request from @devine-fem prompted by her post!
Magic - change wrought through unnatural means
Most fantasy can be placed along a spectrum where there are 3 main points: soft magic at one end, hard magic at the other, and a middle ground between the two.
Magic that is not well-defined for the reader.
Generally, we don’t understand where the magic comes from, who can use it, or what its limitations are.
Readers can see this type of magic being used.
But they can never anticipate when magic will be used in the plot because they can’t begin to guess how it works.
You can’t break a rule if the rules don’t exist!
Most stories that feature this system will have the magic users be secondary characters, allowing them to avoid explaining exactly how the magic works.
It’s also argued that without knowing everything about the magic, it tends to hold more wonder and excitement for readers.
Has very rigid boundaries.
Readers know where the magic comes from, how it’s used, who uses it, and what its boundaries and limitations are.
We know the limitations of the characters and can understand why they can’t simply magic themselves out of any particular challenge.
Stories with hard magic systems do not need to avoid the main character being a magic-wielder, as they have the capacity to explain to the reader what is going on.
A lot of writers this system because it gives them very explicit guidelines to follow in their plot and creates some more satisfying pay-offs for readers.
The meeting point between the soft and hard systems.
We might understand a bit about the way the magic works, but not all our questions are answered.
While most of the content adheres to rules, these rules aren’t fully explored.
This system relies on the reader’s suspension of disbelief.
The main character can be a magic-wielder or not, and it’s up to the writer to determine when magic will be used in terms of plot.
You can and should use these guiding principles to build your magic system. Remember that you don’t have to choose one or the other. Your system can draw from aspects of both. Just stay aware of the weaknesses of the path you choose, and ensure you utilize its strengths.
You are going to use magic to solve problems
Your audience is accustomed to the tropes of hard magic
You are okay with jumping through hoops to expand your system
Your magic doesn’t convey a theme
You want to convey a theme through magic
You want to create a sense of wonder
You want the ability to expand easily
You want to be accessible to a broader audience
Your magic won’t regularly be used to solve problems
Like most writing processes, there isn’t really a correct place to begin designing a magic system. A common, and efficient, place to start, however, is by choosing what type of magic system(s) you wish to employ, such as:
Nature-based magic: water, earth, fire, air, and everything in between
Divination magic: see beyond sight and peer through time and space
Conjuring magic: move objects through space over any distance
Psychic magic: master the world of the mind
Life and death magic: tap into the very forces of life, death, and un-death with this surprisingly versatile collection
Animal- or creature-exclusive magic: some creatures just do it better
Magitech systems: the blurring lines of sorcery and science give magic a next-gen, high-tech flair
Eclectic magic: it doesn’t have to be “real” magic to have a real effect
Uncommon magic systems: the unsung heroes of fantasy magic
How to create your own magic system using the AALC (Appearance, Abilities, Limits & Cost) Method
What the magic looks like
Makes the world feel more exotic
Can cause problems for characters but cannot solve them
Usually tied to a character arc
What the magic does
Points calculated based on magical effect, range, number of people affected, and duration
Characters have a finite amount of fuel (mana) to use abilities
More powerful abilities require more fuel
The fuel does not have to be overt for the audience to understand
If points not overt, cannot solve conflicts unless a cost system is added
Unlimited uses of magical abilities
Abilities stratified in codified levels defined by their limits
The more the levels' abilities and limits are known by the audience, the more they can be used to solve conflicts
Focused on clever uses of abilities against stronger foes
Cost system can be added to enhance dramatic moments
Costs must be greater than or equal to abilities to make them dramatically satisfying
Costs can include time, exhaustion, materials, sanity, morality, etc.
Adds dilemma to magic by forcing characters to make choices
The greater the character's sacrifice, the more audience satisfaction at conflict resolution
Each system builds on the previous ones, so that Cost Systems use all four, while Point Systems only care about Abilities and Appearance.
Multiple systems can exist within the same story, and systems can harden over the course of the story.
The Force, for instance, has been a Soft, Point, Level, and Cost System depending on who wrote it at the time.
