Year's End

Uhhhhhhhhh...

Part 2 >

Dragon!Sylus who has been searching for that which will fill the (metaphorical) void in his heart. He's convinced money will do the trick. It doesn't. And then he meets you.

Dragon!Sylus who covets you like his greatest treasure. All of the riches he has accumulated mean nothing to him now that you're by his side.

Dragon!Sylus who growls at anyone who will so much as look at you. Teeth bared, claws ready, tail standing on guard.

Dragon!Sylus who chitters and purrs when you caress him, his hair, his wings, his tail...

Dragon!Sylus who takes you for a flight around Philos and shows you his favorite spots, also discovering new ones by your side

Dragon!Sylus who always makes you sit on his lap and curls his tail around you protectively. No one will be getting near what's his anytime soon.

Dragon!Sylus who has a mating season, getting unbearably touchy and affectionate during it, wanting nothing more than to fuck make love to you.

Dragon!Sylus who is so big. In every sense of the word. Everything about him is big. His hands, his wings, his love for you, his di-

Dragon!Sylus who now gathers pretty things just to give them to you. As a sort of mating ritual. You accept them? Great, he's hauling you to his bed.

Dragon!Sylus who curls up next to you when he sleeps, snoring softly. Literally curled next to you.

Dragon!Sylus who has sensitive spots in... Different places.

Dragon!Sylus who is always so warm. You don't need any kind of heat source if he's there. He's the heat source.

Dragon!Sylus who bites bites bites. Loves to bite you. Not even to make marks, sometimes, he just wants to *nom*.

Dragon!Sylus who puts his wings around you when you sleep. Particularly often after a session of lovemaking.

Dragon!Sylus who will be clingy as hell. He loves you so much. Don't break his heart.

"My boby moved on its own" is an SNS trope . Sasuke is the type of person who always does something for Naruto and then finds a logical reason to cover that up.

1. His reason for offering his bento to Naruto

2. His reason for looking after Naruto who had been training all night.

3. His reason for to Save Naruto from Haku's attack.

4. His reason for why he wasn't able to kill Naruto in vote1

5. His reason for protecting Naruto from Obito

It gets so intense every time he protects Naruto from Obito. And Naruto notices how Sasuke protecting him from the attacks every time. Even when his Susanoo is already protecting Naruto, his hand is also going there to shield him.

We've never seen Sasuke do anything like this for Sakura, while with Naruto it's pretty consistent throughout the series. And Why do you think Kishi made 5 scenarios like this to point that out? Sasuke wouldn't do this kind of thing for anyone else. Absolutely no one. So what impression does it make?

In this war arc, Sakura herself acknowledged to the fact that Sasuke didn't care about her:

When Sakura ran up to Madara to get stabbed, both Naruto and Kakashi were either terrified or shocked as she plunged on someone she couldn't deal with. And Sasuke's expression was completely different from the others, he was just focused on the opening to attack madara. Where are Sasuke's instincts when it comes to Sakura? And the one who saved her was Naruto. Look at her dejected face! Even she herself accepting the fact that Sasuke doesn't even worry or care about her. Also, Sasuke put Sakura and Kakashi in their place by calling them "useless" directly to their faces while they were being protected under his Susanoo.

You know, Naruto is the one who asks Kakashi and Sakura to stay closer to him...without knowing what's going on up there. And, Sasuke was talking specifically to Naruto to not move around when he comes down to Naruto and he didn't mention the other two. He only wanted to save Naruto with his Sasunoo from the infinite tsukuyomi, but Sakura and kakashi just happened to be near with Naruto.

And Sasuke himself openly said Kakashi and Sakura just happened to be next to Naruto and that's all! Once again Sakura looked so dejected and realizes it even more in this scene. It's very clear that Sasuke didn't care about kakashi & Sakura. When Sasuke summons a hawk , and Naruto points to the right and says, "Sasuke!! Over there!!" to help Kakashi and Sakura, but Sasuke only saves Naruto

We know that Naruto cares about others and Sasuke knows this very well. And Sasuke is the character who will PROTECT those he cares about in dire situations. And who has he been saving repeatedly? NARUTO. But what Sasuke says and his actions are an underscoring for Naruto to prioritize his own safety and life in the war. Sasuke has a valid point that everything would be over if he and Naruto were to die, but it doesn't erase the fact that he doesn't care about Sakura and Kakashi and almost let them die because he was busy saving Naruto, a person who wasn't even in danger to begin with.

