Paradox Of Perspectives

Paradox of perspectives

An essay about a variety of my arthropod experiences, and how I go about linking / provoking temporary cameo shifts.

I do not talk about my arthropod experiences much. I am arthropod-hearted, that much is very blatant about me from what I study to how I spend my time and what I love to read about.

I do not consider myself a spider. I could have. A lot of my experiences line up with the average therian; I feel shifts, I've felt phantom limbs, once or twice, similarly few to how my bird phantom present themselves when I don't coax them out, I've had a similar "rightness" to some kinds of spiders (and a few other arthropods) that roadrunners, and things that look like roadrunners, elicit in me. However, I am not a spider. I'm a few feet to the left of being a spider, and if I squint and tilt my head, perhaps I could have been one, or perhaps have been and that's a bit of leftover from that time past, if souls exist, but I am not one, not in the way I am a bird. And while I would choose to have feathers if I could, I am fine with now observing spiders as a separate entity to myself, more than a reflection of what I should be.

However I still know what it feels like, to be a spider. In fact, it is from this experience that I started to amuse myself to see if I could also provoke shifts from other arthropods I enjoyed learning about, a stepping stone into shapeshifting as a amateur hobby. I'm not sure in what box to display that spider. Not a kintype. Not a linktype, as it is the only one of my arthropod experiences that was not voluntary. A little bit more than what's typically expected of a heart-type. If I got fancy, I could call it an antea-type, a past life still leaving a mark, but I am not very spiritual, so that feels shallow as well. I suppose it will stay "the spider".

There's few arthropods around. Not none, I've talked to a few, most notably a cockroach, a few moths, a few wasps, at least one centipede, and a variety of chimeric insectoid monsters. A few spiders, as well I think, but never enough to compare my experiences to. I've found it unsatisfying, to try and seek out arthropod experiences, as a lot of it tends to simply stay in the clear water of the experience : rudimentary "i looked at that picture, and it felt right", or "i felt wings, and it was similar to a moth". Not that it's a bad, incorrect way to experience it, but it doesn't tend to leave my curiosity sated. So here are all the notes I've had about being a variety of arthropods, from my spider, to the ones I shed into to my leisure, to others like me who like unnecessarily long descriptions of Being.

First of all, title drop. Why a paradox of perspective? To me, the red line between all earthen arthropods (and affiliate) I've been is that alien feeling. Yet the world very much is not! It is all things I can still interact with, still find if I try. Noemata of being a spider involve a complex, labyrinthine world of crossing shadows and movement. Noemata of being an endoparasite involve warmth and pulsating rhythm. The centipede was mostly touch and speed and grasp in lush-moist hidden places. When I try to depict them, to a human scale, I easily end up with fantastical worlds. The rotten vale of Monster Hunter, for the filarial worms that migrate through the body. More decayed, but I feel in it that pulsating warm rhythm, although perhaps there are better analogues. Pandora and it's web of vegetation are a human-sized version of any small woods, when you're a half a centimeter long predatory beetle. Being something so small does feel alien, when I am now part of the megafauna. Every snapshot I get, when applied to human size, becomes gargantuan and unfathomable to see on earth.

Maybe that's one reason why they're so rare. How do you realize you were something so small, when it feels so grandiose. It's hard to drop to your knees, angle your eyes, and realize your Yggdrasil was never even the biggest of it's kind. It is why I love becoming insects, though. It has a way of making you treasure the small.

When it comes to being a spider, I can only approximate. I have not chosen, so I must piece back what I was given. It was also shared with a long gone person who shared my mind, so I can only keep what belonged only to me. Some pieces were rather vague. I could not explain why I know I should have venom. I just knew it was how something like I was, killed. Perhaps I would not even, at the time, have known that's what it was, really. Simply a part of life. The sun lifts in the sky. Water is wet. My chelicerae pierce and liquefy. It wasn't really even the most important part of the hunt for what I was, just the finale. My hunt was not making something delicate and vicious that would ensnare for me, nor was it a brutal rushdown. I was mechanical. A biological bear-trap. Becoming More Spider meant patience to an inhuman degree (although inhuman is to be expected), it meant reactive more than proactive. I only had bribes, but it was almost meditative, to be a spider, and I quite liked it.

In symbiosis with that other-mind, I could feel his phantom book lungs (like gills upon my ribs), and the phantom pattern of his eyes upon my face (not that much vision. shades mostly, clear and dark. movements.). Long, grasping limbs to each side, set apart like a jaw (strong, sensitive, like a gun-trigger). Able to fold itself flat, to become the wall it stands on (pneumatics of inner workings, fluids in and out). Whatever it was, it liked shade and coolness and moisture. It disliked movement above it, but did not exactly flee it, it simply hid better and waited. It could be fast, when it was time, but for the most part, it was simply silent.

