Latest Posts by likepuppetsonastring - Page 3

Chase is our protagonist? Huh. I hadn’t thought of him that way before. That’s really cool! :)

what made you decide to make a video about chase? where did your inspiration come from? You're a good actor btw :3

Chase is the protagonist and is probably the most relatable and regular character out of them all. He also has a lot of story and background so it seemed like a no brainer to go with him. 

Ah thank you! I couldn’t read it!

COUNTY OF LOS ANGELES SHERIFF’S DEPARTMENT COURT SERVICES DIVISION

NOTICE TO VACATE CASE NUMBER: 14052018

TO: Judgement debtor, members of the judgement debtors’s household, and any occupants residing with the judgement debtor.

By virtue of a Writ if Possession of Real Property, a copy of which is attached. YOU ARE ORDERED TO VACATE THE PREMISES DESCRIBED IN THE WRIT NOT LATER THAN: September, 2019.

SHERIFF’S DEPARTMENT INGLEWOOD, CA. 90301

By: ??? (Deputy)

Date: 08/11/2019

76N054E SH-C1-52 (REV. 9/94)

NOTICE TO VACATE

Chase.

So! I had no idea this was happening until like 20 minutes ago!

Before I dive in: I absolutely love this video, and I’m so happy that Jack has decided to take his egos’ stories further like this. It’s beautifully shot, cleverly edited, wonderfully acted, and the premiere was just amazing. I’m so excited to see where this goes, even though I’d be perfectly happy to have this be all we get! Well done, Jack and team! I am astounded and impressed.

Now let’s talk lore:

Based on a first watch through, the story that I’m gathering so far is that Chase has been evicted from his home. This is the last straw for him, and to process, he goes to visit a place that is special to him. Now, this place is a cairn in the middle of the woods, a memorial to someone. While he’s there, grieving, suddenly he appears on a parking garage roof. He’s just as confused as we are...and afraid.

Let’s dig a bit deeper.

- The eviction notice

Served by the LA Sheriff’s department, this is an official notice to vacate the premisis, meaning that he’s been evicted from his home. It’s dated August 11th (or 14th, I’m not sure), and gives him until the end of the month to get out. Is he being evicted by his ex? Possibly, but also possible is that he’s been evicted for violating his tenant agreement, maybe with excessive drunken episodes or not taking care of the apartment well enough in his depressed state. I can’t make out the signature, but as it’s probably meant to be a judge’s, I’m not particularly bothered by that.

When Chase gets into his car, we see that it’s littered with fast food debris. It looks like he’s been living out of this thing. I don’t have much to say about that other than it’s a very good way of showing us his mental state before getting even more explicit about it. He’s not taking care of himself, or his car, because he can’t.

- In the car.

I want to talk about Chase’s costume change. 

Previously, he looked like this:

Childish and happy-go-lucky on the surface, covering his issues. This is him in his videos on Bro Average. It’s not a very serious look, because he’s not a very serious person.

Now he looks like this:

Much more toned down and adult, realistic. Serious. This is Chase off-camera, when he’s the real human being behind the screen, dealing with his life falling apart. I think it’s a fascinating character development, and I love it.

My favorite part of the video is this next bit.

Right before he breaks down, briefly, we see...

Someone else in the back seat. Someone in all black. Someone with Jack’s face.

Am I going to jump to the conclusion that this is Anti? Definitely. Is it possible that this is a manifestation of Chase’s concerns about that universe’s Jack who’s currently in a coma? Yep! Either interpretation is going to be interesting to play out.

- In the woods.

At the cairn, we see him put down this photo. Now, this could be two things: either, this is young Chase with his mother (probable, given the age of the photo) or this is Chase’s son with his ex, Stacey. Either way, this cairn marks the loss of the photo’s occupants. Now, I’m inclined to believe that this is Chase’s son’s memorial, because that would explain Chase’s depression and his ex’s leaving. This could also mean that Stacey is dead, but that wouldn’t make much sense lore-wise unless Jack is starting the story over completely. That would be interesting to watch, but would scrap all previous Chase appearances, so I doubt that’s what’s happening.

- The scene shift.

Before:

Alone and stripped of everything he had left, Chase is trying to decide what to do. He can’t go home, and he has nowhere else to go. This is a man who’s given up hope.

