𝐓𝐄𝐌𝐏𝐎𝐑𝐀𝐑𝐘 𝐁𝐋𝐈𝐒𝐒 𝐔𝐍𝐁𝐎𝐓𝐇𝐄𝐑𝐄𝐃 𝐁𝐘

* 𝐖𝐇𝐀𝐓 𝐃𝐎𝐄𝐒 𝐘𝐎𝐔𝐑 𝐇𝐄𝐀𝐑𝐓 𝐋𝐎𝐎𝐊 𝐋𝐈𝐊𝐄 ?

𝐁𝐑𝐎𝐊𝐄𝐍 , 𝐌𝐈𝐒𝐒𝐈𝐍𝐆 𝐏𝐈𝐄𝐂𝐄𝐒 𝐓𝐇𝐀𝐓 𝐎𝐍𝐂𝐄 𝐖𝐄𝐑𝐄 𝐓𝐇𝐄𝐑𝐄 // your heart has been torn before, chipped and maybe even shattered. some pieces will never be recovered, and you are shaped by the loss. but it can still be shaped into something tangible, something good, even with its flaws and imperfections. you don’t have to do all the work of rebuilding by yourself. allow other hands to leave their fingerprints on the new heart you create from the remnants.

* 𝐖𝐇𝐀𝐓 𝐖𝐄𝐑𝐄 𝐘𝐎𝐔𝐑 𝐇𝐀𝐍𝐃𝐒 𝐌𝐄𝐀𝐍𝐓 𝐓𝐎 𝐃𝐎 ?

𝐏𝐑𝐀𝐘 // not necessarily to a god, but to hope. to family. in mud you see art. in shadows you see color. if the world fell apart around you, you would start gluing the pieces back together. life tastes bitter but you like the bite. those around you are inspired by your kindness, by your faith, by your hope. you might not speak often, but your words are the loudest in the room. you are rain and its ability to seep into every crack, the promise of new life.

* 𝐇𝐎𝐖 𝐃𝐎 𝐘𝐎𝐔 𝐍𝐄𝐄𝐃 𝐓𝐎 𝐁𝐄 𝐋𝐎𝐕𝐄𝐃 ?

𝐋𝐈𝐊𝐄 𝐓𝐇𝐄 𝐒𝐍𝐎𝐖 𝐌𝐄𝐋𝐓𝐒 // you need to be loved patiently. you need to feel the love slowly creeping in, a warning, a way to back away if you’re too scared. you need to be loved cautiously, as if you’re fragile. you need to be loved gently, because love is messy and muddy and makes your socks wet and hurts if the sun gets too close. but you need to let yourself be loved, because when you do, it’ll feel like spring.

tagged by : @reginrokkr / @oniriqe tagging ( pick whichever quiz you like ) : @asterites ( take this for all your blogs lol ), @asteriskheart ( kairi or aera maybe ? ), @aequitaes ( nero or hank ) , @valorxdrive, @ogaea, @hamadaxfighter, @hopewritten ( maybe colette ? )

𝐀 𝐇𝐎𝐋𝐋𝐎𝐖 𝐄𝐂𝐇𝐎    /    𝐀 𝐒𝐏𝐈𝐑𝐀𝐋𝐈𝐂 𝐑𝐄𝐐𝐔𝐈𝐄𝐌.    quietly, its hymns resounded within her very anatomy. a flicker's rush through spectral atoms as the familiarity of such concept would nudge on the heart ;  a loose memory, too stubborn to be adjusted smoothly into entire recollection.  she pondered on fragmented nostalgia, and a gentle kind of curiosity bloomed from the corners of an unrecorded woe.    “ it does sound demanding, enormously so.  yet, in spite of such strain, you speak so fondly of them.  do you share an affection with your aeons ? ”

❛       aspiring summoners pray to the fayth ————   it can take days for the fayth to respond. if they respond at all. the amount of mental fortitude a summoner requires is astronomical. but if one does succeed,  the fayth heed your call & grant their power. that is how aeons came to be. it's a strong connection that cannot be replicated or broken. every aeon is special. every fayth, unique.     ❜    @moonichor

* 𝐖𝐇𝐀𝐓 𝐓𝐘𝐏𝐄 𝐎𝐅 𝐒𝐘𝐌𝐏𝐇𝐎𝐍𝐘 𝐀𝐑𝐄 𝐘𝐎𝐔 ?

