Forever Funny To Me That When Lamenting On Henry’s Death Victor Reminisces On How Long His Eyelashes

Imagine if you will, that you have an older brother.

He's an admirable kind of brother, the same as your parents. He has an interest in the natural sciences and is a bit of a nerd, but he's a great brother. Alongside your older brother, of course you have your parents, a younger brother (who is practically an angel to everyone who has ever known him), a cousin who is sort of your sister (and also your brother's one true love or whatever), your older brother's lifelong best friend, and a servant girl who is practically family.

Life is easy. You live everyday with great pleasure in your native home where the icy-capped mountains are beautiful and the lake serene.

Of course, like any other human being, you experience a great tragedy. One day, your cousin-sister gets sick. In her kindness, your mother takes care of her but gets sick herself and dies. It's tragic... but it happens.

Afterwards, your older brother leaves for university, and you spend your life full of enjoyment. The only thing you wish is that your father would allow you to take leave and become a soldier. Unlike your older brother, you had no fondness for the academia and would rather go out and find glory in battle.

In this time, your older brother's letters begin to slowly dwindle, that almost two years have gone by since his last writing. It bothers you, but as you are just a youth, it doesn't bother you as much as it does your father, your cousin-sister, and your older brother's best friend (who eventually does leave to go to the same university as your older brother).

From your brother's best friend, you're informed that your brother has gotten ill, but at least his best friend is there to care for him. Gradually, your brother begins to write to your family again and all seems well.

One day, you go out with your family to enjoy the nature. You and younger brother go out into the forest to play hide and seek. You seek, but do not find. You return to your family, hoping your brother went back but he didn't. You and your family try to find him for the entire night.

In the morning, you find him murdered.

A part of you blames yourself. After all, you were the last to see him. Maybe you even proposed that game of hide and seek. Maybe if you hadn't lost him he'd still be alive. Your older brother is told to come back home, and while waiting for him, you find out that your family's servant (who your family has loved like their own) was the murderer.

It's all so strange and horrible, but her trial is set, and your older brother has come home. He is visibly shaken when you first meet him after many years apart. He's changed, but he's still your brother. He raves a bit to you about how he knows who the murderer is, but instead of the servant, he mentions some other fiend.

This thought is quickly swept away by the ensuing trial and execution of someone you once held dearly. Your older brother is so distraught. He has decided to stay home, but his misery is palpable and you feel sorry for him, your father, your cousin-sister, and yourself. Although, you try your best to be happy.

Months past, your older brother has returned from a trip to some neighboring cities. Your father has been casually mentioning the possible marriage between your older brother and your cousin-sister. Instead of agreeing immediately, as you thought he would, your older brother instead decides to go to England with his best friend. Which is really strange to you, but hopefully he comes back better.

A year nearly passes... your older brother's best friend is dead and your brother has been accused of his murder. Your father has to travel all the way to Ireland to save him. Eventually they return, and your brother is a wreck - though that's to be expected after the murder of his best friend. Still, he decides to go on with the marriage - and there is happiness in your household once again.

Though somehow, your ever unlucky brother sails away with his new wife... and comes back stating that she has been murdered. The news literally kills your father, leaving you and your brother alone.

The next few months are torture as you watch your brother turn into a shell of himself, further falling into the miseries that you have both suffered. However, somehow a part of you can tell that there's something deeper in his despair, though you can't exactly know what.

Then you hear from a magistrate about your older brother's ravings about that fiend... the murderer he'd once mentioned a long time ago. The talks of a madman.

Your older brother leaves, promising to kill whoever enemy he had conjured up in his mind.

He's gone for months... maybe even years.

He comes back dead, though not alone. His body escorted by a ship captain.

He has a tale to tell you.

Oh, btw, your name is Ernest Frankenstein.

im fgonna say it. victor wasn’t in the wrong for not taking care of creature 

experimenting with shape language lately, I think I'm getting better at it -not final-

you're in his dms i am awakening a part of his conscience that he did not know existed so that he can overcome his religious trauma have sex with women and enjoy his life we are not the same

i am thinking about how victor exists in a liminal space where he is expected to embody masculinity yet is repeatedly treated as something other than a man: he is caught between expectations and identity, unable to fully claim the masculinity he reaches for (or at the very least, is expected to reach for) yet not quite conforming to traditional femininity either. his existence is marked by contradiction: he outwardly pursues male-coded ambition and authority, yet is consistently denied the recognition, respect, and autonomy afforded to men. at the same time, he is subjected to treatment that mirrors the historical oppression of women, but without ever being fully aligned with femininity.

yet ultimately he does not belong to either category and instead oscillates between them, unable to find stability in one or the other, because he is both mother and father and simultaneously neither, a juxtaposition reinforced by his own method of creation. his horror at the creature’s birth mirrors a crisis of self--he has created something neither fully human nor entirely monstrous but an awkward inbetween, just as he himself does not fit neatly into the rigid constructs of gender that society demands

victor’s narrative, then, can be read as an exploration of dysphoria--not necessarily in the modern sense, but in the broader, existential discomfort of being forced into roles that do not align with one’s internal reality. his attempts to assert control, whether over life, death, or his own identity, continually fail because the world refuses to see him as he sees himself.

all this to say. victor nonbinary

I just got back from a study trip so have some Elizabeth doodles I did during free time