Simply put, he would protect Naruto, no matter what. And all Sasuke's actions are completely and purely instinctive and derived from his sub-consciousness.

To which Naruto said,

Raw: お前の言ってることも分かってるつもりだ... けど... こういう時は体が勝手に動いちまうもんだ ろ... 橋での時────

Romaji: omae no itteru koto mo wakatteru tsumori da ... kedo... kōiu toki wa karada ga katte ni ugoichimau mondaro ...kyōde no tokiーーー

Literal: I think I understand what you're saying. But...in this situation, a body moves on its own (unconciously)... Just like that time on the bridgeーーー

What he meant: " just like your body moved on its own to save me on the bridge.... my body also move on its own to save Kakashi & Sakura". Because Naruto does care about Kakashi & Sakura. Therefore, he cannot ignore them falling into the lava and dying.

The Land of the Waves arc, specifically the battle with Haku and Sasuke's sacrifice, was pivotal to Naruto and Sasuke's relationship, as they both realized for the first time how important and deeply they care for each other. It was a very emotional moment for both of them.

When they came back from Land of waves, Naruto couldn't even look at him without blushing, and then Sasuke couldn't even look at him at all. They'd rather die in this moment than admit that how much they care for each other, but their actions speak louder than words.

Whenever something happens between these two, there are always other characters pointing out what's going on. After they return to Konoha, Kishi uses Sakura to point this out, even though it's clearly visualized in the panel:

Raw: あ〜〜〜まだだわ!

Romaji: a〜〜〜madadawa!

Literal: Ahh〜〜〜 Not again!

Raw: この2人...波の国から帰って来てからちょっ と変なのよね...

Romaji: kono 2 nin...ha no kuni kara kaettekite kara chotto hennanoyone...

Literal: These two... have been acting somewhat/ a bit weird ever since we came back from the land of waves...

Raw: づ〜〜〜 何だか気詰まり...

Romaji: zu〜〜〜 nandaka kizumari...

Literal: oh〜〜〜 I feel ill at ease for some reason....

Raw: 早く来い来い! カカシ先生!! じゃーんなろー!!

Romaji: hayaku koikoi! kakashi sensei !! Shānnarō!!

Literal: Hurry up and get here! Kakashi-Sensei!!

Notes:

変な (henna) - strange; odd; peculiar; weird; queer; eccentric; suspicious; fishy; disturbance; funny; abnormal; unusual etc... It is used as a colloquial word that has many meanings.

何だか気詰まり (nandaka kizumari): somehow I feel awkward; Somehow I feel uncomfortable; I don't know why, but I feel ill at ease.

• the author choose the length of prolonged sound mark (ーーー) longer to implying that the sound is prolonged for longer than normal. e. g: Naruto saying "Time on the bridge."

• prolonged sound mark → a wave line (〜〜〜) is used instead of a straight line (ーー)...this often represents a deliberate prolonging of the sound by the character who speaks it or just a trembly, shaky voice of the character.

Only Naruto and Sasuke knew what happened on the bridge, others like Sakura and Kakashi didn't know about it or not very clear about what exactly happened there. Later, Sasuke & Naruto didn't talk about it, but this scene always comes at crucial moments that point to their "precious person". Finally after 5 years, saving Naruto from falling into the lava leads to Naruto talking about what happened on the bridge.

Sasuke saves Naruto even when he knows Naruto could have saved himself because of Kyuubi Mode, but Sasuke has been known to save Naruto even when he doesn't need saving. We also know that Sasuke would rather give Naruto a stupid and lame excuse than tell the truth straight to Naruto's face. So, this isn't the first time Sasuke prioritize Naruto over Sakura, a pattern that has been repeating since Kishi introduced Sasuke to the story in Chapter 3.

Naruto's feelings for Sasuke grew stronger at this point. After everything Naruto had been through and talking to Sasuke every time they met, Naruto knew for sure that Sasuke still cared for him. Naruto could see through Sasuke's actions. Naruto truly understand and knows that Sasuke cares for him and that's why he mentioned what happened in the Land of Waves.

Naruto only says "bridge", but of course Sasuke knows that he was talking about that time at "The Bridge in the Land of Waves."

Sasuke had a reaction to Naruto's words. No matter what Naruto says, he wouldn't say anything... Sasuke is probably trying to show that he's "unfazed," but in reality, he might be "fazed" because Naruto has seen through his heart.

