just a quick thing about the finale news.
the montage of a family’s plan to oust a housekeeper from her job, often referred to as a “perfect scene” in the Oscar-winning film Parasite, is approximately four and a half minutes long.
the sequence in Casablanca of Victor Lazslo and the other refugees striking up the band in Rick’s cafe to play the Marseillaise and drown out the Nazis singing? one of the most memorable and strangely timeless scenes in an incredibly solid film? Two and a half minutes long.
Re-Animator, a film beloved both by horror hounds at large and fairly specifically by transmascs on tumblr (a population I proudly count myself as belonging to)? 86 minutes long.
James Whale’s Frankenstein? 70 minutes on the dot. Primer, a time travel movie so dense there are multiple charts online untangling the timelines depicted? 77 minutes. My Neighbor Totoro? same length as Re-Animator.
add on to that the fact that we’ve got two of the greatest actors of their generation (one of whom I regularly see tagged/described as The Microexpressions Guy), a phenomenally expressive composer scoring, and a whole lot of passionate folks involved in production design.
what I’m saying is, please leave yourself open to the idea that you might be surprised at how much story and emotion can fit inside of 90 minutes. I am also grieving that it won’t be longer, but considering the length of so many other great films and powerful sequences… there’s space for something wonderful there.
Season 2 Spoilers:
The only way for this to be fixed is for Aziraphale to be put in one last, very dramatic “Crowley and/or Humanity vs Heaven” situation.
And he chooses Crowley. He chooses their side. Bonus points if he does it instinctively.
Maybe we bring it around to the “I’ve never killed anything” bit from season one.
Neil and fic writers feel free to use this. Just give me credit. 😂
And when this happens, it’s gonna feel so good.
And it better end in their garden in the South Downs.
Cal’s lightsaber is cool. I know the reason for the stances is because video game, but character and story-wise it makes sense too.
The different stances give Cal increased adaptability for different situations. It plays into the whole “Survivors. We adapt.”message.
It also shows Cal’s natural combat prowess. No one taught him to wield these other stances, he figured it out on his own, building on a strong foundation from Jaro Tapal.
It’s also a great reminder of his scrapper days. Light sabers are notoriously difficult to build and modify, and for Cal to build such a complex weapon, it is clear how much Prauf taught him on Bracca.
Finally, I love what the double bladed saber represents for Cal. He builds it on Ilum after overcoming a moment of hopelessness. He takes the broken crystal and uses it to make a double bladed saber that can split apart. He adapts.
A lot of people comment that his double bladed stance feels really powerful compared to others, and I can’t help but wonder if that’s on purpose. Story-wise it makes the most sense for it to be the one he favors. Yes, he usually defaults to a standard saber in cut scenes but that’s the one he was trained on. He’s also had the double sided saber since the first game, meaning he’s had five years of training with it. He’s had the split sabers too, but he used them as a special attack within the double sided saber stance.
As much as I love Jedi Survivor, I don’t think the studio understands how crossguard sabers work. I understand having it be a heavy two-handed weapon because video game, but crossguard sabers aren’t from a custom emitter. When you bleed a crystal wrong you need vents to emit the excess energy. It’s nothing game breaking but I think it’s funny.
I’m sure that I am not the first one to come up with this headcanon, but I like to think that Cal changes his lightsaber color from its canonical blue to green after starting something with Merrin so he can match her magick. Because Cal is dorky like that.
Also, the lightsaber he uses technically isn’t his. It belonged to Jaro Tapal.
Anyway, thanks for my too-long meta analysis of me reading too deeply into things that probably only exist because of video game mechanics!
wait whats wrong with chatgpt :(
just the minor little issue of it actively killing the planet, draining the creative marrow from everything it touches, and posing an existential threat to workers, responsibility, national security, and, oh yeah, privacy.
imagine a machine that not only guzzles electricity but also flattens human expression into soulless, regurgitated slop while quietly replacing entire industries. and let’s not forget. every word it generates is a tiny little middle finger to the concept of accountability. so, yeah. nothing major. just a slow-motion apocalypse wrapped in a shiny, user-friendly interface
Guys, I figured it out. The subtitles are so bad because they let the demons type them.
