Apperantly I Never Posted This??? Kinda Old But I Still Like It

but she has a job to do

snoopy of the day

SPIT YOUR SHIT

somebodys art school girlfriend

happy trans visibility day

timelapse !!:

happy trans visibility day, you are visible to our world and till the end of time we will stay visible. trans people have always existed and the attempted erasure of our history is devastating, but may we stay strong! resist by existing, and in the face of extermination say fuck you. i hope you all have a wonderful day and please appreciate your journey of becoming who you are : 3

losers going to prom

guys do NOT create pirated copies of bullets gerard way deadass turned me into a vampire for that wtf

“Unfinished Painting” — Keith Haring

This painting was left intentionally incomplete. Haring began it when he was dying due to complications from AIDS, and knew he didn’t have much time left. The piece represents the incomplete lives of him and many others, lost to AIDS during the crisis.

“AIDS Memorial Quilt” — Multiple

This quilt is over 50 tons heavy, and one of, if not the, largest pieces of community folk art. Many people who died of AIDS did not receive funerals, due to social stigma and many funeral homes refusing to handle the deceased’s remains, so this was one of the only ways their lives could be celebrated. Each panel was created in recognition of someone who died due to AIDS, typically by that person’s loved ones.

“Untitled” (Portrait of Ross in L.A.) — Felix Gonzalez-Torres

This pile of candy weighs the same amount as Gonzalez-Torres’ partner, Ross Laycock, did. Ross Laycock had died due to AIDS-related complications earlier that same year. Visitors who see this piece are encouraged to take some of the candy. As they do so, the pile of candy weighs less and less, like how AIDS had deteriorated the body of Ross Laycock.

The SF Gay Men's Chorus

This photo was taken in 1993. The men in white are the surviving original members. Every man in black is standing in for an original member who lost their lives to AIDS.

“Electric Fan (Feel it Motherfuckers); Only Unclaimed Item from the Stephen Earabino Estate, 1997” — John Boskovich

After the death of his lover, Stephen Earabino, from AIDS, Boskovich discovered that his family had completely cleared his room, including Boskovich’s own possessions, save for this fan. An entire person, existence and relationship had been erased, just like so many lives during the AIDS crisis. Boskovich encased the fan in Plexiglass, but added cutouts so that its air may be felt by the viewer, almost like an exhalation. In a sense, restoring Earabino’s breath.

“Blue” — Derek Jarman

This was Jarman’s final feature film, released four months before his death from AIDS-related complications. These complications had left him visually impaired, able to only see in shades of blue. This film consists of a single shot of a saturated blue color, as the soundtrack to the film described Jarman’s life through narration, intercut with the adventures of Blue, a humanization of the color blue. The film's final moments consist of a set of repeated names: “John. Daniel. Howard. Graham. Terry. Paul". These are the names of former lovers and friends of Jarman who had died due to AIDS.

“Untitled” (Perfect Lovers) — Felix Gonzalez-Torres

Created by the same man who created the previous untitled piece, this piece was also inspired by his lover’s deterioration and death due to AIDS. This piece consists of two perfectly alike clocks. Over the course of time, one of the clocks will fall out of sync with the other.

In a letter written to his lover about the piece, before his lover’s passing, Gonzalez-Tourres wrote, “Don't be afraid of the clocks, they are our time, the time has been so generous to us. We imprinted time with the sweet taste of victory. We conquered fate by meeting at a certain time in a certain space. We are a product of the time, therefore we give back credit were it is due: time. We are synchronized, now forever. I love you.”

Please feel free to reblog with more additions

hi so silly thing i noticed about third mcr video:

The camera angle of the last few seconds indicate that someone else is actually in the room with the Secretary and the Dog. I don't think it's the dictator, as all displays of him have been in the center of the entire frame, and the main focus of the video. I haven't exactly figured who is sitting on the other side from the Dog, but that may be a new character in the storyline, or an old face, as I just cannot see any of the characters displayed in the video (Opera singer, Man with the rose, the three leaders, etc.) sitting in that chair.

Also, as mention in my tags a while ago, everyone (except the Dog ofc) seems.. either stressed, confused, or even possibly gloomy. This, added to the disappearance of the Dictator, implies something has happened to him, and it's not good for anyone in the room.

The soldier on the left is insistent on feeding the Dog, but clearly has a look of nervousness, whereas the solider on the right is quite visibly nervous, if not terrified, as he shakily keeps feeding the dog. The Secretary holds a neutral, but pensive expression, her sunglasses hiding her true feelings. Perhaps her style of black clothing isn't a style, or a sign or high power, but rather clothes of a mourner, a widow. Someone who is grieving.

This, added with all the other details, and how seemingly big of a feast there is (something that the Dictator probably would've wanted), it seems like the unkillable has now been taken with the Swarm, leaving his empire in disorder.

That's just my idea though, what about you guys?