I Like Getting Cute Morning Texts Like: I Killed The Man Who Looked At You.

once again on semi-hiatus 🫠 work is hell

still in awe at the constant flow of posts using the same line of "sorcerers aren't heroes in the story" to somehow diminish geto's actions throughout the series which, albeit born from reaching a breaking point after exploitation and misuse of his ability as well as the circumstances in which both he and gojo were forced to grow up into fine killers, it remains true that he killed more than a hundred of people indiscriminately (how convenient it would be that he only chose those who were "culprit" of mimiko and nanako's lynching, right? because there was a reliable way for him to know it right? there wasn't. it was indiscriminate killing under the assumption that not a single soul was free of sin), the murder of his parents who, as implied, were non-sorcerers as well and in order to add value and weight to his point, he considered their status as family didn't exempt them from sharing the same sin as the people in the village: by being ordinary humans they are bearers of cursed energy and their negativity would invariably end up being consumed by him, or the curse would consume someone else, someone like haibara, who was weaker, could be anyone but a sorcerer like him. and the treatment of every other non-sorcerer that he´s come across in the series.

i've mentioned this before in a different blog but i bring it here too: there is no possible way in the main timeline where geto will choose anything else but his goal of total erradication of non-sorcerers, because as a person who needs a purpose, who needs something to live for, the dawning realization that he'd wiped out entire bloodlines in a single night, the emptiness gnawing at him from within, made him seek for something that would justify his actions and he latched onto the first thing that he knew: the only way to prevent curses from being born is either to erradicate cursed energy from humans or the humans themselves. he chose the latter, so it ended up becoming a fundamental part of his identity, giving it up means giving up on himself altogether, it means that leaving everything behind, leaving his one and only best friend behind, the school, his comrades, the killing of his own family, all of it held no meaning at all and he needs it, he needs it to mean something, needs his existence to not have been that of a machine grinding meat for the higher ups to feast upon, that maybe this way he can have the liberty of acting upon his own desires and not those of others who only benefitted from the sacrifice of others. he turned his fangs back at them, and they hated him for it, but he hated himself more because he knows no other way to defend himself from total failure and meaninglessness.

so basically, while he is a victim of a corrupt system, just because sorcerers are not exactly heroes or molded to be saviors, it doesn't mean absolution: at the end of the day, even those who were also victims of the same system did not arrive to the same conclusion. his actions are entirely his own, it's the path he chose. he doesn't wish to be forgiven, he doesn't think to force others to follow. does the snake ask for the mice's forgiveness? does it expect it? it does not, it is hungry, it doesn't know any other way to eat but this. and would you tell the mice, the snake is misunderstood, it is hungry. would it make sense to them? silly metaphor because animals hunt by instinct but truth remains relatively the same: he knows what he can do and what his strength amounts to, and he makes conscious use of it, unrelenting. you can't exactly categorize him as anything else but what he is: a curse. the worst curse user.

right place, right time prompts.

so i got watching a ton of new tv shows lately, and it occurred to me that actually i do love it when characters are unexpectedly saved by someone who just happened to be exactly in the right place at precisely the correct moment, yk? and i failed to think of the right name, so the title of this list is entirely thanks to a very dear friend of mine who informed me! so here's a list, i hope you guys love it, DO NOT ADD TO THIS LIST OR EDIT IT!!! i like to edit them over time as new ideas come to me.

[ ALIBI ]: the sender provides a false alibi to protect the receiver from legal issues.

[ HAND ]: the sender suddenly arrives to grab the receiver's hand before they fall to their death

[ CAR ]: the sender arrives on scene as the impromptu getaway driver for the receiver (who hadn't been expecting it).

[ FATAL ]: the sender unwittingly arrives on scene when the receiver is being attacked, and to protect the receiver, they kill the assailant.

[ DISTRACT ]: the sender provides a diversion so the receiver can escape a dangerous situation.

[ OUT COLD ]: the sender knocks out an assailant before they can seriously wound the receiver.

[ DUNNO ]: the sender lies about the location of the receiver in order to protect them from pursuers.

[ FAKE ]: the sender, in a situation where they're forced to kill the receiver, only pretends to kill the receiver and takes their "dead" body away in the car.

[ SACRIFICE]: the sender sacrifices their life to ensure the receiver's survival.

