I found this hilarious post stating elons girlfriends as typical c drama concubines and I'm loosing it
Bonus
Apparently, not only is RDJ getting $100 million for two movies, which is excessive enough, but he's also getting a private jet, a whole trailer encampment, and box office cuts on top of that - just absolutely disgusting greed on his part and Disney/Marvel having way too much money to blow while exploiting people working on the films and in factories in the Global South making merch for pennies a day.
Its so excessive, I can't imagine defending this. It looks like Marvel is so desperate to turn things around, and they mistakenly believe that bringing RDJ back will fix the issues with their lackluster scripts, bad multiverse premise, bad cgi, and overexposure.
Happy Pride everyone! Here is a selection of folk and fairy tales that I enjoy for both their plots and their queer vibes. I speak of vibes only, because I cannot say I have insight in the historical intention of these tales, but I do vouch for me presenting them to you unaltered, as I found them.
I will give the titles with links to the full texts here and summaries under the read more:
Gold-tree and Silver-tree Scottish fairy tale, collected by Joseph Jacobs, published in 1892. [Cw: abusive parent, murder.]
The Shoes That Were Danced to Pieces Cape Verdian folktale, collected by Elsie Clews Parsons in 1916-1917. [Cw: attempted poisoning]
The Unicorn Spanish fairy tale, collected by Aurelio Espinosa in 1947. [Cw: murder, attempt at being outed, awkward use of pronouns.]
The Tale of Tamamizu Japanese literary folktale, written by an unknown author between the Muromachi period (1336–1573) and the beginning of the Edo period (1603–1867). [Cw: tragic ending.]
The Tale of the Marquise-Marquis of Banneville French literary fairy tale, published in 1697, authorship contested (suggested: François-Timoléon de Choisy, Marie-Jeanne L'Héritier, Charles Perrault). [Cw: gender dysphoria, age difference.]
Bisclavret French literary legend, written by Marie de France in the 12th century. [Cw: wolf-violence]
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The argument I see way too often from Tony stans is the "you just don't like him because he is realistic" which...I know. I know there are bunch of men who get away with ton of shit just because they're rich, white and men. I know there are misogynistic people, sexualising every girl they come across. I know there are people being homophobic, sexist, transphobic and never getting called out. I know there are men telling rape jokes 'cause "it's just a joke". I know there are rich men drowning in their toxic masculinity harming everyone around them. And guess what? I don't like them either. I know Tony Stark is realistic, and that's why he is dangerous. I don't really care if you like Tony, I don't care if he is your favorite character. What I have issue with is anyone condoning his behavior that shouldn't be condoned. I don't care if he is your favorite character, you need to acknowledge that some of the shit he does, is not okay. And to those who say "it's just a movie" it's not. It's media, and media affects reality. If you don't think that the men like Tony, when seeing him being glorified, wont follow his footsteps because it's 'cool', I don't know what to say. There are too many people like Tony Stark. Saying okay to him, is saying okay to every other asshole like him. You can like his character, and call out the faults of creating characters like him. Tony is realistic. I know. And I hate it.
hate to say it but the key to having things solved by big company customer service is you just gotta stretch the truth with them. or straight up lie. actually. was on the phone for 3 hours because they sent something to the wrong address and spoke to 10 different departments trying to figure out if anyone could go fucking get it and they're like "uhhh but can you go get it" bitch I'm 8 hours away by car, I don't live in the house where you sent it.
took a moment to think, called back and was just like. Hi. My package was stolen off the porch!!! Saw the cunt steal it myself!! Anyway can you please send new things to this other address for free since that's your policy for stolen goods thank you~☆ ! and it was immediately solved.
I've finally figured out an argument that convinces coding tech-bros that AI art is bad.
Got into a discussion today (actually a discussion, we were both very reasonable and calm even through I felt like committing violence) with a tech-bro-coded lady who claimed that people use AI in coding all the time so she didn't see why it mattered if people used AI in art.
Obviously I repressed the surge of violence because that would accomplish nothing. Plus, this lady is very articulate, the type who makes claims and you sit there thinking no that's wrong it must be but she said it so well you're kind of just waffling going but, no, wait-- so I knew I had to get this right if I was gonna come out of this unscathed.
