@lovearyn But if I exercise too much and obtain looks that could kill then... đ¤
Legally Blonde (2001) Dir. Robert Luketic
happy pride to everyone whoâs still closeted
happy pride to everyone whoâs been kicked out
happy pride to everyone who lives somewhere where it is illegal to love who they love
happy fucking pride to all of you, i love you with my whole heart and i promise you it will get better
Well said. I have just been way more busy lately, but yeah, it is discouraging when I do manage to write something it only gets like a third of the notes now. I am so extremely appreciative of those people, even one note is amazing really, but it really makes you start to wonder if people are losing interest in your work. Or just do not like it.
I think youâre right, some of the content creators I knew almost dont post anything anymore. Those who do get less traffic unless theyâre style is really good, on hype or if theyâre content includes Kamilah (since sheâs really popular). All I see in my dash are shitposts whether funny, edgy etc. and theyâre the ones who gets most traffic. I still like those but its like 70% shitposts and 20% fanfics, 10% edits, fanarts, aesthetics etc. I just miss seeing more creative content in my dash.
This is very true. People stopped creating original content and started making more shitposts than ever, but thatâs probably because of notes. Someone that doesnât like a certain character, wonât like or rb a post, while a shitpost speaks to everyone. Itâs sad to see so many great writers/editors/artists stop posting their stuff, bc of some notes. They seem to think that their stuff is unimportant, even though thatâs what a fandom is about. When they get like 60 notes, while a not very funny post gets 1k in one night, its not very surprising that they feel discouraged.
These are great. It is really a fun way to broaden a character. I personally have a file with bios of all of my main, reoccurring, and generally important characters. For basic side characters I document information like names, titles, skills, appearances, personality, importance to story or characters, relations, jobs, miscellaneous notes, and other mundane information.
For my mains and other important characters I go into a lot more detail. This is my current standard starting info sheet for each VIP:
Name:
Gender:
Age:
Race:
Appearance:
Time with the collective:
Relations:
Skills:
Hobbies:
Job:
Favourite food:
Weapon of choice:
Personality:
Secret:
Fear:
Pleasure:
Origin:
History:
Role in story:
Additional notes:
I will take this form and add to it additional information about the character. Not every character has information in each spot. And there are characters with information that the reader will likely never know about. I personally find it much more enjoyable to write stories around characters then simply creating characters for specific stories. After a while, they just sort of write themselves and you start discovering things about your characters that you would have never guessed. It realy creates some interesting scenes.
Does your character have siblings or family members in their age group? Which one are they closest with?
What is/was your characterâs relationship with their mother like?
What is/was your characterâs relationship with their father like?
Has your character ever witnessed something that fundamentally changed them? If so, does anyone else know?
On an average day, what can be found in your characterâs pockets?
Does your character have recurring themes in their dreams?
Does your character have recurring themes in their nightmares?
Has your character ever fired a gun? If so, what was their first target?
Is your characterâs current socioeconomic status different than it was when they were growing up?
Does your character feel more comfortable with more clothing, or with less clothing?
In what situation was your character the most afraid theyâve ever been?
In what situation was your character the most calm theyâve ever been?
Is your character bothered by the sight of blood? If so, in what way?
Does your character remember names or faces easier?
Is your character preoccupied with money or material possession? Why or why not?
Which does your character idealize most: happiness or success?
What was your characterâs favorite toy as a child?
Is your character more likely to admire wisdom, or ambition in others?
What is your characterâs biggest relationship flaw? Has this flaw destroyed relationships for them before?
In what ways does your character compare themselves to others? Do they do this for the sake of self-validation, or self-criticism?
If something tragic or negative happens to your character, do they believe they may have caused or deserved it, or are they quick to blame others?
What does your character like in other people?
What does your character dislike in other people?
How quick is your character to trust someone else?
How quick is your character to suspect someone else? Does this change if they are close with that person?
How does your character behave around children?
How does your character normally deal with confrontation?
How quick or slow is your character to resort to physical violence in a confrontation?
What did your character dream of being or doing as a child? Did that dream come true?
What does your character find repulsive or disgusting?
Describe a scenario in which your character feels most comfortable.
Describe a scenario in which your character feels most uncomfortable.
In the face of criticism, is your character defensive, self-deprecating, or willing to improve?
Is your character more likely to keep trying a solution/method that didnât work the first time, or immediately move on to a different solution/method?
How does your character behave around people they like?
How does your character behave around people they dislike?
Is your character more concerned with defending their honor, or protecting their status?
Is your character more likely to remove a problem/threat, or remove themselves from a problem/threat?
Has your character ever been bitten by an animal? How were they affected (or unaffected)?
How does your character treat people in service jobs?
Does your character feel that they deserve to have what they want, whether it be material or abstract, or do they feel they must earn it first?
Has your character ever had a parental figure who was not related to them?
Has your character ever had a dependent figure who was not related to them?
How easy or difficult is it for your character to say âI love you?â Can they say it without meaning it?
What does your character believe will happen to them after they die? Does this belief scare them?
âNothing Seeker. It was nothing.â
After Adamant. Inspired but this post.
in animal crossing when itâs raining and u spin ur umbrella and the rain flies off reblog if u agree
Lemony Snicket: Stop watching this show, itâs extremely unfortunate, depressing and has no happy ending.
Me: Donât tell me what to do you beautiful poetic bitch.
for the self-conscious beginner: No one makes great things until the world intimately knows their mediocrity. Donât think of your writing as terrible; think of it as preparing to contribute something great.
for the self-conscious late bloomer: Look at old writing as how far youâve come. You canât get to where you are today without covering all that past ground. For that, be proud.
for the perfectionist: Think about how much you complain about things you loveâthe mistakes and retcons in all your favorite seriesâand how you still love them anyway. Give yourself that same space.
for the realist: There will be people who hate your story even if itâs considered a classic. But there will be people who love your story, even if it is strange and unpopular.
for the fanfic writer: Your work isnât lesser for not following canon. When you write, youâve created a new work on its own. It can be, but does not have to be, limited by the source material. Canon is not the end-all, be-all.Â
for the writerâs blocked: It doesnât need to be perfect. Sometimes you have to move on and commit a few writing sins if it means you can create better things out of it.
for the lost: You started writing for a reason; remember that reason. Itâs ok to move on. You are more than your writing. It will be here if you want to come back.
Sofia. She/her. Writer, thinker, listener, trans woman, and supporter of the Oxford Comma.
172 posts