Good Omens Incorrect Quotes 4

I am fuming. My blood is boiling, omg.

I'm from the Netherlands, and a woman has just come forward that her likeness was used in making fake commercials. Y'all. This woman used to have a gambling problem, and since then has been giving interviews and warning people about the dangers of gambling.

A gambling website took one of these interviews about the dangers of gambling and used AI to instead have this woman say that she got this app recommended by a friend and that she won 12 million euros.

They took this woman's interview and twisted it until it's against everything she stands for. She has of course sought legal action and the case is being investigated.

I fucking hate AI so much!!! Fuck you, how DARE you?!

Cal Kestis’s Lightsaber

Cal’s lightsaber is cool. I know the reason for the stances is because video game, but character and story-wise it makes sense too.

The different stances give Cal increased adaptability for different situations. It plays into the whole “Survivors. We adapt.”message.

It also shows Cal’s natural combat prowess. No one taught him to wield these other stances, he figured it out on his own, building on a strong foundation from Jaro Tapal.

It’s also a great reminder of his scrapper days. Light sabers are notoriously difficult to build and modify, and for Cal to build such a complex weapon, it is clear how much Prauf taught him on Bracca.

Finally, I love what the double bladed saber represents for Cal. He builds it on Ilum after overcoming a moment of hopelessness. He takes the broken crystal and uses it to make a double bladed saber that can split apart. He adapts.

A lot of people comment that his double bladed stance feels really powerful compared to others, and I can’t help but wonder if that’s on purpose. Story-wise it makes the most sense for it to be the one he favors. Yes, he usually defaults to a standard saber in cut scenes but that’s the one he was trained on. He’s also had the double sided saber since the first game, meaning he’s had five years of training with it. He’s had the split sabers too, but he used them as a special attack within the double sided saber stance.

As much as I love Jedi Survivor, I don’t think the studio understands how crossguard sabers work. I understand having it be a heavy two-handed weapon because video game, but crossguard sabers aren’t from a custom emitter. When you bleed a crystal wrong you need vents to emit the excess energy. It’s nothing game breaking but I think it’s funny.

I’m sure that I am not the first one to come up with this headcanon, but I like to think that Cal changes his lightsaber color from its canonical blue to green after starting something with Merrin so he can match her magick. Because Cal is dorky like that.

Also, the lightsaber he uses technically isn’t his. It belonged to Jaro Tapal.

Anyway, thanks for my too-long meta analysis of me reading too deeply into things that probably only exist because of video game mechanics!

Shakespeare Incorrect Quotes: Much Ado About Nothing 4

Benedick : Am I right, Beatrice?

Beatrice: I’m almost certain you’re not, but to be fair, I wasn’t listening.

Hero: The salary of a clown is 51,000 dollars.

Hero, gesturing to Beatrice and Benedick fighting: And yet these idiots do it daily, and for free!

Friar Francis: *watching the squad's shenanigans with concern* Do you feel like this has gotten out of hand?

Imogen: I don't know. Feels normal enough for a group that's on 911's blocked callers list.

Benedick: I have been tricked, I have been backstabbed, and I have quite possibly been bamboozled.

Benedick: Why are you burning our marriage certificate!?

Beatrice: Good luck trying to return me without a receipt.

Hero: While I'm gone, you're in charge Claudio.

Claudio: Yes!

Hero, whispering to Beatrice: You're secretly in charge, but I don't want them to feel bad.

Beatrice: Obviously.

Beatrice: What do I get?

Benedick: A night of fashion, mischief, mayhem, and possible death.

Beatrice: Ooh, check, check, and check; not sure about that last one.

Benedick: It won't be you.

Beatrice: I'll get my coat.

Hero, pointing a camera at Beatrice: There they are, our sweet baby.

Beatrice, holding a cigarette and a beer: What-?

Beatrice: I didn’t even realize how sarcastic I was being. It’s starting to become a problem, I think.