Sasuke's reaction... His facial expression is hidden by his hair and "not visible," but this "invisibility" stirs up the reader's imagination

And he's confidently teasing Sasuke: "Even though I asked you to save them, you saved me...because your body moved on its own... because you cared about me. so I'm sure you understand my feelings to save them....Sasuke"

However, the "meaning" of this conversation...is something only Naruto and Sasuke can understand and it's their extremely personal thing (because the events on that "bridge" are memories shared only by the two of them). Kakashi & Sakura certainly not aware of this peculiar phenomenon that is unconsciously moving bodies.

Sakura's "inner words"... they really express her current feelings. Sakura is convince herself that what Sasuke says is "reasonable." Look at what Sakura says, she herself agrees with Sasuke: "It's as Sasuke-kun says (we're useless)... but (thank you, Naruto for caring about us)...." Sasuke didn't care about her desperate attempts to get his attention. And Even she herself acknowledged it, you know!

Years ago Naruto & Sasuke couldn't even look at each other pretending nothing happened, but now Naruto was talking about it with confidence. And he's clearly flirting with Sasuke.

Old money!Gojo Satoru spoils you with so many rings every other week that by the time he presents you with your wedding ring, you’re just waving him off like “aw, that’s nice, honey.” You’ve never had to console a grown man like that your entire life (you said yes either way though.)

I love Damian so much

Chapters: 1/? Fandom: House of the Dragon (TV) Rating: General Audiences Warnings: Graphic Depictions Of Violence Additional Tags: Dragon Riders, Boys' Love, War, Romance Summary:

La guerra se desata en el mundo magico de Modrum. Aunque improbable, una alianza sostenida de débiles peldaños es lo único que sostiene la paz. Dos generaciones de jinetes después. Oliver Plint y Kaius Crees continúan con la tradición de odiarse el uno al otro. Inevitablemente tienen que trabajar juntos cuando los beneficios de su mundo comienzan a comprometerse.

La paz y estabilidad de su mundo depende únicamente de sus dedos entrelazados manchados de sangre y oro.

Where Will You Go? ── teaser

red hood! geto suguru x reader | 18+, batman au

cw: blood, slight violence, graphic content, mentions of guns/bullets

Is this how he was going to die—again?

Suguru thought, leaning against the grimy walls of the ally way, painted in all kinds of piss and vomit from strangers after a drunk night out. A gloved leather hand clutching onto the gaping bullet wound in his side, blood seeping through his fingers.

Of course, he could always call Satoru—or even him. But Suguru's ego wouldn't allow that. He'd rather eat shit and glass before even thinking of calling his deadbeat adoptive dad.

Suguru felt like he was hallucinating, or maybe the blood loss was finally getting to his head. Because even in this state, all he could think about was you.

His helmet-clad head leaning against the brick wall as he feels lightheaded, thoughts clouded by your honey-sweet lips and soft hands. Thoughts of how you would take care of him, his every bruise and cut with your featherlight touch and sweet kisses. Lips pressed against his scarred skin, with a promise to "help it heal faster."

Never once did you question where—or how—he got them. And yet, with each new injury, you became worse at concealing the worry in your eyes, or the furrow of your brows every time he came to your care.

It was selfish of him to rope you into his life. But even now, clad in his Red Hood gear, bleeding out in a filthy ally, Suguru Geto wanted to be selfish.

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70 ideias de Narusasu em 2024 | sasunaru, naruto, naruto e sasuke desenho

They match each other's freak

The cage is open, you can walk out anytime you want (Why are you still here?),

S2!Post!Hankel Spencer Reid x gn!BAU!reader

Angst (hurt/comfort). Autistic Spencer (you know the drill). Perhaps some traces of fluff if you’re like…. masochistic. Heavily implied happy ending.

— Explorations of Spencer’s (very glossed over) addiction. Love confessions? Half love confessions? Spencer admits it mentally, Reader implies it through actions. What am I saying? They’re sooooooo in love it pains me.

Warnings: *cracks knuckles,* okay…. —heavy depictions of drug addiction, mentions and allusions of suicide, previous mentions of being held hostage (Hankel). PACKED with Greek mythology references (sue me, i study classics as a degree), perhaps some light biblical imagery? Spencer being at rock-bottom. he’s kinda bitchy. he also disses hotlines (they do save lives, don’t listen to Spencer!!! he’s being a dick). mentions of childhood bullying.

w.c: 3.2k

a/n: title so long it’s basically a midwestern emo song.