Window Dressing - magic for secondary characters; can instigate conflict but cannot solve it; e.g., Gandalf
Soft Villain - No explanation or upper limits needed; makes villains more powerful to make heroes greater underdogs; e.g., The Emperor
Chosen One - Unknown power keeps hero safe throughout story; can be considered plot armor unless earned through character arc
Sort Hero Incomplete - Curse or positive ability the character cannot control; hero still learning limits of ability at story's end; powers and arc continued in next adventure
Soft Hero Complete - Hero embraces ability to complete arc and solve main conflict; magic must become harder in subsequent adventures
Points Opaque - Non-explicit reservoir of energy fuels powers; cannot solve main problems without cost option because characters finding hidden energy reserve feels like deus ex machina
Points Hard - Both abiliites and points system must be explicit like in video games; becomes about resource management; easy to understand but takes sense of wonder out of magic
Soft Level Static - Unchanging power without upper limits; cannot solve conflicts because feels repetitive; power must be used cleverly; e.g., Wolverine's healing factor
Soft Level Advancing - Increased powers or new powers with unknown limits; cannot solve conflicts unless tied to a character arc like Soft Hero Complete, at which point "unlocks" new abilities
Hard Level Static - Unchanging abilities with clear-cut limits; can solve conflicts so long as setup is properly seeded, usually resulting in sacrifice; e.g., Genie
Hard Level Advancing - Well-established abilities with limits; can solve conflicts based upon clever uses of abilities, usually against stronger foes; e.g., Airbender
Static Cost - Well-established cost remains consistent for each use of ability; can solve conflicts since based on personal sacrifice
Cost Fluctuating - Costs change based upon dramatic need; costs must be greater than or equal to ability; possible costs include lost time, money, sanity, health, memory, life, morality, etc.
Sources: 1 2 3 4 5 6 Writing Notes: Magic System ⚜ Fictional Items; Poisons ⚜ Fantasy
Editing as I post more :))
This is not in any order, just randomly listed
Dani is Dicks older sister
Tim x Danny Coffee Shop AU
Danny, Dani, and Dan joined different hero groups (check reblogs lol)
Dan get reincarnated as Bruce Wayne
Trans!Danny is Steph’s daughter
Dani x Damian Collage Professor AU
Dani as the eldest Wayne/Bat
Older brother Danyal AU
Dani joins the JL + more kids for Bruce
Tucker and Duke are cousins
Demon Twins AU with a twist
Team Phantom tries to kill the Joker
Dani x Damian + deaged Danny in Gotham
Sam Manson? More like Sam Wayne
Liminal Damian Wayne
“Immortal’ Dani joins the JL
Dani joins the LOA willingly
Haunted Forest grows around Amity Part 1
Haunted Forest AU Part 2
Halfas can’t use their powers while human AU idea
Team Phantom gets deaged and adopted by separate batboys
Deaged Dani in Arkham asylum
Dani x Dami: soulmark AU
Government Coverup
Sam Manson Demon Twins AU
Dani is Bruce’s never before mentioned eldest child
Secret Ghost Royalty Dani Wayne
Damian and Dani stranded in Quarantined Amity Park
- Part 1
- Part 2
Combat-Trained Casper High in Gotham
Dani x Dami: Bitter Soulmates AU
Dani x Dami: Plane Crash AU
Dani x Dami: Anon Singer AU
Dani adopts: Billy Batson
Dani joins the Teen Titans
Danny x Duke: Missing Person AU(??)
Dani is working in Ethiopia and saves Jason
Dani is Damian’s ‘sister’ and ‘magic’ trainer (check reblogs)
Demon Twins with ‘civilian Danny’
Batman Beyond w/ immortal Dani
They used to be…
Dani x Dami: henchman x boss AU, academic rivals AU, vigilante x antihero AU + Love Hexagon
Dead Serious w/ deaged Dani
Damian and Paulina are twins w/ Dead Serious
Dani x Dami:Secretary x Boss AU
Dan becomes a cop in Blud (Dick x Dan)
Danny is Ra’s son
Dani x Bruce + Deaged Dan
Sucked in a Video Game
Bruce and Dani are twins
Bruce, Danny, and Dani: The OG vigilantes
Ghost King Marvel
Teacher Danny x Bruce
Billy x Danny: Ghost Marriage AU
Dani bursts into flames
Missing Amity
Dani x Dami: Boy Next Door
Dani Fenton: Clone of Fenton and Phantom
Dani joins the x-men
Ghost King Danny vs Thanos
Damian in Camp Jupiter
When Felix's mom hires Marinette to design outfits for a gala, he's not expecting for Amelie to decide to mentor the young designer. She's very talented and could prove to be an important company asset. Now if his mother will just stop her matchmaking schemes...
