HELP THIS IS SO UNDERRATED-
If you are still doing the OMORI ask thing than could you do nightshade (omori/stranger) ((that is not how you spell stranger but you get what I’m asking))
I hate everything about you; why do I love you?
They would kill each other <3
Aubrey ended up doing this piece because she was/is in front! Idea came from her and everything. We apologize for making them anime style /lh
We've been reading Endless Dreaming recently, so a few of the little things in this are inspired by that! Good fic, I recommend y'all give it a read if you haven't already.
Asks for these are still open!
Okay so I know a lot of people argue that Basil dying a lot in Blackspace means Sunny hates Basil (I think that was what you were referring to by saying Basil was killed constantly? Sorry if I misinterpreted that TvT). HOWEVER, I actually think there’s a lot of evidence to support that it means he cares for Basil a lot, and can be interpreted as repressed (romantic and/or platonic). In Blackspace, you still play as Omori. I’d like to address the spider-room death first. Basil starts being swarmed and covered in spiders, and eventually cries out to Omori for help. Omori backs away from Basil, and Basil disappears as the spiders presumably consume him. Notably, Omori is the one in control here. In the game, we play as Sunny; anytime we lose control of the Omori character, it presumably means that Sunny also does not have conscious control over Omori. Another thing that might be worth mentioning, is that although Omori technically overcame his fear of spiders in headspace, this is no longer headspace. This bit is more up to speculative, but it can be interpreted that Omori was too scared to save Basil from the spiders because he himself was scared of them. In which case, this death could also be interpreted as Sunny’s own fear causing pain for the people he cares about, something that we see at other points in the game.
Another particular Basil death that might be worth addressing, is the one in the glitched Neighbor’s room, where the headspace friends turn on him, and he cries to Omori for help before Aubrey hits him with her bat. To me, this very much doesn’t read as Sunny wanting Basil to die. It feels a lot more like he’s helpless to do anything- Because yet again, at that moment, we cannot control Omori anymore, and neither can Sunny. He doesn’t want Basil to die; he just feels powerless to do anything about it. Also, the many possibly interpretations of Aubrey being the one to unalive Basil here. I do think that Aubrey hitting him with her bat is likely a nod to the fact that she’s been bullying Basil in the real world. Even more fuel that Sunny feels helpless to save Basil from being hurt for Sunny’s own actions (Mari’s death, scribbling out the photos). Another possible interpretation (and one that is, admittedly, a lot less likely), is that it’s Sunny’s idolized crush, that he’s held onto for so long, is trying push down and get rid of the crush he has on Basil. It could possibly be taken as a sign of repressed feelings for Basil, whether that be because he hasn’t accepted his bisexuality (or whatever your personal headcanon may be), or he’s simply scared of letting go of his old crush.
There’s a lot more Blackspace stuff I could go into, but this is really long already aaand I’m in class TvT
TLDR; Blackspace has a lot of evidence of 🏳️🌈🌻
every day the Branch Coral line about Sunny and Basil being tied together with a string of fate
like,,, soulmates? your honour? string of fate??? perhaps the,,, red string of fate?
it doesn’t even have to be romantic, it just feels like a soulmate thing! like Sunny and Basil are tied together after this single incident, they will always be intertwined after that day
they may not have been known it, but they are so heavily intertwined together that even Sunny’s subconscious picked up on it. even coping mechanism calls out how the two are connected.
it’s like - sir, the mixed signals of killing Basil constantly but then essentially using soulmate theory? do you hate him or want to kiss him? (/j)
also, with that joke, i do actually ship Sunflower, and this line speaks to the hopeless romantic in me to some degree - because what do you mean Sunny thinks “a string of fate” ties them together? like it’s super dark, but also kinda gay. just slightly.
anyways, the Branch Coral was super cool and i love the slight soulmate implications on Basil and Sunny even though it’s super screwed up!
(also there’s the line - it’s so minor but like dude-?! the sheer gayness of this is amazing /j)
If I end this day with less given boops than received, I’m gonna cry.
Reblog if your blog is boopable-safe so you can get all the (probably new) achievements. I don’t care about notes I just want boops
The first part of a short Aubrey comic I’m working on TvT
might be a while until there’s part 2 bc my stylus hates me rn and anytime I use it on my screen, it leaves streaks of rubber 💀 I just wanted to post this bc I haven’t posted art in way too longgg
also I’m so so so sorry for the low quality of the image; I couldn’t find a way to get the full quality drawing to download 😭 if I manage to fix that, I’ll edit TvT
As there is a tea mug, I now headcanon Basil as a tea-drinker, maybe even making his own tea from home :P
Aaand one of his favorites is chamomile, partially because of the fact that chamomile is good for relaxing, and partly because the chamomile flower is in the daisy family! :D
OMORI winter 2024 collection is now available!
Ddlc Monika ramble bc my hyperfixation is coming back and somehow settling alongside my Omori one
Alright so like. I hate how many people treat Monika like she’s pure jealousy and obsession :/ especially given everything she’s gone through. I’d like to make a couple of points here, and analyze some of the lines from her poems (not all) to give more insight into what was going on in her mind. All the poem screenshotted are from FandomWiki, I believe.
The first part of this poem is a direct reference to when Monika gains ‘kernal access’ to her game- or more simply, self awareness. The hole appears a metaphor for a screen- She wasn’t looking into the screen, she was looking out. And the player is looking in. The second part realizing that her friends aren’t even real. She’s starting to see herself as something else than the others. And I don’t think it’s in a narcissistic way- In this case, she IS different now, because she doesn’t have a script that all her actions follow, unlike her friends. The people she cares deeply about aren’t even people; just lines in a script. The part at the end, about her brandishing her pen, is when she starts to edit the script, desperate for a way out.