Claudio: I sort of did something and I need some advice, but I don't want a lot of judgment and criticism.

Beatrice: And you came to me?

Claudio: Hero, what does IDK, ILY, and TTYL mean?

Hero: I don’t know, I love you, talk to you later.

Claudio: Alright, I love you too, I'll ask Benedick.

Hero: Wait- Claudio, no-

*At the police station*

Beatrice: Hi, I’m here for Benedick.

Police officer: Who’s Benedick?

Beatrice: Ah, you must be new.

Beatrice: All in all, a 100% successful trip.

Hero: But we lost Claudio.

Beatrice: All in all, a 100% successful trip!

Beatrice, to Claudio: Are you peanuts? Because I want to boil you alive.

Hero: I left instructions for everyone while I'm gone.

Claudio: Mine just says "Claudio no."

Hero: I want you to apply it to every possible situation.

Beatrice: I didn't drink that much last night.

Hero: You were flirting with Benedick.

Beatrice: So what? They're my partner.

Hero: You asked if they were single.

Hero: And then you cried when they said they weren't.

Claudio: I only have 6 weeks left to live.

Don Pedro: Oh my god, really?!

Claudio: It's just a guesstimate based on the choices I've made.

Leonato: I just found out from Hero today that when Claudio died and the service did the 21-gun salute at their funeral, Beatrice said, “They should aim at the coffin to be sure.”

Beatrice: Benedick and I got married!!

Hero: Don't share your personal problems with everyone.

Beatrice: Claudio, this morning, I called you abhorrent and reprehensible, and I’d like to withdraw that statement-

Claudio: Aww, thanks-

Beatrice: But I can't. Those are the 2 words that best describe you.

Beatrice: Hey, quick question. How petty am I allowed to be?

Claudio: Benedick, why are you standing in front of the fan?

Benedick: I’m waiting for Beatrice to look into our window when they come home. When the fan is blowing on me, I look like a fancy supermodel.

Claudio: You want Beatrice to think you’re a supermodel?

Benedick: Giving them eye candy is the least I can do. It’ll probably be the best part of their walk!

Claudio, sarcastically: You’re selfless.

Benedick: Thank you for noticing.

Hero: *trying to get five seconds of sleep*

Beatrice, poking Hero’s arm: Hero Hero. Hero. Hero.

Hero: WHAT?

Beatrice: …We’re out of Capri Suns—

Claudio: *working in a flower shop and minding their own business*

Benedick, storming into the store and slapping $20 on the counter: HOW DO I PASSIVE-AGGRESSIVELY SAY “FUCK YOU” IN FLOWER???

Claudio: Hey, Benedick? Can I get some dating advice?

Benedick: Just because I'm with Beatrice doesn't mean I know how I did it.

Beatrice: I hate you.

Benedick: Well, according to this picture I drew of us holding hands, that is untrue.

Benedick: Beatrice and I are no longer dating.

Beatrice: Benedick, that’s a horrible way of telling people we’re married.

Claudio: How is the most beautiful person in the world?

Hero: *blushing* I—

Benedick, butting into the conversation: Beatrice is perfect, thanks for asking.

Joel: Zones out while Midge is talking.

Joel: Remember when you met my parents?

Midge: Remember when we fought in the back of a cab because I was doing something for you because you didn’t properly communicate your needs?

Joel: Remember when I cheated on you while you were pregnant?…anyway, want to get a drink?

Midge: Sure

————————

Okay, the reunion was cute but it felt like a season 2 plot. Plus, it didn’t really go anywhere. Also, what happened to Marcie and Janie, the friends Midge specifically mentioned in S3E5? Eh, I guess ASP just forgot.

……………………….

Awwww Abe! I love this man. Recognizing his mistakes.

————————

Oh, I guess this is a way to use your lesbian characters? It’s not…a great one…but it is one.

……………………….