After:

Utter and complete shock. Confusion. Fear. He taps his chest and looks at his hands as if he’s questioning reality, wondering if he’s dreaming, but clearly he’s not.

I want to talk about the music cues for a second. The sentimental music of the forest scene fades away, and there’s tight, minor key strings through the entire finale, which is excellent for building hype and setting the scene. That, coupled with the sudden cut, brings the audience into Chase’s head without him having to say a word. We can clearly see and feel the confusion and panic, which quickly becomes fear, and even if we’re not sure what we’re afraid of, we know it’s something serious, and dangerous. We’re on the edge of our seats.

What happened here? We don’t really have enough info to go on, and I’m hoping there’s more to come, but my guess? Something followed him to the cairn. And something wanted something from him, and took him to the place where that can happen.

What brought him there? Whose memorial what that? Where are Chase’s friends? Where are his kids and ex? And most importantly...

What’s going on?

IT’S SHOWTIIIIIIIME

So! What we’ve got here is a basic teaser trailer, but there’s so much more to it than that!

Let’s start with sounds. That right there? Air raid siren, typically used in high security situations or widescale emergency alert systems. For the sake of my sanity, we’re gonna guess that it’s high security here. This museum has top of the line alerts, not just the bells and secret alarms of a normal place. Why is that? What’s it guarding?

That brings us to point number two! The lights. Clearly, we’re seeing down the end of a hallway, slowly lit up as if triggered by the sirens, but that’s a strange way to have your electronics set up. Why not have the lights trigger the alarm? That’d make more sense if it’s somewhere with secure access: you have to turn on the lights the right way or the sirens cut on and you’re busted. It’s weird to me. Someone got a good idea as to why it’s backwards?

And finally! THE PICTURE. That very much looks like Actor Mark. But why? Who would go to all the trouble to steal a picture of some long-dead actor? Who would bother? Even if he’s still “alive”, why would you want his picture that badly? And more importantly, why is it under such high security? Who put it under lock and key?

There’s a lot going on here and I’m HOOKED. It’s been a minute since I’ve had something this interesting to theorize over. I’m excited to see what this brings. :)

It’s not about me. It’s about you.

Just wanted to say, thank you, Jack, for everything you do with the Egos. This is by far one of the most amazing stories I had ever seen, and one of the most long-lasting. These characters, completely original and complex in their own way, interact not only with you and each other, but with US. DIRECTLY. It’s amazing! I’m in the story that I’m helping to tell! This is exactly what fiction is supposed to be, an interaction between creater and audience, and almost no other medium allows for this level of interaction. Thank you for working so hard on these amazing characters and their stories, and for interacting with us to give us more to work with and expand the story even more, and for allowing us, the fans, to make this story bigger than any of us could ever dream. 

That being said, please please know that whatever you want to do with these characters will be fun for us. Small glitches? Awesome! So fun to catch! The occasional spoofy moment in videos? Wonderful! It’s fun to see our faves cameo! Small parodies with the different characters? Great! Hilarious! Serious works that take longer to put together? Oh hell yeah!! It’s all part of the fun of this unusual story, big or small. 

You don’t have to go all out to make something fun, and you don’t have to make a lot of things, either. There’s no quotas, it’s all just something to enjoy, together. We love it, and you, and are just happy to be sharing in the creative process. We’ll happily support whatever you want to do with them, and if you want to take a break? Take it! We’ll fill in the gaps with fanfics, art, edits, and memes while you chill out and just enjoy the creations. <3

Expectations

I wanna talk about the egos for a second. 

They have been by far one of my favourite things that have ever come out of this community and my own brain. I love characters, I love story and I love a good mystery so to have our own lore and plot in this community based around content that I put out there is nothing short of surreal and amazing. Recording let’s plays is awesome but this was something I created and put out there intentionally with high hopes and no one else at the time was doing it and it went over super well. It was incredibly creatively fulfilling. 

However in the mix of all this has come a lot of frustration and headaches too. I am constantly beating myself up over not doing more with them and putting things off because what I want to do with them is so fucking ambitious that I stop myself from trying sometimes out of fear of not living up to it and messing the whole thing up. I feel like I have one good shot at a story with them and don’t want to put out something that doesn’t make sense or is safe or is just badly written and kind of lame. I want it to be GREAT but that’s a really hard thing to do, especially when almost the entire creative process for all of this is resting on me. It doesn’t have to of course but it’s my baby and I want to treat it well so I get frustrated when things don’t go EXACTLY how I want with the characters.

