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rwrb fic: i offer you explanations of yourself

Relationships: Alex Claremont-Diaz/Henry Fox-Mountchristen-Windsor

Summary: AU. Fresh off a frustrating Grindr interaction, Alex heads to Texas to do legal work at the border for three months. While he’s gone, June and Nora meet Henry and Pez and become friends, making Alex feel a little replaced. Things get worse before they get better, because when he finally meets Henry, Alex realizes it’s not the first time they’ve crossed paths. Told through texts, lists, emails sent and unsent and even a GrubHub order, this is the story of how Alex and Henry get from a bad second impression to maybe the rest of their lives.

Read on Ao3 HERE

hey next time i tell you i want to try exploring my newfound bisexuality remind me to go to a bar or a party or a midnight showing of the mummy at the sunshine but NOT GRINDR irl chaos demon i did warn you that grindr might be going into the deep end real fast, alejandro, but like spirit the stallion of the cimarron, your desire to figure out if liam’s drunk rambling was right could not be tamed irl chaos demon what happened?? i sent a picture of my face to this guy i’d been talking to for like a week, who i thought i was hitting it off with and he fucking ghosted me

Happy Valentine's Day from these soft boys

First firstprince from me! ❤️🤍💙

Shoot Your Shot, Alex/Henry. M, 4.2k

Jimmy raises his eyebrows in anticipation. “First celebrity crush?”

As usual, Alex’s mouth is moving before his mind can catch up.

“Oh,” he gestures, like this is both obvious and the easiest question he’s ever been asked. “Prince Henry.”

"And I don't want the world to see me 'Cause I don't think that they'd understand When everything's made to be broken I just want you to know who I am"

don't worry, Alex is coming to the rescue, my patrons can confirm

A COMINT !!

Wise men say, only fools rush in

But I can't help falling in love with you

Shall I stay? Would it be a sin?

If I can't help falling in love with you

Things That May Be Causing Your Writer's Block- and How to Beat Them

I don't like the term 'Writer's Block' - not because it isn't real, but because the term is so vague that it's useless. Hundreds of issues all get lumped together under this one umbrella, making writer's block seem like this all-powerful boogeyman that's impossible to beat. Worse yet, it leaves people giving and receiving advice that is completely ineffective because people often don't realize they're talking about entirely different issues.

In my experience, the key to beating writer's block is figuring out what the block even is, so I put together a list of Actual Reasons why you may be struggling to write:

(note that any case of writer's block is usually a mix of two or more)

Perfectionism (most common)

What it looks like:

You write one sentence and spend the next hour googling "synonyms for ___"

Write. Erase. Write. Rewrite. Erase.

Should I even start writing this scene when I haven't figured out this one specific detail yet?

I hate everything I write

Cringing while writing

My first draft must be perfect, or else I'm a terrible writer

Things that can help:

Give yourself permission to suck

Keep in mind that nothing you write is going to be perfect, especially your first draft

Think of writing your first/early drafts not as writing, but sketching out a loose foundation to build upon later

People write multiple drafts for a reason: write now, edit later

Stop googling synonyms and save that for editing

Write with a pen to reduce temptation to erase

Embrace leaving blank spaces in your writing when you can't think of the right word, name, or detail

It's okay if your writing sucks. We all suck at some point. Embrace the growth mindset, and focus on getting words on a page

Lack of inspiration (easiest to fix)

What it looks like:

Head empty, no ideas

What do I even write about???

I don't have a plot, I just have an image

Want to write but no story to write

Things that can help:

Google writing prompts

If writing prompts aren't your thing, instead try thinking about what kind of tropes/genres/story elements you would like to try out

Instead of thinking about the story you would like to write, think about the story you would like to read, and write that

It's okay if you don't have a fully fleshed out story idea. Even if it's just an image or a line of dialogue, it's okay to write that. A story may or may not come out of it, but at least you got the creative juices flowing

Stop writing. Step away from your desk and let yourself naturally get inspired. Go for a walk, read a book, travel, play video games, research history, etc. Don't force ideas, but do open up your mind to them

If you're like me, world-building may come more naturally than plotting. Design the world first and let the story come later

Boredom/Understimulation (lost the flow)

What it looks like:

I know I should be writing but uugggghhhh I just can'tttttt

Writing words feels like pulling teeth

I started writing, but then I got bored/distracted

I enjoy the idea of writing, but the actual process makes me want to throw my laptop out the window

Things that can help:

Introduce stimulation: snacks, beverages, gum, music such as lo-fi, blankets, decorate your writing space, get a clickity-clackity keyboard, etc.

