Fellowship Of The Ring | Two Towers | Return Of The King

Hi! I was wondering if you allow people to repost/share your artwork. The piece you did of Sirius and Remus "now kiss" is beautiful and I have a Wolfstar centric fic I'm going to be posting on Ao3 later this spring (it's written) which I'd love to use that artwork to promote. Obviously with credit. It's the Marauders fifth year and told from Remus' POV. Basically it's when SO Much drama unfolds for Wolfstar!!! And their postures and expressions in your piece are spot on perfect. Anyway, I have only ever reblogged artwork before and I'm not even sure how to repost but I figured I'd start with asking permission. I'd also love to make a little virtual cover for Ao3, but that is a larger project. If you don't allow artwork sharing, no problem. Thank you for sharing your creativity with the community Cheers! :)

omg thank you for asking!! yes of course as long as it's with credit! i'm honored the drawing works so well i'd love to read the fic when it comes out!! :)

everyone keeps having these moments at the top of the astronomy tower how are none of them bumping into each other

People often say LOTR is a story about hope. (I'm reminded of it because someone said it in the notes of my Faramir post.) And that's true, but it's not the whole picture: LOTR is in large part a story about having to go on in the absence of hope.

Frodo has lost hope, as well as the ability to access any positive emotion, by Return. He is already losing it in Towers: he keeps going through duty and determination and of course Sam's constant help.

For most of the story, Sam is fueled by hope, which is why it's such a huge moment when he finally lets go of the hope of surviving and returning home, and focuses on making it to the Mountain. To speed their way and lighten the load, he throws his beloved pots and pans into a pit, accepting that he will never cook, or eat, again.

When Eowyn kills the Witch King, she's beyond hope and seeking for a glorious death in battle. It's possible that in addition to her love and loyalty for Théoden, she's strengthened by her hopelessness, the fear of the Nazgúl cannot touch someone who's already past despair.

Faramir is his father's son, he doesn't have any more hope of Gondor's victory or survival than Denethor does, he says as much to Frodo. What hope have we? It is long since we had any hope. ... We are a failing people, a springless autumn. He knows he's fighting a losing war and it's killing him. When he rejects the ring, he doesn't do it in the hope that his people can survive without it, he has good reason to believe they cannot. He acts correctly in the absence of hope.

Of course LOTR has a (mostly) happy ending, all the unlikely hopes come true, the characters who have lost hope gain what they didn't even hope for, and everyone is rewarded for their bravery and goodness, so on some level the message is that hope was justified. But the book never chastises characters who lost hope, it was completely reasonable of them to do so. Despair pushed Théoden and Denethor into inaction, pushed Saruman into collaboration, but the characters who despaired and held up under the weight of despair are Tolkien's real heroes.

(In an early draft of Return, Frodo and Sam receive honorary titles in Noldorin: Endurance beyond Hope and Hope Unquenchable, respectively. Then he cut it, probably because it was stating the themes of the entire book way too obviously, because this is what Tolkien cared about, really: enduring beyond hope. Without hope.)

Also, people who know more than me about the concept of estel, feel free to @ me.

WIP 😌😌😌

womp womp

now kiss