Imagine: Picture Of Henry And Walton Staring At Each Other Intensely. Captioned “team Jacob Vs Team

Folks often make fun of the fact that Ernest says "my brother" instead of "our brother" during the Frankensteins' reunion after William's death as if throwing shade at Victor but like

There's some 10-ish years age gap between Ernest and William, for Victor and William it's 17. William was most likely not even a year old when Victor left to university and there's been radio silence from him ever since. Victor and William literally don't know each other, for pretty much William's whole life Ernest has been his only brother. It was just the two of them and Liz, Victor was never part of it. So it's natural that Ernest would slip like that.

Victor lost the idea of a brother but Ernest actually lost a brother

creature 4 big booms 💥💥💥💥

the light starts to go out.

i mentioned victor's delusions in brief previously (here), but because of the inherent complexity (and almost contradictory aspect) of their nature i decided it warranted its own post!

victor, alongside other psychotic symptoms, experiences delusions of guilt and persecution. a delusion is an involuntary belief that isn't rooted in logic or evidence; a person experiencing a delusion is fixed in their belief, and they can't stop believing it even if they know it isn't true and/or despite contrary evidence.

while victor's delusions–specifically regarding those that revolve around the creature–by in large turn out to actually be true, i.e. the creature actually harmed his family and victor by extension, during the point in the novel when he was experiencing them, he has no evidence to suggest that this was the case, and within the context of the rest of his symptoms, they'd still be considered delusional ideas.

for a variety of reasons, i'm still on the fence on whether i'd categorize victor's mania and grandiosity during the creation process as constituting delusions of grandeur. and to what extent is this sense of grandiosity justified, because he DID discover the secret of life itself… does that not almost warrant the feeling of being superiorly intelligent, this sense of infallibly, and the belief that they should be lauded for their achievements, in almost anyone who could have made the same discovery? it's tricky because i’m not sure if i just have an aversion to the "victor had grandiose delusions during the creation process" take simply because the vast, vast majority of those who make that argument also make the argument that delusion of grandeur = arrogance = evil = victor sucks (and that line of thinking is a whole separate can of worms in of itself…), or if i actually don’t wholly agree with it; for this reason i won’t touch on this here yet

with that out of the way–

like i’ve stated before, victor’s psychotic breaks are either triggered by the stress of the creation process or the death of one of his loved ones. this results in delusions of persecution, which is defined as when the affected person believes that harm is going to occur to oneself or those close to them by a persecutor, in this case the creature, despite a clear lack of evidence. initially, this starts with paranoia:

“Every night I was oppressed by a slow fever, and I became nervous to a most painful degree; the fall of a leaf startled me, and I shunned my fellow creatures as if I had been guilty of a crime. Sometimes I grew alarmed at the wreck I perceived that I had become…”

“With an anxiety that almost amounted to agony, I collected the instruments of life around me, that I might infuse a spark of being into the lifeless thing that lay at my feet”

this paranoia develops into a delusion as victor’s belief that the creature means him harm, despite having nothing to support this idea, becomes fixed. this comes to a head after the creature’s animation: 

“I beheld the wretch…He might have spoken, but I did not hear; one hand was stretched out, seemingly to detain me, but I escaped and rushed downstairs…where I remained during the rest of the night, walking up and down in the greatest agitation, listening attentively, catching and fearing each sound as if it were to announce the approach of the demoniacal corpse to which I had so miserably given life”

“I issued into the streets, pacing them with quick steps, as if I sought to avoid the wretch whom I feared every turning of the street would present to my view. I did not dare return to the apartment which I inhabited, but felt impelled to hurry on”

delusions can often feel like a sudden truth (the false belief) has been revealed to you. victor himself notes this sudden, extreme shift in perspective within himself:

“...dreams that had been my food and pleasant rest for so long a space were now become a hell to me; and the change was so rapid, the overthrow so complete!”