Oh. Oh no. Oh no. Is the cliffhanger about Abe? Is he not going to be able to see Miriam…I really hope I’m wrong but…wait, Esther says that she and Abe were close so…

I'm a disabled and chronically ill writer. I can't write every time i want to. I can't use a keyboard or handwrite for disability reasons. The only way i can write is by typing in the notes app on my phone. This is also painful and i can write a few hundred words at most.

Isn't it interesting how i still wouldn't consider using AI to write my stories instead? If the only way for me to write my stories is by using voice to text and i can write only a single word everyday i still wouldn't choose AI

Fuck AI and fuck you for pretending to care about disability people just so you can steal art made by disabled people

Okay, the third installment of “Domestic Burlesque” is up! I’m insanely excited about how chapter 5 turned out. Please check it out and let me know what you think!

Princess and the Scoundrel Thoughts

Spoilers ahead:

First of all, the title and cover of this book are ridiculous. The art is pretty, but the pose looks like a cheesy romance. I think they’re paying homage to Courtship of Princess Leia, which while that story is hilarious, is one of the worst Star Wars books ever. But we get the Dathomir witches so it’s fine I guess.

On the other hand, Princess and the Scoundrel, is one of the best Star Wars books. Despite everything, despite all of the obstacles this book had from the beginning, it succeeds as having some of the best and most subtle character work in the entire franchise. Which is hilarious, because this book literally only exists to market a hotel. But Beth Revis said, “yeah, but what if it was good and I actually tried?”

Now, Beth Revis has clearly read COPL. You can tell and it’s kind of hilarious. For example, in COPL, there is a really long scene where Han plays sabacc (space poker) during a bout of insecurity and wins a planet to give to Leia and he uses THE MILLENNIUM FALCON for collateral. Han Solo would never do this. Now in PatS, Han plays sabacc while Leia is working to help her out by gathering intelligence. One of the players mentions that he wants to kidnap Leia (not knowing who Han is), and Han almost murders the guy. It’s awesome.

Here’s the thing, you can tell when Leia is being written by a woman instead of a man. In COPL, there is one moment where it’s brought up that if Leia marries Isolder there will be a planet for the survivors of the Alderaani genocide, but it’s only mentioned a few times and not by Leia. So any opportunity for a duty vs love internal conflict is not used. Her conflict is “Han and I are distant and space Fabio is hot so…”. Then HAN KIDNAPS LEIA USING A MIND CONTROL GUN. And she doesn’t murder him. So…I don’t care about this relationship anymore because both of them suck and it isn’t even clear why Leia falls in love with Han all over again.

Beth Revis gives Leia a very multi faceted internal conflict. Part of it is her dealing with her feelings about Vader, about being part of a team, and her guilt over Alderaan. It doesn’t take up too much time, but they inform a lot of her character.

Now, in a different canon book, that came out previously, it was mentioned in passing that Han and Leia got married on Endor. Now, at that point in both the EU and Canon, Han and Leia have been forcibly separated for a year and only actually got together a little bit before that. So, that’s really weird. But Revis is stuck with this. So she says to herself, “Why would they do this? Why would they move this quickly?”

And she remembers that this is Star Wars. They are living through war, they all almost died, and just spent a year forcibly separated. And they’ve decided that they’re done wasting time. Han just kind of…proposes and Leia (in typical fashion) debates for a second before deciding to take a leap of faith for love. It’s genuinely very, very sweet. Despite the title and cover this is not a romance book. There is no “will they won’t they” bullshit. Thank. God. They just get married and it’s really happy and Lando pranks Han into dressing nice, and it’s great. Then it’s a Star Wars adventure featuring Han and Leia.

