@ All My Fellow Fic Writers, I Hope 2019 Blesses You With Inspiration, Motivation And Time To Write,

Dear Writers

Your value as a person is not at all dependent upon the quantity or quality of writing you produce

Your identity as a writer is not at all dependent upon the quantity or quality of writing you produce

Your stories are still important even if they can only live in your head

You are still important even if you can’t tell your stories right now (or ever)

Having a story that fails or flops or stops or falls apart doesn’t mean that story is worthless, a waste of time, and you are not worthless or a waste of time because you couldn’t see the story through

Don’t tell yourself getting published is your capital-G Goal, and that you’re worthless until you’ve been published. The goal is to practice that art that makes you so happy. If you’re writing specifically to get published, you’re no longer writing for you.

You are still important whether you last wrote ten minutes ago, yesterday, a month ago, or three years ago.

People, your parents, society, capitalism will tell you all of these things aren’t true. Fuck them.

And please be kind to yourselves and to your writing.

Love,

A writer who has learned all these things the hard way so maybe you guys won’t have to

idk if anyone will find this useful, but this is how i go about planning my stories. i mostly write fantasy, so that’s what this is most applicable to. but it could work with other genres too.

so there’s three major components to a story: the characters, the plot, and the world. creating them individually is the easy part, but they all connect and affect each other in different ways. (like you can’t have a character who loves peaches and eats them every day if they live a peasant in a region that doesn’t grow peaches, for example.)

so i created a cheat sheet to help connect all three components together.

1) the world creates the characters.

this is related to the peach example above. the characters should be a direct result of the environment they grew up in and the environment they currently live in.

2) the characters are limited by the world.

also related to the peaches. characters can’t do anything outside of what the rules of their surroundings and universe allow, such as eating peaches when they’re not available. this also applies for magic users. they can’t have unlimited magic, so keep in mind what you want out of both the characters and the world when creating magic systems.

3) the characters carry the plot.

we’ve all heard it before: “bad characters can’t carry a good plot. good characters can carry a bad plot.” but we all like a good plot anyway. try to make sure you’re not giving your characters too heavy or too light of a plot to carry.

4) the plot pushes the characters.

if nothing in the plot happens, your characters will remain static forever. if you struggle with plots, try starting with what character development you want to happen, then go from there.

5) the plot depends on the world.

you can’t overthrow the evil government if there isn’t one. think of what your world needs most and what your plot is centered around, and fit those two together.

6) the world is changed by the plot.

even if your plot is centered around something most of your world would call “insignificant”, the world will still experience some change from the plot. either the evil government will be gone, or maybe that one teacher is now way more careful about keeping an eye on the test key. either way, the world will be different from now on.

final note: usually people will be able to write one or two of the components with ease, but don’t know where to go from there. i personally can’t write plots, but thinking this way has really helped me actually make a story out of the world and characters because i looked at what i needed from what i had. i really hope this can help you too! happy writing!

tl;dr this is a cheat sheet to help anyone who struggles with writing one or two of what i consider the three major components to a story.

Common Phrases Correctly

To all the Writers Suffering from Depression

It’s okay. Your desire to write will return. Your desire to do other things you love will come back, too. You’re not weak. You’re just having a hard time right now. Try not to add self-judgment on top of everything else. Depression is hard enough without blaming yourself for it.

We (in the US specifically) live in a productivity-obsessed, emotion-phobic culture which blames individuals for “failing” when they are anything but hyper-productive and relentlessly optimistic. This cultural narrative so pervasive that it’s difficult to see the high standards we set for ourselves for what they really are: Complete and total bullshit.

Despite the rampant cultural garbage that teaches us to interpret emotional ups and downs as an aberration, MANY writers and artists (and people in general!) struggle with depression and other mood “disorders.” It is not uncommon for us, among other things, to go through periods of hyperactivity followed by depressive episodes in which we get very little accomplished. I am not saying you shouldn’t try to alleviate your depression or work to find ways to minimize your suffering in the short or long term. I’m just saying there’s nothing wrong with you, and you aren’t alone.

I’m going to say that again:

If you’re having a hard time writing or enjoying writing right now because you’re depressed, you aren’t alone.

