The Funny Thing Is That In Knight Of The Parrot, Arthur Leaves KING LOT HIMSELF In Charge And Somehow

Starting a how-Lysander-was-able-to-kill-Grimwald theory list:

He was able to kill Lord Grimwald because curse had a time limit and expired. The Grimwalds aren’t aware of this, so they keep killing each other because they don’t know that they don’t have to. (See “The Annals of the North” on Ao3)

He was able to kill Lord Grimwald because the curse is conditional. The father and son are capable of dying in other ways, but if they aren’t dead yet, it will come to pass.

He was able to kill Lord Grimwald because he’s so powerful, the laws of nature couldn’t stop him.

He wasn’t. Lord Grimwald was trapped in the Sea Globe. (See “The Curse of the Endless” on Ao3)

I am a truther for a lot of things, but my biggest truth is that Dagbert is agender. Why? If Lord Grimwald had no first son, then Lysander could kill him all day every day no problem. He/They Dagbert who doesn't identify as a man or son or boy but actually just doesn't care

La Tavola Ritonda is a cavalcade of different canons:

The Lady of the Lake, Sister of Morgan and, by extention, Arthur's

Lancelot stealing from Perceval's backstory

The Split-Shield from Lancelot-Grail, given by the Lady of the Lake symbolizing Lancelot and Guinevere's sexual union, being retconned into another plot by Morgan

King Pelles being King of Organia (Orkney). Also, Amite/Elaine/Pervida's Mom* organizing the... "conception"

*(It's kind of funny, but I've always felt that Brisen and the "Queen of the Wastelands" being separate characters was pointless) *(King Pelles x Queen Brisen, woot)

Uther Pendragon is Morgan's dad**

**(per the original Prose Tristan, apparently)

The events of Pulzella Gaia/The Merry Maiden being canon here. Yes, this technically means... a whole bunch of things

and finally, Lancelot has a daughter***

***(I would sincerely like this to be Gwen's but I'm not holding my breath)

It was a musical, but...I am not beating the allegations.

I shall take this as an opportunity to ramble about Rómeó és Júlia, the subject of said allegations by @unstark, who may have created a monster (/j; thank you for doing so).

The first thing to know is that I haven't read Romeo and Juliet since middle school and liked it well enough then but wasn't really enthused because I liked the poetic elements but found the romance somewhat grating. However, I am a theater kid/opera nerd at heart, and looking at different versions of things and analyzing the connections, sometimes to an obsessive degree, is one of the things I live for (that's part of the lure of Arthuriana).

The second is that Rómeó és Júlia (ResJ) is fantastic, in large part because the cast is incredibly talented. I've seen all or a good portion of several different language versions of the musical, which originated in France as Roméo et Juliette (RetJ), and they all have good or decent but reasonably similar Juliets and mostly fine to mediocre Romeos. In addition to having a good Juliet, this Romeo, played by Dolhai Attila, was quite charming as an actor as well as a great singer so the rest have been mostly downhill. I am afraid, though, that like most of the people on ResJ/RetJ Tumblr, the characters I found most interesting were Mercutio and Tybalt, who both vary wildly from production to production. In ResJ, Mercutio (who fans call Zolicutio because he's played by Zoltán Bereczki) is a force of nature, and I did not properly appreciate that the first time I watched it. He sings, dances almost constantly, acts well, and raps in Magyar, and he never seems to stop or slack in energy until he dies. Tybalt, on the other hand, is a deeply tortured soul who's occasionally comedic in his melodrama (he does the Mr. Bean walk once) but has genuine pathos. I originally watched the first half without subtitles and did not realize the...ahem...concerning nature of his thoughts about Juliet, but that's in almost every version of the musical, and it is not as big a trigger warning as the obvious one, which is that Romeo and Juliet includes onstage suicide and murder, as well as references to sexual content. This is probably the first thing anyone learns about Romeo and Juliet, but I thought I should put that out there to be safe. Anyway, Szilveszter Szabó was vastly different than how I pictured Tybalt while reading the play, but he was excellent and brought a new perspective to the character. You love to see it. Also, ResJ Benvolio is a punk with the heart of a golden retriever, another far-from-the-play take which works in its context.