𝐓𝐇𝐄 𝐄𝐋𝐄𝐆𝐘 : 𝐓𝐇𝐄 𝐁𝐋𝐎𝐎𝐌𝐈𝐍𝐆 𝐎𝐅 𝐓𝐇𝐄 𝐑𝐎𝐒𝐄 // you are the crescendo, a never-ending strength which arouses great power and love within. you feel immensely, intensely, and every surface you touch is laden with love-- but beware, one must not cross you. your ardor knows no bounds and your symphony echoes on. you bring tears to one's eyes when they look at you too long and you inflict hope within tragedy. you are the end-all-be-all, but you are not to be mistaken in fear-- people cannot help feeling everything at once when they meet you, for you are the cosmos which blinds the oblivious and gifts the shadows light. your song : elegies of thule no. 3 by tonu korvits

👕   ─  go out wearing matching christmas sweaters ( i dare you )

                                           ↳  from  @moonichor​

                       ❝   C'mon – I think it looks cute! And imagine the look on Noct’s face when he sees this!   ❞   Prompto practically squealed with laughter. The joke was devious, but funny nonetheless. Lady Lunafreya didn’t need much convincing to participate; all the same, he was grateful for her good-spirited comradery.

In their Christmas sweaters, both of them looked festive. The bright red one read ‘I’m with stupid’ and an arrow pointing. On the other, a bright blue background with snowflakes and a captioned picture of Noctis wearing reindeer antlers, which said, 'I’m stupid.’

     ❝   I can’t believe we’re gonna pull this off –  'cause he can’t murder both of us…. One of us is gonna have to take the fall… and I’m sorry to say, Luna, buuut, I think his Majesty is about to save his right-hand man, his best bud, his dashing partner in crime–   ❞    Chuckling as they walked, not realising they were indeed within earshot of the royal they were speaking about.

            ｡:*• ─ IT’S CHRISTMAS TIME !      ›  ( Accepting )

   *  //   𝐏𝐄𝐀𝐂𝐄𝐃𝐎𝐆 .

NOVEMBER 19TH,   1970,   18:27PM ███████ MANOR,   WESTCHESTER COUNTY,   NEW YORK,   UNITED STATES.