It's a bit hard, to make a whole from bits, especially something i'm not all the time. With being a bird, I can simply reflect on myself anytime, and that is simply what I am. With the spider, I kind of had to vivisect bits and pieces when and where they happened, and that was kinda all, unless I provoked more of it, which is what I ended up doing. I played dress up with a variety of creatures that felt similar enough, to see what felt right. I tried tailless whip scorpions, but while the grasping of the forearms were right, and Feeling more than any other sense was too, the long thin whips were not quite something I'd felt before, and it lacked that inherent Venom that my brain informed me I should have. Huntsman and wolf spiders were fun. So fun that I kind of hoped that would be it, for a long time. They were something very interactive to be, perhaps not as much as a jumping spider, i've never tried that, but a lot more of a rush than mystery spider. But that feeling of being something fast wasn't right, and the feeling of grasper, while more right with Heteropoda, did not fit wolf spiders at all. I actually realized the most likely culprit pretty recently, while watching the woods near my house. There is in fact all matters of little lethal biological bear traps littered all over the flowers, like decadently dressed death angels for bees and flies alike : Flower crab spiders. I adore them, now that I know where to look for them. I've lived near these woods all my life, yet I'd never spotted them. Thomisus onustus, Synema globosum, Runcinia grammica, Heriaeus hirtus and probably more i've not met yet. I don't quite think my mystery spider is one of them, but almost. If I had to guess, it was some sort of Xysticus, or something analogous. A ground crab spider. I might be wrong, this not an exact science, it's hard to interpret what could very well be figments of my mind. But I am quite satisfied with that answer, at the moment.

So that's arthropod number 1 I've been, the one I've been the most and the one who taught me how to shapeshift.

It takes me some time to manage to decent attempt at something I've never even slightly been. It's easy to have parts. I can feel a wasp's ocelli, a dragonfly larva's mandible or a pair of earwig wings just fine, as long as I have references for it. It's just a matter of visualization, really. I draw as a hobby. I see provoking a shift in myself just like drawing, just with sensations. Take a mantis's raptorial limb. Pull up an anatomy drawing. My upper arm becomes a coxa. The elbow, the trochanter, then the forearm, the femur. My hand fuses, and becomes the tibia. I cannot fold it right, but I can feel the weight of the spines along the ridges, I can feel where it should fold and lock together like well oiled machinery. Then the tarsus, which currently feels like it should erupt from my middle finger, feeling strangely appropriate to type with. Too short, in a human body, but similarly bendy, lacking the two hooks at the end. It's a vague one, and as I am writing this, I can simply shake it out and come back to a more neutral state of human-bird confusion, a more comfortable mix when it comes to operating a keyboard.

It tends to become tricky when it comes to adding everything up. I can have a mantis's arm, but then I must maintain it, and add it's head, with it's complex set of mandibles, of antennas, of eyes-made-of-eyes. One limb needs to become six, and my body starts to glitch. A bird, a tetrapod, is already somewhat complex, my human arms are both wings and bird feet analogue. What's an analogue to that third pair of limb, where do they go? I tend to prefer to lie down when I figure out how to optimally place and draw those feelings, eyes close, so my human feelings do not overlap too much. Even better in the dark. Once it's set, i can then usually trigger it again later, and it'll put itself in place naturally.

It was easier with something as simple as the Filaria worm, although highly dependent on me doing... not much. I did not really need to focus on phantoms then, just on the mind. The mind is not something you can easily find reference from, and to be honest, I would say whatever I feel is most likely a simulacrum of what it's like, after all I do not stop having human neurons during the experiment. But that's not really the point, is it, the point is just that it's fun. The Filaria, amusingly enough, I provoked out of loneliness. I wondered what it must feel like, to be something that is never lonely, because it lives inside something else, constantly surrounded by both it's peers and the thing that nourishes it. It was mostly sensations, what I felt, strangely easy to slip into, perhaps because I have experience with writing parasites for myself.

Back when I was not medicated, I would see the world breathe, sometimes, pulse and writhe, walls tensing and releasing, floor moving beneath my feet. The nematode felt something similar, in my mind. Warmth all around, each heart-beat a pulse, world around you contracting flowing writhing singing. Many-many others around you. Forward, without reason. Not much with reason, simply following the song. It is honestly one of the most pleasant shifts i've ever had. No fear. Nothing to flee. Death is simply a possibility of the world that also nourishes you. You cannot escape it, as there is no other world to escape too, and you are simply here, and you must go forward, and that is all. So no fear. It changes nothing. Blissfully nihilistic. The only glimpses I get are of the stage inside the body, perhaps another would be a different tune, but I'm satisfied with what I saw.