────────────

There’s intimacy in being fragile. Spencer knows firsthand, has romanticised his Glass delusion. The fear of shattering, fragmenting on impact, like jagged, sliced glass. He thinks of Charles VI, (1380’s King of France), what he felt when he refused touch. When he reinforced himself, shielding behind excess clothing, in the fallacious fear of dismantling.

Spencer does the same, hides behind fabric, shies away from human contact. Because— because being careful is better than being impetuous. If he can make himself so small he no longer takes up space then maybe they’ll be kind to him.

Monachopis. Has he always been this out of place? Has it always felt this way? Will it ever stop?

12 years old. Curling inward to shield himself from the ache of cracked fists. You’re not here, you’re not here, you’re not here. He still feels like that kid, the one bleeding across the school yard, smashed glasses, bust lip, new bruises to hide from mom.

Perhaps he should blame genetics. Find something to point the finger at. Mentally distort the truth, until it’s no longer a paling face he sees, drawing the first needle into his arm, forcing him to take what he never asked for. No longer that, but a bigger issue, a concern that cannot be personified, a larger statistic in the minefield of human psychology.

Those with ASD have a doubled risk of substance use.

He never stood a chance. Did he?

So just like Charles, he covers his arms. Veils the track marks that penetrate skin. Pretend they’re not there, pretend you’re okay. Okay? Okay, nobody has stopped to ask him if he is ‘okay’ since ‘the incident.’ When the shock wore off, and attention strayed, everyone lost interest.

He feels like an outlaw to his own team.

How do you move on from being bound, tied, degraded to something beneath human?

How did everyone else?

He understands now— the pull of addiction. The way it mimics, artificially replicates home. Something soft, in that one, life-ruinously warm moment between the first hit and the inevitable come down.

But just like everything good. It dies. Turns ugly. Disfiguring, decaying. What once was simple, a fleeting temptation, a way to starve off lonely withdrawal, has derailed into desperate, insatiable hunger. To reproduce the first time, to appease the way he palpates in the wake of something tiny—

Call it what it is. Not an analgesic agent, not a semi-synthetic, not a simple narcotic utilised in the medical field. It’s an opioid, two to eight times greater than that of morphine. Given to those dying, to help alleviate Cheyne-stokes breathing, to reduce pain before the end.

It binds to the opioid-receptions in the central nervous system.

He is no superior than those on the street. Begging for loose change to shoot up and placate the cold.

2AM. The phone connection is faint. Do you feel like killing yourself? Is the noose already tied, is the rope choking you? Do you need to breathe? Do you even want to? He wonders what it would be like, to call into those bullshit hotlines, to hear the detached, sharp-bladed sympathy of some stranger.

Instead, when the phone picks up, the blaring beep of a dial dissipating, he hears you instead.

“You know how it’s believed that Artemis killed Orion?” He starts. He cannot begin with hi, I’m scared of the dilaudid burning through my veins. Do you still love me? (Presumptuous of him to believe you loved him in the first place, he certainly wouldn’t.)

He doesn’t let you answer. Maybe he’s scared, or maybe he can try and satiate your concern by fact-dumping so extensively that you automatically revert back to oh yeah, boy genius is talking again. “Well— there’s this other interpretation, that she… y’know didn’t. Instead, they were hunting companions, and it was because of the animals he slaughtered on Crete, that Gaia. Mother ea— yeah, you know who I’m referencing. Okay.”

Even at his worst, he is conveniently a social disaster. They could poke holes in his brain, drag the sharp edge of a blade through the tissue lining of his stomach, and his mouth would still find a way to run:

‘You’re missing major arteries here, c’mon — I know you can push harder than that. Aim for my descending aorta, that will do the job correctly.’

It would be funny if he wasn’t the biggest screw up to ever exist. Social ineptitude has never looked worse.

“Anyway, um… so— disturbed by the blood-bath, and feeling repentant — she summoned this scorpion. Humans are no match for the gods, obviously. So any creation with intent will—“ he sighs, finding new ways to hate himself. “Basically he died. Yeah— dead. To… uh, sum it up?”