ZERO:   𝚢𝚘𝚞 𝚘𝚞𝚐𝚑𝚝 𝚝𝚘 𝚎𝚗𝚓𝚘𝚢 𝚢𝚘𝚞𝚛𝚜𝚎𝚕𝚏 𝚏𝚘𝚛 𝚘𝚗𝚌𝚎,  𝚓𝚊𝚌𝚔. BIG BOSS:   𝚒’𝚖 𝚗𝚘𝚝 𝚘𝚗𝚎 𝚏𝚘𝚛 𝚙𝚘𝚕𝚒𝚝𝚒𝚌𝚊𝚕 𝚙𝚊𝚛𝚝𝚒𝚎𝚜. ZERO:   𝚙𝚘𝚕𝚒𝚝𝚒𝚌𝚜,  𝚊𝚜 𝚢𝚘𝚞’𝚕𝚕 𝚌𝚘𝚖𝚎 𝚝𝚘 𝚏𝚒𝚗𝚍,  𝚒𝚜 𝚜𝚘𝚖𝚎𝚝𝚑𝚒𝚗𝚐 𝚝𝚑𝚊𝚝 𝚌𝚘𝚖𝚎𝚜 𝚠𝚒𝚝𝚑 𝚝𝚑𝚎 𝚝𝚎𝚛𝚛𝚒𝚝𝚘𝚛𝚢.    𝚒𝚝’𝚜 𝚒𝚗𝚎𝚜𝚌𝚊𝚙𝚊𝚋𝚕𝚎 𝚠𝚒𝚝𝚑 𝚊𝚗 𝚞𝚋𝚒𝚚𝚞𝚒𝚝𝚘𝚞𝚜 𝚘𝚛𝚐𝚊𝚗𝚒𝚣𝚊𝚝𝚒𝚘𝚗 𝚜𝚞𝚌𝚑 𝚊𝚜 𝚘𝚞𝚛𝚜.    𝚢𝚘𝚞’𝚛𝚎 𝚊 𝚗𝚊𝚝𝚒𝚘𝚗𝚊𝚕 𝚑𝚎𝚛𝚘,  𝚓𝚊𝚌𝚔.    𝚒𝚝 𝚠𝚘𝚞𝚕𝚍 𝚋𝚎 𝚐𝚘𝚘𝚍 𝚏𝚘𝚛 𝚞𝚜 𝚒𝚏 𝚢𝚘𝚞 𝚜𝚑𝚘𝚠 𝚢𝚘𝚞𝚛 𝚏𝚊𝚌𝚎 𝚘𝚗𝚌𝚎 𝚒𝚗 𝚊 𝚠𝚑𝚒𝚕𝚎. BIG BOSS:   𝚒’𝚖 𝚗𝚘 𝚑𝚎𝚛𝚘,  𝚍𝚊𝚟𝚒𝚍.    𝚒’𝚖 𝚓𝚞𝚜𝚝 𝚊 𝚌𝚘𝚕𝚍-𝚋𝚕𝚘𝚘𝚍𝚎𝚍 𝚖𝚞𝚛𝚍𝚎𝚛𝚎𝚛. ZERO:   𝚓𝚊𝚌𝚔,  𝚕𝚒𝚜𝚝𝚎𝚗 𝚝𝚘 𝚖𝚎.    𝚙𝚎𝚘𝚙𝚕𝚎 𝚗𝚎𝚎𝚍 𝚑𝚎𝚛𝚘𝚎𝚜.    𝚝𝚑𝚎𝚢 𝚗𝚎𝚎𝚍 𝚊𝚗 𝚒𝚌𝚘𝚗,  𝚊 𝚕𝚎𝚐𝚎𝚗𝚍𝚊𝚛𝚢 𝚏𝚒𝚐𝚞𝚛𝚎 𝚝𝚘 𝚞𝚗𝚒𝚝𝚎 𝚞𝚗𝚍𝚎𝚛      ——      𝚢𝚘𝚞 𝚜𝚊𝚟𝚎𝚍 𝚊𝚖𝚎𝚛𝚒𝚌𝚊 𝚏𝚛𝚘𝚖 𝚊 𝚗𝚞𝚌𝚕𝚎𝚊𝚛 𝚊𝚛𝚖𝚊𝚐𝚎𝚍𝚍𝚘𝚗,  𝚢𝚘𝚞 𝚊𝚛𝚎 𝚎𝚡𝚊𝚌𝚝𝚕𝚢 𝚝𝚑𝚎 𝚝𝚢𝚙𝚎 𝚘𝚏 𝚖𝚊𝚗 𝚠𝚎 𝚗𝚎𝚎𝚍 𝚏𝚘𝚛 𝚝𝚑𝚊𝚝 𝚓𝚘𝚋. BIG BOSS:    [𝚐𝚛𝚘𝚠𝚕𝚒𝚗𝚐] ZERO:   𝚝𝚑𝚎𝚜𝚎 𝚖𝚎𝚗 𝚊𝚗𝚍 𝚠𝚘𝚖𝚎𝚗 𝚑𝚊𝚟𝚎 𝚌𝚘𝚖𝚎 𝚏𝚛𝚘𝚖 𝚊𝚕𝚕 𝚊𝚛𝚘𝚞𝚗𝚍 𝚝𝚑𝚎 𝚠𝚘𝚛𝚕𝚍 𝚝𝚘 𝚖𝚎𝚎𝚝 𝚝𝚑𝚎 𝚕𝚎𝚐𝚎𝚗𝚍𝚊𝚛𝚢 𝚋𝚒𝚐 𝚋𝚘𝚜𝚜 𝚒𝚗 𝚙𝚎𝚛𝚜𝚘𝚗.    𝚝𝚑𝚎𝚢’𝚕𝚕 𝚜𝚝𝚞𝚖𝚋𝚕𝚎 𝚘𝚟𝚎𝚛 𝚝𝚑𝚎𝚖𝚜𝚎𝚕𝚟𝚎𝚜 𝚝𝚘 𝚜𝚑𝚊𝚔𝚎 𝚢𝚘𝚞𝚛 𝚑𝚊𝚗𝚍.    𝚜𝚘 𝚝𝚛𝚢 𝚝𝚘 𝚋𝚎 𝚙𝚕𝚎𝚊𝚜𝚊𝚗𝚝.    𝚜𝚖𝚒𝚕𝚎,  𝚐𝚊𝚛𝚗𝚎𝚛 𝚝𝚑𝚎𝚒𝚛 𝚎𝚗𝚝𝚑𝚞𝚜𝚒𝚊𝚜𝚖,  𝚖𝚊𝚔𝚎 𝚌𝚘𝚗𝚟𝚎𝚛𝚜𝚊𝚝𝚒𝚘𝚗.    𝚠𝚑𝚘 𝚔𝚗𝚘𝚠𝚜,  𝚙𝚎𝚛𝚑𝚊𝚙𝚜 𝚢𝚘𝚞’𝚕𝚕 𝚖𝚊𝚔𝚎 𝚊 𝚏𝚛𝚒𝚎𝚗𝚍.

