Honestly, This Sounds Fucking FANTASTIC To Me, And We Should Do It. Cry Harder, Mitch.

Maybe the best red common creature for decades, certainly top 5.

Dwarven Soldier

There is a legend among present-day Dwarves that the Dwarves of Sarpadia will one day return to defend Dwarvenkind against a deadly peril.

Artist: Randy Asplund-Faith TCG Player Link Scryfall Link EDHREC Link

I loved this novel trilogy.

Amen

i think star wars only works because george lucas was so much better at casting actors than he was terrible at writing dialogue and giving acting directions. like for the OT, he found a pot dealing fuckboy, a scion of hollywood royalty, and the kindest young man around, and was like "great, roll camera," and when they asked, "how do you want this acted?" he just looked at them blankly like "acting?? why do you need to act?? just stand there and be you, and say the lines, fast and intense, thank you..." and somehow their charisma did in fact carry the film.

This card boasts two Maddocks arts and two flavo texts. While it is three mana for a 2/1, first strike helps, and Regenerate - even at two mana - still helps me to love this card. I love skeletons, and this card did - are largely still does - feel like a *smart* card with decent utility whenever you drew it (regenerate always helps with this).

Lim-Dûl’s High Guard

“The Guard will forever stand ready. For them, death is merely an inconvenience, not an ending.” —Chaeska, Keeper of Tresserhorn

Artist: Anson Maddocks TCG Player Link Scryfall Link EDHREC Link

Highlighting this bit, but the whole thing is amazing. Another killer from Rosewater.

"But why are we “making it the forefront of their character”? We’re not. We’re making it a part of their character. But in a world where you’re not used to ever seeing it, it feels louder than it is. Things that are a natural part of the world that you’re used to feel like the background of the story because you understand the context to it."

I want to speak out against the whole push towards DEI. I feel that ever since you made the push to make identity the forefront of a character it has hurt the stories you tell. Captain Sisay's race was never the focus of her character and she was a complete badass! And I fear if you did it over again Gerrard would be trans, black and disabled just because. It also cheapens the stories of world devastation when characters worry more about their gender than Bolas destroying everything.

The reason I started this blog is so we can have frank conversations about things, so please let’s talk about this.

Imagine if every time you turned on the TV or watched a movie, no one looked like you. For some of us, that’s never happened. We see ourselves constantly, so it’s hard to truly understand what not seeing yourself represented in media is like.

I do have a personal window to this experience. While I am white and male, there’s an area where I am the minority - my religion. Jews are just under two and a half percent of the US population. I have had many experiences where I’ve been in situations where everything is geared towards a group I do not belong to, and zero consideration is given that not everyone at that event is part of the majority.

You just feel invisible and like an outsider. It’s not a great feeling. And I just experience it a tiny portion of time, only things that are geared specifically towards something religious. Most minorities have this feeling all the time, whenever they’re outside their personal community.

Now imagine, after years of not seeing yourself ever, you finally see someone that looks like you, but nothing about the character rings remotely true. They don’t sound like you, they don’t act like you, the facts about their day-to-day life are just wrong. It’s clear whoever wrote the character didn’t truly understand the lived experience of the character, so the character feels fake.

You bring up Sisay. Michael Ryan and I didn’t technically create Sisay (she played a small role in the Mirage story), but we did do a lot to flesh out her character as the creators of the Weatherlight Saga. We turned her from a minor character into a major one.

And while I’m proud, in general, of our work on the Weatherlight Saga, I don’t think we did justice to Sisay as a character. Neither Michael nor I have any knowledge of what it’s like to be a black woman. Nor did we ever talk to someone who did.

And if you’re someone like us that has no knowledge of that experience, you probably didn’t notice. But that doesn’t mean it’s a good thing.

Imagine if we made a movie about your life, and we just made everything up. We invented people you never knew, we gave you a job you never had, and we had you say things you’d never say. The movie might even be a good movie, but your response would be, but that’s not my life - that’s not me.

Now imagine we put the movie out, and people that never met you assumed that was what you were like. When people met you for the first time, they assumed things, because, you know, they’d seen the movie.

