I've used this term and variants of it in a few of my posts and I wanted to take a quick moment to define it because I'm not sure how commonly discussed this topic is, but it's an important one to keep in mind when evaluating and writing certain types of media.
Most genres of fiction make use of standard character roles/tropes. The plucky sidekick, the dastardly villain, the last girl, and so on. This isn't a bad thing. The existence of this stuff is a big part of how we define genres and how we evaluate writing quality. For example, if you're writing a romance, you're going to have romantic leads. Two (or more) individuals who will be together by the end of the story. If these roles don't exist, then you don't have a romance. And if their relationship feels toxic and unhealthy? You may not have a romance. Or, at least, not a classic romance. The worse the relationship is, the more you wander into the genre of "dark romance," which is all about enjoying deeply unhealthy fictional relationships.
This brings us to Miraculous and why I feel comfortable defending Adrien and Marinette as victims of bad writing.
Unless the writers are doing something truly insane, the love square is our end game couple. The ones destined for a happily ever after. That means that everything the writers do with these two and their relationship can be evaluated through the lens of, "are you honoring the characters' roles as the romantic leads?" And if the answer is, "No?" Then the writers are failing because "romantic lead" is a defining aspect of these characters. It isn't what they should be, it's what they are. Anything that goes against them being a good couple is bad writing.
This doesn't mean that they must be perfect. They're allowed to make mistakes and have flaws. Those are the sorts of things that drive a story! But the mistakes and flaws have to be treated as such by the narrative, they have to have some sort of resolution, and they have to be maintained in balance with the whole "love interest" thing. Too many mistakes and flaws and we've gone from "romance" to "tragedy," which is what I'd currently define Miraculous as.
This role evaluation thing isn't limited to romantic leads. Any character that has a clear role in the story can be evaluated via this criteria. For example, Alya is clearly meant to be a good best friend and reliable confidant for Marinette. You can tell this because of things like her learning Marinette's identity and her helping Marinette discover the secrets of the miraculous, big story moment that are treated as positives by the narrative. So anything Alya does that makes her feel like a bad friend is bad writing. It's why I get the Alya salt, but don't participate because I can't view her as the awful person the Lila stuff makes her out to be. That's not who Alya is narratively speaking.
Generally speaking, this core/role thing is my main way of evaluating characters in genre content like Miraculous. It's the driving force behind most of the character discussion on this blog and something I strongly encourage people to think about if they enjoy reading/writing genre content as it's a great guideline! Figure out the role a character is supposed to be in, generally honor that role, and you're golden! You have room for flaws and conflicts while still having something to keep you in check from straying too far off course.
Danny was sent to the DC universe to save him from the GIW and the Fenton's by Clockwork
Doesn't know what to do here, but as an Experienced Vigilante:tm: he takes note of all the INexperienced vigilante's causing more danger than they realize.
Danny takes it upon himself to act as a low level villain so he can secretly train these vigilante's to be stronger. One day, a Bigger Villain decides to Fuck Around and Find Out.
All his "enemies" realize Danny could've folded them anytime he wanted when he effortlessly defeats the Big Bad.
Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.
Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.
Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.
While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.
These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".
There is a knife to his right, if memory serves (it does). In the next five seconds—
"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.
But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.
He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.
"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.
"What a shame," he says, placing it face side up on the table.
"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.
He doesn't look away from the man.
"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."
"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.
The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.
The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"
Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."
"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."
He offers Bruce the watch. After a moment, Bruce takes it.
"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.
"You can look left, Mr. Wayne."
Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.
"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."
"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.
"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."
"Him."
"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."
"Why me?"
"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."
This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.
"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"
"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."
Bruce bristles. "I bow to no one."
"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."
"A weapon you want me to bring to my city."
"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."
"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."
"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.
"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.
"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."
"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."
"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."
Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.
Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.
"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."
The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.
"We will not meet again for some time, Mr. Wayne."
Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.
"Ask your question, Mr. Wayne."
"I have more than one."
"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."
"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"
There is a pause.
"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."
"Resolve what?"
"It is not his future I mean to protect," the man says. "It is his present."