𝐓𝐇𝐈𝐒  𝐈𝐒  𝐇𝐎𝐖  𝐘𝐎𝐔  𝐅𝐈𝐍𝐃    𝒚𝒐𝒖𝒓𝒔𝒆𝒍𝒇   𝒘𝒊𝒕𝒉   𝒂   𝒕𝒆𝒏   𝒕𝒉𝒐𝒖𝒔𝒂𝒏𝒅   𝒅𝒐𝒍𝒍𝒂𝒓    champagne flute in your hand,  putting a convenient face whilst mingling  ‘midst a room of serpents and pink-cheeked sycophants,  the crowd of self-christened ‘elites’.    here you are,  their  concocted idol,  exchanging  forced smiles  and  ingratiating salutations  with utmost reticence as they gather around you like a  band of hawks   /   suffocate you   /   make you feel  less  like a man and more like a dangling pound of  fresh meat  on display for the ravening masses,  salivating   /   eager to feast off  carrion fame.    you nod mechanically   /   uncomfortably,  move out of every casual touch,  a drunken shoulder clap,  a girl trying to chat you up      ——      they are  blind  to the blood clots  on your teeth   /   the hands smirched  red-matricide-regret   /   the mutilating grief transmogrifying your heart into one great abscess    [    it refuses to go away.    ]      ——      you do not need their emptied congratulations,  seeds of anger sprouting at the accursed title of ‘big boss’ spilling reverently from forked tongues,  an epithet so sorely  pyrrhic-won.