as victor recovers physically, this delusion becomes less present as the acute phase ends, and victor’s fears regarding the creature fade into the background as he enters the recovery phase. he stays in this manner until psychosis is again triggered by the stressor of william’s murder–then, victor’s delusion of persecution returns. however, this time, he believes the creature is not only going to harm himself, but was the murderer of william. once more, this starts with paranoia:

“Fear overcame me; I dared no advance, dreading a thousand nameless evils that made me tremble, although I was unable to define them…The picture appeared a vast and dim scene of evil, and I foresaw obscurely that I was destined to become the most wretched of human beings.”

and then develops into a fixed belief:

“I perceived in the gloom a figure which stole from behind a clump of trees near me; I stood fixed, gazing intently: I could not be mistaken. A flash of lightning illuminated the object, and discovered its shape plainly to me; its gigantic stature, and the deformity of its aspect more hideous than belongs to humanity, instantly informed me that it was the wretch…Could he be (I shuddered at the conception) the murderer of my brother? No sooner did that idea cross my imagination, than I became convinced of its truth… He was the murderer! I could not doubt it. The mere presence of the idea was an irresistible proof of the fact.”

while it turned out that he was actually correct in this assumption, what’s important to emphasize here is that victor has absolutely ZERO proof that the creature was involved with the murder of william, apart from seeing a shady-looking outline outside of geneva after walking in the rain all night. victor is not thinking clearly here, which he himself acknowledges in a phenomenon known as double book-keeping. double book-keeping refers to a mental process where an individual maintains two conflicting beliefs or realities simultaneously--where a person might experience delusions or hallucinations while still having moments of awareness that these perceptions are not grounded in reality. here, victor holds two realities (believing in a delusion while being aware that this belief would not be shared by others):

” My first thought was to discover what I knew of the murderer, and cause instant pursuit to be made. But I paused when I reflected on the story that I had to tell. A being whom I myself had formed, and endued with life, had met me at midnight among the precipices of an inaccessible mountain. I remembered also the nervous fever with which I had been seized just at the time that I dated my creation, and which would give an air of delirium to a tale otherwise so utterly improbable. I well knew that if any other had communicated such a relation to me, I should have looked upon it as the ravings of insanity…”

and, in fact, the only evidence he has is (seemingly) proof to the contrary i.e. the locket found in justine’s pocket. yet victor holds this belief with the intense conviction characteristic of delusions, as well as the incorrigibility of a delusion, as he’s continually resistant to his family’s logical counterarguments, as ernest recounts the events to victor upon his return home:

“This was a strange tale, but it did not shake my faith; and I replied earnestly, “You are all mistaken; I know the murderer. Justine, poor, good Justine, is innocent.”

he goes on to make the same assertion to his father and elizabeth, without once questioning the validity of his previous belief. 

victor develops delusions of guilt surrounding the trial of justine, the delusional belief of one's personal guilt for an event, real or imagined–it is an extreme and unwarranted feeling of remorse or guilt that someone has done something terrible. people with delusions of guilt may also believe they are "evil" or have committed an "unpardonable" sin and deserve to be punished forever. despite having no hand in the results of the trial, and again, no proof that the creature was even involved, victor is convinced of his guilt to the point of agony. for example:

”My own agitation and anguish was extreme during the whole trial. I believed in her innocence; I knew it. Could the dæmon who had (I did not for a minute doubt) murdered my brother also in his hellish sport have betrayed the innocent to death and ignominy? … The tortures of the accused did not equal mine; she was sustained by innocence, but the fangs of remorse tore my bosom and would not forgo their hold.”

”During this conversation I had retired to a corner of the prison room, where I could conceal the horrid anguish that possessed me. Despair! Who dared talk of that? The poor victim, who on the morrow was to pass the awful boundary between life and death, felt not, as I did, such deep and bitter agony…But I, the true murderer, felt the never-dying worm alive in my bosom, which allowed of no hope or consolation.”