"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.
"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."
Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."
The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.
"I am not inclined," Clockwork says slowly, "To this future."
"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."
"They will have already muzzled him."
Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.
"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."
"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—
Clack!
"sluuuuurp!"
"Master Timothy, honestly!"
"Sorry Alfred!"
Aeolus: DONT. open this bag. keep your friends close and your ENEMIES (!!) closer.
Winnows: *pssssst* guys it’s treasure he’s hoarding it
Odysseus: What??!!
Penelope: OPEN YOUR EYES THEY’RE OPENING THE BAG YOU IDIOT.
DPxDC Mechanical Engineer Danny
Danny caught the attention of Batman while studying at Gotham University for his alternative energy projects. He’s hired right out of college to work on the Watchtower.
He shows absolutely no tell of his abilities till there’s a dire situation- Flash’s electric discharge messes with one of his projects in progress and the whole base would have lost air pressure if he hadn’t done a quick fix using telekinesis and ice.
Of course Batman notices.
Batman assumes the worst- he suspects Danny’s a rogue of some kind, someone who has infiltrated the Justice League with an ulterior motive. But he can’t just fire Danny now- he’s the only one who knows how the new Watchtower energy source works. Plus, he’s not letting Danny go anywhere until he’s figured out his true motives.
Cue Batman subtly testing Danny- tossing things at him to trigger inhuman fast reflexes, having him lift too-heavy machinery, setting up convenient opportunities to steal or snoop or otherwise be up to no good. Danny does take advantage but only once, to use a computer terminal with unlocked clearance. He didn’t plant any bugs that Barman could find, and he otherwise kept up his powerless civilian act perfectly.
Still, Batman’s not satisfied. He brings an infrasonic sound emitter to Danny’s lab one day, and that, of all things, is what gets Danny to break.
“I know what you’re doing,” Danny admits with a sigh, finally. “If you’re really that suspicious of me, I can leave, but I kinda like my job so I’d prefer not to. The benefits are insane compared to what’s standard.”
“I don’t know what you’re talking about.”
“Sure. yeah. How about you turn off the freaking noise generator and we can talk?”
“Hm.” Batman obliges, and he takes the stool next to Danny at his gesture.
“Number one, I’m not a meta. Despite all the data and conclusions you’ve probably drawn otherwise. Number two, I’m on your side. I’m here to work on the base, that’s it. I follow your rules to the letter.”
“The-“
“The classified files I looked at? Yeah that was the one exception. You already know what I looked at, I’m sure, but maybe you haven’t figured out why. It goes back to point one- I may not be a meta, but I am something that organization, the GIW, cares about. I looked at your files on them to sus out your relations. Seeing as I don’t particularly love being the victim to twelve degrees of human rights violations if I can avoid it.”
“Hm.” The Ghost Intelligence Ward was one of many government agencies that the Justice League hadn’t worked closely with. But they also hadn’t been flagged for Justice League investigation. Danny’s comments made him doubt that call.
“Any other questions?”
“If you’re not a meta, what are you?”
“I’m an engineer. A pretty decent one. And I’d really, really like it to stay that way.”
Batman considers, and ultimately lets him stay. He likes Danny (everyone likes Danny), and it would be a massive pain in the ass to replace him. He really is a good engineer.
It’s only much later that his faith in Danny is repaid in spades.
Batman finds Danny on the Watchtower command bridge. Alarms are blaring, the station has been knocked out of orbit, out the window there’s shrapnel floating everywhere as a space battle rages around them.
On the station it’s chaos. Technicians run around, shouts from the med bay, sparks from the walls.
Batman and Danny stand at the main controls, watching the battle outside, stoic, unmoving.
Wonder Woman’s harried voice crackles through on coms: “We need backup.”
“There is no more backup.” Batman replies, while looking pointedly at Danny.
“What?”
Batman doesn’t move.
“What.”
“The impact from Darkseid’s initial attack should have sent this station on a terminal trajectory toward the planet.”
“Well. We aren’t currently plummeting to our deaths, so turns out it didn’t do that.”
“You did something.”
