Huehuehue Agnes My Love,,,,

An adaptation of Sherlock Holmes set in a world in which the fictional character/literary juggernaut Sherlock Holmes, and all the subsequent adaptations thereof, still exist.

Sherlock Holmes (pronounced Holl-mess, as he is constantly reminding people) just had the misfortune of having parents who really liked the books, and his attitude towards his fictional counterpart is pretty much the same as that of Sir Arthur Conan Doyle.

Sherlock runs a Youtube Theory channel called Mysteries Unwrapped with Sherlock Holmes. He has received no less than seven cease and desist letters from the Conan Doyle estate, all of which he has so faded managed to rebuff by pointing out that that's literally his name.

(No he won't change his name. He's Sherlock Holmes the real live human person. Let Sherlock Holmes the non existent fictional character change his name.)

John is Sherlock's flatmate. Sherlock almost refused to live with him once he realised that it would mean staying with a medical student named John, and only gave in once John pointed out that: a) he's a biomedical student, which is completely different from an md, and b) his surname isn't Watson.

It's now been three years, which is long enough for them to have developed a genuine friendship, and for John to have a) started working towards his PhD in biotechnology, and b) for him to start dating somebody with the surname Watson.

Sherlock can feel the narrative closing in.

His Youtube channel is meant to be focused on lost media, fan theories and stuff like that, but he keeps accidentally stumbling upon and then solving genuine crimes.

His brother Mycroft may or may not have chosen that name after he transitions specifically to annoy him.

He doesn't even live in London, but somehow the only flat they could afford was on a street named fucking Baker Street.

Sherlock Holmes and the Unescapable Power of the Narrative.

Lunchbreak 🐈

yep i really spent 18 hours drawing….a lunch table…. tried to hide a lot of little details zoom in for a fun little game of eye spy. don’t know how many eyes are here but you can try counting. haven’t really drawn many backgrounds before but I think my passion for Magnus archives must mean something if I’m spending hours drawing paperwork

more doodles cause i can't enjoy anything normally ever :]

edit : GUYS GUYS i was wrong DD: Jon's (as of season five) thirty one

ceaseless watcher, turn your gaze upon this wretched thing that was only ever meant to watch– or something

watching some Fireball Friday streams completely out of order and when they have Jack on him saying that he really likes horror but is more interested in the unnerving/uncomfortable side compared to the "scary" side and how the concept of evoking those emotions also fascinate him oh my god please answer my calls i have the podcast of a lifetime for you

IV DONE IT

I know my science sides been kinda dead but I was getting so frustrated trying to differentiate all artistes 'avians'

...that's it, please use freely and don't feel the need to credit me, JUST USE.

It'll be fun to see arrests look at their avian OCS and going *That's you bud! See?*

Adding this because I forgor

Season 3 Elias is so goddamn fucking funny to me I forgot what a rollercoaster he was during my first listen.

Like the s2 finale has Jurgen Leitner giving Jon the whole "monsters are real speech" and Jon's like "I need a cigarette. NO ONE get brutal pipe murdered while I'm gone" and Jurgen fails step 1 because Elias walks in and grabs Jon's point-and-click-adventure pipe he'd been carrying around and Brutal Pipe Murders. Which, of course, Jon walks back in on and is prime suspect #1 due to literally every single feature trait and word he's said in the entirety of s2.

So naturally s3 starts with Jon on the lam and Officer Tonner like "I'm gonna arrest him for brutal pipe murder" and I'M like "Shit. I hate this. Elias is going to SO easily pin it on Jon and get away with it."

EXCEPT Elias walks in and is like "hello Ms. Officer no Jon Archivist did not kill that man, also I won't tell you anything else, also this is what you sound like" while reciting all her childhood trauma and all her illegal activity that will get HER sent to jail for brutal murder of the non-pipe variety and now I'm like "....huh." He's also like "Jon didn't do it but you can kill him if you want maybe :)" Elias your alibi????

And then we come BACK with Jon storming Elias's office with his two lesbian bodyguards as back up and he's like "I'm gonna use my powers to make you confess to pipe murder!" At which point Elias is like "It doesn't work on me. But I'm having fun so Martin go get everyone I need to tell you all how I committed pipe murder." and Martin does and Elias is like "Yes I pipe murdered. I also killed Gertrude. I love murder. You will not be compensated extra for this time. Get back to work." And they... DO... just go back to work. Because work is haunted. One of the lesbian police officers works here now, too. This just happened. "Also living dolls from Russia are about to Apocalypse the world, Jon go stop it," Elias says, while also saying "no I'm not gonna tell you how to stop it."

Okay???? Mr. Elias man??? And you're like "maybe he's a ruthless tactician? Maybe he's brutal but it's all in the interest of stopping the doll apocalypse??? He wants to save the earth???" Except THAT'S not even true it's actually more like he's trying to get the Russian dolls kicked out of line at Disney World so HE gets to meet Mickey Mouse first by which I mean, start his OWN Apocalypse, because if the dolls do it first well then what's the point of apocalypsing a planet that's become someone else's sloppy seconds.

Anyway Elias's master strategy here is to bring the human equivalent of a drowned cat to the gun fight and just sit back and watch Jon fall down every set of stairs he finds while Elias goes "This is good. This will work." His name isn't even fucking Elias.

strobe lights

is this too obscure

one thing i think is so Neat about atla is how all the main bender characters have an arc that corresponds to their "opposite" element. zuko's arc is about the capacity to change yourself and your worldview, and the culmination of his arc is learning a move inspired by waterbending. katara is all about passion and drive, wanting to become a great waterbender and fight for what she believes in, and over the course of the show she comes into her power. toph's arc involves getting free of her restrictive family and connecting with a community, and aang's arc is about learning to stand fast in his beliefs and confront difficult issues head-on. it's a beautiful bit of symmetry that reinforces the show's point about the illusion of separation

TRADE OFFER: i receive song recs that give season 4!duality duo vibes, you receive Mapicc. look at him. you wouldn't deny this guy right. you couldn't. you shan't.