[ BACK-UP ]: the sender arrives just in time to help the receiver in a fight.

[ EXCUSES ]: the sender provides an excuse for the receiver to stay at an event where they shouldn't be.

[ HIDDEN ]: the sender hides the receiver from pursuers.

[ SHELTER ]: the sender finds the unconscious receiver and brings them to a safe place.

[ HERO ]: the sender tackles the receiver out of the way of an attack.

[ RUN! ]: the sender tackles the attacker so the receiver can make a safe get-away.

[ FIGHT ]: the sender fights off the assailants so the receiver can flee to safety.

[ INTERCEPT ]: the sender unexpectedly emerges and stands between the receiver and a threat.

[ MISDIRECTION ]: the sender points a group of pursuers in the opposite direction to buy the receiver some time to hide.

[ SANCTUARY ]: the sender opens the door when the receiver knocks in search of help, and brings them into their home.

[ REPUTATION ]: the sender, being somewhat infamous in the area, arrives when the receiver is being hassled, causing the assailants to flee rather than risk the consequences of crossing them.

[ RECOGNIZE ]: the sender pretends to know the receiver in order to help them avoid unwanted attention.

[ AFAR ]: the sender incapacitates, distracts or kills an assailant from a distance to protect the receiver.

[ FRIENDS ]: the sender, unable to attend directly, sends friends over to protect the receiver when they encounter a threat.

[ NEGOTIATE ]: the sender intervenes in a tense situation and manages to smoothly persuade a potential threat to leave the receiver alone.

[ BRIBE ]: the sender gives a threat a significant amount of money to leave the receiver alone.

[ ANNOUNCE ]: the sender issues a declaration that the receiver is under their protection, assuring all potential attackers that any attempts will result in a brutal retaliation from them.

VERBAL PROMPTS:

" they're with me. "

" i was with them all night. "

" hey! these guys bothering you? "

" i wouldn't do that if i were you. "

" you must've really pissed those guys off, huh? "

" follow my lead... "

" don't worry. you're safe here. i won't let anyone hurt you. "

" you're lucky i found you when i did; those people were right down the street. "

" get in the car! now! "

" i'm gonna buy you as much time as i possibly can. make it count, okay? get out of here. now! "

" you can come out now. they're long gone. "

" nobody's going to hurt you like that again. "

blood, sender cleans blood off of receiver. ( Gojo and Nagumo )

truth be told, neither are in any position to be wasting time cleaning up the mess, and by mess he means this: blood-splattered clothes, indented weapons, empty cartridges. his mouth fills with the metallic aftertaste of it all, muscles finally itching as if to ask for attention and to be wrapped and tended by the same cloth that nagumo used on satoru’s cheek. (he makes it his life purpose to catch the asshole that bruised his face)

‘ you’re good at this, i didn’t think you’d actually take me seriously and mend the wounds. guess i owe you one. ’

in the span of one second, the atmosphere shifts into something more… comfortable, whatever comfortable was. for men of their profession, anything remotely close to peace is a far-fetched dream, so he snatches the moment and makes it his own, eyelids coming down and encapsulating sky-blues from the world, albeit briefly. nagumo’s presence is still palatable, impossible to ignore.

his fingers move methodically and almost as impersonal as the moment a knife slices through a target’s throat. if there’s something to respect about the man is exactly this: the commitment to his brand, expertise that’s only attained from the perfect combination of talent and a life on the field and not behind the monotony of a desk and a computer, aiding or sending out orders to the souls on the front. 

cold liquid presses against his temple, the aching propels him forward, hands wrapped tightly around nagumo’s wrists.satoru’s eyes snap open, ‘ whoa! what was that?! are you trying to kill me? i thought we said no ethyl alcohol. ’

@tearenere

please im begging connect me with more psycho pass blogs i am rotting in this corner

I totally don’t ever rp with u bc u never gave me the insane duo of Makima and Gojo

guilty as charged. happening now. Makima and Gojo will interact one way or another in the photo studio during one of the many parties hosted by Jacksatoru Wangojo

give me a reason why you DON'T rp with me.

i dont rp with people who gatekeep geto's hole

top geto disliker in my dms chat bring me my yaoi paddle

give me a reason why you DON'T rp with me.

guys im too busy to make a promo but pls recommend me blogs to follow