Now, the 2010 French version. I followed ResJ with the RetJ revival because John Eyzen's Mercutio is the second most popular Mercutio on Tumblr, after the inimitable Zolicutio, and I wanted to see what the hype was about. He is vastly, vastly different, both from how I imagined Mercutio and how Mercutio is in any other production. Eycutio alternates between stillness and over-the-top energy. He may or may not be bad mental illness rep. He may or may not be beholden to the madness-inducing entities of Chaos. Eyzen fully embraced the vibes of "La Follie" and the Queen Mab speech Mercutio has in Shakespeare to create a very unstable dude who revels in unpredictability and danger to a greater degree than Zolicutio and has probably won Best-Haired Veronese Man three years in a row. He has a love/hate relationship with Tybalt and flirts with him while fighting. (Zolicutio also flirts with Tybalt, but less in a I've-secretly-liked-you-since-we-were-twelve-but-also-hate-you-and-we-kissed-at-a-party-once-but-you-pretend-you-don't-remember-and-I'm-going-to-make-that-hard-for-you way than an I-bet-you're-into-me-and-also-that-you'll-hate-this-and-I-could-be-into-you-but-it's-not-clear-and-I-canonically-kissed-Romeo-but-didn't-seem-serious-about-it-and-I-rap-about-not-liking-romance-and-it-might-be-to-hide/drown/prevent-the-pain-or-I-might-be-aroallo-and-thriving way). Tim Ross's 2nd Tybalt looks and acts like the unlikely and maltreated test-tube child of George Michael and Cruella de Vil, and I'm going to leave it about that, because I have rambled too long without mentioning that Romeo's costume is exceptionally terrible in this one, that I really did not like Escalus, and that the Nurse was fantastic. All in all, what this one has to recommend it is the excellent Nurse, plus Tybalt and Mercutio's unevenly acted but ultimately interesting dynamic, which is the stuff of Fanlore pages.

I have not watched all of the 2001 French original, even though many people say Cécilia Cara is the best Juliet, because the other Juliets are also good and apparently a bald Mercutio is one thing I cannot take. (I could under certain conditions. If he were a young cancer patient, then that would add an urgency to his fervor for living life to the fullest, and a suspicion that he's going to die painfully soon whatever he does could influence his recklessness, but him being considerably older and more sophisticated than Romeo is weird). I might watch more of it, but it's low priority.

Apart from those, I've watched large parts of the Italian and Israeli ones, which I prefer to the French ones in acting but not in singing. The Italian one is a lot more dramatic than the Israeli one, which is maybe the least dramatic RetJ variant ever but pulls it off really well. The characters seem like normal people you would meet who try their best but get caught up in a tragedy bigger than they can understand. Of special note, as usual, is that ever-shifting scene, the duel between Mercutio and Tybalt, and this is the most original take on it I've seen. What sets it apart is that THEY DON'T EVEN DISLIKE EACH OTHER. You get the sense that they've had a lighthearted rivalry since they were kids but they're sort of friends and it's all a game to them. It's also the only version I've seen where those two actually have fencing swords, so the fight looks more realistic, emphasizing that they're playing with fire. When he realizes Mercutio is dying, Tybalt is visibly devastated and seems to lose the will to live. I don't usually cry at movies or shows, but that is the version which brought me the closest to crying.

I would like to watch the 2019 Toho version, since it comes highly recommended, but am not sure where to and might have to wait a while on that one. After I'm done with the Italian one, I intend to watch the Russian one, the German one, and the alternate cast recording of the Hungarian one. As for the English one...well, I've listened to a bit of it, and it was awful.

If you want to watch multiple versions at once or see which ones you might like, there is a great playlist on YouTube where someone edited together parts of the videos of different versions. If you want an incoherent-without-watching-the-full-thing but possibly still entertaining look into it, watch this compilation someone made, which is extremely funny if you've actually seen the full musical.

