I'm Boggled. This Isn't The Same Thing As In The Letter, Is It?

His Famous Last Words: Billy Joel’s River of Dreams

From the first few chords of “No Man’s Land” to the fade-out at the end of “Famous Last Words”, this album is entirely unlike anything else I’ve ever heard. Heck, it’s unlike Billy Joel. He made a name for himself as the Piano Man—twenty years after that iconic breakout single, he made an album with barely a hint of piano on it and pretty much disappeared so that he could give new musicians a chance to be heard. And he didn’t come back until he had a truly worthwhile song to share.

Now, he’d seen his share of style changes over the years—look at Glass Houses or even The Bridge. But if those albums were a slow shuffle away from his piano-oriented roots, River of Dreams was a flying leap as he traded his trademark baby grand for overdriven guitars. But under this grittier rock sound, it really still feels like a Billy Joel album.

In my mind, no song handles better this fusion of the new sound with Billy’s signature lyrical style and themes than “No Man’s Land”. Despite its obviously rock sound, it is in many ways a thematic successor to The Stranger’s opening track, “Movin’ Out (Anthony’s Song)”. The two songs handle the a very similar sense of disillusionment and uncertainty, as well as the idea that you shouldn’t take what you’re told at face value. To the average listener, this is a shockingly punk rock sentiment to hear from a pop-oriented singer-songwriter, especially as blatant as it is in “No Man’s Land”. But I feel like this theme returning is a wonderful way to close the book on his career as a (probably unintentional) callback.

But that’s just it—this is his final album. He stepped back from music after River of Dreams. This whole album has a sense of finality about it; Billy has always been a storyteller more than just about any songwriter I’ve ever seen, and he seems to have done everything in his power to make his last big story (at least for now) great. For that reason, I find this album thematically akin to Turnstiles. Both deal with moving on and change, though in very different ways. That’s why—to me, anyway—this album seems so fitting as a goodbye. The drastically different styles present here fit and compliment the overall theme of change.

This is all pulled together by the final track, “Famous Last Words”. It’s a slow-paced, easygoing song exploring the prospect of change through the shift from summer into fall, ultimately using this as a metaphor for the end of Billy’s musical career. But it looks to this uncertain future with a feeling of safety and contentment, secure in the knowledge that good things must be somewhere up the road. It’s similar to “Vienna” in that way, as it’s also about accepting the future not with dread but with a willingness to go at your own speed and enjoy the scenery while you’re there.

I’d consider “Famous Last Words” to be among the greatest closing tracks ever—probably topped only by “The Long One” on the Beatles’ Abbey Road. It closes the record with every bit of strength with which “No Man’s Land” opened it, though in an entirely different way. With a track like this as his last true song for so many years, I think “Turn the Lights Back On” wasn’t the perfect single to release; it was the only one that could follow this song in theme, quality, and lyrics. In fact, I would count “Turn the Lights Back On” as almost a coda to River of Dreams because of this.

In the end, though, I think what River of Dreams represents most to me is an artist who wanted to leave a good legacy in terms of his work. From start to finish, it feels like Billy gave this record his all, and I have nothing but respect for any musician who decides to step back when they feel they have nothing left to say at the moment. Not to mention the fact that his decision to stop making new albums every few years most likely gave him time to really buckle down and get to breaking that record for longest residency at Madison Square Garden. Between the aforementioned residency and the clear care and effort put into both River of Dreams and “Turn the Lights Back On”, it seems that Billy Joel has a level of dedication to both his music and his fans that I greatly respect. If he were to make another full-length record, this precedent is enough to show me that it would very likely be a worthwhile one.

Why do we use the symbol for partial derivatives as the symbol for boundaries of manifolds?

he's like a stress ball to me.

Just stumbled upon a great philosophical debate while listening to a playlist on shuffle.

The esteemed philosopher Bill Joel puts forward that "It's still rock and roll to me" confidently declaring that rock and roll remains to some extent constant in how much it rocks.

However, his point is immediately challenged by philosopher Bob Seger who posits that "Todays music ain't got the same soul" and that he "Likes that old time rock and roll". Confidently declaring that rock and roll has declined in its rockness.

This is truly one of the most important debates facing philosophy today.

I got the Thrilling Adventures of Lovelace and Babbage for free from Thriftbooks (after much fussing about getting the book rewards points spent for the best value) and it's like YES, SOMEONE WHO LIKES FOOTNOTING THEIR COMICS AS MUCH AS ME.

Also it's an amazing set of 4 panels

HAPPY 2024 YALL WE'RE CELEBRATING WITH THE SAPPHICS EVER

2023 was crazy but also i don't remember most of it Imao, I genuinely hope yall had a good year though and made some accomplishments (whether or not they were what you wanted in the beginning of the year) and I hope 2024 is a great year for you all!!!! 🥳💜🎉

My favorite genre of self-portrait is cartoonists being bothered by their characters while trying to draw

Bill Watterson – Calvin and Hobbes (1986)

Hergé – Tintin (1947, Tintin Magazine)

Albert Uderzo – Asterix (the cover of Uderzo l'Irreductible (2018), but originally much older)

Jeff Smith – Bone (1993, Bone Holiday Special)

Walt Kelly – Pogo (1950, Maclean's Magazine)

And a bonus:

Berkeley Breathed – Bloom County

A Vision of the Labour Party, 2017

Liz Kendall has returned to a quiet life as a backbencher and constituency politician, but due to border change legislation passed by a gloating Tory Government, her constituency is now Hades.

Yvette Cooper is serving a ten year sentence for the murder of her husband Ed Balls after his 167th utterance of “At least I lost to the Millibands…”

Jeremy Corbyn, in what is considered one of his more unusual leadership moves, proposes legislation to ban the word “Crown” from any and all pub names. The Labour conference that year is held in the “People and Anchor” pub in Islington.

Andy Burnham turned back into a wooden doll at the stroke of midnight after the leadership election, where he came third place, as a result of the particular brand of contractual wish magic that gave him life.

Favorite book round up

(Gordon ramsay chewing out a restaurant owner over his old expired ingredients) And where the fuck does this door lead? If I see a- (there is a hallway miles long, with ashen black walls and no end in sight)¹

1. oh for fucks sake