Latest Posts by outofambit - Page 2

Round 1, Poll 13: Young Wizards vs Ella Enchanted

Now, I'll always be a Gail Carson Levine stan, but I have to admit that So You Want to Be a Wizard occupied a unique space in my brain for many years; thank god I'm not voting

Remember to reblog for a bigger sample size!

I’ve got another question for you (sorry for asking so many questions about the young wizards series). The concepts of the Wizards Manual and the Speech. Let’s say, for instance, a wizard isn’t mathematically minded and has a natural bent towards poetry and literature, could the Speech take the form of poetry and could the Wizard’s manual be a mixture of modalities (pen and paper, laptop, and headphones)?

Well, this question has to be handled in two parts.

Can a wizard use something besides the Speech to do wizardry? No. There's only one language in which the Universe was built (though numerous recensions of that).

But that said: want to do spells in which the Speech is structured like poetry? Well, sure, why not? Poetry (when it's not free verse) is some of the most structured stuff there is: it'd work perfectly. (As long as you were really careful with the scansion...) And other forms of artistic structure could also work.

As regards the math end of things: you could make a case that both Nita's and Kit's Manuals (maybe more Nita's...) are mathematically- or scientifically-aligned because both their mindsets lean (or leaned) that way. But are there wizards constructing spells that look more like artwork than equations? Almost certainly. (There's at least one reference in Games Wizards Play to wizards dancing spells in the Speech rather than speaking it. Not to mention one of the wizards working with the event organizers for the Invitational, a graphic designer who was embedding the Speech into fonts...)

Secondary to all this: can the Manual be used in more than one modality? I don't see why not. The master project of "porting over" the Manual into more modern and easier-to-manage instrumentalities is first mentioned in The Book of Night with Moon—where Ehef, one of the feline wizards living and working at NYPL is a supervisor on the project. And this would almost certainly be a continuing effort, resulting in items like the WizPhone that Nita trialed at Kit's urging some while back. (And of course Spot, who started out with Dairine as a desktop and upgraded to a laptop along the way.) The attitude of the Powers that Be would certainly be that they want to make doing wizardry easier for qualified people, not harder. So, mix and match among modalities? Sure. (And at least you'd never have to worry about them staying in synch...) :)

...As for pen and paper: it's likely enough that the Speech was for many centuries in writing-centric cultures most routinely written longhand (after it broke out of cuneiform and hieroglyphics...). Probably there are even now wizards who prefer to do their spell structuring longhand—who knows, maybe even with fountain pens. (In fact, now I've managed to make myself suspicious about the work habits of a couple of people I know...) :)

Anyway: HTH!

gosh but like we spent hundreds of years looking up at the stars and wondering “is there anybody out there” and hoping and guessing and imagining

because we as a species were so lonely and we wanted friends so bad, we wanted to meet other species and we wanted to talk to them and we wanted to learn from them and to stop being the only people in the universe

and we started realizing that things were maybe not going so good for us– we got scared that we were going to blow each other up, we got scared that we were going to break our planet permanently, we got scared that in a hundred years we were all going to be dead and gone and even if there were other people out there, we’d never get to meet them

and then

we built robots?

and we gave them names and we gave them brains made out of silicon and we pretended they were people and we told them hey you wanna go exploring, and of course they did, because we had made them in our own image

and maybe in a hundred years we won’t be around any more, maybe yeah the planet will be a mess and we’ll all be dead, and if other people come from the stars we won’t be around to meet them and say hi! how are you! we’re people, too! you’re not alone any more!, maybe we’ll be gone

but we built robots, who have beat-up hulls and metal brains, and who have names; and if the other people come and say, who were these people? what were they like?

the robots can say, when they made us, they called us discovery; they called us curiosity; they called us explorer; they called us spirit. they must have thought that was important.

and they told us to tell you hello.

January fanbinding - What the butterflies said

Set myself a 2023 challenge to do a bookbinding project each month for an "actual book", i.e. something with written content rather than blank paper (or where I've made the content, as i partly want to make myself figure out formatting and dealing with an externally defined length). Also trying to use different styles of binding, so some added fun there figuring out what works for each!