Not only that but people fucking LOVE these characters (which is the sweetest thing in the world) so I want to do them justice for all of you as well. Use them as a way of telling a good story with characters you can relate to and designs/imagery that inspires you. Sometimes those expectations aren’t met or are set WAY too high, far too early and what comes out disappoints some people or isn’t exactly what you wanted either. This constant cycle and back and forth in my head has been a huge creative and motivational road block for me. I have ideas and plot points and places I want all this to go but trying to get there has proven hard for me because again, I don’t want to fuck it up. The stuff that I’m trying to do is also just taking so fucking long to talk through. 

This is why teases have been slow and sparse. All of this is way bigger than I thought it would be initially so thank you for that. I love these characters so so much and I want to see them fly high. I do love all the theorising though and the stories people write about them and how creative you all are. It inspires me. Keep theorising, keep having fun, keep your stories going. I want to have more fun with it and not put so much pressure on it all anymore. 

Oh my god, this is brilliant! Absolutely brilliant. You’ve somehow managed to perfectly blend to absolutely amazing universes and you’ve done it seamlessly. I would gladly read this as a miniseries or one-off book.

AJ Crowley and Harry Potter bump into each other in public:

Harry Potter: Oops, sorry about that.

Crowley: No, it was my fault, don’t worry about it.

Public: *stares at the two men making strange hissing noises at each other*

Both: Wait…

Why I Love "The Hunchback of Notre Dame"

(Spoiler warning for the 2014 stage production of The Hunchback of Notre Dame) Paris is on fire. Flames lick at the crowds that gather, running and fighting on

Thinking about making this into a video soon, let me know what you think!

This is all fascinating, and I am so curious to see what the last “dark” side will be. As Morality’s corruption, it’s got to be a fascinating character. Selfish, uncaring about others’ needs, totally and completely egotistical, would be my guess, and that’s why he’s invisible. Can’t see him, can’t get rid of him, right? In fact, that could be his “name”, Ego. Maybe it’ll be an interesting battle between “is Thomas doing things for others or for himself?”

I also want to see the interaction between the three still-”dark” sides and Virgil, and I want to know more about his time as a dark and what caused him to become a “light”. I suspect it was because they showed him that he wasn’t just fear or panic, he was the preservation instinct. Maybe, also, Virgil doesn’t like the darks because he’s afraid he’ll become one again.

Theory Master Post: Buckle Up

So in Moving On Part 2, there’s a strange, out-of-place picture right after the intro. It lingers for three frames and has nothing to do with what they’re talking about, whereas other pictures stay for one frame and relate to the topic. Here it is:

Speak no evil, hear no evil, see no evil. We all know that the dark sides are seen as evil, yes? Well in order of appearance, Deceit covers mouths and Remus has to do with the ear topic. So who will be covering eyes?

I know some of you are thinking “But Remus didn’t cover their ears!” How does he enter? The video goes quiet, and Thomas can’t hear anything but Remus when he speaks to him. Other, less important ear things include: taking off his own ears, and when people are around him, they tend to cover their ears. So essentially, Remus is “hear no evil”. Most of his power comes from listening. He can’t do much physically.

To elaborate on that, Remus is a bit like a siren. During his song he drags them into his pitch-black realm of dark thoughts. Virgil even explicitly tells Thomas to stop him from singing. And how do you resist a siren? By covering your ears. It’s fitting that his logo/animal is a kraken. If you don’t listen to Remus, he’s powerless.

Some people have said that Virgil is “see no evil”. Maybe. Here is why people have thought that. Let’s go chronologically. In Embarrassing Phases he’s able to straight-up disappear before re-entering in a cloud of darkness. Shortly after, he makes the room go black. Now, he’s been revealed to have been with the dark sides in the past, and fear “blinds you”. Also, Virgil tends to cover his eyes a lot, whether it’s with his hoodie, bangs, or even hands. Plus, he wears eyeshadow that affects the other sides when in his room.