(for the ask game from a few days ago) could you do Victor for 2, 12, 15 and 24

2. Favorite canon thing about this character?

i had to sit and think because this one was so hard to narrow down. on a surface level i find all sorts of things about him endearing from his mannerisms to his speech patterns, but i think the thing that got me hooked on victor as a character was how emotionally demonstrative he is, particularly for a male protagonist. this also extends generally to his love for nature, for his friends, and his siblings (disregarding the incestuous implications of his relationship with elizabeth...)

i think this was only intensified for me when i started delving into frankenstein academic essays and analysis and then, by extension, the frankenstein fandom, and found that en masse it was people criticizing victor for just what interested me to him in the first place: being emotional, and therefore somehow melodramatic, overreacting, self-centered, egotistical, etc. it was this kind of climate of victor-hate that pushed me to make a tumblr account in the first place. someone had to be the sole victor defender in this barren wasteland

12. What's a headcanon you have for this character?

this is silly and probably not the serious answer you were looking for but like 2 years ago a dear friend of mine and i were joking about how you could catch victor frankenstein in a mouse trap and ever since then his assigned fursona in my head has been a mouse:

15. What's your favorite ship for this character?

by far its waltonstein (robert x victor). im aware clervalstein is vastly more popular, and while im charmed by it in-canon i dont find most depictions of it to my taste. i don't see their relationship as wholly reciprocated–one-sided on walton's end–which is part of the reason why i like their dynamic so much: its established that walton romanticizes the unobtainable, chases the unknown, and that's why he hangs all his hopes on things he cannot feasibly reach. first becoming a famous poet and going down with the greats, then sailing to find the northern passage despite being an inexperienced captain, all the while hoping for this impossibly idealistic image of a companion who would be perfectly tailored to his interests and manners, and then, against all reason, he finds this in victor, wherein victor becomes an extension of this habit, who is dying and too hung up in the past and on martyring himself, because everyone who has grown close to him has been hurt for it, so he cannot love again, or at least in the way walton wants. yet victor still has a reciprocated interest and finds a friend in him, even shares the same sentiment of the importance of friendship, but like he says no man can "be to him as clerval was." its very much wrong place/time but the right person.

ive said this before but i think, too, that if victor had recovered and lived than walton may fall a little less in love with victor. their relationship was founded on their dynamic of sick/caretaker, and beyond that, victor would have already exhausted his story, so there's no air of mystery around him anymore–nothing for walton to glorify or romanticize. ultimately i think even if they had the best of intentions and loved each other, they could not have a healthy or fully mutual relationship, and part of the appeal to me is this tragedy!

24. What other character from another fandom of yours that reminds you of them?

im drawing a bit of a blank on this one because no other character encompasses just what victor Is to me, but theres a whole host of victor-esque characters i could name because he is the literal foundation for the mad scientist archetype. if i was pressed i think id say geoffrey tempest from sorrows of satan by marie corelli (beyond his blatant misogny), and i remember some parts of emil sinclairs early narration in demian by herman hesse reminded me of victor. lucifer/satan from paradise lost also, particuarly the bit where he says he cannot enjoy the beauty of earth for the suffering of his fall, but that almost feels like a cop-out answer.

lastly–and this one is completely unfounded–itd have to be double dee from EEnE.

does anyone remember that time demian called a guy a kitten and then procceeded to beat his ass so bad he had to leave the country

my intended response to this was never “caroline and alphonse fucked up as parents and therefore THEYRE the evil ones and to blame”—analysis is not about figuring out who the bad-est person is so you can disavow them and who the good-est person is so you can root for them. frankenstein is a complex story that deals with a lot of commentary on society and morality and the cycle of abuse. people are a reflection of their world, their life experiences and trauma, and caroline and alphonse are no exception. while caroline perpetuated her own abuse and trauma through victor and elizabeth, and its significant that victor made the (unconscious) choice to break this generational cycle of abuse, her origin story is still one where she was victimized herself, both by alphonse and by the society that failed her and her father as a whole. we also have to remember frankenstein was written in the past when people believed and acted in ways we would consider problematic now. the characters morality should be judged based on a reflection of that time period, not based wholly through a modern lens. in some ways (particularly through their method of educating their children, but also victor’s ideas on female autonomy) the frankensteins would have been considered rather radical, because parts of the book reflect mary shelley’s beliefs, who was a radical feminist herself. this isnt at all to say i absolve alphonse and caroline (or even victor, to a lesser extent) of blame for the mistakes they made in their parenting: rather, it’s a calling to consider the nuances of the book and the complexities of ALL of its characters instead of boiling them down to black-and-white good-versus-evil.

i’ve seen the “monsters aren’t born they’re created” line of reasoning applied quite a few times in defense of the creature, wherein creature was inherently good-hearted but turned into a monster via victor’s “abandonment” and his subsequent abusive treatment by other humans, but this logic is so scarcely applied to victor. victor, to me, is often sympathetic for the same reasons as the creature, it’s just those reasons are not as blatantly obvious and require reading in-between the lines of victor’s narration a bit more. most “victor was evil and bad” or even some “victor was unsympathetic” arguments tend to fall through when you flip the same premise onto victor: if monsters are created, than who created victor frankenstein?

Another twitter meme

Og