That’s not to say Han and Leia don’t have any tension between them. The difference is it’s interesting. Han and Leia, especially her, do not know how to fully let each other into their lives. It isn’t that Han forgets for a bit that he married a very driven woman. He absolutely knows. His frustration stems from the fact that they are literally on their honeymoon, and Leia keeps leaving to work, because that is all she knows how to do. It is how she has coped with her trauma for three years. On the other hand, Leia feels like she is solely responsible for saving the galaxy, and that Han doesn’t understand that. Both sides of this argument are understandable. The book switches between Han and Leia’s perspectives. There are no stupid cutaways to Luke or space Fabio, there are no space witches. It is a focused relationship/ character study of Han and Leia while they’re on a decently interesting mission.

And the build up to the fight they end up having, is great. It’s a slow build up, you can feel their mutual frustration, and once they have the fight it is very cathartic. They don’t fight for the entire book either. They flirt and tease and have real conversations too.

So, after this huge fight, Leia is trying to divert the cruiser they’re on to this other planet, and Han finds out and helps her. Together, they succeed, but Leia is confused. They haven’t made up from their fight yet, and she asks why he helped her fight to go on a mission that’s going to take up more of their time. And Han says, “You’re my wife. If you’re running a con, I’m going to help you.”

Now, this might just be one of my favorite lines. Beth Revis understands that Han Solo is very loyal to the few people he cares about. He loves Leia, it’s why he goes back for her on Hoth at his own risk, why he saves Luke at Yavin and on Hoth. (She also understands the little bit of dorkiness Han Solo has beneath the posturing, up to the point that she gives him a sweet tooth.) Neither of them are overly mushy, they just love and respect each other.

There’s this great symbolism with their wedding rings. They’re made of hardened amber by the ewoks, and their fragility is a constant reminder of Han and Leia’s issues. They crack under pressure, and have to be maintained carefully. They eventually end up breaking under immense water pressure, but Han gives Leia a new ring (the one she wears in the sequels) reminiscent of the amber ones, symbolizing that they’re coming out stronger. It’s so sweet, and while it’s a little bit on the nose, it’s a great literary technique.

He’s acknowledging that he recognizes this part of Leia’s character, Leia realizes she needs to also put him first. In the aftermath, they both feel bad, apologize, and resolve to work on their issues together. And when they make-up, it feels real. This runs through the entire book, and the way it ends is really satisfying. Now, we know what happens to them in the sequels, so we can see how this conflict may come back into play later and lead to their eventual separation in canon. But, it’s also easy to see a different path where they work through these issues and live happily ever after. It’s just ambiguous enough to be read as either a prelude to eventual tragedy or the beginning of a long, happy life between two complex people. (I prefer the first one, but whatever).

Other things I liked:

- Han proposing. It’s literally that “I want you” “For what?” “A really long time.” quote on the internet.

Han: I want you.

Leia: Me? For what?

Han: Forever. Marry me.

- Leia tells Han about her true parentage and he just does not care. Like, he’s sympathetic towards her feelings, but is like, “why would this impact my love for you?”

- Leia finally lets herself do something spontaneous.

- Luke and Mon Mothma ship it.

- This quote:

Leia: About time.

Han: For what?

Leia: You once promised me a good kiss. I’ve been waiting.

- The conflict on Madurs is also pretty interesting. Leia is unwilling to let another planet die, giving an insight into Leia’s feelings about Alderaan, especially since Madurs values art like Alderaan.

Honestly, I want Beth Revis to write the canon “trip to Bespin” book.

Also…

This book kind of implies that Leia is bi? There’s a scene where Leia is remembering a conversation with her mother. So, when Alderaanian royals get married, their parent straps the ceremonial Rhindon sword (also used during their coronation) around their waist before the wedding.

In the flashback, Breha specifically says “whoever you marry” and “your husband or wife”…

Some people may say that it’s just ‘forced inclusion’ but that’s boring. Now, in the EU, fanon, and canon, Leia always puts emphasis on how close she and her parents were. This is something that I don’t think is ever particularly well illustrated, especially in canon. In parts the Kenobi series (she gets better later) and Leia, Princess of Alderaan, Breha in particular comes off as really unlikable.