I've just finished a reread of the Young Wizards books, so for my first project & pamphlet bind went with a YW fic, the wonderfully heartbreaking 'what the butterflies said' by @sunrisenebula

Fanart for the beautifully written Young Wizards fanfic What the Butterflies Said by AtypicalOwl, who I believe is @sunrisenebula here on Tumblr.

see, the thing about the young wizards series is

the thing about diane duane is

she infuses everything with so much life. she gives everything thoughts and feelings and personality. she makes you care about them, makes them matter. from grass chorusing “grow grow grow” to planets explaining how they show affection towards fellow celestial bodies by resonating

it’s beautiful, and it’s vital in the truest sense of the word. and I love it. it’s important on a level that I can’t even fully comprehend. it’s almost spiritual

I never thought of myself as a spiritual person, never felt moved by something larger than me. but the things I’ve read about in this series? the intention and compassion and wonder for all things

that’s something I can believe in

you have to pretend to be a wizard sometimes, for your health. the obvious method is d&d, but you can also open the dishwasher on cold mornings and raise your arms dramatically as you’re enveloped in the steam, or you can find a really good stick to walk around in the woods with, or you can run a bizarrely dedicated rp blog on tumblr. but it’s an important component of human well being to occasionally pretend to be a wizard.

I had to do a "home budget" project in econ during high school, and we had to "buy a car" as part of our budget planning and so I used a listing for one of these as my "purchase" because I am nothing if not a massive nerd. It still delights me to think about. ^__^

I'm desperately trying to look for the specific model of Lotus that you referenced in the first of the Young Wizard series. I've been wanting to draw a storyboard for a long while for it and for some reason Google is useless.

It's this one: the Lotus Turbo Esprit. Lovely, lovely thing that it was...

(Sorry, the YouTube video seems to have failed to insert correctly. But check it out:  https://youtu.be/CQnOusKNDKs)

...Later in the eighties they softened its lines down. But this is the one that made me stop and stare when I passed by the Lotus showroom in Manhattan in ‘81...

Hello! I was wondering if you’ve shared your ao3 account? Like, have you acknowledged “this account is mine,” or do you keep it personal? Totally respect if you keep it under wraps I just wanted to know if I’m missing something. Hope my wording of this makes sense!

No, it's OK, I get it. You're asking "Have you publicly ID'd a given AO3 account as yours?"

No, and I'm not going to. Because it contains fanfic I've written for pleasure—exactly as I started writing it in my teens—and I have no desire to have that publicly connected with me.

Leaving the usual legal concerns aside—and not being even slightly concerned that a judge would fail to find the fiction "transformational", if the truth came out in a court of law—a significant part of this effort is about answering the question: "What would happen if people read fiction of mine and they didn't know Diane Duane was responsible for it? What would their reaction be?" That urge to discover whether the fiction stands on its own, without the inevitable shadow cast by the reputational backstop, still comes up for me in some moods. When the itch has come up, I've scratched it. And all I can say is that, by and large, the results have been satisfying.

Frankly, it's a ton of fun. There's no one to satisfy (at the most immediate level) except me and the local embodiment of the Creative Urge. No one will ever accuse me of "just churning [this] out for more $$$$", because there is no $$$$. And there's room to stretch further and harder than I might normally do in my public work (because there's more forgiveness for failure: and in the arts, I think, failure is absolutely one of the most effective ways to grow). Whatever comes back to me in return for this work—and it is work, some of the hardest I've ever done—is in the form of raw appreciation. So, people, on behalf of my colleagues, let me just say: comment on AO3 fics, yeah? You don't have to be fulsome about it. A word or two will do. And bestow kudos where you may. It's all an AO3 fanfic writer asks.