“And what?” Oh, there you are. He’s surprised you’re listening, that you didn’t hang up the moment his morbid rambling begun. He’s always surprised, surprised that you listen, that you stay, even when you shouldn’t. It would be romantic, if he wasn’t so flawed in believing you could never want someone like him.

“Well— Artemis gathered up the remnants of Orion and placed them in the sky. Yknow,… hence the constellation.”

There’s shuffling — a moment of uneasy silence. “Spencer—“

He keeps going. Shock-horror. “I’m not sure science would agree with that myth. It certainly counters the Big Bang theory. And the whole schtick regarding— look… it doesn’t,… it doesn’t hold any truth, of course. The gods aren’t real,” (if they are, they must spit at the flawed creation of him), “I just— it was on the forefront of my mind. Made me think of you.”

It’s innocent. If you don’t take into account the stored vials he keeps stashed in his cabinet sink. If you pretend you’re just two people, two old, weary friends, who are insomniac and restless. Then again, where Spencer is concerned, everything is innocent. He’ll bare the weight of existence with no expectation of a return favour. So willing to give give give. Always taken for granted. Tossed to the sidelines. You’ve watched the team ignore his plans, call rain check after rain check, incessant excuses for something so diminutive. Even now, they can’t see what’s right in front of them. The blunt of the truth.

The aftermath of the Hankel case.

“Bad night?” You ask. Like you don’t feel it in your ribs.

He sighs, head spilling back against the wall. Throat bared, it would be so easy for hands to wrap around the unmarred skin, to put him down. “Aren’t they all?”

You’ve both been trained to pinpoint human behaviour. Discern threat from over exaggeration. You don’t hesitate, he knows you don’t— he’s seen you behind the weight of a gun. Dominant hand curved around the grip, aligning the front and rear sight. Firing pin striking the primer of the cartridge, no recoil— he’s watched you no more than blink when the bullet penetrates.

He always anticipates a flinch that never comes.

Sometimes, he has this dream, where he’s got the same Hornady branded bullet, lodged through his chest. Sometimes he wakes up and still believes he’s bleeding out.

He can hear your keys, the clattering that fades into the grating, confirmative slam of a door. You’re out of the apartment complex, and what? He’s too busy thinking about some warped manifestation of his subconscious?

Will he ever live outside of his mind?

The call doesn’t end (5 dragging minutes of heavy breathing and awkward silence), until you’re standing right here, flesh and bone, in his kitchen.

He’s making himself small again. Sat against cold tile, he shields his face from view. As if that alone will incrimate him. He knows you know. And it’s scary; to be so raw in the face of someone you love.

When you drop to your knees, it feels like tending to a wounded animal.

“You didn’t need to come,” he mutters, obstinate.

“So what?” You brush it off, ever the hero. Spencer thinks they should marbleise you in the Vatican. “I still did.”

You came. You called. Spencer fucking hates that cliche. Except, no.. no he doesn’t. Sometimes, he wants to make himself sicker, just so you have reason to touch him.

Reaching up, he feels your calloused palm, the way it cups his jaw, coaxing his face to lift. He thinks, knows, you’re disturbed by the sight. Red-rimmed eyes, and waxen features. Skinnier, hollow. If he is Leander, then he prays you don’t suffer the same fate as Hero.

‘Geniuses are never happy,’ they told him as a child. Detailing the cyanide found in Viktor Meyer’s stomach, Wallace Carother’s affinity for Potassium Cyanide. Hans Berger, Valero Legasov, Alan Turning. Some things hurt more than can be described.

Is it really so startling that he turned out the same? When that’s all he’s ever known?

Spencer stares. He tries to look through you, but it doesn’t work. Not when you’re warm, and real, and if the come down is configuring you into reality, and you’re not really here, then so be it. He’ll take what he can get. “You’ll find Dilaudid in my bathroom. Left turn from the hallway. I suggest you call 911. Report drug possession. They’ll take it more seriously if you say my name, emphasise the doctor in the title.”

“No.”

“Yes—“ indignantly, he huffs, “Yes. You will. Otherwise you’re guilty by association. The FBI will fire you, take away your credentials. You’ll be ruined.”

“That’s if they find out.”

He can’t comprehend why you’re covering for him. There’s decency, empathy, general human kindness, and then there’s this. “You’re supposed to be an upholder of the law.”