(Part One ) | (Part Two ) | (Part Three ) | (Part Four ) | (Part Five ) | (Part Six ) | (Part Seven ) | (Part Eight ) | (Part Nine ) | (Part Ten ) | (Part Eleven ) | [AO3]
Yeah…Lila had been hoping to get her classmates to do her work for her. That failed. Marinette is too busy to help her.
Lila claims to be struggling with physics and asks Marinette for help. Marinette knows this is probably a ploy to get closer to Adrien but since she promised to help Lila make amends, Marinette suggests Adrien as a physics tutor. Only, to make sure Adrien isn’t uncomfortable being alone with Lila, it is a group study session at Adrien’s house.
Audrey attends Gabriel’s fashion show, where Lila will be walking her first runway.
Audrey watches the show, humming her opinions.
But when Lila walks out, Audrey makes an audible gag and makes a comment to Nathalie to “fire that walking disaster”.
This was normal. This was the routine after Hawkmoth had given up on terrorizing Paris and returned the butterfly and peacock Miraculous. After Gabriel Agreste had been arrested.
What was not normal now was that portal opening beside Ms. Bustier’s desk and five people passing by.
The whole class frozen in shock.
What if the class really did destroyed marinette’s sketchbook which consist of her commissions which where payed already by famous celebrities and recorded and posted it in alya’s blog not even mindding on edditing the voices or blurrying everyone’s faces in the scene and saying mean things about marinette being a bully and she deserves this. And to top it all of they went into her room and destroyed everything including the finished gowns and tuxedo that are already wrapped up and readdy to send.
Well of course this goes viral and the celebrities new that that was their outfits and outfits design for the biggest party the wayne’s galla and ohh their not the only one who’s mad
Marinette would’ve like to say she was surprised when she got the email asking if she’d be willing to do an interview after revealing herself on the last day of Paris Fashion Week, but she’d known Nigel Grey for awhile so it was only expected he would ask. It seemed like fun, so she agreed. “So Mlle. Dupain-Cheng, what started your career?”
Adrien is willing to put up with a lot if it means not making unnecessary waves. But everyone has their breaking point, and after Lila pushes a bit too far….
Well, she’ll find that even the most tolerate cats have claws.
She couldn’t believe this. Things like this never happened to her. She was perfect, and everyone loved her. Everyone believed what she said. She supposedly had everything they could ever want. So why was this happening to her?
Lila looked at the comment threads on the latest photos of her and Adrien on his Instagram. She couldn’t believe the things people were writing about her. Who did they think she was?
Who is this girl w/ Adrien?
I don’t know but do you see her hair? Ew!! What is up with that style??
Infuriated by Lila’s bragging of knowing Ladybug and etc, Chloé finally shifts targets.
No longer does she bully Marinette, now Lila finds herself being sabotaged with red paint on her seat (The Clique), tripped on her way to her seat, bag full of rotten eggs, and her gym clothes ruined (Mean Girls)
Nobody accuses Marinette since she is too sweet. Besides, Chloé’s constant mocking makes her the obvious suspect.
Part One
Remember some chapters are longer than others
(ノ◕ヮ◕)ノ*.✧
Twilight is a STRESSED pony, sometimes she just needs a hit 🤷🏽♀️
yes i drew twilight sparkle smoking a bong. yes im proud of it. yes i also spent way too long on the bong. i never expected to be drawing something like THIS at my grown age when i was a child watching this show, but here we are i guess.
