The Powers Went ‘Dairine’s Kinda Annoying, We’ll Make Her Deal With Someone Annoying So They’ll

9 things to seriously make you re-consider the entire existence of mankind

Source: buzzfeed.com

“But then she was a dancer. Dancers are tough.” -“The Wizard’s Dilemma,” Diane Duane, (x) (x) Dedicated to Betty Callahan.

fave reads of 2017: Deep Wizardry by Diane Duane

“And we will cause it to be well-made, this Sacrifice. You, young and never loving; I, old and never loved. Such a Song the Sea will never have seen.”

read if you like: middle grade fiction, male-female friendships, a blend of science fiction and fantasy, magic that has real and lasting consequences, and crying over large sea animals

Space is so creepy and wonderful. Who the hell needs hell when there’s space.

Like there’s an old constellation called Eridanus that you can see in the southern sky, and its not a very interesting constellation. It’s a river. It’s actually the water that’s pouring out of Aquarius, so in the sky it’s kind of boring. It’s a path of stars.

But within Eridanus, in between the stars, there’s a place where the background radiation is unexplainably cold. Because after the Big Bang, there was all this light that scattered everywhere, and it’s the oldest light in the universe, but we can’t see it. It’s so dim that it only shows up as a glow of microwaves, so to us, it just looks like the blackness of the night.

But there’s this spot in Eridanus where that little glow of ancient microwaves isn’t what it should be. It’s cold and dark.

And it’s enormous. Like a billion light year across. Of mostly just emptiness. And we don’t know why. One theory is that it’s simply a huge void, like a place where there are no galaxies. Voids like that do exist. Most of them are smaller, but they’re a sort of predictable part of the structure of the universe. The cold spot in Eridanus, if it were a void, would be so enormous that it would change how we understand the universe. 

But another theory is that this cold spot is actually the place where a parallel universe is tangled with our own. 

When the last living thing dies, death dies too.

Don’t forget you can preorder all sorts of cool goodies over at store.crossingscon.org! Preorders will be available for pickup at the Con next year. Treat yourself, you’ve earned it!

As someone currently spite-writing the second draft of a project...this fills me with such a sense of purpose and inspiration. XD

What inspired you to write Young Wizards? A relative, a dream you had? Did the story come to you as you were writing it, or was it hammered from bits and pieces of thoughts made plain on text? Were there parts you struggled with, parts that came easier than others? (Have you already answered these questions in an interview you can link to?)

What inspired me to write So You Want To Be A Wizard?

Partly humor. Partly rage. (More about both under the cut...)

The subject's come up in interviews every now and then, but let's tl:dr; it here.

The humor: Often enough while I was nursing, and seeing the bizarre things people would do to their own bodies, I wished out loud to other fellow professionals that human beings came with some kind of instruction manual. Now, I'd known the "So You Want To Be A…" series of (US-published) career books from my childhood. One day when I was thinking about them—and for no reason I can understand at this end of time—the word "…Wizard" plugged itself onto the end of the title template.

Instead of a simple instruction manual for people, I found myself considering what a wizard's manual would look like. Where would it come from? Who would it have come from? Might it, itself, be an entirely bigger manual than the one I'd been joking about—but the full instructions and background material you'd need for (maybe) understanding life, but (definitely) doing magic? A book as big or as small as you needed for the work in hand, and full of the answers to questions you never thought you'd get answers to? ...

From that basic concept, the wider concept of wizardly culture built itself up over the next couple of years. ...Naturally I'd read Le Guin's "Earthsea" books years before, and I'd noted (but decided to pass on) the concept of a school-for-wizards. While it was interesting enough, it'd already been done by a writer far more skilled. What interested me more was a DIY-ish approach, where you learn by yourself, do things that interest you, and join up with other like-minded practitioners when the mood moves you or circumstances require.

Anyway, now comes the rage. While all this was percolating in the background, I was finishing up a YA series by another writer. When I hit the end of it, I was profoundly upset by the events of the series’s closure. They seemed to me to have treated strong and resilient young characters as helpless creatures without agency, subjecting them “for their own good” to an amnesic end-state they absolutely didn’t deserve. I got mad about this. I dove into the writing of the first Young Wizards book with the intention of treating my young characters a whole lot better—since if there was anything I knew about kids from my nursing, it was that a lot of them were tougher than many of the adults around them.

Once I was started, the writing went straightforwardly from book’s beginning to book’s end (because as I was already a screenwriter, and screenwriters outline, the novel was naturally outlined too). The writing took about six months, as right then I was also writing for Scooby and Scrappy-Doo to pay the rent. I turned in the book and didn’t think much more about what might happen next (though I knew there was quite a lot more story to tell) until I ran into Madeleine L’Engle at some event of my publisher’s. She took me aside and said, “I read your last one. I liked it a lot! When’s the next?”

That was when I realized I had a problem... so I got busy.  :) ...And I’ve been busy with the Young Wizards universe ever since. I’m busy with that universe right now, though it may not look like it. And I expect to be busy with it for years to come.

HTH!