“Pft,” you scoff, brush it off. “Yknow, in Alabama, you can’t play cards on a Sunday. Alaska, no moose on sidewalks. There’s also a ban on wearing masks in Georgia. California has—“

“I get your point.” He cuts off, “Well— no, I actually don’t. Considering they’re dumb laws that waste time. Drug paraphernalia, in contrast, is not.”

“Even high, you’re a stickler. Guess old habits die hard?” you push up, and he chases your touch. “C’mon, golden boy. You’re getting a cold shower and some water. Gonna flush that shit out of you the old fashioned way.”

“I wasn’t aware there was a modern alternative…”

He doesn’t let you see him naked. Partially because, it’s his body. This vessel that feels so alienated from the better part of him. He’s never let someone undress him before, see behind the meticulous layers. But, mostly.. well, he has a firm belief that the first time you take off his clothes, it will be in better circumstances. If that ever transpires.

You’d probably think him deranged: hi, i’m saving myself for you, because any touch that isn’t yours makes me sick.

He’d rather rot alone than string someone along who could never fill the void of you.

The shower is methodical. Skin recoiling from the harsh rivulets of water. 3 minutes spent standing there, staring outwards not in. Complete disregard for the mirror, he’s all soft features and freshly-washed pyjamas when he pads into the bedroom. Corduroy pants, thermal-wear socks, some dumb science print embellished onto the front of his shirt. (‘Never trust an atom, they MAKE UP everything’ — yeah, he hates himself.)

You don’t talk. Not until he’s consumed his body weight in water. He fights off the urge to warn you about the dilution of sodium content in blood. Hyponatremia. Fatal, with a likelihood of seizuring and long-flight comatose. You’d probably just laugh at him, considering it was two glasses, a litre at best.

He’ll use his intellect to hurt. And you’ll counter him with little regard.

Even at his ugliest, you still stay.

“I’m fine,” he protests— hating the way you look at him when he’s so raw.

It’s that gaze. That same sinking, pity-warped gaze he received when he talked about his mom, about the kids at school. Adolescent meat-heads who pushed him into lockers, and beat him between class. Its— suffocating sympathy that he no longer has room for.

“No you aren’t,” this might be the worst you’ve ever seen him.

Would you have known? If he didn’t make the call? Cassandra complex. Disambiguating. A psychological phenomenon where an accurate prediction of a crisis is dismissed. Silent concern, the intuitive awareness that he never recovered, it was only going to lead to this—

Oh fuck it. You knew. The entire team did. You’re just the only one who cared enough to help.

You’re not like the rest of them. Maybe they can blanket suspicion, play pretend, refuse to get their hands dirty. But, there’s a reason you’re better. You don’t sugar-coat reality. You act. You react.

He’ll see your name on a wall one day. An award adorning your efforts.

“You’re exhausted, lie down.”

Spencer fights the urge to scowl. Since when were you in charge? Admittedly, he knows the answer to that: since you spitballed into his apartment, better yet, since you spitballed into his life. So, like the good, propitiated loser he is, he complies. Shock horror…

“What are you gonna do? Tuck me in?”

“You wish.” Instead, you force your way onto the right side of the mattress. “Get comfy, you’ve got your own, free of charge, narcotics anonymous sponsor tonight.”

“You’re not great at the whole ‘tough love’ thing.”

“Then call someone else next time.”

Vulnerability feels like being ripped open at the seams. Like some botched Pygmalion creation — stitched wrong, still breathing. He wants to fall asleep, to just… fade into himself. But— you have this uncanny, accursed ability to make him honest.

You, draped over his bed, does little to appease the sickness in his mind.

“I never asked for this,” he starts, “I didn’t— I didn’t even want it. How is that fair? I never got to decide, I wasn’t even given the anatomy to choose. Now—“

The words rip free like Prometheus’ daily punishment: inevitable, agonizing.

He laughs. Cold. Something ugly that doesn’t belong to him. “Now, if I’m not thinking about my next hit, I’m thinking about how you see me. How the team must see me. It’s— it’s the disappointment. I just— I don’t know why you stay.”

It’s all so tentative. The moments before, when you extend your hand, run it across the curvature of his jaw. All it takes is the touch and he’s crashing into you. Like there is no feasible option but to submit to the basic human need of contact. Face pressed into your shoulder, he feels like dead-weight. Something unworthy of labour.

Stop pushing that boulder up the hill, Sisyphus. Let it fall. Let him fall.

His hand knots tighter in the fabric of your top. Like if he lets go, he’ll spiral into Tartarus itself.