𝐓𝐇𝐈𝐒  𝐋𝐀𝐕𝐈𝐒𝐇  𝐖𝐎𝐑𝐋𝐃  𝐖𝐀𝐒  𝐍𝐄𝐕𝐄𝐑  𝐌𝐄𝐀𝐍𝐓  𝐅𝐎𝐑  𝐘𝐎𝐔.     you have never been good at feigning  normalcy,  wearing ill-fitting human skin,  civilian clothes unbecoming of a man that wild.    you feel like a twarthed   /   naked   /   trapped animal.    (    no,  you don’t need any of it      ——      what you need is to clear your head because your chest is too tight,  the crowd is  too close   /   too loud,  they are taking up all the oxygen and it’s gotten too hard to breathe and you want to escape   /   lash out   /   rip at muscle and bone and claw your way out before you   -    )    check your blindspot,  case the room  :   there is no clear through-line to the exit.    east,  there is a door      ——      but you cannot say where it leads.    (    better to make for the kitchen,  take your chances in the service tunnels.    they checked your gun at the door,  but you’ve made do with  a knife  in worse situations.    you   -    )    see a window of retreat near the banquet table.    you turn,  make your way there in a hurried stride,  wholly undismayed by the expressions of annoyance you receive at the  rudeness  of your escape. 𝒚𝒐𝒖   𝒄𝒂𝒏   𝒔𝒆𝒏𝒔𝒆   𝒐𝒄𝒆𝒍𝒐𝒕’𝒔   𝒔𝒕𝒂𝒓𝒆   𝒐𝒏   𝒚𝒐𝒖𝒓   𝒃𝒂𝒄𝒌    as you evade the throng of bodies and approach a lengthy table brimming with saccharine delicacies.    you stop   /   breath   /   tamp down  instincts  to flee when the burgeoning leonine hunger pangs.    frowning,  you stare at the multicolored appetisers   /   most of which you have never seen before   /   till you take a pair of  meat skewers  and start gnawing at them like a  beast of prey.    a sudden presence at your side provokes chin to rise   /   eye to meet a crown of gold,  wintry blues  peering at you under the heliacal glow of a crystalline chandelier,  and you   -    (    remember the passive  coldness  of her face,  standing in that field as white petals whipped around your ankles.    she gave  her body  and  her child  to her country,  carried her scar as proof,  was willing to mactate herself upon  flowered altars  for a purpose beyond comprehension.    how does she expect you to do the  same  ?    you don’t understand,  you   -    )    see red,  press your eye shut but the petals remain,  like they’re stuck to the flesh of your eyelid.

𝐘𝐎𝐔 𝐁𝐑𝐄𝐀𝐓𝐇   /   𝐇𝐀𝐑𝐃   /   𝐇𝐄𝐀𝐕𝐘,    shake your head      ——      she is not here.    she is dead.    this is reality.    you turn back to your food   /   get a proper sidelong look at the woman,  recognize her  for who she truly is  ;   lunafreya nox fleuret,  the  sovereign  of a protectorate in the middle of a political scuffle,  more of a  figurehead  on their machinations than a queen    [    much like you.    ]    her brother is a soldier,  acting as her dutiful custodian      ——      you recall shaking his hand briefly in the crowd,  he seemed as  disinclined  to be here as you.    you store the  information  away   /   attempt to be conversational:             ❛    leurs brochettes ne sont pas mauvaises.    mais je préfère encore manger du serpent que ça.    ❜    you say,  french fluently falling off your lips without much pondering.

@moonichor

𝐀 𝐒𝐀𝐍𝐆𝐔𝐈𝐍𝐀𝐑𝐘 𝐖𝐎𝐑𝐋𝐃 :   painted thickly with a layer of varnish, framed in pale fools gold  —  and she, a simple corner ornament.  she was made for this ;  noble-bred, a carefully hand-crafted icon.  wrought for the masses and self-appointed deities to utilize.  they seized and struggled for symbols in order to secure the slightest figment of influence, and if it were not over her, then they would compete over someone else.  they picked their gemstones to toss in the treasure chamber, leaving them without the glimmer, adulterating them within the shadowy obscurities, never to be seen on the television screen.  their ghastly tongues prattled inconceivably, in unison, to attribute to a synchronized white noise. 

with appetite did they seek her attention, too ;  ignorant of the tattered brims which remained proof of military sin and the crime to weaponize innocence like a volatile explosive.  it was a slow killing of a girl who had come to understand this as the typical behavior of hierarchical leeches, demonstrating their feigned relief to have just barely so slipped through the war-cracks.  of course, this was merely show, as they so blithely monetized the shed gore and radioactive bones.  this enormous gauge of politics spanned itself over each head, slithered with haughty threat, ‘twixt the pillars of it all where one specific chancellor watched over every singular motion of hers.  in sickening amounts so, that she urged to swiftly disappear among the crowd, toward the other side of these halls where she found …  you.    (  a trojan paradox, agonized with frauds, and praises for valor, and terrible expectations.  )    curiosity begged for satisfaction and dictated her walk, feather-light, beside you, only to sense a deeply rooted pain projected and carved into her marble-frozen apparition.

then  —  a perplexing dialogue.