If you've read this entire semi-coherent ramble, you're a trooper. I hope it was vaguely interesting. Have a wonderful day!

it’s really easy to become obsessed with a shakespeare play you just have to watch one version of it and then read the play and then go mad trying to watch every possible version of it you can find and then study several centuries worth of performance history and controversy

Alan Lee’s illustration of Rhiannon from the Mabinogion

TUMBLRINAS I NEED YOUR HELP!! I’m writing an essay about expectations surrounding romance through the lens of aspec identities for my creative nonfiction class. I have several short interview type questions and I’m trying to collect as many responses as possible.

If you identify as asexual, aromantic, or anywhere on the spectrum pls consider taking a look at this google form:

Google Docs

Aspec Interview

Hi there! I’m an asexual college student somewhere on the aro spectrum. I’m writing a paper on aspec identities and societal expectations su

thinking about the atrocious 1970s vampire musical movie produced by beatles drummer ringo starr in which ringo plays merlin the wizard and it's sort of not explained why merlin is even in a vampire movie in the first place

I have a few conflicting sets of headcanons—if character X is ______, then character Y is ______, based on their interactions—so I stuck with people who I only have one headcanon for who immediately came to mind. Most of the characters seem ace, probably because these are meant as children’s books, so these are for romantic orientation.

Aro Alice Angel, Inez Branko**, Claerwen

Bi Asa Pike, Olivia Vertigo, Ezekiel Bloor, Grizelda Bone*, Idith Branko**

Gay Manfred Bloor

Straight Emma Tolly

*Maybe one day I’ll write a fic set when Alice Angel is living at Charlie’s house where Alice thinks that Grizelda is calm and remote because Alice is doing her Jedi mind trick thing, Grizelda thinks that she feels dizzy and confused because she has a crush on Alice, and the answer is probably both.

**This is going off my deep desire to differentiate Idith and Inez rather than anything in the plot. They are not the same person. That’s not how identical twins work, unless one of them is the other’s magically created doppelgänger illusion or something, which isn’t impossible but seems unlikely, since they argue.

so what are your guy's sexuality headcanons

Morgan le Fay casually making Satan her bitch. From a fan translation of Segurant, Knight of the Dragon, which I found on reddit here.

At the rate it's going, Hurricane Milton looks like it will be incredibly destructive. As of the latest forecast I could find on the weather channel, it was "centered 560 miles southwest of Tampa...a strong Category 4 packing 155 mph winds as of 5 a.m. EDT...tracking east-northeast at 12 mph". According to the NHC, it could potentially be "one of the most destructive hurricanes on record for west-central Florida".

I know it's easy to get jaded with hurricanes and that sometimes, they aren't really bad enough to be worth evacuating for, but from what I can tell, this one absolutely is. If you're in an evacuation zone, leave if you can or find a shelter if you absolutely can't. Please stay safe, everyone.

good morning tumblr! be careful. i have saved a whole load of these to my phone at this point, so...

peak storm surge-

more storm surge - darkest purple is >10 feet, and is worst - though we might need more colours

recent track, showing landfall at 2 am on Thursday rather than 8 pm on Wednesday

75 is apparently completely clogged, as you'd expect at this point. people are leaving en masse and with good reason. there is free transport to shelters through uber in pinellas, hillsborough, and pasco - use it. the promo code is MILTONRELIEF. jim cantore arrived in tampa yesterday. jim cantore.

There used to be a real gothic metal band named Tristania and I don’t know whether that was a coincidence or whether they named it after Tristram’s Tristania. I’m not sure whether I prefer the latter—them appreciating medieval literary characters—or the former—it being a splendid coincidence.

The antidote Palomides procures against death by unrequited love cannot fail to appeal to a modern reader, familiar as we all are with the therapeutic powers inherent in ones creative faculties: 'therewythall he leyde hym downe by the welle, and so began to make a ryme of La Beall Isode and of sir Trystram... [S]ir Palomydes [lay] by the welle and sange lowde and myryly (473-4.86).

— Between Knights: Triangular Desire and Sir Palomides in Sir Thomas Malory's "The Book of Sir Tristram de Lyones" by Olga Burakov Mongan

So the therapeutic powers part is a beautiful interpretation, but also all I can think of now is Tristania modern AU, in which they're all in a band with messy interpersonal relationships and writing songs about each other Fleetwood Mac style.

(Dinadan, the only one not tragically in love with someone, writes weird narrative songs and diss tracks about the people he dislikes)