Remember That Whole Strike Thing? What The Fuck Was That For Again?

Good Omens Season Two Spoilers Below:

Remember when the bandstand and “you go too fast for me” and “someone killed my best friend” were our biggest problems? Those were simpler times.

On one hand, I don’t want the “Metatron drugged the coffee” thing to be true because character development and recognition of religious trauma, but on the other hand…

Also don’t listen to Queen’s These Are the Days of Our Lives unless you want to sob.

Absolutely (Not) the Same Man

Regeneration and Identity

I really l like way Christmas Invasion presents regeneration and how Rose and Ten in-universe seem to understand.

Harriet Jones says that Ten is “absolutely the same man”. Rose does not agree despite being in the scene.

She agrees that 10 is the Doctor, but…not the same. She still loves him and sees the fundamental values being retained but she sees them as different.

She unequivocally says “you’re so different”. She’s beaming when she says it, clearly not missing Nine but rather mystified by Ten. It’s so subtle, (and a lot comes from Billie’s delivery) but even after accepting it, there is something alien about the process lingering.

It’s why I don’t fault her for being upset by the potential regeneration in Journey’s End, it’s the same reason we all are sad to see a Doctor go.

Because the fundamental character traits that we love will be there (you know…hopefully) but everything else will change. Their personalities and the ways they interact with the universe and the way they see themselves all changes. All the quirks and eccentricities that make up the characterization specific to one incarnation of the Doctor as a character, which are what we latch onto change.

We may like who gets tagged, whoever is now ‘it’. But there’s still a friend we’ll miss.

This Doctor wears pinstripes and trainers, instead of leather and combat boots. He willingly wears a paper crown.

He is domestic in a way Nine would never be. He doesn’t tempt Rose from a family dinner, he joins her at one of his own volition, then relishes in it while wearing a paper crown.

I do think this works particularly well here, because it feels like a character arc. It helps Ten feel like an actual extension of Nine. I think this why that it works for them to have the same TARDIS and first companion. It makes the change easier.

Nine was reminded of the beauty of living through Rose and humanity, and reminded ordinary humans that there was no such thing. I love the moment he has with the couple in Father’s Day for this reason.

Ten, in concept and practice, takes this love for humanity and runs with it. (Sometimes way too far depending on the writer. But that’s another meta). He’s more open with his feelings while still being deeply, deeply repressed.

Arguably, I think there’s a moment he tries to learn from his mistakes with Rose. He tries to relay the happy memory of Christmas dinner to Donna before it becomes something else he’s lost. All of her other attempts at connection are shut down.

Later, he’s able to find some respite with Donna in series 4. He’s able to live with his grief and heal for a bit. And he gives Donna a chance to realize that there’s no such thing as an ordinary human.

Then he has to take it all away. All of the edges Donna had softened out, the self-confidence she built up so she didn’t need to scream at the world to feel heard. Gone.

His best friend, just like the love of his life. Gone. And this time it’s like never happened at all.

It’s the last important arc before Time Lord Victorious for a reason.

(it’s honestly more thematically satisfying to go straight to Waters of Mars after series 4)

It’s why he comes to see regeneration as dying.

It’s how we get from “All I did was change” in Born Again, to “It’s like dying.” in the of End of Time

He just watched the identity of his best friend be ripped from her. Plus he feels emotions with more humanity than any incarnation. He feels the fear of identity loss like a human fears mortality.

(This was also before the Doctor had been given more regenerations, and post-war he was burning through them, and was over half through them, so there’s an added layer there)

I never for a second felt he was “throwing a tantrum” in Journey’s End.

I hate when people, including the in universe 11th doctor, say that Ten is vain.

I mean he is. Sometimes it’s done for laughs, but he is arrogant too. Usually it’s well-meaning. He does have more knowledge than anyone and wants to use that to help.

He might be a genius, but he doesn’t understand every intricate detail of human experience. And to be fair, 11 is talking about the metacrisis, but even before Donna’s fate, Ten has begun to project the human fear of death he’s adopted along with all the other emotions onto regeneration.