That’s what misrepresenting people does. It not only makes them feel not seen, it falsely represents them, spreading lies, often stereotypes, making people believe things about them that aren’t true.

Our move towards diversity is just us trying to better reflect the world and the people in it. We’re trying to do to everyone else what a certain portion of people get every day without ever having to think about it.

But why are we “making it the forefront of their character”? We’re not. We’re making it a part of their character. But in a world where you’re not used to ever seeing it, it feels louder than it is. Things that are a natural part of the world that you’re used to feel like the background of the story because you understand the context to it.

If a man kisses his wife before going off to a battle, that’s not a big deal. It’s just a thing a husband might do to his wife when he leaves. It’s not the forefront of his character. It’s just part of his life. But you’ve seen it hundreds of times, so it feels normal.

When someone does something that isn’t your lived experience it pulls focus. It seems like a big deal, but only because it’s new to you. It’s just as mundane a thing to that character as the man kissing his wife is to him.

Even the turn “pushing” implies that it’s unnaturally here, that we’re forcing something that naturally shouldn’t be. But why? That thing exists naturally in the real world, and it doesn’t make the real world any less. Maybe you’re less aware of it, but is making you aware of how others live their life “pushing” something on you?

How you live your life is represented constantly, everywhere. Why isn’t over-representing your experience at the expense of everyone else’s “pushing” it? Why is media only being the experience of those in power the “proper way”?

Having more depth and variety doesn’t lessen stories. It makes them deeper, more rich, more nuanced. In short, it makes them better stories. In my former life, I was a professional writer. I took a lot of writing classes. One of the truism of writing is “speaking truth leads to better stories”.

There’s another famous quote: “When you’re accustomed to privilege, equality feels like oppression.” You’re used to being over-represented, so being a little less over-represented feels like something has been taken from you. But really it hasn’t. Having a better sense of the rest of the world comes with a lot of benefits.

I’ll use food as an example. Let’s say all you were ever exposed to was the food of your heritage. Yeah, that food is really good, but sometimes isn’t it nice to eat foods of other nationalities? Isn’t your life better that you have a choice? Isn’t your exposure and access to the food of other nationalities a positive in your life?

Exposure to variety is a positive. It allows you to learn about things you didn’t know, experience things things you’ve never experienced, and get a better sense of understanding of your friends and neighbors.

Our actions are not to harm anyone, and if you think that’s what we’re doing, please take a minute to actually absorb what I’m saying. You’ve spent your whole life metaphorically eating one type of food, and we’re just trying to show you how much you’ve missed out on.

And while this might not impact you directly, we’re making a whole bunch of people felt seen. We’re bringing joy. Think of it this way. We make a lot of cards. Not every card is for you. But if it makes someone else happy, if they get to include it in a deck, and it makes Magic better for them, how is it harming you that we include it? You have so many cards that you can play.

To this poster or people that share their viewpoint, the narrative that a gain for someone else is an attack on you is just not true. As I just pointed out above, you play a game all about personal choice, about players getting to choose how they play and enjoy the game. Why should life be any different than Magic?

Thanks for reading.

The thing is lads I cannot think of a better use for my tax dollars than feeding children. I want my taxes to give the single mother of three healthcare. I want my taxes to take care of the elderly and the disabled. I don’t care if they’re citizens or legal residents or whatever. I want my taxes to help people. Because we’re trying to live in a goddamn society. Instead my taxes go towards bombing schools and hospitals and refugee camps. Billions and billions sent to proxy wars. And still people quibble over whether we should feed children. What are we doing here. Feed the kids.

One dost reblog perfection.

which one of u was going to tell me that tea tastes different if u put it in hot water?

laika.com

Coraline 15th Anniversary

In celebration of its 15th anniversary, Coraline returns to theaters worldwide August 15–22 in newly remastered 3D.

Coraline is coming back into cinemas, in remastered 3D and in 2D, in August. Worldwide. Find out more, get tickets and suchlike at coraline.com...

This joke was il

With the success of Foundations do you think we see a Kor set in about 5 years.

If not, maybe a Vec set or a Dal set.

If you get this joke, you’re old. : )