❝ Sometimes The Monsters We Least Expect Are The Most Dangerous. ❞

❝ sometimes the monsters we least expect are the most dangerous. ❞

The saying finds itself holding a topsy turvy perspective within his mind. Through voyaging beyond the stars and across the countless chasms of reality, watching the many ways life flourished or corroded, where people involved within his particular journey as starseekers were thrust into the chaotic grasp of Darkness one way or another, it left him... confused.

For there were many who also heralded the ends days that could produce an instinctively deep fear, the sort that could squeeze and claw at the very matter of your being, Sora's lips thinned as a hum escaped. So where does Luna's words find their lot in this system of experience?

Monsters made through relationships lost? Sides of the self that were all too eager to crawl to the surface, casting away restraint in terms of desire fulfilled? Or, by chance she encountered threats that found pleasure and purpose in intentionally keeping out of sight.

"Heheh, I can't really tell if it's bitter surprises or what you can see deep down that winds up being the worst. ..I'm not sure what I can really least expect at this point anymore."

❝ Sometimes The Monsters We Least Expect Are The Most Dangerous. ❞

The day power found itself burning bright within his hands was simultaneously marked by a day of betrayal. Ruin surrounded him, childhood whimsy and dreams smashed against the sea glazed rocks of a calamitous stretch, all while a great darkness lorded above destiny islands. When it came to Riku, in some ways, ..that wasn't the least expected. There was a discomfort that wormed heavily into their gang at the islands.

His distance as a thirst for adventure and an unknown promise allowed the intoxicating sweetness of false promises blind him.

So how about another? When that same individual ripped that strength back to it's rightful heir, when his companions that grew dear decided to follow duty instead of standing by their bond.

A monster known as helplessness had torn and burrowed into his rib cage then. Despite the outcome now days being a lot more positive, that all encompassing feeling that wanted to choke his Heart makes shivers creep through his being even now.

"..Is that another case of least expecting? When all courage within you could disappear from just one little moment?"

If only he could see the pain that contorts his face into such a firm gaze.

@moonichor

More Posts from Selenorites and Others

2 years ago

😘❤️

😘❤️

damn

😘❤️

you materialize in the corner of my eye like sephiroth


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2 years ago

The past beats inside me like a second heart.

John Banville (via quotemadness)


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2 years ago

*  𝐎𝐑𝐀𝐂𝐋𝐄𝐒 // 𝐀𝐍𝐀𝐋𝐘𝐒𝐈𝐒 𝐈𝐈 : 𝐌𝐈𝐒𝐂 . 

i.    latin is the most common language eosian nobility and royalty have derived their names from.  nonetheless, the fleuret line, at times, does also use a variety of freyja’s names for their daughters.  the norse goddess freyja had gone by several identities during her voyage in search for her lost husband, as well as those that she assumed as she was impaled and burned three times by the aesir and then happens to be reborn each instance.  

this includes names such as :    gef / gefn  ( the giver ) ,  hörn  ( flaxen ) ,  mardöll  ( sea brightener, or the one who makes the sea swell ) ,  skjálf  ( shaker ) ,  vanadis ( the dis / fate spirit of the vanir ) ,  gullveig  ( gold-thread ) ,  and heidr ( bright, clear ).

not every child would have been bestowed a name that referenced freyja, however, here could be examples of this practice :

gullveig was the first healer-oracle after aera and ardyn’s demise, and built the fleuret royalty.

lunafreya may be partly named after her maternal grandmother freyja.  an oracle who could have immensely committed to the purification of the dead, and was therefore occasionally nicknamed valfreyja  ( the lady of the slain ).  she had two daughters :  sylva and hnoss. 

the mysterious oracle whose temporary successor was a lucian king could have had one of frejya's names, like mardöll.

ii.    the standard arm of the oracles is a trident, the symbolism of which is found in lunafreya’s name entirely.  it primarily comes from the connection between freyja’s father being the sea god njördr and the greco-roman equivalent of the oceanic god poseidon / neptune whose iconic weapon is the trident, in addition with the fact that the moon has magnetic control over the tides.  

iii.    the trident is not the only tie to water that is evident for the fleuret house. the sylleblossom as a native flower to tenebrae, en masse, resembles a whole sea in the clouds.  this opens the door for the assumption that societies and cultures in the tenebraen lands used to have a deep spiritual connection with water and the seas, as opposed to the ancient peoples of solheim, who worshipped the fire ; and the earlier oracles, perchance, still were tethered too those beliefs to praise water’s purifying qualities that would cleanse the souls of those that perished of the still wide-spread disease. water is both purifying and symbolized death for the ancients, which is visually portrayed within luna's death sequence.

iv. those of fleuret blood are semi-immune to the flames of the lucii ring.  while the ring drains slowly the vitality of the king who wears it, the holy fire is a defense mechanism for those unworthy and would claim their life either instantly, or as a price for the temporary use of its power.  there are two instances of exceptions that were spared from this.  ravus nox fleuret, who was of fleuret blood and unworthy, would be branded but not wholly engulfed.  and ignis, who was of no particular blood, but was given the power as a necessity to protect its true bearer, and was as reward excused with the price of his sight.