  The blood flowed freely in my veins, but a weight of despair and remorse pressed on my heart which nothing could remove. Sleep fled from my eyes; I wandered like an evil spirit, for I had committed deeds of mischief beyond description horrible, and more, much more (I persuaded myself) was yet behind… I was seized by remorse and the sense of guilt, which hurried me away to a hell of intense tortures such as no language can describe.

delusions of guilt are often accompanied by low self-esteem, depression, and sometimes suicide (attempts); victor experiences all of these following the trial. this delusion is maintained throughout the rest of the novel.

lastly, during the chase at the arctic and on walton’s ship, victor experiences delusions surrounding his family. in his final attempt to hold onto those he lost, victor becomse unable to distinguish between reality and the delusions that sustain him:

"During the day I was sustained and inspirited by the hope of night, for in sleep I saw my friends, my wife, and my beloved country… I persuaded myself that I was dreaming until night should come and that I should then enjoy reality in the arms of my dearest friends. What agonising fondness did I feel for them! How did I cling to their dear forms, as sometimes they haunted even my waking hours, and persuade myself that they still lived!...I pursued my path towards the destruction of the dæmon more as a task enjoined by heaven, as the mechanical impulse of some power of which I was unconscious, than as the ardent desire of my soul."

Yet he enjoys one comfort, the offspring of solitude and delirium; he believes that when in dreams he holds converse with his friends and derives from that communion consolation for his miseries or excitements to his vengeance, that they are not the creations of his fancy, but the beings themselves who visit him from the regions of a remote world."

ultimately victor's delusions evolve throughout the novel; what starts as paranoia becomes a fixed belief that the creature means to harm him and his family, which eventually develops into a certainty that he's responsible for the deaths of his loved ones. by the time he reaches the arctic, he clings to delusions of his family still being alive and that they're talking to him.

i'll probably make yet another post dissecting what this all means in context, i.e. like avo said; the implications of the treatment of victor as a character due to these symptoms of a "weird" "scary" illness... buuuut. again. another time!

Fascinating trend I’ve noticed from lurking in Frankenstein-related tags:

If there’s a male construct, people frame him as the creator’s child. He has full agency and personhood and deserves to be raised in a family. The most obvious example of this is Frankenstein’s Creature, but you’ll see echoes of it with creators of robots, Pinocchio, etc.

If there’s a female construct, people frame it as expected that she’s created to be a romantic/sexual object. I saw a few posts that Pygmalion is morally superior to Victor Frankenstein because he fell in love with his creation, for instance. I don’t need to go into the dozens of “make a female robot and fall for her” tropes.

The most uncomfortable intersection of this dichotomy are the countless posts insisting that it was Victor’s duty as a father to create a female to gift to his son—and that the “wait but she’ll be an actual person of her own” reservations Victor had in the book were immoral. He owes his son (male construct = family, agency, personhood) the gift of a person (female construct = object, no agency, not family). She wouldn’t be a daughter, just “the Bride.” Nothing about Víctor owing her happiness, but the exact opposite: that she must be custom-designed to be miserable and rejected so she’d be trapped with the male-creature.

For a piece of literature where personhood is such a central theme, it’s a disturbing and disappointing trend.

i can be your angle...or yuor devil

gay people can never be normal they always gotta say some shit like "he was a being formed in the very poetry of nature. his wild and enthusiastic imagination was chastened by the sensibility of his heart. his soul overflowed with ardent affections, and his friendship was of that devoted and wondrous nature that the worldly-minded teach us to look for only in the imagination".

i agree with most of this, except one major point: victor’s motivation to find the secret of life wasn’t spurred by caroline’s death. there’s no evidence to suggest this in-text - it wasn’t about reanimation (this concept was only mentioned once in a throwaway line, and it was not regarding caroline), it was about creating new life. what he wound up doing was not really reversing death, but what was, essentially, childbirth. this is a significant detail when you consider it in the context of victor and elizabeth’s relationship - if victor’s goal was to create life, and he intentionally foregoes women (elizabeth) in this process, then is it that big of a leap to suggest he was doing so so that he wouldn’t have to perform incest?

