They’re Watching Mandela Catalogue… Mainly Just Because I Wanted An Excuse To Draw Bill Instinctively

the magnus archives but the cast just works at a mcdonalds

the way I CRUSHED the soda can I was holding

King of a ruined world why not ruin me instead...🤤

NEW NARRY DESIGN AAAGAGSHHIOBIYSOUVH

Okay he doesn't look that different-

His husband <3

the gentleness of jon's answer & how this small exchange mirrors their relationship in season four

Part 4: The Sixteenth Fear

The Magnus Archives was a horror podcast. It is now completed. Many of the show’s mysteries were never explained on the show. I intend to explain them. Spoilers for the show, but also spoilers if you wanna solve these mysteries yourself.

In part 3 I said every fear has an opposite. But the Flesh didn’t exist before the industrial revolution. So there would have been 13 fears then, an uneven number, and not every fear could balance against an opposite. So how could that be?

The answer is, there were only 12 fears before the Flesh. The Corruption and the Desolation used to be the same fear. 

Diego Molina of the Lightless Flame cult worships Asag. A Sumerian god of disease that could make fish boil. So Asag seems to be of both the Corruption and the Desolation.

In Infectious Doubts Arthur Nolan complains about it: “Not like I can vent to the others about what a prat Diego is. Got a lot of funny ideas. Still calls the Lightless Flame Asag, like he was when he was first researching it. I just really wanna tell him to get over it; I mean Asag was traditionally a force of destruction, sure, but as a church we very much settled on burning in terms of the – face we worship, and some fish-boiling Sumerian demon doesn’t really match up, does it? Plus there’s a lot of disease imagery with Asag that I’ll reckon is way too close to Filth for my taste, but no, he read it in some ancient tome, so that’s that –“

Ancient is the key word. The tome predates the industrial revolution and the Flesh. Asag probably isn’t a thing anymore and Diego is indeed a prat for worshipping it.

In The Architecture of Fear Smirke writes “I know you say the Flesh was perhaps always there, shriveled and nascent until its recent growth, but to grant the existence of such a lesser power would throw everything into confusion. Would you have me separate the Corruption into insects, dirt, and disease? To divide the fungal bloom from the maggot?”

It is not random that Smirke uses the Corruption as an example here. The Corruption is the opposite of the Flesh, so the Corruption is the fear that Smirke believed had no opposite for hundreds or thousands of years.

In part 3 I said vampires where Corruption/Desolation/Hunt. This is a little far-fetched, but I wonder if the vampire’s we’ve seen have been old ones that predate the Flesh. And that’s why they are part Corruption, since Corruption and Hunt used to be next to each other. Maybe there are more modern vampires without the long sucking tongue. Maybe instead of sucking blood, when they bite you begin to burn or boil. Since the Hunt is now next to the Desolation instead of the Corruption-Desolation combo.

In Vampire Killer Trevor says “I have killed five people that I know for sure as vampires, and there are two more that may or may not have been.” There is a missing middle part of Trevor’s statement. Maybe there he talks about killing two vampires that are modern and therefore different so he’s not sure if they’re actually vampires.

Speaking of fears splitting up, why is the Darkness the opposite fear of the Slaughter? In Last Words we hear of the first fear “A fear of blood and pounding feet, a fear of that sudden burst of pain and then nothing.” 

And of the second fear “The fear of their own end, of the things that lived in the darkness, became a fear of the darkness itself.”

I think the first was a general fear of violence. It includes what became the Hunt “Blood and pounding Feet…” and the Slaughter “…Sudden burst of pain and then nothing”, and the End “The fear of their own end…” And the second fear was the Darkness. They were the opposite by default, simply for being the two first fears.

When the Buried became a fear, the Hunt split up from the Violence to oppose it. When the Vast became a fear, the End split up from the Violence to oppose it. All that was left of the Violence was Slaughter, still opposing the Dark. When humans began warfare, fear of war fit nicely with the Slaughter.

The Eye might have been part of the Dark at first. Still from Last Words: “…because they knew the dark held flashing talons and shining eyes…” 

When the Lonely became a fear, the Eye split up from the Dark to oppose it.

So what about the Extinction? Does it have an opposite? Yes! There is a sixteenth fear. And what can be the opposite of the fear of the end of the world? The fear that the world isn’t real. That we’re all just living in a computer simulation. If you think the world isn’t even real, you’re not gonna be so worried about it ending. I’ll call it the Simulation.

Here is how the fears are arranged on the wheel, with the two latest fears added:

Description of image: A circle with 16 spots similar to a clock. On each spot is a number and the name of a power: 1. Corruption. 2 Extinction. 3. Desolation. 4. Hunt. 5. Slaughter. 6. End. 7. Lonely. 8. Stranger. 9. Flesh. 10. Simulation 11. Spiral. 12. Buried. 13. Dark. 14. Vast. 15. Eye. 16. Web.