But, if Leia isn’t over romanticizing (and there’s no indication that she is), she was really close to her parents. So, it stands to reason that her mother would know her sexuality. They at least seem really accepting in this passage, so it doesn’t seem like something Leia would keep from them.

I have no other evidence, and as far as I know, Leia is always seen in romances with men in both canon and legends, but in this context, it is a very interesting hint of something new about her character.

I watched the first three episodes of Marvelous Mrs. Maisel season 5.

I…Eh…

First of all, where is the Gaslight? We haven’t seen it in so long.

Second, I’m sad to see that there’s still a lack of long stand-up performances…in this show about a comedienne. This was a problem in season 4, and I hope they fix it as S5 goes on.

I’m so glad season 4 Midge is mostly gone. I hated how insufferable she was in Season 4 and that Susie was never able to get through to her. That’s the core of their relationship, and I don’t like that it took so long for her to get over herself.

The flash forward openings were…weird. On one hand, Miriam being kind of an absentee mother makes some sort of sense, but seeing her as another version of Rose is kind of disappointing.

As is the reveal that she’s apparently been married four more times. Like, why can’t she find happiness? I never liked the arc about ending up alone, but I was willing to accept it as Midge putting romantic relationships on hold for a bit after putting it ahead of everything for so long.

But apparently she no longer speaks to Susie either? I HATE the explanation they give too. Their whole “we’re not friends, we’re coworkers” finished midway through the second season, and was a huge and endearing bit of Susie’s growth. I’m sure they’ll expand on it, but it’s just sad. And they showed the inverse of it mostly effectively in Season 3.

I hate that this show seems to really be doubling down on its message of “you have to be alone and distant from literally anyone to achieve your dreams.”

Season 1 and Season 2 (barring the finale) were about finding personal growth by pursuing your own ambitions.

Season 3, which I didn’t enjoy as much, is where the “ending up alone to succeed” stuff really started after being seeded in the Season 2 finale. Yeah, it’s hinted at in the S2 premiere, but it’s more about the final end of Midge and Joel specifically. The plot line with Ben is also more about Midge opening up with a potential romantic partner, and how perhaps she isn’t ready or compatible with someone in that moment enough to settle down.

She’s only about a year out from her divorce, so it makes sense that she realizes that she isn’t ready to settle down again.

I don’t really get why she decided that one failed relationship automatically equals alone forever. I guess it’s because she’s also super influenced by Lenny’s performance, but…that’s another problem. Her idolization of him is just such a weird step in the wrong direction for her character.

She’s putting him on a pedestal the same way she did with Joel, and it’s him that is the one to get her out of her self-destructive phase.

Susie once told her “You do not need a … man at your side to do this”. Except she does.

I hate some of the messaging in this show, but hopefully the final episodes will make up for the stuff I didn’t like just like the Lenny and Midge blue room scene did last season.

my uni is like "80% of students already use ai like chatgpt so we're going to offer all our students access to ai for educational purposes!" like yall are a bunch of fucking dumbasses. students use chatgpt to CHEAT and have it do their essays for them. you are literally saying that cheating and plagiarism are okay now.

I was thinking about the “I’ll never speak to you again” line. Yes it’s emotional manipulation (but Aziraphale thinks that’s what he - an angel - is supposed to be because…well…er…literally almost all of the angels he regularly interacts with are). Yes he would also hate not talking to Crowley.

But the thing is…it’s just kind of a fact. It is literally what will happen if either side wins, no matter which side wins, they won’t see each other. One or both of them might be permanently destroyed in the battle (with the latter possibly probably a worse scenario for both of them). At the very least they will never see each other. 6 millennia of at least having the knowledge that their paths will eventually cross will end.

Aziraphale is finally realizing that it doesn’t matter what side wins, that both are willing to destroy his home of 6,000 years, and he has no idea how to plan for this. What he does know, is that Crowley had figured this out long before he did, and would be better able to come up with some sort of plan.