I couldn’t for the life of me figure out why “Every Breath You Take” is on Crowley’s playlist. Other than it provides the “E” to spell out ‘tempting’. But there’s plenty of other songs they could’ve chosen. So why pick the stalker song?
Then it occurred to me that it’s not about Aziraphale. It’s how Crowley feels Heaven and Hell watch him.
No matter how much you dislike your own writing, I promise you it’s better than AI
Write it shitty, write it scared, write it without a clue but don't you be so spineless and have an AI write fanfic for you.
I will forever choose to believe that the metacrisis lets Donna and Rose Noble stay immortal with Fourteen forever.
This has no impact on anything. They still have family dinners and forever take low-key trips through time and space.
No more angst. Just family and magic and happiness and the Doctor in the Tardis with his best friend and his niece.
Vs
Okay… I liked that!
There were so many better, more organic ways to introduce Ruby’s search for answers about her bio family then that awkward time skip/ clip show. It could have just been two days. But that interview is just such a blatant excuse to dump her name, age, education level, the fact that she
Because here’s the thing…everything I liked about Ruby, I learned watching her go about her life. I liked watching her with her friends, be a real person. All of the other character work happened once she got to the house and I watched her with her mom and Cherry. We learn very naturally that she’s looking for her bio family, that she’s upset about not getting answers, but also is clearly happy with her family as it is. Her reaction throughout the entire kidnapping is weird, there’s not enough urgency on her behalf.
The gloves are cool? Like in theory, they’re cool, but I do think they get a bit marvel-ish at the end.n
The goblin ship design and interior set are cool, just doesn’t feel very Doctor Who. I like the explanation of how the goblins work though.
Doctor, I have seen you untie ropes with your sonic.
“I am learning the vocabulary of rope!”
The goblins are kinda unthreatening, they just let the Doctor and Ruby stand there. The goblins look good though, they did a good job combining practical and digital effects.
I wish that maybe Ruby felt guilty for being distracted that Lulubelle was kidnapped, (not that she should feel guilty, it would just give more emotional depth to her).
At first I didn’t like how rushed Ruby’s disappearance is, but I think it gives more disorientation to the episode. I love the lighting switch, how everything becomes desaturated. It’s very subtle and I didn’t notice it the first time. Carla’s sudden switch is horrifying.
The Doctor’s tears…I love how much compassion he has. This is the Doctor I love, that I’ve missed. I do wish that he and Ruby had gotten a quieter moment to bond, just to make this feel a little more desperate, and the reunion even sweeter.
The episode does feel like it has two climaxes, Lulubelle’s rescue and baby Ruby’s rescue. The rescue of Ruby does feel rushed and I still don’t understand the crack in the ceiling or why the ship just disappears.
Okay…Ruby Sunday. Millie Gibson is really fun. Her dramatic moments are also really well-acted. But…I was really hoping we’d be going back to the type of companion that’s just a person. Like Rory, Rose, Donna, Martha, and Bill. They all have extraordinary things happen to them yes, but they aren’t introduced as mysteries. That’s my least favorite type of companion, because their character is always secondary to the plot. And, I’m going to be honest, I don’t care who Ruby’s parents are. But…oh well.
I do love the scene of Ruby piecing together that the Doctor is a time traveller, and she just thinks that’s cool and wants to go see it, but like…most companions are like that to some degree. At least she has a family though, which is one of my favorite parts of companion stories.
Mrs. Flood could be a cool mystery.
Alright…Ncuti Gatwa is tied with my beloved Ninth doctor. He’s fun and flirty and heroic and empathetic. His theme music rocks. He can do angsty moments really well. I like how the Timeless child is being handled.
All in all, I’m excited for what’s coming.
Good Omens Season Two Spoilers Below:
Remember when the bandstand and “you go too fast for me” and “someone killed my best friend” were our biggest problems? Those were simpler times.
On one hand, I don’t want the “Metatron drugged the coffee” thing to be true because character development and recognition of religious trauma, but on the other hand…
Also don’t listen to Queen’s These Are the Days of Our Lives unless you want to sob.