...And of course some people will say: "Are you off your rocker? You're traditionally published for decades, you have awards, you've been on bestseller lists, how can you not be sure that what you're doing's any good?" ...But you know, no writer is sure all the time. All of us wake up in the middle of the night some time(s), thinking "I'm not sure I've still got it..." and squeezing our eyes shut in terror of future reviews that will contain the horrible conjecture that Maybe We Never Really Had It To Start With. When you've spent a significant portion of your lifetime making stuff (up) out of nothing, the horrible suspicion that maybe it really has been nothing all the time—I mean, nothing nothing—is unavoidable.

So sometimes some of us want to go out in disguise (and I don't mean paid pseudonymic work: that proves nothing in this particular arena) and see how we fare. I know other traditionally-published writers who've done this—names that would surprise you—and who, by and large, have done it for the same reasons. We are the dark figures, cloaked, sitting in the shadows of some of the more prominent fandoms that express themselves on AO3; eyes glinting in the firelight, enjoying the reactions for the stories we've got to tell.

It's not bad here, in the shadows. For one thing, you're in a better position to appreciate the figures moving in the light. There's a lot of extraordinary talent on AO3 (and elsewhere in the online fanfic world), sharing stuff with us out of their own hard work and from their own urge toward grace. It's a privilege to read them. (Some of them are better writers than I am. I appreciate them: and comment, and leave kudos, because that's how appreciation is concretely shown. And I take notes.)

Beyond that, there's nothing much to add except that I have no plans to stop. And also: that I think kindly every single day of the very small and exclusive group of people who know "who" I am on AO3, and have kindly kept that data to themselves. Your confidence honors me, friends. May the Work do you honor in return. :)

And now: I owe you all an update, so you'll have to excuse me while I get on with it. :)

New York Post

‘Sightings of a lifetime’: Whales and dolphins flock to NYC waters

Here’s one increase in traffic that won’t have you pounding a car hood: The city’s waters have been rife with sightings of marine life all s

Thank you for sharing this! This is another one of those situations where we are just now seeing the noticeable, dramatic payoff of years and years of quiet, unnoticed environmental work.

“Experts say years of conservation efforts have resulted in some of the healthiest waters in generations, with booming fish populations, clearer ocean waves and more chances to interact with our urban aquarium.”

This quote also really got me:

“‘It never gets old, it’s always thrilling,’ said Celia Ackerman, a naturalist with American Princess Cruises who captured the images. As a child growing up in Brooklyn, Ackerman couldn’t wait to move out of the city so she could study marine animals. 'I would have never imagined I could enjoy them here right in my backyard.’”

The funny thing about comparing the young wizards books to Harry Potter is that not only did they come way before Harry Potter, not only is the prose massively more competent, not only does the author have morals she holds to - to the point of rewriting the entire ending of one of her books when she was told it was harmful, but she also outlasted the whole Harry Potter phenomenon and is still putting out new books that are actually good in the series. Literally a flawless victory on every front.

As someone currently spite-writing the second draft of a project...this fills me with such a sense of purpose and inspiration. XD

What inspired you to write Young Wizards? A relative, a dream you had? Did the story come to you as you were writing it, or was it hammered from bits and pieces of thoughts made plain on text? Were there parts you struggled with, parts that came easier than others? (Have you already answered these questions in an interview you can link to?)

What inspired me to write So You Want To Be A Wizard?

Partly humor. Partly rage. (More about both under the cut...)

The subject's come up in interviews every now and then, but let's tl:dr; it here.

The humor: Often enough while I was nursing, and seeing the bizarre things people would do to their own bodies, I wished out loud to other fellow professionals that human beings came with some kind of instruction manual. Now, I'd known the "So You Want To Be A…" series of (US-published) career books from my childhood. One day when I was thinking about them—and for no reason I can understand at this end of time—the word "…Wizard" plugged itself onto the end of the title template.

Instead of a simple instruction manual for people, I found myself considering what a wizard's manual would look like. Where would it come from? Who would it have come from? Might it, itself, be an entirely bigger manual than the one I'd been joking about—but the full instructions and background material you'd need for (maybe) understanding life, but (definitely) doing magic? A book as big or as small as you needed for the work in hand, and full of the answers to questions you never thought you'd get answers to? ...