I'd say the mind will be easier to reach for writers than for visual artists. You can cross reference, after all, since I do consider I am channeling a soul, I do not find it particularly less interesting to build that mind through readings of scientific papers that, too, try to imagine what it is like to be something else. To go back to the mantis, I suppose I chose an easy one for me to be. It is once again something that stays in wait. However, it is a lot more active, a lot more visual, than my spider. How would that feel? What colors would I see? Where are my sensors to the world in that body? What would I fear? What would I seek? That's when having the body down gets handy, to me. I simply provoke it, sometimes I do little rituals, to tie it to certain accessories or knick knack, as I find it helps me focus. Shapeshifted, feeling the foreign limbs and foreign sensations, I find it easier to slip into a foreign mind. Everything becomes new. The woods near my house are discovered for a thousandth time with new eyes. The spider sought out moisture and shade, and silence. The centipede sought warms, long coiled body spanning meters, then a hunt, but everything was too small, so it waited, touch-tasted, inquisitive. Perhaps the mantis would seek an elevated zone, with luxurious foliage to hide itself, and would observe. I should try it sometimes.

Perhaps my experiments with arthropods will help some new people attempt more impermanent forms of linking, quite frankly i do not think it is the time spent that makes the serious of an identity, but it is hard even for me to separate the two sometimes, with how tied they were in old forum culture (not even touching on the idea of, gasp, voluntary identity and experiences being worthy). Honestly, I recommend trying it because it is fun. So a little challenge to readers : I would love for you to pick something, become it, and come back to tell me about it. Bonus points if it's some flavor of arthropod-like. Good luck!

More Posts from Shadedhollow and Others

1 year ago

not werewolf as in man twisted into a monstrous caricature of canine.

werewolf as in neither canine nor man.

werewolf as in tied to the moon, the eye ever blinking.

werewolf as in solitary despite your nature.

werewolf as in "i love you, but i'm just another animal."


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1 year ago

unhinged thirty days of otherkin challenge, day 13: hey, how's it going?

i should be in a dormancy during winter like a reasonable organism. i think i'd really be good at dormancy.


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4 months ago

when I went to sleep last night after having A Moment over being unicorn kin, I was snuggling my unicorn plushies which put a very funny image in my mind

When I Went To Sleep Last Night After Having A Moment Over Being Unicorn Kin, I Was Snuggling My Unicorn

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11 months ago

Exploring My Mouseness

Exploring My Mouseness

The nonhuman community has a habit of only discussing and focusing on therianthropic identities, but I'd like to share how prevalent my rodent kithtype is in my life and to me (sometimes in ways more important than my theriotype).

Growing up, I was often left to my own devices due to a dad that came home late and a mother who could care less for my existence. My activity of choice was being in the yard from the moment I woke up until the moment it was dinner time. Laying on the concrete one summer day, I heard rustling in the window well which would unknowingly change my life.

On hands and knees, I moved towards the well and peered in, where my eyes met a scared mouse's beady black ones. It couldn't get out of the well it had fallen into and would surely die. My parents didn't like rodents, so I tip toed into the basement and got a long poled duster and a roll of duct tape. I put the duct tape along the slick pole and dropped it down into the well which the mouse quickly gripped onto and skittered up. It hopped off and, while I expected it to bolt immediately, it didn't. It stared at me for a moment standing on its hindlegs before finally leaving, and that would be the end of a mouse saving saga... Or so I thought.

The next day, a mouse was moving under the wooden step on the patio. Seed by seed, grass blade by grass blade, the mouse I affectionately named Mr. Kibbles would make a home poetically at the entrance of my own human home. I tossed out scraps of food, a cap full of water, fluffy bits of fabric or hair, and soon enough, Mr. Kibbles brought a Mrs. Kibbles.

Seemingly in a few weeks, I had gone from saving one mouse from the well to saving several mice which all lived throughout the rocks and dirt. Even as a kid, I had the intelligence to cover the well and so I did. All was well and my parents didn't mind, until one made it into the basement one day. That's when the mouse traps started, but I was cunning. I'd sneak the mouse traps into the trash when no one looked. If more appeared, I'd sabotage them by breaking them apart. My parents loathed me, but I was persistent and knew how to exhaust them. If I had to, I'd go into the basement and open the spider web infested well window and reach my hand in, grabbing mice myself and putting them in a box to bring back outside. It all began there that for once, I felt I had a family. A real one, even if it did no providing for me... Sort of.