Oka, I plan on following everyone on tumblr
literally everyone
Please reblog so I can make this happen
if you’re a new tumblr user from tiktok or IG or something and only like posts and dont reblog them yeah people will think you’re a bot and block you but you will also make this website actively worse. they want “algorithmic” users like you, served recommended posts through likes, not people who just follow each other and respond to the direct chronological feed. there is a reason this website is still better than the rest, even with all its problems, do not ruin this
I understand the appeal of wanting every adult hero to instinctively adopt teenage Peter Parker, but can it really beat the hilarity of acknowledging that at 15 Peter was 5'10", unusually buff, went by a moniker with Man in it, wore a creepy full face mask, and had a tightly guarded secret identity and probably a Queens accent thick enough to have come out of a jello mold, and adult heroes reasonably responded to him by going, “Wow, this grown man is an immature asshole for no reason.”
oh yeah, with the new size limit for .gifs this thing can finally be posted
(PhantomVision Revised)
Let me out! Let me out!
This is isn’t real! It’s not real! Accept it, play along play along. Get out! Convince him, you have to convince him! Get out! Wake up! Snap out of it! Play along play along play along
Wake up! It’s not real wake up wake up accept it wake up wake up wake up get up get up get up
Bruce sits bolt upright with a haze of fog still between his skin and his mind. Immediately, his gut feels off, the way his shoulders are loose with the lack of anxiety and paranoia that he’s grown used to, the way his vision is not quite aligned to his senses.
And yet.. he can’t seem to raise the right sense of alarm. His mind stays slow and calm, even as he mentally screams to start investigating. Someone, something is messing with his mind.
He turns his head to the side of the bed he’s in-another thing he does not recognize- surprised to find Diana laying next to him.
How is she here? No, they were on a mission, investigating.. something. Why can’t he remember? He’d had Oracle on comms, Wonder Woman at his side, it was a Justice League mission- why is he-
Bruce winces, sharp pain running across the front of his brain. What was-
The door slams open, a boy he doesn’t recognize standing there, dark black hair, and blue-green-blue eyes. His mind jumps to son, a shallow feeling of family bubbling up that makes Bruce want to recoil, this isn’t Damian, it’s not Tim or Jason or Dick or Cass- this isn’t his son! This isn’t his family! he wants to yell out.
And yet, his mouth calls him Danny, a name he doesn’t know and says with such familiarity.
“Dad! Babs is being a know it all again!”
Bruce feels his face smile without his permission just as he sees Barbara step around the doorframe.
She’s standing, she’s younger, she looks just a little different, hair pushed back by a teal blue headband- Bruce wants to scream, something is wrong!- instead he smiles more as she ruffles Danny’s hair.
“Little Brother, you’re going to be late for school,” Barbara says, despite the fact that she had always, always been an only child.
Diana sits up beside him, and Bruce can’t even turn away from the two in front of him, no matter how much he tries, barely managing a wide eye look from his peripheral. He can’t tell if Diana even catches it. He can’t move, can’t interrogate the only unknown here, kid or not, can’t research or ask Oracle for more information. Barbara hasn’t been able to reply to him any more than he has.
Within a blink, they’re downstairs-how did they get here, what’s happening, is there a time distortion as well?- and Bruce is standing at the stove top, a pan of broken eggs with small bits of shells in them in front of him.
It’s manageable. He could still finish these eggs- unbidden he steps aside, a jovial laugh as Diana goodnaturedly scolds his cooking abilities, emptying the pan and starting anew.
Bruce turns. Danny and Barbara are both sitting at the table, Danny the picture of teenage recklessness, homework spread in front of him.
Every word looks like scribbles, staring too hard makes his brain hurt.
The toaster dings. Danny looks up at it, glaring. Bruce swears his eyes flash green-
“All done! Enjoy!” The clink of plates hitting the table makes them both look over as Diana sets them down.
Barbara and Diana share a look even as Diana stiffly turns back to the counters.
Bruce looks at the toaster.
Empty.
“Come on, Babs we’re gonna be late for school!”