“I don’t know what you’re talking about.”
“You’re lying.”
“Maybe Superman nudged us back on course in all the chaos.”
“I’ve been watching the trackers. No one else with the capability has come near the station.”
“Can’t you just be grateful we got lucky?”
Sounds of peril screech over the coms. Danny’s face scrunches.
“Luck had nothing to do with it. As it is now, we are going to lose this fight.”
“Isn’t there anyone else you can call?”
“I’m asking you. You can help, can’t you?”
The glare-off lasts a long moment more before Danny breaks.
“Fuck. Fuckity fuck.” Danny runs his hands through his hair. “Shit. You don’t know what you’re asking.”
“I’m asking you to save this and countless other worlds from a genocide. I’m also asking you to save my friends.”
Danny looks at him, hard, weary, and with a kind of deep resolve that feels far too ancient to be on the face of a supposed twenty-something.
“Fine. Fine. Okay.” He steps back and transforms. If Batman is surprised when he shakes off his human appearance like an old coat, he doesn’t show it. But what’s undeniable is the being in Danny’s place has the unmistakable presence of power.
“No one else can know.” His voice echoes in a way that’s sonically impossible, both sounding closer and further away than he should be.
He pulls a gear-shaped medallion seemingly out of thin air and puts it over his head in one motion.
“If I get in trouble for this, I’m blaming you.”
He vanishes. Outside, the shape of the battle changes instantly. The stars seem to glow brighter as the arms of the galaxy flash with the colors of the aurora. Then it’s like the void of space itself comes alive. It moves the spaceships back like they’re toys, plucking them from one side of the field to the other. It finds Darkseid at the heart of the chaos and massive arms of nothingness and darkness wrap around him. He’s screaming as it swallows him whole.
His armies scatter. The battle turns. The JL deal with the stragglers, but the air of relief is palpable.
Danny reappears next to Batman, once again donning his grease-stained coveralls. Arms folded.
“Happy?”
It took all of five minutes. Less, probably. Batman tamps down a thousand questions.
“Thank you.”
“I’m gonna need two weeks off minimum.” Danny snaps. “One to deal with the bureaucratic nightmare you’ve just caused me, and another to recover from the headache.”
Batman blanks. “Granted.”
Danny sighs. “And I’m not fixing the station until I’m back. It won’t fall out of the sky as is. Make up whatever excuse you want.”
“Done.” He considers. “I would prefer to tell them the truth. That you saved us.”
Danny glares. “I’m not supposed to save you. I made a pact not to use my power to influence the mortal realm.”
“A pact with who?”
Danny rolls his eyes. “The embodiment of Time. The concept of Justice. Among others.” He smirks at Batman’s confusion.
“And what, exactly, does that make you?”
He stands, framed by the space window, haloed by the stars. “I’ll give you three guesses.”
Batman frowns.
“Look. I like you guys. I like working on your base. I like supporting the work you do. But you can not go factoring me in to any of your plans or contingencies. This was a one time thing.
“So to answer your question again: I’m an engineer.”
I was today years old when I learned that when you type “otp: true” in AO3 search results it filters out fics with additional ships, leaving only the fics where your otp is the main ship
the royal family of the underworld
i love the idea of persephone being a loving stepmother to nico idec he deserves it
wait. don’t go. I promise this isn’t salt. I have not been hacked. It’s me.
Hear me out.
Keep reading
New chapter posted!
https://archiveofourown.org/works/64262899/chapters/165583069#workskin
NEW FIC DROPPED!
SUMMARY: A girl from our world transmigrates into Miraculous Ladybug, and finds herself reborn as Celeste Grahms—someone who never existed in the show. Finding herself heiress to a global empire, and with a completley different script, Celeste finds that she isn't interested in playing by the canon rules. Why settle for the sidelines when she can find herself the main chacracter?
