Half-Baked The Owl House AUs #3: Sister Vee

I never thought I would need Stoner Asriel and Hispanic Susie in my life, but I’m glad that I do now

OK SO i wanted to celebrate my 420 followers on instagram in a special way so i drew this comic. Toriel is out of town on a pie convention so the kids decide to have some fun. Asriel decides to make weed brownies and kris invites susie to stay the night, things don’t go too well. And yesh, i have a headcanon where asriel is kind of a stoner lmao

Lol, all that discussion of whether you're a furry or not reminds me when the same thing happened to me with my friends. They accused me of being one because I had some images in my profile of anthropomorphic characters. And although in the end I ended up becoming one, it was very fun to argue against them that I wasn’t xD So continue with your fight, stand firm against those people and have fun while you do it!

Azen, more like... Furry. :p

P Eri s h

this is a cue to go to  s l e e p

WOOHAAHHGHHHGHHGGHHH 🚘🚘🚘💥💥💥💥

I love hydranoid let him be silly more often

@dimiclaudeblaigan asked for a tutorial on how to begin drawing. Good news! If you can draw a funky looking stick man, you have already started!

I think that stick people are a great starting point for artists because of the things you can learn from them that will be important later on.

If you are able to draw a circle and a couple of lines, you can easily put together a stick person.

Congratulations! You have started to draw. :)

A stick person is a very minimal artistic representation of a real life person. It is simple yet recognizable, and is widely used in art, media, and signage.

But what can a stick person teach us about drawing people that look more like… well, people? Lets have a look!

By simply adding a few more lines, we can add a pair of eyes and a mouth. Maybe even a little triangle nose! Or half circles for ears. We can now draw a face, which provides a basis for all sorts of expressions.

These simple additions can allow us to explore the wide range of human emotion and individuality.

This may seem like the basics of the basics. But that is what we want! In order to get to the point where we are able to draw complex, elaborate representations of humans and objects, we will need to start with simple shapes like lines and circles and build our understanding from there.

For instance, lets give our stick person some cool new features, such as hands and feet. I chose little squiggly circles to represent hands, and triangles to represent feet.

We can go a step further and modify the body of the stick person to include shoulders, hips, elbows and knees. These parts of the human body are quite complex in real life But here, all we need to do is add a few simple lines and dots to our stick person.

The lines provide some additional structural elements to our stick person's body, which are the shoulders and the hips. The dots indicate the points of articulation - elbows and knees, the places where the arms and legs bend!

Now we can use our stick person to show us an even wider range of human movement, action, and expression.

Our little drawing of a human being is evolving! All it took was adding a few more lines and shapes here and there.

By elongating some of the existing lines and making the head an oval instead of a circle, we can give our stick person proportions that resemble that of a real life human.

By this point, we have managed to add more complexity to our stick person simply by using our ability to draw lines, circles, and other basic shapes!

These basic ideas are the building blocks that will enable us to create more complex shapes.

The next part may be a considerable step up if you are absolutely new to drawing, but I have decided to include it in order to show you how complex objects like the human body can be built from shapes that are a bit more complex than circles and lines.

For example. Two ovals and a rectangle can be combined to create a cylinder.

Six squares can be combined to create a cube, or a box. Here, each square is distorted slightly depending on which way the cube is facing.

Note that the back faces of the cube and the bottom of the cylinder are hidden. These shapes allow us to visualize that which should not normally visible.

A sphere from all perspectives can be represented by a circle. But we can make it more like a sphere by adding lighting and shadow if we so desire.

Cubes, cylinders, and spheres are examples of 'solid shapes' because they consist of 3 dimensions.

Lets see how these solid shapes can be used to compose the human body.

By stacking three cylindrical objects, we can create a torso. Two spheres have been added to form shoulders, while a smaller cylinder forms the neck.

An arm is an alternating sequence of spheres and cylinders connected together. Note that the hand has been simplified for this example.

We can apply these solid shapes to the rest of the body to give us a more recognizable representation of the human form. It doesn't even have to be perfect. And just like that, our stick figure now has a silhouette that is unmistakably a person!

In the above examples, notice that we kept the stick person at the beginning while building up the shapes and solids around it. This is because the stick person serves as a guide for positioning the body and its various parts -> also known as posing.

You can do the same thing to everyday objects! Here, I drew a wine glass by stacking these three dimensional solid shapes.

The cup and its contents are two ovoid shapes that were cut in half. The stem is a very thin cylinder shape. The base is a cylinder with a slightly wider bottom.

Solid shapes help inform us how objects and parts of the human body may appear from different perspectives.

For example, a sphere can be used to demonstrate how the human head appears when looking up or down, turned to the side, or tilted at an angle.

With these examples, I hope I have managed to convinced you that if you can draw a circle and a couple of lines, you can draw a person! You just have to train your eye to recognize the simple shapes within complex objects. Try it with everyday objects as well! Or even your favourite media! A drawing subject can be as simple or as complex as you envision it to be.