Mice provided me life skills applicable to an abusive home. I observed every survival skill these mice had to offer. How to sneak and move quietly. How to store food. How to hide. How to make a safe den. How to hide weakness. How to turn a trashed box into a home and scraps into a meal. The rats in cities showed me how to thrive in a heavily populated environment. Capybaras showed me how to relax and enjoy life. Hamsters showed me the domestic side of rodenthood, of living in an artificial world and remain enriched. The squirrels showed me a world above the ground. Even in movies, rodents took a precedence in my mind and taught me things. Ratatouille taught me how to cook and I became quite good at it. Arrietty, who reminded me so much of a mouse, showed me how to be small and resourceful in a world that felt bigger than me. The Tale of Desperaux helped me be myself and Willard was incredibly relatable.

My biggest life teachers and what really raised me were often rodents of many, many kinds. The "pests" and "scum" that mice and rats are seen as taught me how to be seen as good for nothing, and yet survive. Even thrive. As an adult, the skills and lifestyle of rodenthood still helps me stay happy. I still love cooking and learned how to essentially be a chef because of Ratatouille, so I am always eating well no matter what I have. I can identify dangerous people because I analyze who moves like a predator and who moves like a mouse. You will find cups shaped like flower heads in my cabinet as an homage to my family of a million individuals, each unique even in a colony. I also feel that I am more compassionate because I could find such great value in something so small and unwanted by the majority, and yet I am capable of standing up for myself just as the mouse who stands off with the cat.

At times, I consider if I identify myself as rodent or if rodent is merely my imprinted family, but I value them no less regardless. If you have a kithtype, definitely share it with the community as they can be just as important, if not more so, than even a kintype.


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1 year ago
【すみだ水族館】 光合成中。 2014.2.23

【すみだ水族館】 光合成中。 2014.2.23


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1 year ago
Canadian Photographer Eiko Jones
Canadian Photographer Eiko Jones
Canadian Photographer Eiko Jones
Canadian Photographer Eiko Jones
Canadian Photographer Eiko Jones
Canadian Photographer Eiko Jones
Canadian Photographer Eiko Jones
Canadian Photographer Eiko Jones
Canadian Photographer Eiko Jones

Canadian photographer Eiko Jones


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7 months ago
I Felt A Certain Way About My Identities And Synpathy Today. Mostly How They Feel Through My Synesthesia,
I Felt A Certain Way About My Identities And Synpathy Today. Mostly How They Feel Through My Synesthesia,
I Felt A Certain Way About My Identities And Synpathy Today. Mostly How They Feel Through My Synesthesia,

I felt a certain way about my identities and synpathy today. Mostly how they feel through my synesthesia, I tried putting it on a comprehensive artwork.

[This is how my identities feel, not how the labels themselves feel.]


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7 months ago
a traditional drawing with pen and paper. in the center is a person in profile, with short curly hair and a neutral expression. around them, above their head and behind them are squares with borders of three different colors: blue, green and red. in the blue-bordered squares, you can see the snout and horns of a western dragon, placed over its equivalent on the human body (the snout behind the mouth, the horns over the hair). in the green-bordered squares you can see depicted an enderman, a humanoid creature with dark skin and large ears. of the enderman you can see part of the mouth above the human jaw and the ear and part of the skull at the back of the head. in the red bordered squares are drawn the horn, the snout and the mane of a unicorn, each in their respective places on the human body (the horn on the forehead, the snout under the jaw and the mane at the back). behind the colored squares are black squares in which there is no creature represented, but they are simply colored black.

I know I'm made of clay that's worn / blinded by imperfect form (creature - half•alive)

a drawing i did a few days ago that im extremely proud of. its about nonhumanity of course, about how a person is not their body, but how they see themselves. it represents my three kintypes: dragon, enderman and unicorn, and how phantom shifts can make them overlap sometimes over my physical body.

edit - i based my drawing on this one by @mossymenagerieart! go look at his art its really cool


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1 year ago

unhinged thirty days of otherkin challenge, day 4: if your kintype suddenly opened their eyes, what would they be looking at?

the forest, and some friends to play with <3


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1 year ago

unhinged thirty days of otherkin challenge, day 3: describe a pie made from three ingredients your kintype would eat, crust included, go

berries and nuts and maybe a bird's egg or a dead mouse tossed haphazardly into the crust. there's probably a sprinkle of dirt in there, a few stray leaves. no bake time needed. eat with your hands. yummy!


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shadedhollow - to den and roost
to den and roost

nights/hollow | he/they/it | alterhuman sideblog of nightbody | icon from antiqueanimals

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