The Extinction is next to the Corruption. Disease and garbage are both gross. Possessive is an Extinction episode, even if not acknowledged as such by any of the characters. It’s about garbage. And Maggie is creating people out of garbage. She is making the inheritors mentioned in Time of Revelation. There are also creatures made of garbage in Concrete Jungle. And Maggie was full of moving insect legs, showing Corruption influence.

Quote from Adelard Dekker from Rotten Core: “I’ve spoken before about how keenly I’ve watched news of possible pandemics, which is where I suspect the Extinction may pull away from the Corruption during its emergence.” Adelard knows the Extinction is next to Corruption.

The Extinction is next to Desolation. That fits, nuclear weapons cause fire. Quote from Times of Revelation, describing corpses: “They were stiff, and desiccated, mummified by some process Bernadette could not begin to guess at, but that rendered their flesh like tightly packed ash” Ash as if they were burned.

The Simulation is next to the Flesh. The Flesh makes you think humans aren’t people, they are just meat. The Simulation makes you think humans aren’t people, they are just NPCs.

The Simulation is the next to the Spiral. Both make you question what is real. The Spiral makes you doubt your mind, the Simulation makes you doubt your world.

There are four episodes about the Simulation: Binary, Zombie, Cul-de-sac and Reflection.

In Binary Sergey Ushanka uploads his mind into a computer. He becomes a simulation and it hurts. There is influence by the Spiral, the statement giver isn’t sure if she’s going crazy. And there is influence by the Flesh. Ushanka uploads himself into a computer and then he eats the computer. So that’s cannibalism.

In Zombie the statement giver thinks other people aren’t real, they’re philosophical zombies, In other words they like simulations or NPCs. The man that follows her repeats the phrase “Just fine, thank you for asking” and says nothing else. Just like some NPCs in video games will say the same phrase over and over. The man is identical the three times they meet, except for his t-shirt changes color. Sometimes in video games some NPCs will be identical, except for some colors are changed. (Because it’s less work to recollar a character than to draw one from scratch.)

John thinks Cul-De-Sac is about the Lonely. And yes, the statement giver was lonely. But the people affected by the Lonely choose to be lonely, and the statement giver didn’t. His boyfriend broke up with him because of cheating and then he lost his friends because they sided with his boyfriend. 

I think the theme of the statement is unreality, not loneliness. In the Magnus Archives, when someone gets marked by a power it is because they made some wrong choice. The choice the statement giver makes is to return to the place he found dead and soulless. He drives back to his ex-boyfriend to deliver the moose, rather than send it by mail. He specifically wants to meet his ex. Not an act of loneliness, quite the opposite. Also he is returning a moose that is angular and creepy, in other words it is unreal.

When the statement escapes from the nightmare it’s because he got a phone call from his ex. And he says “I love you.” and that fits neatly with the Lonely. But it also fits with escape from the unreal. He escapes because he communicates with a real person.

The road signs says “Road” and “Street”. Generic and unreal. All the houses look the same. Like in a computer game. The statement giver wonders if they are the same house. Like in a computer game where one might reuse the code for a house many times.

The house he enters has stock photos. Unreal.

The people on TV have something wrong with their eyes, similar to the eyes of the zombies in Zombie. And it’s a fake cooking show, and a fake infomercial.

The dead woman upstairs was someone who had social media profiles, and that nobody notices had died. Meaning she lived her life online. That sounds like she was lonely. But living online also makes her a good victim for the Simulation. Everyone she talked to was on a computer, she couldn’t know for sure if they were real.

The woman had killed herself with a mirror. I think what happened was she had looked into the mirror and seen that her eyes were wrong, like the eyes of the people on TV. And she had thought she was just a simulation, like everything around her. And therefore she killed herself. Or perhaps she wasn’t reflected in the mirror at all? Like in…

Reflection. Adelard speculated that this statement was about the Extinction, but I don’t think so. The protagonist was in a world that seemed unreal. A fun fair is artificial so that fits the theme. The people were playing games, which fits the theme via computer games maybe.

Adelard says “I can’t quite get past the detail that there was no reflection at all in the mirror he used to return.” It is almost at the end of Adelard’s letter, it’s clearly meant to be significant. The no reflection might be symbolic for the statement giver starting to think he isn’t real, which might be what happened to him after he gave the statement.

Reflection has influence by the Spiral, with the maze of mirrors. There is influence by the Flesh, with the cannibalism.

YIPPPE

get smooched

Bill is the best dad(?) ever

@unorchido

Congratulations!

After a long and difficult pregnancy and a complicated C-section, I have great news for you: you are a parent! Say hi to your new son, Papa!