now if we step back and take a look at the events before the creature’s creation, i really do think they saw each other as siblings - considering the context of elizabeth being adopted into the frankenstein family, elizabeth and victor referring to each other as cousins, and being in an arranged marriage to victor (both normal things in higher society but strange when paired together), and that caroline selects elizabeth specifically because she had a background similar to her own, a daughter that would be like her. then she calls elizabeth her favorite, and rears her and victor under the expectation that they are to be wed when they are older. from the age of six, victor and elizabeth, notably TOGETHER, were helping raise ernest (and later william) while both caroline and alphonse were still in the picture, described as his “constant nurses”... and if i remember correctly, at this point alphonse had retired after ernest’s birth specifically to care for his children, yet elizabeth and victor are still raising their younger siblings, treating ernest as if he were their child... and then caroline, as her literal dying wish, has elizabeth promise to marry her son and take her place in the family and help raise her other children.

it’s as if caroline grooms elizabeth into being this second version of her, which makes her dictating victor and elizabeth’s marriage to each other all the more horrible.

there’s several moments that make it clear that elizabeth and victor view each other as family, or at the very least, are romantically disinterested in each other. elizabeth bringing up in letters how she and victor as a pair is strange, giving victor several outs to their marriage, elizabeth literally hitting the nail on the head when suggesting victor considers himself honor-bound to fulfill his parent’s wishes, their hesitance on their wedding day, elizabeth referring to william (and by extension, ernest and victor) as a brother during justine’s trial, victor’s dream where he’s kissing elizabeth and then she literally turns into his mother in his arms, etc.

and before all that - there’s this constant, excessive dependence on victor for emotional support, and it started in childhood, from which he was his parents “plaything” and their “idol” and where, growing up, “[caroline’s] firmest hopes of future happiness were placed on the prospect of [elizabeth and victor’s] union” and, after her death, “this expectation [would be] the consolation of [his] father.” 

so now we have victor, who his parents have been emotionally dependent on all his life, who is expected to carry on his family’s legacy, who is in an arranged marriage he doesn’t want, with someone who is his cousin/sister/acting as his mother stand-in. under all this expectation, this marriage he has literally been raised with, he doesn’t try to subvert it entirely, no, he’s been told that his family’s happiness depends on this marriage! but he does the best he could in the situation he’s been given, dodging an act of incest by performing the act of creating life by himself, by making the creature.

Let's talk about Victor...

But not in the usual way.

Warnings: Will contain some talk of Grooming and incest.

And warnings for some large spoilers for the Frankenstein novel. If you're still reading it, I do suggest not reading this post.

We discuss a lot, Victor's faults, what he could have done better and done different, ect. We are not going to be discussing that for this, for now we are putting those discussions and debates aside.

There is one large, hmm, complaint or judgement perhaps, that's always not quite sat right with me. And that's, his relationship with Elizabeth, and how it's treated as his fault. And I'm not talking about how he treats her, or what happens to Elizabeth or anything like that. I'm talking about how it's often treated like the relationship itself is his fault and he's a disgusting pig for it. When honestly...I feel he's a victim of it as well.

Now, of course, this is my interpretation of things. I know not everyone agrees or will agree with it, which is perfectly fine. This is my interpretation of something in a story that is meant to have different interpretations. This is just something I feel and I feel like is not often discussed. In fact I haven't even seen it discussed.

So, here we go.

I feel like both Victor and Elizabeth are victims and didn't really have a choice in the matter of the relationship. Yes, by the times, Victor has an advantage of being a man and Elizabeth has to be a wife and be dependent on him, I'm not saying that isn't true.

I'm talking about his mother. Caroline. I feel, in pointing the finger at Victor for the relationship with Elizabeth, his mother is often forgotten. His mother, whether you're doing the version where Elizabeth is his cousin or adopted sister, basically took Elizabeth in, and immediately decides she'd be the perfect match for her boy.

And told them that. Constantly. As they were growing up. As they were learning.

I do believe, Victor and Elizabeth loved each other, as best friends, as siblings. I don't think they were ever really allowed to think of it as anything other then romantic love though. And so that's how they accepted it. It's how his, and honestly their, mother saw it.