Add variety: write in a new location, try a new idea/different story for a day or so, switch up how you write (pen and paper vs. computer) or try voice recording or speech-to-text

Gamify writing: create an arbitrary challenge, such as trying to see how many words you can write in a set time and try to beat your high score

Find a writing buddy or join a writer's group

Give yourself a reward for every writing milestone, even if it's just writing a paragraph

Ask yourself whether this project you're working on is something you really want to be doing, and be honest with your answer

Intimidation/Procrastination (often related to perfectionism, but not always)

What it looks like:

I was feeling really motivated to write, but then I opened my laptop

I don't even know where to start

I love writing, but I can never seem to get started

I'll write tomorrow. I mean next week. Next month? Next month, I swear (doesn't write next month)

Can't find the time or energy

Unreasonable expectations (I should be able to write 10,000 words a day, right????)

Feeling discouraged and wondering why I'm even trying

Things that can help:

Follow the 2 min rule (or the 1 paragraph rule, which works better for me): whenever you sit down to write, tell yourself that you are only going to write for 2 minutes. If you feel like continuing once the 2 mins are up, go for it! Otherwise, stop. Force yourself to start but DO NOT force yourself to continue unless you feel like it. The more often you do this, the easier it will be to get started

Make getting started as easy as possible (i.e. minimize barriers: if getting up to get a notebook is stopping you from getting started, then write in the notes app of your phone)

Commit to a routine that will work for you. Baby steps are important here. Go with something that feels reasonable: every day, every other day, once a week, twice a week, and use cues to help you remember to start. If you chose a set time to write, just make sure that it's a time that feels natural to you- i.e. don't force yourself to writing at 9am every morning if you're not a morning person

Find a friend or a writing buddy you can trust and talk it out or share a piece of work you're proud of. Sometimes we just get a bit bogged down by criticism- either internal or external- and need a few words of encouragement

The Problem's Not You, It's Your Story (or Outline (or Process))

What it looks like:

I have no problems writing other scenes, it's just this scene

I started writing, but now I have no idea where I'm going

I don't think I'm doing this right

What's an outline?

Drowning in documents

This. Doesn't. Make. Sense. How do I get from this plot point to this one?!?!?! (this ColeyDoesThings quote lives in my head rent free cause BOY have I been there)

Things That Can Help:

Go back to the drawing board. Really try to get at the root of why a scene or story isn't working

A part of growing as a writer is learning when to kill your darlings. Sometimes you're trying to force an idea or scene that just doesn't work and you need to let it go

If you don't have an outline, write one

If you have an outline and it isn't working, rewrite it, or look up different ways to structure it

You may be trying to write as a pantser when you're really a plotter or vice versa. Experiment with different writing processes and see what feels most natural

Study story structures, starting with the three act structure. Even if you don't use them, you should know them

Check out Ellen Brock on YouTube. She's a professional novel editor who has a lot of advice on writing strategies for different types of writers

Also check out Savage Books on YouTube (another professional story editor) for advice on story structure and dialogue. Seriously, I cannot recommend this guy enough

Executive Dysfunction, Usually From ADHD/Autism

What it looks like:

Everything in boredom/understimulation

Everything in intimidation/procrastination

You have been diagnosed with and/or have symptoms of ADHD/Autism

Things that can help:

If you haven't already, seek a diagnosis or professional treatment

Hire an ADHD coach or other specialist that can help you work with your brain (I use Shimmer; feel free to DM me for a referral)

Seek out neurodiverse communities for advice and support

Try body doubling! There's lot's of free online body doubling websites out there for you to try. If social anxiety is a barrier, start out with writing streams such as katecavanaughwrites on Twitch

Be aware of any sensory barriers that may be getting in the way of you writing (such as an uncomfortable desk chair, harsh lighting, bad sounds)

And Lastly, Burnout, Depression, or Other Mental Illness

What it looks like:

You have symptoms of burnout or depression

Struggling with all things, not just writing

It's more than a lack of inspiration- the spark is just dead

Things that can help:

Forget writing for now. Focus on healing first.