The usual arguments about it being about the soul of it and creation fell flat, in fact she was adamant that anyone who believed that was in fact looking down at coding as an art form as she insisted it is. Which, sure, you can totally express yourself through coding. There's a lot more nuance as to the differences but clearly I was not going to win this one.
The other people I was with (literally 8 people anti-ai against her, but you can't change the mind of someone who doesn't want to listen and she just kept accusing us of devaluing coding as an art) took over for I kid you not 15 minutes while I tried desperately to come up with a clear and articulate way to explain the difference to her. They tried so many reasonable arguments, coding being for a function ("what, art doesn't serve a function?") coding being many discrete building blocks that you put together differently, and the AI simply provides the blocks and you put it together yourself ("isn't that what prompt building is") that it's bad for the environment ("but not if it's used for capitalism, hm?" "Yeah literally that's how capitalism works it doesn't care about the environment" she didn't like that response)
But I finally got it.
And the answer is: It's not about what you do, it's about what you claim to be.
Imagine that someone asks an AI to write a code and, by some miracle, it works perfectly without them having to tweak it---which is great because they couldn't tell you what a single solitary thing in that code means.
Now imagine this person, with their code that they don't know how it works, goes and applies to be a coder somewhere, presenting this AI code as proof that they're qualified.
Should they be hired?
She was horrified, of course. Of course they shouldn't be. They're not qualified. They can't actually code, and even if by some miracle they did have an AI successfully write a flawless code for every issue they came across that wouldn't be their code, you could hire any shmuck on the street to do that, no reason to pay someone like they're creating something.
When actual engineers use AI what they do is get some kind of base, which they then go though and check for problems and then if they find any they fix them, and add on to the base code with their own knowledge instead of just trying different prompt after prompt until they randomly come across one that works.
People who generate code like this don't usually call themselves engineers. They're people who needed a bit of code and didn't have the knowledge to generate it, and so used a resource.
And there you go. There are people who have none of the skills of artists, they don't practice, they don't create for themselves. When they feed the prompt to the AI they then don't just use the resulting image as a reference point for their own personal masterpiece, and if they don't like it they don't have the skills to change it---they simply try another prompt, and do that until they get something they like.
These people are calling themselves artists.
Not only that, these people are bringing the AI generated thing to interviews, and they are getting hired, leaving people who slave over their craft out of the job.
And that is the difference, for the tech bros who think AI art isn't a big deal.
Yue Qingyuan owes nothing to Shen Jiu himself and as the plot significantly changes due to Shen Yuan, there's nothing more for him to take responsibility for by the end as Shen Yuan exonerated him from any further responsibility to move on. Don't argue this with me as any what if's are unwarranted, needless and useless semantics.
Flowers have a long history of symbolism that you can incorporate into your writing to give subtext.
Symbolism varies between cultures and customs, and these particular examples come from Victorian Era Britain. You'll find examples of this symbolism in many well-known novels of the era!
Amaryllis: Pride
Black-eyed Susan: Justice
Bluebell: Humility
Calla Lily: Beauty
Pink Camellia: Longing
Carnations: Female love
Yellow Carnation: Rejection
Clematis: Mental beauty
Columbine: Foolishness
Cyclamen: Resignation
Daffodil: Unrivalled love
Daisy: Innocence, loyalty
Forget-me-not: True love
Gardenia: Secret love
Geranium: Folly, stupidity
Gladiolus: Integrity, strength
Hibiscus: Delicate beauty
Honeysuckle: Bonds of love
Blue Hyacinth: Constancy
Hydrangea: Frigid, heartless
Iris: Faith, trust, wisdom
White Jasmine: Amiability
Lavender: Distrust
Lilac: Joy of youth
White Lily: Purity
Orange Lily: Hatred
Tiger Lily: Wealth, pride
Lily-of-the-valley: Sweetness, humility
Lotus: Enlightenment, rebirth
Magnolia: Nobility
Marigold: Grief, jealousy
Morning Glory: Affection
Nasturtium: Patriotism, conquest
Pansy: Thoughtfulness
Peony: Bashfulness, shame
Poppy: Consolation
Red Rose: Love
Yellow Rose: Jealously, infidelity
Snapdragon: Deception, grace
Sunflower: Adoration
Sweet Willian: Gallantry
Red Tulip: Passion
Violet: Watchfulness, modesty
Yarrow: Everlasting love
Zinnia: Absent, affection