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5 months ago

Send ‘K’ for a kiss from my muse.


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2 years ago
“ 𝐖𝐇𝐄𝐍 𝐘𝐎𝐔 𝐂𝐎𝐍𝐕𝐄𝐑𝐒𝐄 𝐖𝐈𝐓𝐇 𝐓𝐇𝐄 𝐃𝐄𝐀𝐃

“ 𝐖𝐇𝐄𝐍 𝐘𝐎𝐔 𝐂𝐎𝐍𝐕𝐄𝐑𝐒𝐄 𝐖𝐈𝐓𝐇 𝐓𝐇𝐄 𝐃𝐄𝐀𝐃 , 𝐖𝐇𝐀𝐓 𝐃𝐎 𝐓𝐇𝐄𝐘 𝐖𝐇𝐈𝐒𝐏𝐄𝐑 ?  are they reveling in bliss, or do they agonize? “ // @asterites


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2 years ago
Before This Moon Shall Darken, Say Of Me :      “ 𝐒𝐇𝐄’𝐒 𝐈𝐍 𝐇𝐄𝐑 𝐆𝐑𝐀𝐕𝐄,

Before this moon shall darken, say of me :      “ 𝐒𝐇𝐄’𝐒 𝐈𝐍 𝐇𝐄𝐑 𝐆𝐑𝐀𝐕𝐄, 𝐎𝐑 𝐖𝐇𝐄𝐑𝐄 𝐒𝐇𝐄 𝐖𝐀𝐍𝐓𝐒 𝐓𝐎 𝐁𝐄. ”

𝐋𝐔𝐍𝐀𝐅𝐑𝐄𝐘𝐀 𝐍𝐎𝐗 𝐅𝐋𝐄𝐔𝐑𝐄𝐓 PORTRAYAL INSPIRED BY MYTHOLOGY.   credits :  graphic / artist


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5 months ago
“ 𝐘𝐎𝐔 𝐀𝐏𝐏𝐄𝐀𝐑 𝐓𝐎 𝐀𝐕𝐎𝐈𝐃 𝐃𝐈𝐀𝐋𝐎𝐆𝐔𝐄. 

“ 𝐘𝐎𝐔 𝐀𝐏𝐏𝐄𝐀𝐑 𝐓𝐎 𝐀𝐕𝐎𝐈𝐃 𝐃𝐈𝐀𝐋𝐎𝐆𝐔𝐄.  do you hold any grudges ? “    //    @epokhas  ( kazuhira. )


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2 months ago
" 𝐈 𝐀𝐌 𝐖𝐄𝐋𝐋 𝐀𝐖𝐀𝐑𝐄 𝐖𝐇𝐀𝐓 𝐈 𝐀𝐒𝐊𝐄𝐃 𝐎𝐅

" 𝐈 𝐀𝐌 𝐖𝐄𝐋𝐋 𝐀𝐖𝐀𝐑𝐄 𝐖𝐇𝐀𝐓 𝐈 𝐀𝐒𝐊𝐄𝐃 𝐎𝐅 𝐘𝐎𝐔 𝐈𝐒 𝐀 𝐓𝐀𝐒𝐊 𝐌𝐎𝐒𝐓 𝐖𝐎𝐔𝐋𝐃 𝐅𝐈𝐍𝐃 𝐓𝐎𝐎 𝐆𝐑𝐄𝐀𝐓 𝐀𝐍 𝐔𝐍𝐃𝐄𝐑𝐓𝐀𝐊𝐈𝐍𝐆 ; considering the implications. i shan't hold it against you if you ever decide to withdraw from our deal. i wanted you to know that. " // @hellseng ( dante. )


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2 years ago
𝐆𝐎𝐒𝐒𝐀𝐌𝐄𝐑 𝐌𝐀𝐓𝐄𝐑𝐈𝐀𝐋 𝐀𝐍𝐃 𝐏𝐇𝐀𝐍𝐓𝐎𝐌𝐈𝐂

𝐆𝐎𝐒𝐒𝐀𝐌𝐄𝐑 𝐌𝐀𝐓𝐄𝐑𝐈𝐀𝐋 𝐀𝐍𝐃 𝐏𝐇𝐀𝐍𝐓𝐎𝐌𝐈𝐂 𝐓𝐇𝐑𝐄𝐀𝐃 , 𝐈𝐍𝐂𝐎𝐌𝐏𝐑𝐄𝐇𝐄𝐍𝐒𝐈𝐁𝐋𝐄 𝐓𝐎 𝐃𝐈𝐒𝐂𝐎𝐍𝐍𝐄𝐂𝐓𝐄𝐃 𝐄𝐘𝐄 , 𝐖𝐄𝐑𝐄 𝐓𝐇𝐄 𝐒𝐓𝐔𝐅𝐅 𝐎𝐅 𝐏𝐋𝐀𝐍𝐄𝐓𝐀𝐑𝐘 𝐋𝐀𝐌𝐄𝐍𝐓.    a specter fragment transcending beyond gaia's memoria, she should not be perceivable and, of course, you noticed this not.  alike any other maiden among the living was she so meekly approached ;  her and her canine companions, harbingers of a promised place.  without the almost-touch upon the dark hound would its ears perk in anticipation, and she so encouragingly gestured for affirmation.    " of course, little one, you may.  it appears he likes you.  his name is umbra. “ curiosity piqued for the mere fact of this exchange, she rarely believed in pure happenstance.