Seek professional help

If you feel like it, use writing as a way to explore your feelings. It can take the form of journaling, poetry, an abstract reflection of your thoughts, narrative essays, or exploring what you're feeling through your fictional characters. The last two helped me rediscover my love of writing after I thought years of depression had killed it for good. Just don't force yourself to do so, and stop if it takes you to a darker place instead of feeling cathartic

Ok hear me out.

In my experience, people usually only know a perfume or a cologne by name for 2 reasons. 1) they wear it, or 2) someone they love wears it.

Now. Santal 33.

Considering it’s a cologne and not a perfume, there’s only 4 men close enough to Henry that he’d know their exact cologne. Percy, Phillip, Shaan or his dad.

So, allow me to bring out my headcannon.

Santal 33 was Arthur’s cologne. It’s a newer cologne, yeah. 2011 debut, coming as a replacement to 2006’s Santal 26. So I get that. But sometimes your favorite cologne or perfume gets discontinued or reformulated to hell and you need to find a new one. Maybe that’s how Arthur stumbled onto it in 2011, and for the memory building years of 11 to 17, that’s what he smelt like.

So in Rio/Melbourne, when Alex is very close to a young, still freshly grieving Henry, the scent of his father is just too raw, too overpowering, too painful.

and that’s why he reacts how he does. But promptly forgets it, also.

And when when Henry stumbles into Alex in that closet, stressed, truthfully a bit scared too, suddenly he smells home. He smells safe and home and comfort and love and realizes it’s Alex he smells but it’s also dad. It’s dads cologne. It’s “Santal 33”.

And, it’s doesn’t take long for Alex to stop just smelling like home and safety but for Alex to become his home and safety. And he laments to Percy, that it’s weird, that he’s a freak that his fathers cologne does it for him.

And Percy asks, does Alex’s cologne arose you? And Henry stops in his tracks.

No, actually. The smell of Alex under it? That’s sexy sure but not as much as it’s comforting. Alex smells uniquely like alex. His own natural scent and his fucking cinnamon everything- coffee, gum. His detergent, his dryer sheets. He smells like alex and it’s not that the smell does it for him, smelling alex just smells safe. Alex’s scent just makes him feel calm. And the cologne? It’s part of it. Part because it smells like his dad, part because it smells like alex. Equal parts honestly. Henry isn’t aroused by Alex’s scent, he’s calmed by it. He feels loved when wrapped up in it. He wears Alex’s clothes and smells Alex all over him and he feels wrapped in a blanket of love.

That’s all. Thank you

Writing Tips; Dialogue

Does your dialogue fall flat, or feel thin and strange? Does it feel like your characters are talking like robots? Do your conversations sound repetitive and monotone? We’ve all been there. It’s a very common occurrence amongst writers. Here are some of my favorite ways to avoid the monotone robot characters and add life and movement into your dialogue!

In this post, we’re going to have an example sentence that changes as I talk about different additions. Here it is in its naked, base form: “I know it’s real I saw it,” Nico said.

Now, let’s hop into making it lively, shall we?

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1) PUNCTUATION

Commas and punctuation are your best friends! Use them. Use the crap out of them. Many people will say commas can’t go here and they can’t go there, but I say, in dialogue, it doesn’t matter. If you want your character to pause but you don’t want to use an ellipsis because it feels too long, use a comma. Put them wherever you want. Wherever your character pauses. If your character is rambling or talking really fast, take them out. It’s your dialogue. Use any and all punctuation to bedazzle up your lines. There is never too many or too little of anything if you want it that way, folks.