The original plot? Doesn’t matter. She didn’t ask for this, so why follow the script everyone else is bound to? With a darker Paris, a more ruthless Hawkmoth and her least favourite character standing in her way, she can be sure of only one thing in this new life of hers—Celeste Grahms refuses to be anyone’s pawn, when she can become the queen.
https://archiveofourown.org/works/64262899/chapters/164948017
Marinette has great friends but they often encourage her stalker behavior and are too willing to be apart of or even come up with plans, like in Gigantitan and Backwarder. Though in Backwader they didn't go through with it, their first thought when hearing Adrien and Kagami going on a trip was to come up with plans to stop them. They obviously mean well and want to support her but take things a bit far. So, i wrote this in the context of them meaning well and wanting to support her but unknowingly took things too far
Line Divider
Rachel and Adrien have been friends for a long time and sometimes modeled together. When she had called telling him that she would be going to his school he was excited. For the first week she stuck close by him since she didn't know anyone else. She got along great with the class and the girls were fun to hang out with
The second week she branched out a bit more and made friends with people outside of the class. She still stuck by Adrien because she was still a little shy but he was glad that she was making new friends. At the same time Marinette was not having a great time. When Rachel first came she didn't think anything of it until she saw how close her and Adrien were. The girls reassured her that it was fine and that she was a sweet person. Still, Marinette couldn't help but spiral, they modeled together and she was also famous. She thought of this leading to her getting Gabriel's approval and them getting married
Then a picture came out of Adrien and Rachel together at a cafe. Marinette immediately called the girls over to her house to show them. The girls saw that Marinette was miserable over the picture. They felt bad for telling her that she had nothing to worry about now seeing the picture, but at the time they really didn't think Rachel had a crush on Adrien. The girls wanted to comfort her and fix this so they came up with a plan. What the girls didn't know was that the picture attached to the article said nothing about them being a couple. In fact it was about the cafe they frequently visited stating that it was the new popular place to go
When school came the next day Rachel was surprised to find her classmates ignoring her. Even Rose and Juleka ignored her when she greeted them. The guys also ignored her when she tried to talk to them. Adrien was just as confused as she was. He tried talking to Nino but he never got a straight answer before he made an excuse to leave. Through out the entire week the class ignored her and stopped inviting her to things. Thankfully, she wasn't alone since she made friends outside of the class but it still hurt because she didn't know what she did wrong. Rachel had told Adrien that she was going to transfer classes. He was upset but he understood, he was distancing himself from the class and hung out with other friends. He no longer went out when they invited him, the one time he did he saw that Rachel wasn't there and they gave an excuse that she couldn't make it. He may be oblivious sometimes but he knew that they didn't invite her
It wasn't until one of the girls overheard Adrien teasing Rachel about her and her boyfriend that they realized they made a mistake. The girls met up talking about what they overheard. They were confused since the article pictured them together on a date, but looking up and reading the article they realized that it had nothing to do with them as a couple. Looking up Rachel, they see that she's been in a relationship for years with her actor boyfriend. After talking with the rest of the class they decided they needed to apologize. Meeting up with Adrien and Rachel they apologized and confessed they misunderstood and thought she and Adrien were dating. Adrien and Rachel were baffled, why did them thinking they were dating make them ignore her. Adrien was confused, they did this because they thought they were dating and now he can't help but think that the same thing will happen when he does get a girlfriend. Rachel didn't want anything to do with this anymore. She was hurt and confused but more importantly she just wanted to move on
In the end, Rachel had thanked them for apologizing but she wasn't comfortable being friends with them anymore. Word spread quickly around school about the reason why they were ignoring Rachel, and because Marinette's crush on Adrien was well known in school it wasn't hard to figure out why they did this. A lot of people looked at them weirdly, it was one thing to want to support your friend but instead of comforting Marinette and helping her move on, the first thing they came up with was to stop being friends with Rachel. Even if they were dating what were they hoping to accomplish by excluding her, for her and Adrien to suddenly to break up so they can all go back to being friends. The whole situation was confusing, they meant well and were trying to support their friend but went about it the wrong way
I just found the funniest font ever
Like. What is this. Why is this. Who is the target audience of this?
what up, I’m mae, I’m 19 and I never fucking learned how to read | SHE/HER | AO3 FANATIChttps://maeswriting.carrd.co
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