However, I don’t think this is the case. So far, all of the sides have continued to follow the rainbow color theme. Not the cartoon doodle rainbow with six colors, I’m talking ROYGBIV. Red (Roman), orange (?), yellow (Deceit), green (Remus), blue (Patton), indigo (Logan), and violet (Virgil).

There’s one missing side. The orange one, who is likely dark. When Thomas learns about Deceit, he asks if there are any more sides. Roman and Virgil both reply to this by confirming there are more, or “the dark sides” as Roman puts it. Note he says sides as in plural. So it’s not just Remus. There’s another one.

To even begin to figure out what this side is, we need to poke at the opposites theory which goes hand-in-hand with the color theory. First, let’s look at the first canonically opposite pair: Roman and Remus. Red and green are across from each other. Looking at Logan’s color, he’s across from yellow, while Patton is across from orange. Virgil does not have a clear opposite. Let me explain how this is perfect.

Most people think that Deceit is Patton’s opposite simply because he impersonated him first and went against him in the court room. But, look closer. Logan loves his facts, but those facts are usually helpful. Deceit absolutely loves facts, information, and philosophy too, but his are usually dark. This is just like how Remus likes dark ideas, while Roman likes brighter ones. Another thing, like Remus and Roman, they dress similarly. The only sides to wear a tie/bow tie, but that’s just a minor detail. Deceit also keeps Logan in the back seat for the courtroom video because he knows he’s his match. What does Remus do with Roman? Keep him in the backseat by knocking him unconscious. Do the dark sides fear their opposites, or are they just doing this to simply have more power? In summary, it’s facts vs. lies which are very opposite indeed.

Before I get to Patton, let’s talk about Virgil. “If there’s opposites, why doesn’t he have a light side?” His whole character arch is about being unique. In the Fitting In video, he doesn’t fit to a specific house. He is an exception to the rule, like most things. Anxiety is hard to understand, so it makes sense that he wasn’t able to be split into a good and a bad part by Thomas’ mind. He got to choose like he chose his color.

Then there’s Patton. Repressive, innocent Patton. Whoever could his dark side be? That’s not too hard to guess with all of this information put together. Remus is Thomas’ view of bad creativity, Deceit is Thomas’ view of bad information, so the final dark side will be orange and Thomas’ view of bad emotions or morals. The “see no evil” of the group. The one who’s likely always been in the background, but never seen. With all the build up, probably the worst one yet. So how will his role come into play?

We all know the question Thomas has been asking for some time now. “Am I a good person?” It never got answered. Even after Remus. The first big video about it was Selfishness vs. Selflessness, which is a confirmed two-parter according to Joan. So why the video(s) between the next part? Well, we haven’t met all the dark sides, now have we? In order to answer this question, Thomas needs to see every part of him, good and bad. So I bet you anything, that second part will be light vs. dark to answer the big question. The internal struggle most people have of finding your true self.

My inbox will be open...

A reminder that this is available now!

I’ve written another book! The Clockwork Figurine is a collection of short stories (some of which are based on fanfics that I first published here!), and it’s available worldwide on Amazon for $.99 as an ebook. It’s also available in paperback!

I’ve written another book! The Clockwork Figurine is a collection of short stories (some of which are based on fanfics that I first published here!), and it’s available worldwide on Amazon for $.99 as an ebook. It’s also available in paperback!

oh. oh no.

A persons fanfic tells you a lot about them, i , a fanfic writer, realize in terror

alternatively: Dark, rocking up in an open button up that’s half tucked into rumpled suit pants and sitting on top of a very stained undershirt.

Wil: You look like death!

Dark: *looks into the camera like he’s on The Office*

As much as I like the idea of dark wanting to be constantly neat and fancy, I also adore the idea that after the shit he’s been through he just can’t give a fuck and wears and does whatever the hell he wants.

The Characterization of Damien

So a lot of people seem to be interpreting DAMIEN as a redemption of sorts for Dark. I don’t agree with this. I think this addition to the story is a way of making Darkiplier more of what he already was: a sympathetic villain.

