to your writing. Tip: it's great if you need a mild injury for a child.

6. Shoulder Dislocation

This injury can be excruciating and often leads to an inability to use one arm, forcing characters to confront their limitations while adding urgency to their situation. Good for torture scenes.

7. Deep Laceration

A deep laceration is a cut that requires stitches. As someone who got stitches as a kid, they really aren't that bad! A 2-3 inch wound (in length) provides just enough pain and blood to add that dramatic flair to your writing while not severely deterring your character.

This is also a great wound to look back on since it often scars. Note: the deeper and wider the cut the worse your character's condition. Don't give them a 5 inch deep gash and call that mild.

8. Burns

Whether from fire, chemicals, or hot surfaces, burns can cause intense suffering and lingering trauma. Like the previous injury, the lasting physical and emotional trauma of a burn is a great wound for characters to look back on.

If you want to explore writing burns, read here.

9. Pulled Muscle

This can create ongoing pain and restrict movement, offering a window to force your character to lean on another. Note: I personally use muscle related injuries when I want to focus more on the pain and sprains to focus on a lack of mobility.

10. Tendonitis

Inflammation of a tendon can cause chronic pain and limit a character's ability to perform tasks they usually take for granted. When exploring tendonitis make sure you research well as this can easily turn into a more severe injury.

This is a quick, brief list of ideas to provide writers inspiration. Since it is a shorter blog, I have not covered the injuries in detail. This is inspiration, not a thorough guide. Happy writing! :)

Looking For More Writing Tips And Tricks? 

Check out the rest of Quillology with Haya; a blog dedicated to writing and publishing tips for authors!

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What I yearn for

I want to k n o w. I want to understand literature references, I want to lay on grass in the summer and recognize constellations, I want to read books from all around the world, I want to know how history affects our everyday life, I want to learn how to play the piano, I wanto to learn diffrent poems written by diffrent authors and be able to recite them by heart, I want to learn diffrent languages. I want education to be accessible. I want to fall in love with every single day.

Detective Comics (2016) #967

Maybe I should have tried screaming instead...

Sometimes, I wonder if anyone will hear the words I speak towards the wall. Then again, can I really expect anyone to when I know no one will answer? Maybe I'm hoping for a spontaneous thought, an unexpected action that will lead me to a different room that's not filled with silence.

Just finished episode 40 part 2 and-

"Where did you send him?" "Uh- I don't know? Maybe Spain."

I love and hate this dude with a passion.

HOLLY FUUUUUUCK

WHAT THE HECK DID I JUST LISTEN TO

Episode 52 spoilers:

Sir Vale and the general decline of the rest of the party, the brief realization that nothing they did mattered at the end, that the map led to nowhere and they were not ment to come back from the trip. I was devastated right along with Arthur at that plot point- and THE DEATH OF ANTOINE.

"I was kind"

"very- Very."

"...I was loved"

"Unconditionally"

I don't know why that scene in particular fucked me up, but it did. Arthur hugging Antoine in his last moments in hopes of giving him warmth and comfot, telling him he could rest, I could feel myself breaking apart along with Arthur, and when Antoine died, I snapped back along with Arthur in acceptance just as fast its jarring.

And when John brought up the possibility of bringing Antoine back, you best believe I shot down that offer on my end so fast. He deserves to rest, he was just given his go to, don't take that from him.

And everything with Lilith was crazy. The realization at the end about just how far back Lilith actually knew about Arthur- AND FRICKIN KAYNE.

OH MY GOD THIS COMEDIC ASSHOLE.

"Fruit of my loins"????

BRINGING BACK ANTOINE WHEN MY BOY GOT TO REST???

"SEWING THAT TURKEY BACK UP"?????

AND THEN IMPAILING LILITH IN THE HEAD??

AND WE CANT FORGET ABOUT YORICK.

YORICK IN KAHOOTS WITH KAYNE??? YORICK THANKING ARTHUR AND ARTHUR AND JOHN BELIVING HIM AT THE END???

YORICK GETTING CRUSHED????

Will we ever see him again? Who knows.

The ending was brutal as hell. I enjoy binging the episodes while playing Minecraft so its a lot of Arthur screaming in the background while I replant my crops. Proud to say I'm finally caught up for the first time since I started listening to Malevolent and I can't wait to scroll through the Malevolent tag unafraid of spoilers.

Just finished reading the nightmare before kissmas, wondering what happened between the brother and his interest in the princess, only to find out there a SECOND BOOK STARING THE BROTHER????? GO LUCK YOURSELF WHATTT????

I feel like I'm on a spiral that's only going downwards. Many people feel this way, and I'm not exempt from them. I am not a new case, I am not the exception. But all the same, I feel like they have found solid ground to build off of, and I am close to falling off this rocky surface. I feel like they have found something to lean on, and I am scrambling to be a pillar for myself. I have to be the lighthouse because I don't trust myself to trust someone else. My ship isn't close to sinking. It doesn't even have any holes(I make sure of it), but the sea I have found myself in is tossing and turning, and I can't stable the boat. I can't bring myself to ask for passage in someone elses, for that would be cruel. And I'm too prideful to ask for directions because I know that I will find myself lost again. So I'm stuck on a boat. I can't bring myself to steer it, and it's no one's fault but my own.

If this continues, I fear I will go overboard.

I finished reading the stranger the other day, and I could not articulate how the book made me feel. I talked about the book to two different teachers and have lacked an answer to the question, "What did you think about it?" both times. I understood and empathized to a degree on what Mersault was going through and his overall viewpoint. Not in whole, but enough I feel. It's a strange feeling. Funny enough, I feel absurd when trying to explain it.