Once you have mastered that, there are many aspects of drawing you can explore from here that may require you to seek additional resources or a fellow artist's advice.

Last of all, remember that drawing is an iterative process. Even if you draw something correct the first time, you will need to draw it again and again to get it right all times! And by making small changes like the ones we explored in this tutorial, your drawings will gradually transform!

I hope what I've demonstrated here are enough to provide the basics of how to get started with drawing objects and people, and also to help refresh more experienced artists. :) Hopefully I didn't go too off topic with what was requested, and let me know if there are any more questions I can answer.

Cheers :3

I’m gonna be sharing my Owl House Wips and Aus for a while now that it’s over and I’m definitely hyper fixating on them.

Open Portal Au

Luz, her sister Vee, and their childhood friend Hunter end up exploring an old house that was said to have belonged to a “witch” many years ago and a number of people went missing in it too. While both Luz and Vee could only hope it was haunted, Hunter was more hoping it was just empty. Not that he was scared per say, but his dad did want him back in time for dinner and he wasn’t sure if any ghosts would be fine with them just saying hi and bye like the girls insisted.

Though what they find instead of ghosts happens to be a portal to a demon realm they never knew existed.

Hunter, Vee, and Darius are all human. Hunter was adopted by Darius and Vee was adopted by Camila.

I really would’ve made all three of them siblings but I still wanted Dadrius.

Also Masha is a witch.

I absolutely love these designs! and was just wondering what inspired them? I'm curious of what the plot's about, since everyone's species swapped

why not answer this question with another ref sheet(?) :3

I’d like to say, first and foremost, thank you very much for the love 🫶 i love getting asks and requests, these sillies live in my brain and drawing them is their rent

Second, i’m probably gonna keep plot talk on the DL unless i decide not to make a comic! Sorry :,3

Last but not least, inspirations. hooo boy this is a doozy

Firstly i wanna say i was inspired to make a comic specifically because of older ut comic dubs (Christmas party, handplates, Aftertale, etc) along with Scott Pilgrim and @akanemnon’s Twin Runes comic! (check them out i love twin runes a lot!!!)

The idea for the au is really just “What if the humans were monsters and the monsters were humans?” or, also “what if the (former) monsters were on the surface and the (former) humans were underground?” Classic Overtale plot!

Going in order, starting with AXIS, he’s actually one of the newest designs! i made him in my german class last week („•v•„U ) I wanted Axis to have a design change but remain a robot, maybe being more humanoid due to being made by a human! Changed his pipes and light bulb into what resembles hair and his wheel into roller blades!

Next up, Ceroba! i’ll be honest, i really don’t like Cerobas canon design that much. Love the colors but the short skirt and boots are not it, especially if she’s intended to be a more traditional japanese character. Like she’s not a magical girl, she’s in her 30’s?? Anywho, i made her prominently orange instead of pink (again, magical girl) along with lightening natural hair due to age and stress!

Clover. Clover Clover Clover!!! what do i even say about this precious little pup?! :3

I guess i could start with them being a Kitsune, of course, being switched with the Ketsukanes. Seeing as Ceroba is a mother and is often portrayed as taking a motherly role to clover, i figured a kitsune would fit them nicely! Along with being a cute, fun to draw, and curious troublemaker! I always like to remind myself that Clover’s just a kid.

Next up, Star! or, in this au, Stanley Sterling, the performative sheriff of a humble little town! i decided to switch up his poncho a little, for the sake of changing his design, gave him chaps (i like to call em pantaloons hoohoo!) and teal tassels for days! He’d prolly know more about cowboys than canon Starlo because, yknow, he lives on the surface!

Ah Martlet, or now, Marlette! but most just call her Marley. She has ~4 different outfits planned, a cozy, aviator style one for “Snowdin”, a sleeveless shirt with her flannel round her waist and a bandana for “the Dunes” and that flannel over her shoulders for “New Home”! along with a tee and pj’s for the epilogue. Her outfit is easy to manipulate so it only stays the same so often. Also, talon boots! ;]

And Dalv! Poor fella stayed a monster for the plot 😿 but i changed his design so he’s got a jacket similar to the one he has in Snowdin in uty but a whole lot smaller lol, along with a Batty pendant, a red vest and shoes and carved down horns! poor fella :(

Feel free to ask questions about these guys i am more than pleased to talk about them

Picnic Atop The Wall

Commission for NekoYashiki

Redesign

Isere and Allia are a pair of basilisk siblings cloned from the same extinct egg samples, about as biologically related as they could be

Isere is more of a nervous wreck compared to his sister despite being older, he just wants to be left alone and avoids conflict

Allia is more defiant and firey, the kind to speak up when Isere is too scared to as she was more exposed to the post Belos era and didn't have to live in fear as long as her brother