Dark’s motivation comes from a just source: he wants to avenge the people he lost and take down this evil, manipulative bastard that is roaming around in his body, who stole everything from him. Unfortunately, he doesn’t use just means to go after him. Dark is more than willing to brun everything in his path to the ground as long as Mark dies; he’ll fight fire with fire, manipulating, torturing, and destroying absolutely everything and everyone to get to Mark, with no regard for the consequences. Somewhere along the way, that just motivation became a blind rage, and he stepped into the role that Mark put in front of him, the role of the villain, with too much zeal and enthusiasm. He fully embraced the darkness around him because he saw nothing but the power it would give him, and not the corruption that would overtake him. 

In this way, he shares a fatal flaw with his twin: he has a completely one-track mind. This isn’t even totally surprising; wasn’t his one ambition to make the city he presided over greater than any other? Wasn’t his one goal at the party to make sure that justice was served and the past was put behind us? Damien is very good at strategy in that he can get what he wants with ruthless efficiency, but he cannot see the consequences of his actions, and that, ultimately, is where Dark’s vilainy comes from. Dark would be a good guy if his actions didn’t cause destruction wherever he went, in a dark shadow of Actor Mark’s actions.

(ok one last observation for now then maybe I’m done but-)

When Mark was in the height of his rage, we got this fiery display of sparks and chaos.  

Then, in the post credits scene, we see Damien walking out of the cabin. 

Looking back at this scene, I loved the detail how the grass (which wasn’t there before, another sign of Spring with the flower? To show Winter’s over and that Damien is no longer trapped?) itself is affected by similar red effects.

Maybe it’s nothing. Maybe it’s emotional insight of what Damien is feeling.

OH FUCK

I don’t think Darkiplier was trying to trick us in ADWM.

“Shoot him. Shoot him now, please. You do not have time. He needs to die. He is dark. He’s a bad influence. He takes over everything you’ve ever loved. Please shoot him RIGHT NOW. Don’t listen to him. He’s a liar. Please shoot him. He’s a bad man and does bad things to good people. You have to trust me.”

This is the exact text of what Darkiplier says to us at the end of “FREEDOM!” in ADWM.

You know what I noticed about this?

Not once does he claim to be Mark.

Also, there’s a reason the word “dark” isn’t capitalized. This is not Dark trying to trick us into thinking Mark is really Dark– this is him telling us what Mark’s really done.

And now we know what Mark has done, thanks to WKM.

“He needs to die” = Dark recognizing that he CAN die now that he’s out of the house.

“He takes over everything you’ve ever loved” = Mark taking over Damien’s body and life.

“Don’t listen to him, he’s a liar” = Dark warning us about Mark calling us ‘a close and trusted friend’.

“He’s a bad man and does bad things to good people” = the fact that Celine and Damien were torn apart, (Y/N) was pushed out and left behind, and the Colonel was subjected to madness, all because of Mark’s sinister plot.

This was not Dark trying to trick us.

This was Dark trying to stop Mark from making things worse.

This was Dark actually needing our help.

And you know what kills me the most about this?

The fact that Mark totally discredits any potential for goodness left inside of Dark… and we believe every word of it.

Okay but we were in Damien’s headspace...this could very well have been the same moment.

I feel like these parts fit together!

@markiplier

Okay so I wasn’t super far off with this! That’s nice! I even guessed the encounter with Actor Mark, though I had no idea it was going ot be in that cool of a context. I think instead of it being about the line between life and death, it was more focused on the line between reality and experience, with life and death as an underlying issue. We were lost in a way, but not in the house, not in the literal sense that I expected.

It was amazingly cool to see the spiral into madness from inside Damien’s head. That was something I wasn’t expecting, but I’m so glad about, and that could only have been done with animation. Well done everyone involved!

LAST MINUTE THEORY LET’S GO

Okay, so in the last 90 minutes before the video comes out, let’s discuss what we know so far.

DAMIEN is the story of everyone’s favorite unfortunate mayor POST-Who Killed Markiplier. Now this immediately brings up two questions: Are we following Actor Mark in Damien’s body, Damien in the DA’s body as he becomes Dark, or a combination of the two? My guess is that we’re following Damien, but we’ll encounter Mark, and/or we’ll watch Damien spiral out of control obsessed with finding him.