I wish I had some kind of magical answer. I don’t. But I do know that accepting your depression and loving yourself anyway beats the hell out of berating yourself for feeling like this. So, with that in mind, this might be all I have to offer:

I think you’re doing a great job. I’m sorry you feel like shit. I’m on your side whether you’re writing or not; whether you feel good or not; whether you’re being “productive” or not; whether you wanted to get out of bed this morning or not. You’re still a writer to me, even if you’re not writing right now. You don’t have to prove yourself to me or anyone else. I love you, and I hope you feel better soon.

Small physical things that give your characters personality

How they smile

What their “tell” is for lying

Posture

Volume of speech, if they’re verbal

Nervous tics

How much eye contact do they make

In a group conversation, how close do they stand to others? Are they off to the side just listening and occasionally speaking or are they right next to people?

When standing, what do they do with their hands? Talk with their hands, cross their arms, put hands in pockets, prop up against the wall, etc

The sound of their footsteps

Nonverbal greetings: do they wave, nod, hug, glare, punch, high five, something else?

How do they get others’ attention? Raise hand, clear throat, etc

How to write: ethnicity & skin colour

requested by: anonymous request: How exactly can I describe a characters ethnicity/skin color casually, without it sounding like a specific scene that just exists to describe the skin color? I hope this makes sense lmao… I just want to write a scene where I casually mention someone’s ethnicity or skin color

description of appearance: No matter if skin colour or hairstyle or clothes, a text is more dynamic if you don't dedicate an entire scene/paragraph to it but rather sprinkle the necessary information in here and there. However, there can be instances where it's conducive to the plot to put that entire paragraph (e.g. introducing a new important character with backstory). Otherwise, I'd say try to keep it short and put it where it serves the plot.

ways to incorporate...

... a description of appearance:

when a character makes their first entrance (describe everyone's colouring - POCs' and white characters')

the impression their complexion makes together with their clothes: "the bright yellow of their shirt complemented their dark skin"

the way their colouring interacts with lighting: "the grey weather took away the rosy hue of their fair skin"

when appearances create a contrast: "I immediately noticed them because they were the only other black person"

... ethnicity:

let the characters mention it where it makes sense

regarding the narrator you've chosen for your story, it can also be blended into an inner monologue

include parts of their culture: traditions, terms, family, etc. (this also allows to bring up their ethnicity repeatedly over the story and not only at the beginning)

show their struggles: are they affected by social struggles? then show it!

words to use to describe skin colour:

... basic colour descriptions:

brown

black

beige

white

pink

... more specific colours (try sticking to familiar/common words that can be easily visualised):

amber

bronze

copper

gold

ochre

terracotta

sepia

sienna

porcelain

tan

... prefixes or modifiers (can be easily combined with basic colours):

dark

rich

warm

deep

fair

faint

light

cool

pale

... undertones (pre-dominant colours underneath the skin - often warm or cool, sometimes also neutral and olive):

yellow

orange

coral

golden

silver

rose

pink

red

blue

... avoid food analogies as it's often received as offending, fetishising, and/or objectifying.

That's all I can provide as of now but I'm sure you guys have aspects to contribute. I'm very interested to hear your thoughts, so please feel free to add to this post whatever you like to/can share <3

And for more information, maybe also check out @writingwithcolor for more specialised posts on the topic <3

So, what is the OGL and why are DnD creators thoroughly screwed?

Tumblr has not been doing a great job at talking about this, but:

With OneDnD, Wizards of the Coast has decided to update the Open Game License (OGL). Said license is what allowed people to create homebrew DnD content and sell it, and even larger companies to use certain sorts of content. Pathfinder, for example, is built on said OGL. This also allows streamers and artists to exist and benefit from said content.

With OneDnD (sometimes called “dnd 6e”), WOTC wants to create a much more restrictive OGL, which will, amongst other things:

Make WOTC take a cut for any DnD-related work (according to Kickstarter, a whole 25% of the benefits)

Let WOTC cancel any project related to DnD up to their discretion

Let WOTC take ANY content made based on their system, and re-sell it without crediting you, or giving you a single cent

And most importantly, revoke the old OGL, which will harm any company or game system that used it as a base, such as Pathfinder. And it means they GET ownership over any homebrew content you may have done for 5e in the past!

