What Was Happening When You Left Him In The Basement? Why Was He Screaming? 😰

Alright. One Voice down..

Ten to go-

Pspsps. Hey. Oppy Enthusiasts.

He's doing that stupid face again./aff

Paranoid’s design! Finally!

These explanations break down the more I do them, he’s like if wings were pajamas? That’s basically what his body is. And he’s got a big, poofy, feathery mane type deal going for him.

His design is also supposed to be sort of a call back to the old ones, with the owl like beak that kind of looked like a mask? Anyway I’m in love with him, little guy.

I didn’t make any other drawings of him so uh have these shitty unfinished Broken doodles without his priestly garbs on instead.

Please ignore how his hands and arms look like shit and don’t always layer over his body correctly, I was not feeling hands that day, couldn’t draw them for the life of me.

The Paranoid post ft. The voices but littol.

ok so like i made a thing

its like? if .. broken or cheated came to damsel

but its Super indulgent and also bad

If your willing, could we get a sneak peak of the next chapter of Little Voices?

Oh

I haven't even started on it yet, my mind is still mush after writing Chapter 9

But I will tell you this...

This line is gonna be altered but it's basically there.

Not to be cringe, but your opportunist design lives in my head rent-free. You draw him really pretty.

Heh. Thanks. This fool is also living rent-free in my head.

Took a few days but BEHOLD MORE NARI ANGST/WHUMP

Was thinking about trod Narinder being secretly in love with Lamb the whole time and the fact that Narinder most definitely has trust issue and fears of being mortal now

So with those two trains of thought combined, I wanted to explore… other hidden feelings he might have towards the lamb… 👀💧

Eat well, my flock, Cult of Nari Babygirls tm 🤲

Thinking about how the Narrator doesn't really know if the world stays saved when we die, and yet in some cases He tries to reassure/console us during our 'last moments'.

"You've paid a terrible price, but you've saved us all." He doesn't know that. Maybe He's just trying to describe it into existence, hoping that if you die with the thought, it'll become true? But in other times, He's sure that our death means doom for whatever world we've left behind. "The world doesn't stay saved if you die." Then why tell us that we've saved it?

I also think it's interesting how emotional Narrator gets by the end of each chapter 1. He treats us differently based on our actions and how we approach the situation.

If we try and save the Princess, he purposely makes our death as long and painful as he possibly can, presumably, out of pure spite. "It is agony. But you aren't dead yet." "She sinks the blade into your chest again, and again, and again... and you feel every inch of burning pain that slices itself into your body."

If we resist his instructions at first, but give in later, he seems genuinely apologetic. "This can't actually be how everything ends..!" "I'm sorry, but it is." or "As much as I'd preferred for things to have gone differently, I can't deny the reality of what has happened." He wants this to work, and he wants us to come out happy and content by the end of it.

He seems caught off guard in the Spectre route if we try to kill her while she's in our body. "Slay her would slay you. Are you sure you're willing to do that?" One would expect Him to immedietly be on board with whatever plan gets rid of Her, but the "heroic"(in His eyes) gesture immedietly makes Narrator develop a soft spot and start to worry for our well being. He doesn't like the idea of the hero being denied their happy ending.

He genuinely believes the Princess to be a manifestation of everything evil in the world and constantly denies her any personhood. It's not an active choice either, as Narrator is an Echo with a set amount of beliefs that cannot be changed. He never changes His mind about anything and one of His core beliefs is that He is right. He has to be, otherwise everything he'd done, everything he went through, it would all be for nothing.

That which was once a defensive thought, shaped by his own hurt and unwillingness to see another perspective, becomes a universal truth.