From what we’ve seen so far, Damien is wandering in the woods. Are we just outside of the House? Are we lost? (I say we because there’s got to be some element of the DA in Dark, which might be why he’s so unsettling.) As seen in the little teaser clip here on tumblr, and in the audio from Twitter, Damien is questioning what to do next, who he is now and why he’s still here. The lines between life and death have blurred for him, but not to the extent that they have for Wil. I think this is going to be what causes him to spiral, this need to finish Actor Mark but not knowing if it’s possible because to them, no death is final.

Final thoughts: I’m in love with the fact that this is an animated project. I’m also curious as to whether we’re going to run into Wil. I’m also also enjoying the pre-premiere chat full of memes and singing.

LET’S GOOOOOOO

DAMIEN

In case you’re missing the oddball excitement that’s going on right now. Also, @markiplier is hanging out in the chat with us now!

LAST MINUTE THEORY LET’S GO

Okay, so in the last 90 minutes before the video comes out, let’s discuss what we know so far.

DAMIEN is the story of everyone’s favorite unfortunate mayor POST-Who Killed Markiplier. Now this immediately brings up two questions: Are we following Actor Mark in Damien’s body, Damien in the DA’s body as he becomes Dark, or a combination of the two? My guess is that we’re following Damien, but we’ll encounter Mark, and/or we’ll watch Damien spiral out of control obsessed with finding him.

From what we’ve seen so far, Damien is wandering in the woods. Are we just outside of the House? Are we lost? (I say we because there’s got to be some element of the DA in Dark, which might be why he’s so unsettling.) As seen in the little teaser clip here on tumblr, and in the audio from Twitter, Damien is questioning what to do next, who he is now and why he’s still here. The lines between life and death have blurred for him, but not to the extent that they have for Wil. I think this is going to be what causes him to spiral, this need to finish Actor Mark but not knowing if it’s possible because to them, no death is final.

Final thoughts: I’m in love with the fact that this is an animated project. I’m also curious as to whether we’re going to run into Wil. I’m also also enjoying the pre-premiere chat full of memes and singing.

LET’S GOOOOOOO

People are singing Bohemian Rhapsody in the chat for the new video premiere and if that ain’t the most @markiplier fandom thing I’ve ever seen.

BITCH MORE WHO KILLED MARKIPLIER LORE I AM SO FUCKING READY

This is actually so helpful, thank you for putting these together!

Don’t Know Where to Start with Jacksepticeye and/or Markiplier Egos?

Jse Ego Starter Kit

Jse Ego Advanced Kit

Markiplier Ego Starter Kit

Markiplier Ego Advanced Kit

It’s usually tricky to find where to start when there is so much information, so I made a playlist for these 4 things. Videos on the starter playlists should be played in order. Hope this helps!

Right so I just finished watching “Quit The Game To Win” (stupid busy work schedule), and I’m gonna be honest here, that is the most terrifying Anti footage we’ve ever gotten.

Why?

There’s no glitching. There’s no effect.

This version is realistic.

We called him the Glitch Bitch, so guess what? He’s dropped the trademark giveaways.

“Who do you think you’ve been watching all this time?”

How will we tell?

“I was scared.” (A DBH Oneshot.)

A/N: So I thought I’d write a couple of Connor’s deviancy moments, because who doesn’t want to get into his head? First, the most poignant one.

BANG!

Connor barely had time to register the gunshot in his right shoulder before someone yelled "Take cover!" and the shootout began.

He scrambled up from the ground and dove behind a nearby metal housing unit as Hank slid in beside him, gun drawn but loose in his hand as he assessed the scene. Connor did as well. Calculations were spinning through his head as he tried to preconstruct the best solution. At the rate the officers were firing and the proximity of their shots and the androids’, he had a little more than a minute to intervene. "You have to stop them! If they destroy it, we won't learn anything!" Hank looked at him as if he'd gone totally insane. "We can't save it, it's too late! We'll just get ourselves killed!" He looked back toward the source of the shots. 60% chance of success. Would require 100% accuracy of movements, and the deviant following the most logical pattern of fire, no margin for error. If he slipped or skidded on the snow, if his damaged shoulder slowed him down at all, he'd be shot through the head and they would lose it. 99.9% chance of failure if he stayed, as Hank asked. Even if the android conceded, it’d be shot before a ceasefire was called. The information would be lost, and his mission would be in serious jepordy. He charged, barely registering Hank's fingers closing just behind his arm. Shot incoming, dodge right. Another, dodge left. Duck down. Next shot is coming from above, right again and over the barrier. The deviant hadn't expected this, shock registered on its face. Connor backed it against the wall and, synth skin already retracting, grabbed its arm to connect.