From that basic concept, the wider concept of wizardly culture built itself up over the next couple of years. ...Naturally I'd read Le Guin's "Earthsea" books years before, and I'd noted (but decided to pass on) the concept of a school-for-wizards. While it was interesting enough, it'd already been done by a writer far more skilled. What interested me more was a DIY-ish approach, where you learn by yourself, do things that interest you, and join up with other like-minded practitioners when the mood moves you or circumstances require.

Anyway, now comes the rage. While all this was percolating in the background, I was finishing up a YA series by another writer. When I hit the end of it, I was profoundly upset by the events of the series’s closure. They seemed to me to have treated strong and resilient young characters as helpless creatures without agency, subjecting them “for their own good” to an amnesic end-state they absolutely didn’t deserve. I got mad about this. I dove into the writing of the first Young Wizards book with the intention of treating my young characters a whole lot better—since if there was anything I knew about kids from my nursing, it was that a lot of them were tougher than many of the adults around them.

Once I was started, the writing went straightforwardly from book’s beginning to book’s end (because as I was already a screenwriter, and screenwriters outline, the novel was naturally outlined too). The writing took about six months, as right then I was also writing for Scooby and Scrappy-Doo to pay the rent. I turned in the book and didn’t think much more about what might happen next (though I knew there was quite a lot more story to tell) until I ran into Madeleine L’Engle at some event of my publisher’s. She took me aside and said, “I read your last one. I liked it a lot! When’s the next?”

That was when I realized I had a problem... so I got busy.  :) ...And I’ve been busy with the Young Wizards universe ever since. I’m busy with that universe right now, though it may not look like it. And I expect to be busy with it for years to come.

HTH!

Fuck personality tests. Who comes to your mind when I say "Michael"

So I recently got ebooks of the new revised versions of the Young Wizards series by Diane Duane because I loved the originals so much growing up and I wanted to reread them and see the changes (especially A Wizard Alone) and I was terribly unhappy to discover that the revised editions aren’t available in print in the US probably won’t be for years. But I’ve always wanted to learn book binding, so I’m just going to print out the ebook and attempt to make my own print copy. To that end I spent all day today rapturously fantasizing about end papers and book jackets. This started as an attempt at designing my own endpapers, but it may be a bit much for that actually…

Weird Science on Twitter

“Entropy!”

Some of us, though, do tell them early. In the end it works out better… 

INFORMATION I WAS NOT PREPARED TO LEARN. MAYBE WE *ARE* ALONE. BECAUSE WE ARE SO *EARLY*. IF THERE IS EVER GALACTIC CIVILIZATION THEY WILL NOT REMEMBER US AT ALL. BECAUSE WE ARE NOTHING. CELLS, JUST BEGINNING TO FORM LIFE. SORRY FOR SCREAMING. BUT ARE YOU LISTENING. ARE YOU THINKING ABOUT IT.

A remarkable new study on how whales behaved when attacked by humans in the 19th century has implications for the way they react to changes wreaked by humans in the 21st century. The paper, published by the Royal Society on Wednesday [17 March 2021], is authored by Hal Whitehead and Luke Rendell, pre-eminent scientists working with cetaceans, and Tim D Smith, a data scientist, and their research addresses an age-old question: if whales are so smart, why did they hang around to be killed? The answer? They didn’t. Using newly digitised logbooks detailing the hunting of sperm whales in the north Pacific, the authors discovered that within just a few years, the strike rate of the whalers’ harpoons fell by 58%. […] Before humans, orca were their only predators […]. It was a frighteningly rapid killing, and it accompanied other threats to the ironically named Pacific. From whaling and sealing stations to missionary bases, western culture was imported to an ocean that had remained largely untouched […].

——-

Headline and text published by: Philip Hoare. “Sperm whales in the 19th century shared ship attack information.” The Guardian. 17 March 2021.

