ALL THE OMENS

ALL THE OMENS

I keep seeing people confused / discovering one or several iterations of Good Omens, so here is a masterpost of everything Good Omens that officially exists (and that I could gather, so there might be mistakes):

WILLIAM THE ANTICHRIST (1987)

The original draft of what would later become Good Omens, written by Neil Gaiman before he teamed up with Terry Pratchett. It notably features a demon called Crawleigh who would then be split into Crowley and Aziraphale.  The draft exists in a book form included in the Ineffable Edition of the illustrated Good Omens.

LINK TO A WTA RECAP (by @fuckyeahgoodomens)

BOOK (1990)

The core material of Good Omens, written by Neil Gaiman and Terry Pratchett. Exists also as an audiobook read by Stephen Briggs (for the English speaking crowd of course). There is also some audio of David Tennant reading part of the book during the recording of Playing in the Dark: Neil Gaiman and the BBC Symphony Orchestra in November 2019. LINK TO DAVID TENNANT’S READING (by @merinathropp) @good-omens-covers is a blog where you can have a look at book covers from accross the world

MOVIE SCRIPT (1992)

The script for an aborted movie project. Attempts to write a movie script were made by both Neil Gaiman and Terry Pratchett, but this is the one Gaiman ended up tackling on his own after Pratchett wisely decided to step away. The conflicted requests from the producers lead the way to a story that was related to Good Omens only in name. The movie script is only available in few numbers on specialized websites for a very high price.

THEATRE PLAY (2013)

An adaptation by Amy Hoff made with the permission of Neil Gaiman and Terry Pratchett, that was played by the Cult Classic Theatre for the Glasgow International Comedy Festival. As far as I know, no footage or script is available anywhere. I know nothing about this play besides the fact that Crowley looks wild. Amy Hoff’s website mentions that GO is currently unavailable for stage production or adaptation. LINK TO THE (BROKEN) PAGE OF THE THEATRE PLAY LINK TO A PHOTO GALLERY OF THE PLAY

RADIO DRAMA (2014)

An audio adaptation originally broadcasted on BBC4 in 6 episodes, adapted by Dirk Maggs and directed by Dirk Maggs and Heather Larmour. It is however available in an 8 episodes longer format (including bloopers) on CDs and such. The cast includes, notably, Peter Serafinowicz as Crowley, Mark Heap as Aziraphale, Josie Lawrence as Agnes Nutter, and a cameo from Neil Gaiman and Terry Pratchett.

LINK TO THE BBC4 PAGE FOR THE GOOD OMENS RADIO DRAMA LINK TO AN IMAGES GALLERY

TV SERIES (2019)

A six episodes long TV series, produced by the BBC and Amazon, that premiered on Amazon Prime in June 2019. Directed by Douglas Mackinnon. The script was written entirely by Neil Gaiman as the whole project was the achievement of years of struggle trying to get a video adaptation of GO, and as promised by Neil Gaimand to the late Terry Pratchett that this would get done. 

The cast still includes Josie Lawrence as Agnes Nutter, David Tennant as Crowley, Michael Sheen as Aziraphale, and many other talented actors and actresses that would be too long to list here but are worth watching. 

As derivative products coming out of the making of the TV series, the script book of the entire show (including cut scenes that were never shot) is available, as well as some storyboards that depict, without a doubt, the least expected looks for Crowley and Aziraphale. The TV series is available for streaming on Amazon Prime, in DVD and in BluRay. The soundtrack composed by David Arnold can be found in CDs, vinyls and mp3 sets.  Additionally, there is a TV Companion book for behind the scenes and interviews that can be purchased, and very few official goodies such as enamel pins, and, of course, the very necessary Good Omens Nail Polish. A Q and A with Neil Gaiman and David Tennant is also available on Amazon Prime, broadcasted live and recorded in May 2020. In 2017, Neil Gaiman made a reading of cutscenes in Austin, Texas, for the Long Center event.

LINK TO THE DVDs / BLURAYs MASTERPOST (by @fuckyeahgoodomens) LINK TO THE SCRIPT BOOK MASTERPOST (by @fuckyeahgoodomens ) LINK TO SOME STORYBOARDS VISUALS: PART 1 and PART 2 LINK TO NEIL GAIMAN’S READING OF CUTSCENES

THE LOCKDOWN VIDEO (2020)

As a direct result of the TV series (and a direct result of a worldwide pandemic and a several months long lockdown…), Neil Gaiman wrote a little script for a short video that is, actually, mainly audio, in which David Tennant and Michael Sheen reprised their roles as Crowley and Aziraphale.

LINK TO THE LOCKDOWN VIDEO ON YOUTUBE LINK TO THE LOCKDOWN VIDEO TRANSCRIPT

MUSICAL (still in developpement as far as I know on this date in June 2020)

An Australia based project that has been years in the making, developped by Vicki Larnach and Jim Hare. So far, what has been officially released on the internet are a few videos of a reading by the actors, a sizzle reel with footage and audio of several moments from the show, as well as promotional pictures. The musical has been played on stage in front of an audience a few times these past two years in a version that is probably rather close to what the end product will be, and hopefully, once the final version exists, it will be made available for the widest audience possible.