Keep in mind, punctuation can change the whole feeling of your sentence and the way your readers imagine your character talking. For example, your punctuation should differ between an excited and a sad line.

Here is the example sentence, punctuated in two different ways. “I know it’s real, I saw it!” Nico said. “I know it’s real… I saw it,” Nico said.

Can you see how just the change in punctuation changes the way you imagine him saying it? Really hone in on how your character is speaking and punctuate it to show that. (Keep in mind that this is your story and your character. You don’t have to obey punctuation rules and writing stereotypes, your story obeys you.) Put whatever punctuation you want there. Use thirty commas in your sentence. Use an ellipsis after every word. If it makes your character sound how you want them to sound, go for it, friends!

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2) ITALICS

Some people hate reading over-italicized works, but that’s their own preference. Italics is a great way to add interest, movement, and a characters natural inflection into your dialogue. (I freaking love italics.) Italics helps readers understand what the character is focused on, and how they’re speaking. Again, people will say not to use it too much or only to use it so many times in a paragraph… but the key here is still to write it how you like it. Italics can make your sentences sound more human and more authentic.

Here is our pair of examples, now with punctuation and italics. “I know it’s real, I saw it!” Nico said. “I know it’s real… I saw it,” Nico said.

Take a minute and read through the example dialogue, imagining each word italicized one by one. Pay attention to the meaning and context it gives it. (For example, if the ‘I’ at the beginning is in italics — I know it’s real — that could imply that he’s talking to someone who doesn’t know or believe whatever he’s talking about is real.)

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3) DIALOGUE TAGS

Tags. Tags, tags, tags! Tags are so important! Tags are brilliant for clarifying and identifying exactly how your character is speaking and how they intend for the statement to come across. If you ignore every other tip in this post, don’t ignore the tag! There are so many different words you could use instead of said that give life and context to your lines. Muttered, mumbled, yelled, shouted, exclaimed, whined, groaned, whispered, and a ton ton ton more. Use these to your advantage, like an outline for your dialogue. The tag is undoubtedly the easiest way to make your lines come across the way you want them to.

Here’s the examples with different tags! “I know it’s real, I saw it!” Nico defended. “I know it’s real… I saw it,” Nico mumbled.

Don’t be afraid to move your tag around, either! Sometimes, in order to make your conversations less repetitive, moving your tags are nice. You can put them at the beginning, middle, or end! (Middle tags are my favorite, I use them a whole, whole lot…)

Here’s the example sentence with a tag at the beginning and middle. Nico growled: “I know it’s real, I saw it!” “I know it’s real…” Nico muttered. “I saw it.”

Don’t forget, tags don’t always have to be how they’re speaking. It can also be what they’re doing or how they’re acting, which can be just as telling as other tags. (I use action tags sooooooo much. Action tags in the middle of dialogue is my jam.)

The example sentences with action tags: Nico crossed his arms, huffing deeply. “I know it’s real, I saw it!” “I know it’s real…” Nico averted his gaze, staring down at his shoes instead. “I saw it.”

Or, you can mix them both! An action tag plus how they’re speaking for maximum impact and description.

Here’s the example sentence with both! Nico rolled his eyes, hissing: “I know it’s real, I saw it!” “I know it’s real…” Nico uttered, poorly stifling a shudder. “I saw it.”

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4) DESCRIPTION

Describing the way your character looks, moves, speaks, etc etc before and after the line can further help your readers know how they feel about what they’re saying. This is especially important if the character is not the main character and doesn’t have internal dialogue. Body language can explain things voices can’t or won’t. You can explore putting these descriptions before the line, after the line, in the tag, or after the tag. Whatever you prefer!

Here’s the sentence with descriptive sentences with it. I did one before the line & tag and one in the middle! He was practically fuming, his eyebrows knitted so closely together they looked like a single strip of hair. His eyes were flicking between his friends like he was trying to determine if they were joking, blue irises blurred with a rage-fueled haze. Nico finally rolled his eyes, hissing: “I know it’s real, I saw it!” “I know it’s real…” Nico uttered, poorly stifling a shudder. His eyes never left the floor, and he looked smaller, younger as he spoke. His breaths weren’t exactly even, but they weren’t too quick, either. “I saw it.”