It’s important to note that OGLs are supposedly irrevocable. They were planning to use it for OneDnD initially, but they want to apply it retroactively to 5e, somehow. Which is illegal, but lawyers have mentioned there’s a chance they may get away with it given the wording.

This means that anything you make based on DnD (A homebrew item? A character drawing? Even music, according to them?), can get taken and used as they deem appropiate.

These news come from a leak of the OGL, which have been confirmed by multiple reputable sources (including Kickstarter, which has confirmed that WOTC already talked with them about this), and was planned to be released next week.

So, what can we do?

Speak against it. Share the word. Reblog this post. Let people know. Tumblr hasn’t been talking much about this matter, but it’s VERY important to let people know about what is WOTC bringing. 

Boycott them. Do not buy their products. Do not buy games with their IP. Do not watch their movie. CANCEL your DnD Beyond subscription. (Btw, they ARE planning to release more subscription services too!). They do not care about the community, but they care about the money. Make sure to speak through it. 

And maybe consider other TTRPG systems for the time being, Pathfinder’s Paizo has been much nicer to the community, their workers are unionized and are far more healthy overall

writers

write that sentence, that dialogue, that scene that terrifies you

don’t delete stuff, just move it to another document

have a “bits and pieces” document for all the odds and ends you can’t fit anywhere else

think of the color of a person’s eyes, imagine something reflected in them, now write that scene

fiction doesn’t have to be 100% accurate, don’t research yourself to boredom

i’m being serious there’s a thing called suspension of disbelief and it’s magical (yes that’s me making a joke)

write something that makes you cry

write something that makes you laugh

write something you can’t explain to other people

write something you won’t remember until you read it the next day

don’t read about the publishing industry until you really, really need to. all it will do is make you unbelievably tired

listen to music from open world RPG video games, you’re welcome

always take a small journal or some paper and a pen with you

write by hand in a journal every once in a while

put the ending of your story in the beginning and see what happens

listen to input from other people. yes you’re the writer, but they’re the reader and they want to help you make something spectacular

said is not dead dude like wtf

the thesaurus is shiny and lovely and a great resource but don’t let words get in the way of your story telling, you don’t need to write prose as poetry for it to be beautiful

just finish the draft first, worry about perfection after

yes, you do have talent

yes, you can do this. you already are

*cracks knuckles* Are you ready? 1, 5, 10, 12, 17, 22, 26, and 29!

Yay! Thanks for the ask!

1. The System?Alphabetical, if a series doesn’t have the title name in it (i.e. Harry Potter) than I still keep keep it shelved next to the first.

5. The largest and smallest book you own?The largest: The World of Thedas Vol. 2The smallest: The Pocket New Testament

10. Favorite graphic novel?The Last Unicorn graphic novel. Lovely art to go with a beautiful story.

12. Inconsistent editions within a series?Actually, yes. I have one larger book in the Lioness Quartet by Tamora Pierce and one really large copy of the Lord of the Rings and a tiny Hobbit.

17. Book you bought because of cover design?Most of them. Is that sad? I think it’s very sad. If a cover doesn’t intrest me, I’m not likely to pick it up without a recommendation.

22. A reoccurring intrest/theme?Fantasy. I loooove fantasy. Granted I will often go to the YA section, but you can never beat fantasy.

26. A book you would prescribe to an aspiring author?The Harry Potter Series. I know that seems like an odd answer, but I have several reasons.1) Harry Potter is a beloved series for every age.2) J.K. Rowling started at rock-bottom, a single mother who wrote when she could fit it in. Many publishing companies rejected her until one finally gave her a shot. Afterwards, her books were so popular that they are in almost every country and have been translated into several languages. Movies have been made of them.3) J.K. has literally gone from no one to one of the most influential authors of our age. If she can do it anyone can.

Nothing has been as inspiring as her legacy.

29. Favorite book from childhood?Anything Dr. Seuss.

No tears in the writer, no tears in the reader. No surprise in the writer, no surprise in the reader.

Robert Frost