LINK TO THE MUSICAL WEBSITE LINK TO THE MUSICAL SIZZLE REEL LINK TO THE MUSICAL INSTAGRAM LINK TO A REVIEW OF THE MUSICAL (by @seraphofshadows) LINK TO A GALLERY OF PICS FROM THE SIZZLE (by @crunchy-goblin)

OTHERS THINGS THAT ARE (AND THINGS THAT AREN’T)

668—The Neighbour of the Beast AKA the sequel that doesn’t exist. Neil Gaiman and Terry Pratchett talked about writing a sequel to Good Omens, came up with a few things (the most infamous being Aziraphale watching a porno in a hotel room, but only catching glimpses of it and trying to figure out the plot by writting it down in a notebook), but it was never written. LINK TO AN INTERVIEW GIVEN TO THE LOCUS IN 1991 MENTIONING THIS SEQUEL LINK TO A POST ON GAIMAN’S BLOG MENTIONING THE PORNOGRAPHY BIT LINK TO A RECAP OF THE SEQUEL + COTTAGE THING The movie directed by Terry Gilliam Before GO became a TV series, it got stuck for years as a movie project meant to be directed by Terry Gilliam. For various reasons it never happened, and the rumors about Robin Williams being cast as Aziraphale and Johnny Depp as Crowley seem to have started from there. The cottage “canon” The widespread concept of Crowley and Aziraphale sharing a cottage originated from a blog post made by Neil Gaiman, reporting a conversation between him and Terry Pratchett regarding the whereabouts of their characters. Gaiman has since offered the precision that this cottage sharing thing would happen way after the events of the sequel that was never written, so years after Armageddon, and that the location would be Devil’s Dyke in the South Downs. LINK TO THE ORIGINAL POST ON GAIMAN’S BLOG LINK TO A COMPREHENSIVE EXPLANATION (by @irisbleufic) LINK TO A TUMBLR ASK FOR GAIMAN ABOUT THE SOUTH DOWNS LINK TO A SCREENSHOT OF A TWEET BY GAIMAN The New Year Resolutions List (made for Harper Collins, now taken down from their website) A list of resolutions written by Neil Gaiman and Terry Pratchett on request of the publisher in 2005, one list for Crowley, one list for Aziraphale. LINK TO THE LIST ( by @ladylier )

LINK TO AN INTERVIEW WHERE NEIL GAIMAN TALKS ABOUT A FEW OF THE THINGS MENTIONNED IN THIS POST And as an ultimate bonus, as I was gathering all the informations for this masterpost, I found back Michael Sheen’s Spotify Good Omens Playlist. EDIT (03/07/2020): Someone mentionned (in a post I can’t find anymore ?) that on the list of existing merch that was absolutely unexpected, there was a whole collection of Good Omens perfume oils. It was made around 2007 with the approval of Pratchett and Gaiman and was apparently updated when the series came out in 2019. The profits of the oils go to different charities.

I was also reminded of the Chattering Order of Saint Beryl, a group of singers promoting the TV series before its release in 2019.  Their Youtube Channel has a playlist that was last updated in June 2020. There is one video clip of the song Brand New Baby Smell that features a cameo by Neil Gaiman.

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She talked about how painstaking this relative’s work was. (Apparently the relative was careful to cut out every finger, every cowlick; this was by no means carelessly or hastily assembled.) But she also she talked about how—the baby on the baking soda ad is ugly, it is so ugly, why anyone would clip this heinously ugly illustrated baby and paste it into a scrapbook? Why would you save the (terribly told, boring) ghost story that came with your box of soap?

(Why include these things in the first place? we asked each other. ”There’s a kind of anti-capitalism to it,” she mused.)

And we discussed that for a bit—how most of the images, stories, artists, and ads were local, not national; they’re pulled from [Midwestern state] companies’ advertisements in [Midwestern state] papers, magazines, and products. As a consequence, you’re not looking at Leyendecker or Norman Rockwell illustrations, but Johann Spatz-Smith from down the road, who took a drawing class at college.

(College is the state college, and he came home on weekends and in the summer to help with the farm or earn some money at the plant.)

But it also inspired a really interesting conversation about how—we have access to so much more art, better and more professional art, than any time in history. As my bff said, all you have to do to find a great, technically proficient and lovely representational image of a baby, is to google the right keywords. But for a girl living in rural [Midwestern state] of the late 1800s, it was the baking soda ad, or literal actual babies. There was no in-between, no heading out to the nearby art museum to study oil paintings of mother and child, no studying photographs and film—such new technologies hadn’t diffused to local newspapers and circulars yet, and were far beyond the average person’s means. But cheap, semi-amateur artists? Those were definitely around, scattered between towns and nearby smallish cities.

It was a good conversation, and made me think about a couple things—the weird entitlement that “professional” and expensive art instills in viewers, how it artificially depresses the appetite for messy unprofessional art, including your own; the way that this makes your tastes narrower, less interesting, less open.

By that I mean—maybe the baby isn’t ugly! Maybe you’ve just seen too many photorealistic babies. Maybe you haven’t really stopped to contemplate that your drawing of a baby (however crude, ugly, or limited) is the best drawing of a baby you can make, and the act of drawing that lumpen, ugly baby is more sacred and profoundly human than even looking at a Mary Cassatt painting.

And even if that isn’t the case….there was this girl in [American Midwestern state] for whom it was very, very important that she capture every finger, curl, and bit of shading for that ugly soap ad baby. And some one hundred years later, her great-something-or-other took pains to preserve her work—because how terribly human it is, to seek out all the art we can find that resonates with us, preserve it, adore it.

It might be the most human impulse we have.

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