@moonichor / have a cute thing you didn't ask for.

Almost too happily, the child starts to reach out towards the unfamiliar dog she spots, only to pull her hand back before her fingers reach soft fur.

Almost shyly, she seeks some approval in doing so with a simple question.

@moonichor / Have A Cute Thing You Didn't Ask For.

"Hey miss...? Is it okay to pet your doggy...?"


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2 years ago

𝐃𝐈𝐀𝐋𝐎𝐆𝐔𝐄 𝐏𝐑𝐎𝐌𝐏𝐓𝐒 .    //    ACCEPTING .

‘  the handsome fellow that’s trying to rescue you from a hideous fate is never wrong.  ’   //    @asterites​​​

𝐌𝐀𝐍𝐘 𝐀 𝐑𝐄𝐌𝐀𝐑𝐊 𝐋𝐄𝐅𝐓 𝐄𝐍𝐎𝐔𝐆𝐇 𝐑𝐎𝐎𝐌 𝐅𝐎𝐑 𝐀𝐑𝐆𝐔𝐌𝐄𝐍𝐓𝐀𝐓𝐈𝐎𝐍.    that said, while the wit with which it was conveyed, and the context thereof, robbed her embarrassingly of all her excuses, it contradicted with each principle an oracle absorbed and internalized.  hence, her first impulse was to dismiss  —   but what exactly provoked it ?  that her fate threatened a hideous undertone ?  that he, the silly hero, had all intentions to rescue her ?    (  or that he was ... handsome … ?  )    none of these points were untruths and, still, she argued.  still, she made a case for dispute  :    “ he is wrong.  i needn’t be rescued from a particular destiny that i have not chosen  — ”    but with the lakes of fire in their home of darkness, with the heads of conquered children at a gunpoint, and their betrayed roots, had it been a free decision, or unsought necessity ?   ‘ i chose this ‘    on repeat and with effort, the line transformed to conviction, did it not ?  a conviction as real as one to serve an empire which, more than once, manufactured tools out of the flesh of loved ones.  a conviction of devoting to a life of conserved rite.  a conviction that, rather than following survival instincts, there was a choice, at all.

notice, a frown pinching into pallor and a crooked line that ought to resemble a smile, but did it terribly so, marred her pretty visage as her spoken point dilated to the nonsensical.  the denial so outstretched, it portrayed no longer her own instilled thought.    “ it is not that i want him to do this for me, or that he should continue it.  moreover, he is quite hypocritical ... ”    you see, every day, solheim’s high priestess lied through her teeth.  about a good, giving godhead and redeeming salvation under the throne of his mercy ;  about worship and a cause greater than the worshipers.  every day, she lied about picking up the skeletal remains of a dormant faith, and promised to her subjects a myth cased in crystal.  in turn, she lowered her secrets into the coffin of her past, in hopes the valkyric goddess would find and care for them behind valhalla’s fog and the rotting dreams of sorrowful mwynn.  then she smothered that memory, until her woes emptied and interchanged with robes and a scepter invoking divination, forgot what other purpose her hands served than to reach for the voided universe.  for this reason, she lied again, and again, and again ;  until she believed she wanted the barren holiness, and found herself utterly bemused by the absolute ease it required to welcome festering love to creep through the spaces between her gilded ribs.

image

“ …  he is so …  stubborn, and foolish.  he does not listen, and i  —  ”    oh, look at her.  poor, wretched woman.  suddenly, her hands were meant to touch the heart of another, and the lies were mouthed with naught more than displeasure ;  for there was this man who learned to know her beyond them, as well as she acknowledged his reckless, careless, endearing whimsicality.  his clumsy struggles and lovable qualities.  and, truthfully, resistance could only be considered an impossible effort.  the thought of such alone torturous enough that she preferred to be snapped out of it by the curious impressions within the glance of her starry sibling  —  the sheer tease radiating off of the silent expression suggested full awareness of the remaining contents within the muffled sentence.    “ don’t you look at me like that now.  besides, something tells me a similar experience plagues and blesses you. ”


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selenorites - * 𝐒𝐄𝐋𝐄𝐍𝐎𝐋𝐎𝐆𝐘.
* 𝐒𝐄𝐋𝐄𝐍𝐎𝐋𝐎𝐆𝐘.

𝐓𝐇𝐄 𝐌𝐎𝐎𝐍 , 𝐎𝐅 𝐂𝐎𝐔𝐑𝐒𝐄 , 𝐈𝐒 𝐀𝐋𝐖𝐀𝐘𝐒 𝐓𝐇𝐄𝐑𝐄 ---

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