Barbara hesitates, a pained look hidden just behind her eyes, “Danny, I- my legs hurt right now okay? I can’t drive us to-“ The words sound like a struggle to get out. And Danny stands stock still in the living room, looking at her with unnatural stillness.
“But you always drive us to school.”
Bruce watches Barbara’s body snap back to that same stiffness as before as she moves to stand from the kitchen table.
Bruce forces a step forward, smile on his face, “How about I drive you today, kiddo?”
“Okay, Dad!” Danny smiles, movement returning to the room. He moves to grab his backpack left against the wall and Bruce throws another look at Barbara from the side of his eye. She’s okay for now, body more natural as she returns the look with wide eyes herself.
Still, she stands and follows after them as his feet lead them to the car out front.
It’s an old station wagon, a stereotypical family car.
Even as Bruce walks around to the driver door, keys somehow already in his pocket, he catches Danny staring at the car with narrowed eyes and suspicion.
Bruce looked back at the car- truck, had it always been a truck, no, no, no, it changed it changed, things were changing.
Danny climbed into the backseat like nothing was different and Bruce did the same, Barbara behind him in the backseat.
His body is autonomous on the drive, even as Bruce tries futilely to jerk the wheel or slam the pedals, they continue to go forward on the road, Bruce’s face as calm as ever. It’s almost familiar, the two of them bickering in the back seat, chattering like his own children, there were his own- no! They weren’t! His kids were out there! Not here! Not here not here-
Bruce stops, awareness heightening abruptly, his limbs his own.
They’re at a stop light, despite there being no other cars around.
The backseat is silent.
Bruce turns back, surprised to see Danny staring silently out the window. He looks at Barbara next, grateful to see real emotion, pain, panic, on her face, not just hidden behind wide empty eyes.
Danny continues to stare out the window.
Bruce follows his line of sight across the street to a closed down burger restaurant. The outside looks clean, but the sign looks burnt and destroyed. Yellow caution tape flaps in the wind across the entrance.
“Danny, what are you looking at?” He asks, surprised to hear the words come out, completely of his own volition.
Danny doesn’t move.
“We don’t go there anymore.”
Bruce narrows his eyes, clues filing into order, “Why, Danny. What is that place?”
“We just don’t.”
“Why Danny, why is that place so-“
“We just DON’T, okay!” Danny shouts, face angry as he turns around to yell, and there- his eyes, that flash of neon-
Bruce is facing forward again. The light is green. The car moves, sound resumes.
His chance is gone.
Bruce wants to grit his teeth, clench the leather of his gauntlets beneath his fists. He barely manages to tighten his hands around the steering wheel.
Too quickly they arrive at the school. Barbara slowly getting out even as Danny practically races up the steps. Bruce wants to help her, surprisingly, his body follows. Allow him to support her under a hug, a fatherly hand on her opposite shoulder, fingers supporting her armpit as they go up the stairs.
Danny looks at them with a tilt of his head and furrowed brows.
Words fall from Bruce’s mouth, unbidden, as his feet force him backwards, “See you after school, Danno! Bye, Babsy-pants!”
The look vanishes from Danny’s face.
Seconds later, a man approaches them, eyes zeroed in on Danny.
“Ah, Daniel, glad to see you’re on time!” The man says, and Danny looks at him, blinking harshly with confusion apparent.
“You must be young Daniel’s father… Jack, was it?” The man smiles slightly and turns to Bruce, grey hair tied in a ponytail behind him, “I am his teacher, Mr. Lancer.”
Bruce’s neck tingles, an odd sense of familiar paranoia prickling his nerves, “It’s Bruce, a pleasure to meet you,” he shakes the offered hand automatically, watching as the man’s smile sharpens at the edges.
“And the same to you… Mr. Fenton.”
The name rings hollow in his memory, barely scratching a memory before it is buried under fog and stuffed cotton.
“I just have so much to teach him,” Mr. Lancer smiles again, watching as Danny finally walks fully through the school doors, turning down a hallway.
Even under whatever spell this is, Bruce is wary of this teacher, though he can do nothing to show it, even feel it past a surface notion of wrongness. But still, his feet carry him down the steps without his permission, away from a kid he is ostentatiously supposed to protect.