I’d like to point out first that red, green, and blue are the primary colors when it comes to light- AND the colors of pixels on a screen. I can’t tell what the ‘noise’ she’s referring to exactly is; possibly a reference to anxiety, or existentialism? Most likely, in my opinion, is that it’s the game’s music. See how she compares the noise to a turntable, and a vinyl? That’s a direct connection to the music. And considering that the game’s music plays on loop… That wouldn’t exactly be fun to hear on loop for god knows how long 😬
The version of this poem from Act 2, I can’t see any meaning to the vowels missing, though perhaps someone else has. Generally, this poem just shows Monika’s mental health deteriorating further. Combined with the fully capitalized words, along with “Like playing a vinyl on a pizza crust” suddenly turning into “Like playing a KNIFE on a BREATHING RIBCAGE”- It really does mostly seem like we’re watching Monika go a bit insane. The words “KNIFE” and “BREATHING RIBCAGE” really exaggerate how much the noise really hurts her. (Also, personal comment is that this sounds a lot like overstimulation TvT)
This poem seems to be more metaphorical than the other two. ‘The Lady’ seems to refer to the game’s script- she’s a being who knows everything, knows Monika’s own thoughts and feelings, and she knows everything that can and will happen. Just like the game’s script. The imagery of Monika being a feather on the wind very much gives off the feeling of being helpless, unable to fight against the game’s script. The Lady tells her that there is no meaning, and no purpose- Likely how Monika really does feel. Nothing she does has any impact in the real world. The Lady telling Monika that “We seek only the impossible”- It’s directly telling us what it felt like when Monika learned she was the only character without a route for the player to take. There is no scripted world where Monika finds a happy ending with the player, the person she loves, the only thing she knows is real.
This last poem shows that she really doesn’t mean to hurt anyone. She doesn’t have any real malicious intent towards the other characters. She just wants to be happy.
Those are some thoughts I have on her poems. Something else I’d like to be considered is the fact that Monika knew everything her friends were going to say- including some of the harsher words her friends have used, or even thought about her. Along with the fact that her own friends were seemingly the only thing standing in the way of the player, and she’d just learned her friends weren’t even real.
Generally, I feel like people don’t empathize enough with Monika T^T this was a really long rant and idk what it accomplished but yeah-
Does this count as inktober? I think it does bc I’m just trying to post artwork TvT
Exactly!!! There’s just no way for Basil to have just figured out how to tie a hangman’s knot (thanks for giving me the slightly-less dark term for it :P) on the fly like that… and now that I’m thinking about it, without practice. I tried to use a piece of thread the other day that I’d found (strange ik but eh) to make that knot, just to see if I could, and I didn’t use a guide or anything. Basil wouldn’t have had a guide with him- the chances of that are INCREDIBLY unlikely. And it’s not like he could’ve just googled it with ease, given the time period. Which probably means he’d tied a hangman’s knot before :C My poor little beannn 😭
So I feel like it’s not a leap to conclude that Basil had probably either attempted even before the incident with Mari, or he’s seen someone else do it. Either way, it means he’s probably seen death before, or tried to go to it T^T
Ughhhhhshfyyvdyyfyf and this is why I hate it when people say Basil is terrible
(<3 You’re awesome-ER!!! :D)
So- Omori rant rq since I'm listening to some VAs play through it cause I can't sleep.
Spoilers Below, obviously.
So- it's canon that Sunny was daydreaming of his little headspace FAR before Mari's death. It's in one of the books in the Forgotten Library (the place you fall into after defeating SweetHeart).
Headspace was an escape for him so that he could have his friends back, before they gave him the violin- hence why it never happened in the headpace timeline. To escape the pressure of not wanting to let them down, he created Headspace- but he got addicted to it and started to use it to avoid paying attention during school or whenever he was feeling pressured.
When Mari passed, Headspace took over his life- his parents split up, he was wracked with immense guilt, he couldn't bring himself to leave the house or even bed at first. His mother was forced to withdraw him from school since he had missed so many days, in order to prevent legal action being taken and her risking losing her only child left to his father or to CPS (logical guess, no actual proof other than he was taken out of school).
Sunny dived so deep into Headspace, that he was forced to create his Omori persona when he had gone too far and his brain created BlackSpace once it ran out of ideas- the place his guilt, regrets, and grief went to die everytime he allowed himself to sleep.
Sunny was always a maladaptive dreamer, but it steadily got worse overtime. As a maladaptive dreamer myself- I sympathize heavily with him and his coping mechanisms. His friends and family failed to see the signs that he was losing touch on reality, and when his big sister died- by his hands no less? He lost himself entirely. You can see when it happens in the photos you see of the truth.
When he realizes Mari isn't going to wake up? When he realizes she isn't breathing? His world shattered and he was paralyzed in his guilt- since he was so unresponsive, Basil did the only thing he could think of and tried to protect Sunny. In the process, gaslighting himself into having seen Something pushing Mari instead of Sunny.
Which, honestly, is also highly concerning. Why did Basil previously know how to tie a noose when he was only twelve..? My thoughts immediately go to his neglectful parents- maybe he had attempted before and that was the whole reason he was sent to live with his grandmother? To keep an eye on him, until she got sick and they hired Polly. Idk but that'd make sense.
ANYWHO- if anyone would like Omori oneshots, send in some requests. Be it tooth rotting fluff or heart wrenching angst- send it my way, I need a break from my books.
I have no idea what I'm doing ever :3 She/They pronouns; nonbinary and pansexual (I'm a minor)
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