"We're Gonna Be Talking About The BOOBY! We'll Be Talking About The WOODCOCK! Do You Think That's FUNNY,

"We're Gonna Be Talking About The BOOBY! We'll Be Talking About The WOODCOCK! Do You Think That's FUNNY,

"We're gonna be talking about the BOOBY! We'll be talking about the WOODCOCK! Do you think that's FUNNY, Butthead? Do you find it AMUSING that we'll be talking about the SWALLOW? Yes, we're also gonna be talking about the DICKCISSEL, the BUSHTIT, the COCK-OF-THE-ROCK, the SHAG... and we will DEFINITELY be spending a LOT of time talking about...GREAT TITS!!"

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I would cry

What if our world were the same except all bird beaks had always been soft and floppy

Hi Jerrod! I'm a college student taking a music appreciation class, and I have to use the musician I talked about on Day 1 for a project, and that so happened to be you, haha. Is there anyone who has inspired you musically for some of your horror work like Kiss Me/Kill me (which happens to be the song I chose cause honestly? A bop). Thank you so much in advance!

Hmm. Honestly, in cases like that one, I don't really have any conscious inspirations aside from the obvious song itself (as I've mentioned in the past, Kiss Me was mainly inspired by hearing the song on the radio and really listening to the lyrics for the first time and thinking "woah what if she keeps asking to be kissed next to increasingly-creepy things" lol). Started with the lyrics, then once I got the vocals back from Juliƫtte I just started with "basic cover of the original song, then just see where I can take it".

The previous work "The Boys are Back (to kill you)" was a much more subdued 'remix', in that many elements were a 1:1 recreation (the backing guitar and bass are remade but mostly adhere to the original) or direct sample (that lead guitar riff) that I built up on in a more subtle way - different drums, lil blips and bloops here and there, but more of a cover than a remix in vibes. Kiss Me starts in a similar way, there's some added synths but it's mostly a close following of the original track with minor embellishments. But as part of the bait-and-switch (in that the listener was intended to assume it's the same situation as the previous one, both in terms of the remix style and the vocals being a sentence-mix), the plan was to just keep winging it in a new direction and see what happens.

Like most of my stuff, the rest kinda formed in this real hazy-to-remember bout of extreme productivity and luck. It's kinda like one of those cartoon fights where you just see a dustcloud and the occasional fist - like I'll zone out (or I guess in) into this very intensely-focused session for hours, and emerge having made a ton of progress thinking "I honestly don't remember how I got here". Sadly can't do it on command (hence my usual low output), but in this case I left everything so last-minute that the stress of the Halloween deadline was really propelling me forward, haha.

Come to think of it, is any of this useful at all? Was the project specifically just about inspirations? If so, kinda sucks that I guess I just went "huh, not really", sorry about that. Obvs not trying to claim my work is immaculate and wholly original and incomparable or whatever (it sure ain't), just that any inspirations for this one were more just my own ingrained inspirations and less conscious ones that I could pinpoint and list, yknow?

A lot of people think Boys are Back was inspired by Neil Cicierega. Which I totally get (on multiple levels, both the sentence-mixed mashup PLUS the "creepy old 90's-style computer UI" stuff are SO his bag), but tbh his work wasn't a direct inspiration in this case, it was mostly another accident. Maybe kind of a "man invents Frankenstein 200 years after Mary Shelley" vibe for sure. Though funnily enough it does take a lil conscious inspiration from one of Neil's works in a less-expected way, in that a distant memory of his track "Super Hey Ya" popped into mind while I was partway through the remix and inspired the lil bouncy chip-arps you hear from 0:50 onward. SHY came to mind on account of being what I guess I'd call an "additive remix", in which he took the whole song and put his own additions on top of it, which was only partially the case for TBaB but it was a bit of a similar process (I specifically remember thinking like "ok so I've got this pretty direct cover of the backing track, I don't want to go full capital-R Remix here but let's add some lil embellishments... oh hey, remember Super Hey Ya?").

Is any of this helpful? Sorry I couldn't really answer the question in a very satisfying way.

Can You Believe They Brought Back The Fucking Lava Spawner?

can you believe they brought back the fucking lava spawner?


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If Taylor Swift used her power for good she would be such a great stochastic terrorist. She would post on Instagram "Hey guys, Tay here. Just wanted to say that whoever delivers me the head of Ron DeSantis on a platter will get free Eras Tour tickets. #ShadeNeverMadeAnybodyLessGay." It would be at her doorstep in two hours.


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saw someone misspell "stochastic terror" as "socratic terror" so I'd like to clarify that stochastic terror is the public demonization of a person or group resulting in the incitement of a violent act that seems random but is not, while "socratic terror" is what every athenian felt when they went down to the agora in the 5th century and saw an old man with a beard approaching them

You should never forget literally the best line in all of video games


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No, it is not antisemitic to compare what Israel is doing to the holocaust. Genocide is genocide.


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Palestinians' life-line is a tiny rectangle

Palestinians' life-line is a tiny rectangle because the world couldn't give less of a fuck about them.

Let that sink in.

They have to record every single moment of this massacre. Or it didn't happen.

They have to record themselves holding their dead children. Or it didn't happen.

They have to record themselves crying in despair. Or it didn't happen.

They have to record rescuing children from underneath rubble. Or it didn't happen.

They have to record the countless wounded and dead. Or it didn't happen.

They have to record speaking while surrounded by the body bags of people they know while microphones are pushed in their faces. Or it didn't happen.

They have to do this every single second for 19 days. They have had to do this even before the 7th. There is a 2014 video of a man killed by an airstrike on camera.

Their life-line is their fucking phones.

You have all reduced their lives to their fucking phones.

AND DESPITE ALL OF THAT, US-of-fucking-A Biden, and all you other brain-dead fucks still have the gal to question the amount of casualties.

You have reduced them to a rectangle in their hands and that still isn't enough??? You're all sick. SICK.


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he/him, minor, autistic; I am inside your walls. Main blog of @spicyneighborhoodmenace focusing more around fandom stuff and shitposting.

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