I saw you, anonymous among the masses, a
passerby spending some time. Come closer,
lead me into artificial intimacy. Body on body,
eat me, crave me. A strange, succulent sweet.
Are we still strangers? I feel I know you so well.
Do you even know my name? Does it matter?
Give me more and who we are won’t matter.
Under these pulsing lights we could be anyone.
I am yours, sweet stranger, just for this song.
Let the beat hide our fears, inhibitions, and
those who are holding us back. The air is hot,
you stick to me. Sweaty sheets and mussed up makeup.
In the Snow - prismacolor pencil and whiteout on paper
Friend, Don’t tell me how to run my race.
Just because you can’t reach
the finish line doesn’t mean
I have to stall in second place,
slinking in your shadow
since you “know what’s best
for me.”
I stand on my own feet,
I run to who I choose.
I will dance, I will fly, even
if I pass you by. Keep up
or I’ll leave you in the dust.
The giver of blood and love is fragile
as it beats faint within the fold of your
broken breast. The giant’s grass of the forest
sways gently in the wind, unaware of your
selfish weight crushing the earth below.
You used to dance with grace as light as a breeze
among the blossoms of spring, but now you
have been stripped and knocked down, lying
heavy in the cold dirt of disenchanted
winter. You bury yourself in the decay of your
innocence as the rain of remorse now pours down
your cheeks. The one who did this to you feels no
regret. You let him take the silver trinkets
from your pain-streaked body and he
hung them from the bedpost that he might
admire those trophies of his conquest.
You have given up that blissful ignorance that you
once held so dear. Now you must stand alone and
face the world, for he is not there to lift you.
There is no changing what has been done.
Awake in a photo. Black and white, head hurts too much for color. Loose black slacks drape over a barely there dress on the floor. Milk on the nightstand in front of a background of wood. My hands rest on my stomach. Is milk on my skin? Man’s milk, perhaps. I want milk. What did I do last night? Rolling over, see what I did. He has a stressed smile, spindly at the ends, emblazoned with a promise. Don’t think I want what he’s offering. A sour taste coats my mouth. Turn over, drink the milk. If only the creamy froth could make my insides in its image. The word “milk” crowns everything. I too would like to be pure white.
One, an unfamiliar smile
I don’t know how to understand.
Fingertips brush my waist, hem
of shirt, pale skin untouched
by sun. Hot breath on my ear,
body to body. Hand resting
in the small of my back. I want to
not want you as much as I do.
Two, palm runs down my side
breast to thigh. Breathe your sharp
scent. Gasp for forgiveness. Push
away, pull me close, make me
melt into seductive warmth.
Mold to match your form.
I am in over my head, and I
like not being able to breathe.
Three, tempo moves too fast,
past the barrier that was your
car door. Pressed to you,
horizontal, clothing optional.
I can’t keep up with four/four time.
Wonder if Eve knew what she
was getting into. Did she know
fear before the fruit?
Four, I can’t understand myself.
Fear, frustration, desire, despair,
give me room to breathe, I’m not
ready to go without air, not ready
to take that bite, not ready to
want you. My skin aches as you
pull away, disappointed. I guess
I don’t know how to dance.
A little conversation is all it takes on
the beach at day break. Kiss me gently
as quiet notes waft across the sand
out of the open door of your car idling
in the background. The only sound is
you and me and the pristine waves as
your lips sear your name on my
tongue and the soft guitar serenades
the silence. Hold me closer, feel me warm
against you. The water is beautiful.
He bluffed, “It’s the cheapest you’ll find a vintage sports car.”
She huffed, “It looks rather new for a vintage sports car.”
Love for the ages: soft, steady, slow, and sweet, or a
flame: fast, beautiful, and deadly, like a vintage sports car.
Pulling off her shirt she felt revealed, reviled, repulsive,
telling herself it’s not trashy if you do it in a vintage sports car.
Cherry red, blood red, red wood. Scattered under moonlight.
On the accident report they called it a vintage sports car.
Heaven forbid honesty! Hide your feelings, your secrets,
undercover. Like in the driveway, a vintage sports car.
Status symbols: a Rolex watch, a million bucks, a
yacht in the bay. Trade your wife for a vintage sports car.
The past thrown away, left to rot and not be remembered.
Left to decompose in a junkyard next to a vintage sports car.
Lost, lonely, loveless? Ditch the club, forget online dating.
One thing that can never leave you: A vintage sports car.
To escape your problems you must run far away.
My suggestion? Zero to sixty in a vintage sports car.
A gold-digging robbery! Get away with his money, his heart,
a license plate reading RAY-RAY on a vintage sports car.
The first part of the collection, To Save A Wretch Like Me, tells the story of the two lovers meeting and getting to know each other. It is during this section that the narrator, the girl, begins to question what she's been raised to believe, and pulls away from the familiar to join the boy on a path towards uncertain self-discovery.
Palms sweat thick as blood. I fold them so as not
to stain my skirt, too clean, too white. The wine of redemption
burns my throat, bitter next to the sweet sin so heavy on my
unholy mind. The call to confess crushes the
soul. There are no secrets left. I can’t look up, can’t
burn my eyes with the sight of his neck, red with the embarrassment
of awareness beneath a shock of blond. He sits two rows ahead,
his head bowed in humility, and I sink to the depths of the
earth, opening to swallow me beneath the altar before me,
drowning me in the tears of the women at the cross.
Confess?
There’s a candle in my window for
the boy who never was.
It flickers just as brightly as
the laughter in his eyes. The warmth
inside his heart is matched by nothing
but the flame, and the tiny drips
of melted wax, intricate as his mind.
The candle burns to mourn this boy,
the one I could have loved.
He may have lived - this boy, indeed.
But mine he never was.