The faint image of a ship's hull, the word "JERICO" against rust.

I have no choice...

I'm sorry...

He knew what the deviant was going to do in the split second before it happened, and for a moment, something strong welled up in him. He didn't want this, no, this was wrong, this was wrong. It was like an error alert in his system, but stronger, almost...

It took the shot. Connor recoiled. Involuntarily, he tried to cry out, but nothing happened, his vocal speakers stayed silent. Everything was silent but the pounding in his head, thumping to the beat of his thirium pump. It was too quiet, everything was moving too fast, and he couldn't see, why couldn't he see? Everything was white, too bright, far too bright. Buzzing. A faint buzzing sound. The buzzing became a voice, and the voice became Hank's voice, muffled and still far away until there was a hand on his arm.

"...you alright?! Connor!" Hank's face, openly concerned, came slowly into focus, but his eyes were glued to the body...to the android. Too still, slumped against the wall with a pool of thirium slowly collecting around the gaping wound in its head. He found his voice, shaking and weak though diagnostics said he was undamaged. "'m okay." "Are you hurt?" "I'm okay," he repeated, trying to shake the unnecessary hesitation from his voice. "Jesus!" Hank leaned back and took a few steps, clearly rattled, and suddenly turned back to him, anger leaking into his voice. "You scared the shit outta me. For fuck's sake, I told you not to move! Why do you never do what I say?" He didn't realize he was leaning against the barrier but he couldn't make himself stand straight. He heard himself talking.

"I was connected to its memory. When it fired...I felt it die." 

Abrupt ending. Nothingness. I'm sorry.

"Like I was dying."

Please, no. Too strong for an error message.  Like pain, he realized. It was like pain. He didn't want it, he couldn't stand it, it was...he was...

"I was scared."

Hank was staring at him, his expression melting from anger into something unreadable, but that was registering at the edge of his awareness. He needed something to focus on, anything. Anything to distract him from this moment. "I saw something, in its memory." He'd almost said "his". "A word, painted on a piece of rusty metal. 'Jerico.'" It was a lead. It was what they had chased him for. This part of the mission was complete, he should be fully focused on finding out what Jerico was, but...

Nothingness. Pain. I'm sorry.

He made himself stand straight, but it was as if his joints were stiff from the cold. That was ridiculous, though, he was built to withstand temperatures far colder than this. No...what was holding him back was...shock. Fear. He was truly afraid. He shouldn't be able to feel anything, his programming was capable of basic emulated responses only, but in that moment... He couldn't let himself think about it.

So what you’re saying is that we might not have Anti’s real name? That would be an interesting dynamic to explore.

Has Anti ever said that his actual name is Anti :/ ? Like that’s what we and Jack call him but he has never used that himself.

Home (A DBH Kara and Luther Drabble)