“ pardon ? ”    unexpectedly widened brows and eyelids for commentary this macabre.  she fell through clouds.  etiquette quickly revised and staggering back into composure.  here she stood, not a single inch moved, silver-graced and primly kept, soft-handed and crystal-adorned —  in audience with a beast :    a rawed-up, wild child, clad in a man’s muscular structure, bearing its patron status like an ill-fitting crown, which it’s been so compelled to remove.  aggressively.  something equivalent to horror and awe struck her still, an astonished sentiment, existing between a deer and a bear.  suddenly, illogically, her personal tatteredness did not matter.  someone was always frayed more crudely, the eyes more bloodshot, the lungs more filled with desert-dust, the flowerbeds more stained with a carmine shade.    “ vous semblez être un homme avec un sens du goût incomparable. ”    at last, a response to indulge the attempt.  it might also be her individual attempt to shake off the paralyzation.    “ forgive me if it was my approach that caused you to jolt.   but you gave the impression to be in distress.  are you unwell, sir ? ”

“ 𝐖𝐇𝐄𝐍 𝐘𝐎𝐔 𝐂𝐎𝐍𝐕𝐄𝐑𝐒𝐄 𝐖𝐈𝐓𝐇 𝐓𝐇𝐄 𝐃𝐄𝐀𝐃 , 𝐖𝐇𝐀𝐓 𝐃𝐎 𝐓𝐇𝐄𝐘 𝐖𝐇𝐈𝐒𝐏𝐄𝐑 ?  are they reveling in bliss, or do they agonize? “ // @asterites

moon snakes, tongues of the dark speak like bones unlocking, leaves falling of a future you won’t believe in

Margaret Atwood, from You Are Happy; The Circe/Mud Poems. (via xshayarsha)

Fire: from “A Journal of Love”, The Unexpurgated Diary of Anaïs Nin, 1934–1937

" tomorrow is cain's first day in school ; time flies, doesn't it? are you excited? " ( modern verse cuz we need wholesome )

𝐏𝐀𝐈𝐍𝐓𝐄𝐃 𝐔𝐍𝐃𝐄𝐑 𝐀 𝐃𝐈𝐅𝐅𝐄𝐑𝐄𝐍𝐓 𝐋𝐈𝐆𝐇𝐓, the stars of the night thrived. motherhood an unsuspecting virtue of unconditional delights and captivating joy. her heart leaps bright and etched upon the face of a once selfish maiden stood an unsullied beacon of maternal pride. your sister has changed, she has grown more in love with the earth than she has ever did before. no longer does she stand aside to linger unattached, quietly burning away her soul's innate desire, rather she exist now with a new sense of purpose. the birth of her son changed everything. it silenced away holy wickedness and instead brought out something so ancient and new. she often wonders if this is how their mother felt when they were brought into this world, how joyous she must have been to watch as they took their first few steps and set off into their next milestone. of course, even she was far from a perfect mother.

often did she struggle with the concept of letting go. she worried too much, doted far too enough, and if it wasn't for her husband's remarkable patience, she might have been the one who was not ready for cain to go to school. but he is his father's child as well, and who was she to get in the way of his growth. to love something so preciously as this, she realize : was terrifying, but was also magnificent and wonderful. glancing upward to her curious child's fixation of plants and mischief, his mother softly smiles in response to your inquiry. "i am more worried than excited, but i know i need to set an example for him. surely, he already has so much on his mind that he doesn't need his silly mother to add any more." o' yes it will be her dear husband who shall suffer through the recieving end of her hesitation come tomorrow's day. but for now, she can make peace with this.

"but you know..." she pauses for a moment before a glint of teasing emerges on her face. a silent nudging between the stars to the moon was made, quietly prodding you as she has always done before when she had wanted something. her eyes bats almost pleadingly right on cue, if only to help convince whatever she had intended to say. " cain is growing up.. without any siblings or cousins to play with. i don't suppose you might be expecting any time soon ? i would ask ravus but alas, you know how he is, and he was not happy when i asked to set him up." // @moonichor