Catching a sperm whale during the 19th century was much harder than even Moby Dick showed it to be. That’s because sperm whales weren’t just capable of learning the best ways to evade the whalers’ ships, they could quickly share this information with other whales, too, according to a study of whale-hunting records. […]

“At first, the whales reacted to the new threat of human hunters in exactly the same way as they would to the killer whale, which was their only predator at this time,” study lead author Hal Whitehead, a professor of biology at Dalhousie University in Nova Scotia, told Live Science. “[The sperm whales] all gathered together on the surface, put the baby in the middle, and tried to defend by biting or slapping their tails down. But when it comes to fending off Captain Ahab that’s the very worst thing they could do, they made themselves a very large target.”

The whales seem to have learned from their mistakes, and the ones that survived quickly adapted — instead of resorting to old tactics, the whalers wrote in their logbooks, the sperm whales instead chose new ones, swimming fast upwind away from the whalers’ wind-powered vessels. […]

The whales communicated with and learned from each other rapidly, and the lessons were soon integrated into their wider culture across the region, according to the researchers’ interpretation of the data.

“Each whale group that you meet at sea typically comprises two or three family units, and the units quite often split off and form other groups,” Whitehead said. “So, what we think happened is that one or two of the units that make up the group could have had encounters with humans before, and the ones who didn’t copied closely from their pals who had.“ 

Sperm whales are excellent intel sharers: Their highly observant, communicative nature, and the fact that each family unit only stays in larger groups for a few days at a time, means they can transmit information fast.

As studies show, that information could be news on new threats, new ways to hunt or new songs to sing.

——-

One example of whales’ extraordinary information sharing abilities involves lobtail feeding, in which a humpback whale slaps its tail hard against the water’s surface, submerges to blow disorienting bubbles around its prey, and then scoops the prey up in its mouth. Researchers first observed this tactic being used by a single whale in Cape Cod, Massachusetts, in 1980, before it spread throughout the regional population in just 10 years.

Whale culture also extends far deeper than innovative ways to feed. “Sperm whales are divided into acoustic cultural climates,” Whitehead said. “They split themselves into large clans, each with distinctive patterns of sonar clicks, like a dialect, and they only form groups with members of the same clan.”

Different whale clans each have different ways of singing, moving, hunting and looking after their calves. These differences are profound enough to even give some clans a survival advantage during El Nino events, according to Whitehead. […]

In the 20th century, whales, especially the 13 species belonging to the category of ‘great whales’ — such as blue whales, sperm whales and humpback whales — found themselves pursued by steamships and grenade harpoons that they could not escape. These whales’ numbers plummeted and they soon faced extinction. […] [T]hey still face the growing destabilization of their habitats brought about by industrial fishing, noise pollution and climate change.

——-

Headline, image, caption, and text published by: Ben Turner. “Sperm whales outwitted 19th-century whalers by sharing evasive tactics.” Live Science. 19 March 2021.

Whale talk… a mother and her calf/baby. The best sound you can hear while diving close to whales. Mesmerizing.

"Don't be afraid to make corrections. Don't be afraid to lend a hand. And don't look down."

-- Peach (Machu Picchu); So You Want to Be a Wizard, by Diane Duane

Tree honorifics

You whose roots go down forever; the whisperer of all twelve winds; strong against the storm; harbour of birds; knot of your own tying; you whose glades dance in dappled delirium; seeder of a thousand saplings; who stands alone at the hilltop; anchor of the oldest forest; you of the dancing green; you who rise again after endless Winter; the thorn in the thicket whom no axe will move; you who have grown silently; observer of nine centuries; to whom all paths lead; whose branches snag both clouds and dreams; the lord of your own grove; berry-provider; moss-grower; whose heartwoods are ancient secrets.

Sharks may not be as solitary as originally thought. Researchers have discovered the fish congregating and interacting with others of their own species in ways that suggest they have long-lasting friendships.