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Look at those two very different scenarios we got out of the same base line! This is the power you hold, folks, the power to un-bland your dialogue and make it into something intense and memorable for your readers! The power to make it portray exactly what you want it to portray! No more worrying how your readers took that line, because you set in stone how it was presented.

Remember, making a paragraph like that for every line might get tiring or repetitive to read. Sometimes tags alone are good enough in fast-paced or long conversations, and sometimes, if the dialogue makes it clear who is speaking, the line can suffice by itself!

If you have any writing tip requests, drop them in my inbox!

A guide to Hyp’s Writing

Okay so I have enough fics now that I feel like I can make a little guide here. So here we go:

“Hyp, I want something sweet”

something good and right and real - After the election, Henry explores Alex’s childhood room. He finds trinkets of a young Alex that intrigue him, including a crown that gives him some ideas.

and that’s the way i loved you - Alex accidentally fell hopelessly in love with his roommate and fuck buddy Henry. He tries to plan the perfect confession, but when have any of Alex’s plots worked perfectly?

heartbeats under coats - Alex, a DC lawyer on his way back from a work trip, is stranded in New York after a freak blizzard grounds all flights. He gets the last available hotel room on the island, but a freak error means the room is double booked. Unwilling to leave the other stranded, both men agree to share the room and wait out the blizzard together.

“I want something with action and intrigue”

trouble’s gonna follow where i go - Henry thought it was silly to hire an American to be his personal guard. He didn’t care that the man had an excellent service record, the highest level of security clearance in the American government short of the president, or a black belt in six forms of martial arts. A foiled assassination attempt changes that opinion, but Henry’s gratitude is not a passive thing – Alex’s going to have to work for it.

wanting me dead has really brought you two together - Rebel smuggler Alex is caught by his nemesis, Alderaan Senator Jeffery Richards. His prompt assassination is put on hold when Richard’s bounty hunter reels in a bigger fish; Senator Henry Fox of Naboo. Turns out, Alex has more than one rival on board the ship, but he’s going to need to work with Henry if they don’t want to get killed.

move fast (and keep quiet) - Alex is a spy tasked with securing a case of diamonds being auctioned off by black market smugglers. Henry is a rival spy who happens to be tasked with receiving the same case of stones. When Henry wins the auction, Alex has to retrieve his target, no matter the cost.

“I just want something really smutty!”

you handle it beautifully - Alex, discovering Henry is having a hard time getting out of his head enough to enjoy sex, has a clear solution: recreational drug use! While on the road to self-discovery and self-actualization, Henry surprises Alex more than once.

the only thing on my mind series - Piercer!Alex teaches Henry about the inner workings of BDSM in mid-90s New York.

secret moments in a crowded room - After getting a concerned call from the man's PPO, Henry makes an effort to ensure his body double Angus is getting properly socialized. Alex is hesitant to spend time with the Henry-shaped clone, but he quickly finds himself getting charmed by the man. Angus gracefully slides from strange phenomenon to friend.

“I just want a quick one shot”

like it’s patrón - Henry meets Alexander at a gun range, but it’s not the first time they’ve met. Alex calls in a raincheck.

where every wish comes true - Alex gets locked out his apartment on Christmas Eve. He's forced to take refuge in his neighbor and occasional fuck buddy Henry's apartment, and together the two get into the Christmas spirit with the help of a festive costume and a silk ribbon.

here the whole time - Married and bonded, Henry and Alex decide it's about time to get off suppressants and start enjoying their bond fully.

“I’m here for the angst”

you were more than just a short time - David the Beagle passes. Alex is there for Henry through his grief, and through the start of moving on.

look at this godforsaken mess that you made me - Rafael Luna gets through the election by the skin of his teeth. The other two Bastardos notice.

where others gave you scars series - Henry, after living in America, realizes some of the things he’s been living with aren’t normal. Alex teaches him that his pain isn’t in his head, despite what his family thinks.