And then to make it worse. Caroline's death. His mother, who, when you look into the novel, really, who's death really begins Victor's physiological breakdown. What leads him to want to, really, defeat and overcome death.

On her deathbed. Her dying wish, she grabs their hands and tells Victor and Elizabeth it is her dying wish to see them wed. That she's always thought this, thought they were perfect together, and always wanted this. And please, I ask to really think on this, after all mentioned above.

We talk about when his father asks him, "Maybe you don't want to marry Elizabeth, maybe you've come to see her as a sister." And he said yes, he loves her and still wants to marry her.

Y'all. Maybe this is just my interpretation, but he had never been given a choice to think anything otherwise. His mother had never allowed anything else, had constantly shoved into their heads their relationship would be/was romantic. To the point they believed it.

Anything they felt towards each other, any affection, any love, was and had to be romantic.

After all, it was their mother, who raised them, put this into their heads as children and it was her dying wish for them to be married, so what else could it be?

Yes, it gets messy when you have to take in the time of things. That it is true, for the time, you were lucky to even just like the person you were to marry. Maybe that's what Caroline saw, saw two people that could marry, and the relationship wouldn't be horrible. But even if that was her reasoning, I don't think it makes her innocent. And I do think she greatly screwed both Elizabeth and Victor up.

Their relationship has then been put through much in adaptions. Victor gets put as a creep, sometimes outright predator to Elizabeth. The part connecting them as cousins or adoptive siblings gets cut out and they get put as the romantic couple.

Hell, look at Bride of Frankenstein. She's the beautiful, clearly all is good and Christian, humane option Victor Henry (because for some reason their names were switched) turns his back on. Which is wrong and evil and against God. And eventually, he comes back to, and they get to escape the tower, run off as the tower explores with the Monster, the Bride, and Dr. Pretorius in it. And have a happy ending. They're the romantic couple you're supposed to cheer for, as these movies set things up.

We have been made to veiw them, in many different ways. And sometimes I feel that affects how we then veiw them when looking at the novel. That's just some of the adaptions.

I do, again, think they loved each other. As best friends, as siblings.

Elizabeth deserved better. By her family, by, though I adore him, Adam himself who killed her in revenge for Victor destroying the to-be-reanimated body of his potential mate who may or may not have even liked him. By the time itself, she was born in. She got little time, and deserved better.

Victor cared for her, loved her as a sibling. If he did love anyone romantically in the novel, I do agree with, he romantically loved Henry. But believed he did love Elizabeth, and of course had to repress anything towards another man. But, that takes us on a whole other thing that can be discussed another time.

Thank you for reading all of this, my reasoning, my rambles. Again, my interpretation, but something I feel is not often talked about. In the aspect of Victor's and Elizabeth's relationship, how it came to be, how they thought of each other, I do believe, they were both victims.

i love you enderverse

victor is one of the most psychotic characters i have ever read in literature and it all feels both surprisingly accurate and relatable given the time period; i have been meaning to make a proper analysis on victor's psychotic symptoms for awhile now, but have, ironically, been delayed due to my own psychotic symptoms, so here's more of an informal list--

i'll be breaking down victor's: 1. negative symptoms (loss of functioning)

2. positive symptoms (hallucinations)

3. disorganized thinking and speech/behavior

victor's psychotic symptoms, as well as his initial psychotic break during the creation of the OG creature, are brought upon by the stressors of creating the creature(s), both before, during and after the creation process. the first of these symptoms were negative symptoms.

negative symptoms of psychosis are a loss (thus--"negative") or reduction of normal functioning, and can include restricted emotional expression, lack of speech or monotone speech, difficulty thinking, reduced motivation and/or desire to initiate activities, reduced socialization and social withdrawal, and an inability or decreased ability to experience pleasure. they most commonly occur in the prodromal (initial) phase before the acute phase (characterized by hallucinations, delusions, and confused thinking) and in the recovery phase, which is true of victor's case.

andehonia (lack of pleasure):