PHOTOGRAPH BY TANYA HOUPPERMANS

why would someone think this is a good idea

Opening Ceremonies

begins at 12 noon EST in Tír na nÓg digital.crossingscon.org

im re-reading. long time no see! :)

Ocean on the moon Europe

Scientists' consensus is that a layer of liquid water exists beneath Europa's surface, and that heat from tidal flexing allows the subsurface ocean to remain liquid.

Europa's surface temperature averages about 110 K (−160 °C; −260 °F) at the equator and only 50 K (−220 °C; −370 °F) at the poles, keeping Europa's icy crust as hard as granite. The first hints of a subsurface ocean came from theoretical considerations of tidal heating (a consequence of Europa's slightly eccentric orbit and orbital resonance with the other Galilean moons). Galileo imaging team members argue for the existence of a subsurface ocean from analysis of Voyager and Galileo images.

The most dramatic example is "chaos terrain", a common feature on Europa's surface that some interpret as a region where the subsurface ocean has melted through the icy crust.

The thin-ice model suggests that Europa's ice shell may be only a few kilometers thick. However, most planetary scientists conclude that this model considers only those topmost layers of Europa's crust that behave elastically when affected by Jupiter's tides.

The Hubble Space Telescope acquired an image of Europa in 2012 that was interpreted to be a plume of water vapour erupting from near its south pole The image suggests the plume may be 200 km (120 mi) high, or more than 20 times the height of Mt. Everest.

Life?

So far, there is no evidence that life exists on Europa, but Europa has emerged as one of the most likely locations in the Solar System for potential habitability. Life could exist in its under-ice ocean, perhaps in an environment similar to Earth's deep-ocean hydrothermal vents. Even if Europa lacks volcanic hydrothermal activity, a 2016 NASA study found that Earth-like levels of hydrogen and oxygen could be produced through processes related to serpentinization and ice-derived oxidants, which do not directly involve volcanism.

In 2015, scientists announced that salt from a subsurface ocean may likely be coating some geological features on Europa, suggesting that the ocean is interacting with the seafloor. This may be important in determining if Europa could be habitable. The likely presence of liquid water in contact with Europa's rocky mantle has spurred calls to send a probe there.

Missions

Europa Clipper is an interplanetary mission in development by NASA comprising an orbiter. Set for a launch in October 2024, the spacecraft is being developed to study the Galilean moon Europa through a series of flybys while in orbit around Jupiter.

The Europa Lander is a proposed astrobiology mission concept by NASA to Europa, an icy moon of Jupiter. If funded and developed as a large strategic science mission, it would be launched in 2027 to complement the studies by the Europa Clipper orbiter mission and perform analyses on site. NASA's budget for fiscal year 2021 neither mandates nor allocates any funds to the mission leaving its future uncertain.

The objectives of the mission are to search for biosignatures at the subsurface ≈10 cm, to characterize the composition of non-ice near-subsurface material, and determine the proximity of liquid water and recently erupted material near the lander's location.

source

At the Young Wizards end of things: a progress report

Those of you who saw the November post about the general updating of all the Young Wizards sites (secondary to this call for opinions/advice) will already know in a general way what’s been on the agenda. That agenda has been moving forward in fits and starts, and finally there’s enough action to be worth reporting on.

Keep reading

Don’t forget you can preorder all sorts of cool goodies over at store.crossingscon.org! Preorders will be available for pickup at the Con next year. Treat yourself, you’ve earned it!

At least once Nita makes it to college she won’t have to keep asking her dad or counselor to cover for her when she has to miss school. If one of my students emailed me saying they were going to miss class because they had to stop the universe from tearing itself apart I’d be like ‘cheers I’ll drink to that bro’

The fun thing about A Wizard Abroad is that Ronan is all dark and brooding and going through the classic protagonist stuff of finding out you’re a Chosen One with special powers and trying to resist his destiny before finally embracing it and smiting the big bad, except he’s not the protagonist, Nita is, and she’s watching all this as a spectator and at one point throws a mug of beer in his face for being an ass.