As he gets closer to the car, Bruce feels the cloud over his thoughts get thicker, step by step, each clogging his mind more.
He catches sight of the school’s announcement sign, the date.
Mid-October, the numbers hard to read, but he caught enough.
They were months into the school year already. How long had he been here? How long before he’d even woken up enough to know it? How long had he been away from his family?
His fingers clasp around the cool metal of the door handle.
Bruce blinks.
The bell rings.
Faceless, unfamiliar kids flood out of the doors and Bruce gets out of the truck- car, it was a car, it was a car-greeting Danny with a hug, Barbara with a helping hand.
They leave almost immediately, the two of them in the backseat as Bruce drives.
Occasionally, Bruce will look in the rear view mirror and find a completely different sight, the road cracked and broken, buildings abandoned, streets empty; and yet when he checks again, it’s gone. The reflection the same as the road before him.
He can only see it like a translucent image in his peripheral.
Somehow their route home does not take them back past the burger restaurant again. Bruce has used and discarded three different mind strengthening techniques by the time they are back in front of the house.
He parks, noticing for the first time how the air shimmers in front and top of it, the light shifting like a curtain covering furniture when he doesn’t look directly at it.
Diana is sitting on the couch in the living room when they come in, a laptop perched on her lap, looking for all the world like a stay at home worker.
The seemingly blank pieces of paper on the coffee table are discarded as she gets up and moves towards the kitchen.
“Welcome home Danny, how was school Babs?” She says, food preparations already set out around her.
Bruce walks towards her, a hand across her shoulders; the picture of loving parents.
He hopes the feeling of solidarity gleams through anyways.
Freedom of movement snaps through his body so suddenly he nearly staggers. He looks at Diana, a thousand words in one glance, then turns to Danny.
The boy is staring at the door on the side of the kitchen. By its placement, Bruce would guess storage, a pantry, a basement maybe. He hesitates to break the unnatural stillness in the air.
Diana is already halfway to the door, Barbara is at the table, thumbs flying across her phone screen.
He makes a decision, throwing away the facade, “Danny, where are we? Why are we here?”
Danny’s face furrows, head tilting in confusion, but his eyes don’t leave the basement door, green light seeping from the edges.
“We’re… at home. Right? I just wanted… I wanted to go home..” Danny says, eyes flickering that damning bright green.
Bruce presses on, he needs answers, “What happened here Danny? What is this? Why are we here?”
“I…” Danny’s face furrows further, “I don’t…”
The doorbell rings, snapping Danny’s attention to it. Taking with it his mind and movement, fog sliding over his senses.
Bruce’s looks at the basement door from the side of his vision, any hint of green light gone.
“Danny, your friends are here!” Diana’s voice calls out.
Bruce’s vision jumps to the front door, thankful that he follows Danny as he leaves the kitchen.
No no no.. no no.. not them, leave them alone, leave them out of this!
Tim and Stephanie stand at the door, plastic smiles on their faces as they high-five Danny.
“Hey guys! Ready to play Doom?!” Danny says, a wide smile on his face, leading them both inside.
Straight past Bruce.
They walk right past him, shallow words and teenage garble trading between them like it’s natural, like it’s real. Why wouldn’t it be?
NO! Not them! None of it’s real! Let them go!
“You know it Danny! I got new mods, maybe we’ll finally beat Steph!” Tim says, loud in way he never is, pulling a bulky PDA from his pocket.
Stephanie laughs, elbowing the both of them, “Not in a million years, T!”
Bruce watches, helpless to stop them as they go past him, raging against his own body.
Tim casts a desperate look over his shoulder before they disappear up the stairs.
He manages a glance at both Diana and Barbara, each returning the tense undercurrent of urgency that runs through them all.
Even as the fog thickens, submerging his thoughts like polluted waters, he forces his mind to center on one thought, even if that’s all he can do for now, he will not be locked back into this lie they are trapped in.
He will fix this.
Somehow.
what up, I’m mae, I’m 19 and I never fucking learned how to read | SHE/HER | AO3 FANATIChttps://maeswriting.carrd.co
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