"...but I did not watch the blossom or the expanding leaves—sights which before always yielded me supreme delight, so deeply was I engrossed in my occupation... But my enthusiasm was checked by my anxiety... I became nervous to a most painful degree" (paranoia, too) -- Vol I, Chapter III

"It was a most beautiful season; never did the fields bestow a more plentiful harvest, or the vines yield a more luxuriant vintage: but my eyes were insensible to the charms of nature" -- Vol I, Chapter III (1818)

"By very slow degrees, and with frequent relapses, that alarmed and grieved my friend, I recovered. I remember the first time I became capable of observing outward objects with any kind of pleasure..." -- Vol I, Chapter IV (1818)

asociality (social withdrawal) & alogia (impoverished speech):

"And the same feelings which made me neglect the scenes around me caused me also to forget those friends who were so many miles absent, and whom I had not seen for so long a time. I knew my silence disquieted them..." Vol I, Chapter III (1818)

"Study had before secluded me from the intercourse of my fellow-creatures, and rendered me unsocial..." -- Vol I, Chapter V (1818)

"This state of mind preyed upon my health, which had entirely recovered from the first shock it had sustained. I shunned the face of man; all sound of joy or complacency was torture to me; solitude was my only consolation—deep, dark, death-like solitude." -- Vol II, Chapter I (1818)

additionally, and in general, victor becomes incapable of initiating activities (avolition) while being cared for by henry at ingolstadt.

victor hallucinates several times throughout the novel. these hallucinations are almost exclusively visual, and primarily of the creature:

“'Do not ask me,” cried I, putting my hands before my eyes, for I thought I saw the dreaded spectre glide into the room; “he can tell.—Oh, save me! save me!” I imagined that the monster seized me; I struggled furiously, and fell down in a fit." -- Vol I, Chapter IV (1818)

"The form of the monster on whom I had bestowed existence was for ever before my eyes, and I raved incessantly concerning him..." -- Vol I, Chapter IV (1818)

"I saw around me nothing but a dense and frightful darkness, penetrated by no light but the glimmer of two eyes that glared upon me. Sometimes they were the expressive eyes of Henry, languishing in death, the dark orbs nearly covered by the lids, and the long black lashes that fringed them; sometimes it was the watery clouded eyes of the monster, as I first saw them in my chamber at Ingolstadt..." -- Vol II, Chapter IV (1818)

"All pleasures of earth and sky passed before me like a dream, and that thought only had to me the reality of life. Can you wonder, that sometimes a kind of insanity possessed me, or that I saw continually about me a multitude of filthy animals inflicting on me incessant torture, that often extorted screams and bitter groans?" -- Vol II, Chapter IX (1818)

"Sometimes I entreated my attendants to assist me in the destruction of the fiend by whom I was tormented; and, at others, I felt the fingers of the monster already grasping my neck, and screamed aloud with agony and terror." -- Vol III, Chapter IV (1818)

beyond that, victor's positive symptoms also include delusions of guilt, grandeur and persecution. however, this is complex enough that it warrants its own separate post. for another time... (edit: find it here)

victor also experiences disorganized behavior, behaviors that are inconsistent, contradictory, or don't fit the situation; for victor, the most obvious of which is catatonia, a symptom of psychosis characterized by abnormal movements, behaviors, and withdrawal. he demonstrates both akinetic (staying still, appearing unresponsive, staring blankly, lack of speech) and excited/hyperkinetic (moving in a pointless/repetitive way, appearing agitated or delirious, pacing, etc) catatonia.