Winter in this part of Canada was incredibly cold and dreary. It snowed every few days, and when it wasn't snowing, it was overcast and windy, blindingly white all around. Everyone who lived in this particularly frigid part of the world knew better than to spend more than an hour or so outside at a time, lest they risk frostbite or worse. Everyone, that is, who was human. Luther trudged around the side of the house, laden down with freshly cut firewood over both arms. He'd been out since before dawn, making sure that all of the chores that needed doing outside were done before Rose and Adam even woke up. It seemed like the least he could do in reture for all of the  help they'd been in the past few months. He was careful not to be seen, given that his kind was still forbidden to be here. If he was caught, then people would start asking questions, and that could lead to problems for his family. Shaking those dark thoughts out of his head, Luther climbed the steps to the porch and started setting the logs into the firewood stand by the door. Just then, the door creaked open. "Luther?" "Good morning Kara." Kara's snow-white hair was gently touseled. Was it his imagination, or had it grown a little bit since they'd been here? Her borrowed nightshirt hung loosely around her thin frame, bunching where her arms crossed over her chest. She couldn't have looked more human. She couldn't have looked more beautiful. Kara frowned, head tilting slightly to the side. "Have you been out here long?" He shrugged. "A few hours?" "Your jacket..." "Hm?" She nodded at it, and he looked down. It was completely soaked through. "Oh. I should probably dry this." "Come inside. Bring the rest of the firewood, we'll light it so it's warm when Rose and Adam get up." He smiled and nodded, following her as she went back into the livingroom. As he dropped the wood by the fireplace, he caught sight of her socks, and started laughing. He was rewarded with a soft smile. "What's so funny?" "Your socks...?" The smile got even bigger as she held up a foot to show off. "Do you like them? They've got little rabbits on them, and they're so soft." "They're adorable." You're adorable, he wanted to say. She seemed pleased by this. "I thought so." They lapsed into comfortable silence for a little while. He heard the sounds of breakfast being made. The smell of pancakes and bacon wafted out into the living room as Luther got the fire going. He loved the smell of food cooking, even if he didn't need to eat. There was something comforting about it, a sense of home he'd never known before he'd come here. He sat back on the couch to watch it for a moment. Kara sat down beside him. "The fire looks lovely." "Breakfast smells good." They glanced at each other, and chuckled. Kara shook her head. "Is is crazy to say this feels like a dream? Like I might wake up tomorrow, and be back in Detroit. In the car, or Todd's place..." Her smile was gone again. He slid a bit closer to Kara and put his arm around her. It made his heart jump a bit when she melted into his side, slender arm going across his chest. He hesitated for only a second before pulling her hand into his own and holding it. "I never felt like this at Zlatko's." He could feel her looking up at him. He didn't talk much about his time before they met, and for good reason. In his mind, he didn't really exist before he met Kara and Alice. He'd been a machine back then, and he'd done terrible things he'd rather never think about again. This time, though, he felt the need to say something. "Zlatko at well every morning, but everything smelled like grease, not food. That place felt...small. Far too small. This place is smaller than that house, but this...is home." "Home," Kara laughed. He looked down at her again, and was surprised to see tears in her eyes. "It's nice to be home." Sitting there, with her curled into his side, the smell of food in the air and the warm fire at his feet, far away from the cold slums of Detroit, Luther couldn't agree more.

Funny. (A DBH Drabble)

A/N: Well, I absolutely adore Detroit: Become Human, and I’ve been wanting to write a piece about it for a while! So I thought I’d get my feet wet with a quick little drabble about laughing. Enjoy!

The first time it happened, he didn't know what to think. He and Hank were eating at the usual food truck. Well, Hank was eating. Connor was leaning against the table, nodding his head to the distant music eminating from a nearby club. He didn't much care for the lyrics, but the beat was good, strong enough that he could feel it shaking the table and resonating in the soles of his shoes. He would never know why his fingers tapped the table or his head nodded in time, but he didn't mind. Having some things be unexplained was...interesting, if neither positive nor negative. "You lost in your head again, son?" He blinked and looked over at Hank, who was gesturing at him with a half-eaten chicken sandwich. "My apologies Leuitenant-" "You can just call me Hank, y'know." He blinked again, and Hank grinned somewhat awkwardly. "You don't have to. I'm just sayin', it's...y'know, it's weird to only call your friends by their rank. No one does that." "Friends?" "Shit, Con," Hank laughed, then sighed. "I mean...hell, it doesn't make sense to not call you my friend after you've saved my life a few times, right?" He waved the sandwich as if in salute. Without thinking, Connor laughed. It was a genuine, honest laugh, somewhat loud in the quiet night air. As soon as he realized what was happening, the noise cut off abruptly. The look on his face must have been quite a sight, because Hank went from smiling to wide-eyed laughter. "What'd I say?" "I...I don't know?" Connor was surprised to find that he was still smiling. "I don't think it was anything you said, but...you waved that sandwich at me, and it seemed...ridiculous?" He found he was laughing again, and Hank chuckled in return. "Are you kidding me? Damn, how low does a man have to fall for his own fuckin' android to laugh at 'im?" In yet another first, Hank reached over and ruffled his hair. Thinking he might as well follow instinct again, he batted away the hand and shoved Hank's arm slightly. "I'm sure I'm not the first to laugh, L-...ah, Hank." "And now you're making fun of me too! What's the world coming to?" Connor thought he just might have to laugh more often.

Uh...guys?

OH SHIT HERE WE GO AGAIN

FUCKFUCKFUCKFUCK-