Why? Why would you do this—

“You think I’m going to cut and run just because you’re inconvenient? Pft, i’m too stubborn for that. And, well…” there’s a sigh,… “I care about you too much. Alright? So be inconvenient. Fuck, call at 3AM. Call at 5AM. Make me drop everything and come over. I don’t care. I want to carry the burden. I want to carry your burden.”

His touch lingers near your lower back. Drawing soft halos there, faint and uneven. “I hate you,” comes out muttered, something muffled by skin.

“No you don’t.” you counter, immediately.

“No I don’t,” just like that, he breaks. Cease-fire. How could he ever hate you? The statement was deflective, at best. Some way to make you ache the way he aches. At least then it would be a level paying field.

“I hate who I am when I’m like this. I hate— I hate my mind. It’s not… it’s not accurate, the way people romanticise it. I can’t be what they all expect of me.”

You’re doing that thing. The one where you don’t respond. Where you just listen, without interjecting, without cutting through his incessant monologues.

Sometimes, he feels like he dreamed you up. Like you don’t even exist, a stowaway in his brain, something to re-mantle whenever he’s lonely. Real people aren’t this good — this good to him.

“I don’t get to make mistakes. I need to have the answers every single second of the day. I can’t be me. You’re the only one, how are you the only one who notices? I’ve tried so hard, I’ve been so good—“

He’s tangled into you now, tethered like Daedalus’ forgotten son trying to stitch his broken wings back together mid-fall. If he could, he’d crawl into you. Find somewhere warm to safely exist. Without hurt.

“This isn’t just, I’m not like this just because I need you. Please— please remember that. I miss you always, even when I’m sober. Even before— before everything. I’m not in some—“

“What?” you finally (mercifully) interject. “Some drug-infused decline? Where you‘ll lean on anyone that will give you the time of day?”

Spencer flinches — not because you’re wrong, but because you’ve drawn blood from a wound he didn’t know he still had.

He hates that you’ve distinguished him as some mischaracterised energy vampire. Like you could ever be nothing. Like you’re just the closest fix he can find beyond a chemical high. Designer drugs, manufactured in a lab, they say Heroin feels like a hug from God.

Until your body becomes gluttonous for a hit that never appeases.

You— you are not a hollow high. You are slow and real and catastrophic.

Oh, you’re dependable, a want that morphed into all-encompassing devotion over slow dragging time. “Yes, to the former. No— no, definitely no to the latter. You’re not just some emotional crutch to me. You’re, I don’t know, you’re just… everything.”

Spencer swallows, pulls back, feigning composure. “I should be able to do this alone,” he mutters, “Normal people can. I should be—”

“C’mon, Spence. You’re not a machine. You were never built for that.”

Another sharp laugh. It pierces— you can almost taste the blood this time.

“I’m so tired,” he says in defeat. “I’m so tired of trying to be someone worth saving.”

Pressing your forehead to his, you’re kind to not mention the tears. To just let them occur, free fall. “You don’t have to be anything,” you murmur into his hair. “You just have to be. That’s enough. That’s enough for me, and i’ve got you. Okay? I’ve got you. Always.”

“Will you stay with me?” He doesn’t mean tonight, you know that well enough. “Will you stay with me through it all?”

You’re aware of the burden it would imply, the jagged, ugly reality of withdrawal. The toll, sweat-soaked skin and cold fevers. Irrational begging, pleading for god, just one more fix. The way it would change him, change your untainted perspective of him. When you agree, it is not misguided.

You know what you’re signing up for.

“Yeah. I’ll stay. Through it all.”

If this is love, true unvarnished love, reciprocal and real, then he’s sorry he found you at a bad time. Give it, give me, a few months, he thinks, and i’ll spend the rest of my life giving you everything.

La danza de los dragones.

Milenios después de que la devastación atacara las tierras que los dioses le otorgaron al mundo, Hubo belleza inundando cada plano de esas bendecidas tierras, las especies vivían todas en paz, lo inimaginable sucedía como actos comunes, la vida, en pocas palabras era tranquila.

Cada ser cumplió con su deber, las sirenas habitaban el mar, las hadas plagaban los bosques, los dragones surcaban sus cielos, y el sinfín de animales y habitantes mágicos acogió sin dudarlo a la especie que se consideró lo único simple en todo el lugar, los humanos formaron parte. El mundo tenía paz.

Hasta que la perdió.

