Hollow Children

the little prince

"if i was orpheus i would simply not turn around" yes you would. if you were orpheus and you loved eurydice, you would. to love someone is to turn around. to love someone is to look at them. whichever version of the myth — he hears her stumble, he can't hear her at all, he thinks he's been tricked — he turns around because he loves her. that's why it's a tragedy. because he loves her enough to save her. because he loves her so much he can't save her. because he will always, always turn around. "if i was orpheus i would simply —" you wouldn't be orpheus. you wouldn't be brave enough to walk into the underworld and save the person you love. be serious

i get signs from god saying: stay the ____ down

time loop where i keep dying to save you but clearly the loop just wants me to accept your death. im not going to but i can tell that's what it wants

cleaner, but still not a saint

tw: blood

'til we see all the stars

cooking up some lynthers

i dont think that people actually dislike 'fluff' in writing its just that not many people know how to write characters well when nothing high stakes is happening and therefore the scenes feel bland or wasted (tucks and rolls offstage) because they can only imagine people to be interesting during high action scenes and not during the slower moments in between (slides on a tomato) likely because they consider their own life and the people around them uninteresting and cannot imagine characters they want to like to be anything less than larger than life when in reality the quiet humanity between action is the core of all good character writing (gets shot)

tradgedy enjoyers when you look into the eyes of your worst enemy and can only see yourself

give up what you love before it does you in