"Unable to endure the aspect of the being I had created, I rushed out of the room, and continued a long time traversing my bed-chamber, unable to compose my mind to sleep...I took refuge in the court-yard belonging to the house which I inhabited; where I remained during the rest of the night, walking up and down in the greatest agitation, listening attentively, catching and fearing each sound as if it were to announce the approach of the demoniacal corpse to which I had so miserably given life." -- Vol I, Chapter IV (1818)

"...my spirits became unequal; I grew restless and nervous. Every moment I feared to meet my persecutor. Sometimes I sat with my eyes fixed on the ground, fearing to raise them lest they should encounter the object which I so much dreaded to behold." -- Vol II, Chapter II (1818) 

"Then the appearance of death was distant, although the wish was ever present to my thoughts; and I often sat for hours motionless and speechless, wishing for some mighty revolution that might bury me and my destroyer in its ruins." -- Chapter 21 (1831)

he also displays inappropriate/unusual reactions, another example of disorganized behavior:

"I was unable to contain myself. It was not joy only that possessed me; I felt my flesh tingle with excess of sensitiveness, and my pulse beat rapidly. I was unable to remain for a single instant in the same place; I jumped over the chairs, clapped my hands, and laughed aloud... my loud, unrestrained, heartless laughter, frightened and astonished [Clerval]" -- Vol I, Chapter IV (1818)

victor shows disorganized speech through his "ravings" several times and there's quite a few examples of this but i can't be bothered to pull more quotes. here's just one:

"A fever succeeded this. I lay for two months on the point of death: my ravings, as I afterwards heard, were frightful; I called myself the murderer of William, of Justine, and of Clerval." -- Vol III, Chapter IV (1818)

as a side-note, in the 1800s, the term "fever" was used loosely in comparison to its modern definition, and the health of the mind and body was often viewed as interconnected--thus victor's "fevers" after periods of high stress that triggered psychosis—while being nursed back to health by henry, during his time in prison, etc.—could easily be viewed as mental illness rather than an actual physical sickness, or some combination thereof.

lastly, victor experiences disorganized thinking, which includes racing thoughts, flight of ideas, confusion, trouble keeping track of thoughts, difficulty concentrating, time processing disturbances, etc.

in general, victor experiences dream-like perceptions that leads to difficulty being present, concentrating, and processing reality, what he himself refers to as “strange thoughts” (Vol II, Chapter IX, 1818). for example:

“All pleasures of earth and sky passed before me like a dream, and that thought only had to me the reality of life.” – Vol II, Chapter IX (1818)

additionally, victor is known to lose time and “awaken to understanding” weeks or months later several times:

“What then became of me? I know not; I lost sensation, and chains and darkness were the only objects that pressed upon me…by degrees I gained a clear conception of my miseries and situation, and was then released from my prison. For they had called me mad; and during many months, as I understood, a solitary cell had been my habitation.” – Vol II, Chapter VI (1818)

“But I was doomed to live; and, in two months, found myself as awaking from a dream, in a prison…It was morning, I remember, when I thus awoke to understanding: I had forgotten the particulars of what had happened, and only felt as if some great misfortune had suddenly overwhelmed me.” — Vol II, Chapter IV (1818)

“I seemed to have lost all soul or sensation but for this one pursuit. It was indeed but a passing trance, that only made me feel with renewed acuteness so soon as, the unnatural stimulus ceasing to operate, I had returned to my old habits.” — Vol I, Chapter III

he also demonstrates flight of ideas, a thought disorder that involves rapid shifting of thoughts that are expressed in language. people with flight of ideas may speak quickly and jump between ideas that are not connected in a way that is difficult to follow, illogical, or nonsensical. this occurs just before alphonse visits him in prison:

“I know not by what chain of thought the idea presented itself, but it instantly darted into my mind that the murderer had come to mock at my misery, and taunt me with the death of Clerval, as a new incitement for me to comply with his hellish desires… “Oh! take him away! I cannot see him; for God’s sake, do not let him enter!’” — Vol III, Chapter IV

to which mr. kirwin “regards [victor] with a troubled countenance” in response.

aaand that's a wrap.

there's no real point to all this i just wanted to outline most of his symptoms so i could have it all in one place. i'll probably expand on this sometime with more actual thoughts and ideas of substance as well as building on the implications of a reading of frankenstein where victor experiences psychosis (and how actually acknowledging victor's mental illness forces a much more sympathetic interpretation of victor... which is why people tend to talk around it). do with this what you will!