Los humanos son imperfectos por naturaleza, no es que desearan serlo simplemente no podían controlarlo. Por eso cuando la envidia envolvió las venas de los primeros hombres nadie pensó que tendrían que interferir, los dioses no pondrían a seres destructivos en la tierras que contenían la paz ¿Cierto?

El resentimiento es una enfermedad aérea, los humanos, anhelantes de peculiaridad fueron la mejor forma de contagio. ¿Por qué los otros tenían magia y ellos no? Las innumerables cuestiones los hicieron envenenarse de envidia; decidieron entonces, si no podían conseguir la magia, la arrebatarían. Los primeros levantamientos iniciaron un día de pesca, con cientos de barcos llenos con marineros que zarparon con el único objetivo de poner un ejemplo. Miles de sirenas cantaron su tragedia aquel día.

Aquellos que alguna vez fueron respetados, incluso apreciados, esta vez fueron temidos, ya no había más debilidad en los cuerpos mortales, en su lugar se alzaron lentamente contra la magia que les había sido gentilmente mostrada. Años de sangre y lucha después; poco quedo de lo divino en el mundo de Modrum. Entre la crueldad de la guerra dos figuras singulares resaltaron. Sus caminos se marcaron por sangre, ambos con la amarga ambición de un mundo diferente

Aliados, compañeros, enemigos.

La sangre y el oro coronaron a los primeros reyes humanos, avariciosos y ciegos tomaron sin dar a cambio. El poder fue repartido en dos grandes reinos, Aurelen la tierra del oro y las hadas extintas y Sylvarith la montaña de bosques y dragones. Modrum fragmentado había perdido la gloria de sus grandes días. Las hadas desaparecieron, las pocas que quedaron fueron convertidas en esclavas, y las sirenas preferían mantenerse en lo profundo, donde su belleza no cautivaba y sus cantos se ahogaban junto a marineros de poca importancia. Poco a poco no quedó rastro de lo hermoso y divino que solía ser el próspero mundo de Modrum.

Entre todos estos seres solo uno fue considerado digno de permanecer. Con vida y relativa libertad, los dragones altos e imponentes sobre cualquier otro ser, lo suficientemente sabios para callar y tan audaces para no escuchar, Estas denominadas indomables bestias, fueron los compañeros perfectos para aquellos despiadados reyes que buscaban el control de tierras que no les pertenecían.

Hace cientos de años, el cielo se iluminó con un suceso histórico, la danza de los dragones expandió el poder de aquellos que se coronaron a sí mismos en cenizas y sangre. Ambas casas ahora convertidas en nobles palacios de reyes y jinetes se atravesaron en la guerra por el control de todo. El fuego envolvió el cielo con su calor y la sangre y el oro adornaron las cicatrices en las manos de los jinetes. Cuando finalmente todo termino no había mucho que salvar, las cenizas aun ardientes se forjaron en el terror del pueblo y la poca paz que pudo conservarse era sostenida por un par de manos débiles, un tratado de paz demasiado delgado impidió una segunda gran guerra. Sus coronas se consagraron con el poder absoluto.

Aquellos días oscuros se habían alejado de ambas familias, ahora un par de décadas después la fragmentada paz que se había conseguido después del baile de los dragones, estaba pendiendo de un diente de león. Los nobles herederos de ambas familias, Plint y Creed una vez más unidos por poco más que un hilo de odio fino, el destino de un mundo colgaba del espacio entre sus dedos entrelazados.

Oliver Plint no era un luchador, prefería entre todas las cosas montar a su dragón y escapar, aunque fuese por pocos minutos del legado que le precedía. No era un sanguinario ni un prodigio de la espada, si algo lo definía era su absurda gentileza. Todo lo gentil se extingue en el mundo, la amabilidad no coexiste con la fuerza.

Kaius Creed estaba preparado para una matanza, la espada y su dragón eran sus únicos aliados y además de su ambición por la corona de Aurelen, no había nada que le importara, era un guerrero un rey nacido en la corona, envuelto en brazas y oro, echo para odiar y destruir así tuviera que morir para lograrlo era un sacrificio digno de tomar. Nada duraba para siempre, a excepción del honor.

Los dos reinos se tocan de nuevo durante una gala particularmente absurda y cuando un par de movimientos en falso podrían destruirlo todo se necesita de dos almas corrompidas para evitar que los dragones vuelvan a danzar.