Journey’s End is the end of a vanity trip. He is stripped down and deeply, deeply scared. And he is allowed to be. And he can react in an intense, emotional way.

There is no hesitation between the knocks and the resignation falling across his face.

There is no doubt what he’s going to sacrifice for Wilf no matter how afraid he is.

Because as intensely as Ten feels fear, it is nothing to how much he loves.

Those who avoid anti-AI discourse are the ones who don't like getting exposed or called-out as lazy or brain-dead.

Deep down, they already know that.

Good Omens Incorrect Quotes Part 3:

Once again, I did not come up with these, I just have quote generator access…

Crowley : I'm having problems with a guy...

Anathema : Like his dead body won't fit into your trunk kind of problems, or you like him kind of problems?

*

Crowley : Who the fuck-

Aziraphale : Language!

Crowley : Whom the fuck-

Aziraphale : No.

*

Aziraphale and Crowley : I believe in you, Adam!

Adam, to themself: God, I must suck. The nicest thing they can think to say to me is that they don’t doubt my existence.

*

Aziraphale : There are some things beyond our understanding. We must accept them and learn from them. Because these moments of crisis are also potential moments of faith. A time, when we either come together or fall apart. Nature always has a way of balancing itself. The only question is, what part will we play?

Crowley : Did you just make that up?

Aziraphale : No. I read it in a fortune cookie once.

Crowley :

Aziraphale : A really long fortune cookie.

*

Crowley: Could you maybe just like… stab me… right in the gut. Just REALLY twist it in there. ‘Cause that honestly seems less painful than this conversation.

*

Aziraphale, texting Crowley: Text me when you’re home safely.

Crowley: I’m home dangerously.

Aziraphale: Stop it.

Crowley: I’m home lethally.

*

Gabriel : Pardon the intrusion, but-

Aziraphale or Crowley: On this moment or just my life in general?

*

Aziraphale: Why shouldn't you put a toaster in a bathtub full of water?

Crowley: Because your toast would get soggy!

*

Aziraphale: When I said bring me something back from the beach I meant like a conch shell!

Crowley: *Struggling to hold a seagull* Fucking say that next time!

*

Crowley, at Nina’s: Can I get a venti vanilla latte with um, seven espresso shots.

Mrs. Sandwich, in line behind them: Jesus Christ, just do cocaine.

*

Crowley, making coffee: This is going to fix everything.

*

Aziraphale: I have very high standards, you know.

Crowley: I can make spaghetti...

Aziraphale: Oh no! You're meeting all my standards!

*

Crowley: You can do it Adam!

Crowley: But if you can't, at least your death will be quick, painless, and really cool to watch.

*

Crowley: *standing on a balcony and sneezes*

Aziraphale: *standing on the roof* Bless you.

Crowley: God?!

*

Crowley: I'm sorry. Please talk to me.

Aziraphale:

Crowley: Hello? World's most amazing person?? Sweet pea? Precious cinnamon roll that's too good for this world, too pure?

Aziraphale: 'Sorry' doesn't bring back my fucking M&M’s.

*

Aziraphale: Is five a lot of followers?

Crowley: Depends on the context.

Crowley: On Instagram? No, not a lot of followers.

Crowley: In a dark alley? Yes, a lot of followers.

*

Crowley : You know what’s funny about Aziraphale ? They’re my best friend, and anyone who’d hurt them is someone I’d murder, probably.

*

Crowley : Are you busy?

Aziraphale : Yes.

Crowley : Cool, listen to this...

*

Aziraphale or Nina: How would you like your coffee?

Crowley: As dark as my soul.

Aziraphale or Nina: Got it, one cup of milk coming right up!

*

Crowley : I can’t believe all these people are wearing black. black is supposed to be my thing, they’re all just posers.

Aziraphale: Crowley, for the last time, we’re at a funeral.

*

Aziraphale: No more making fun of me when I misuse dated cultural references, alright? Are we cowabunga on this?

Crowley, sighing: Fine. We're cowabunga.

*

Crowley : *trying to get five seconds of sleep*

Aziraphale, poking Crowley ’s arm: Crowley Crowley . Crowley . Crowley .

Crowley : WHAT?

Aziraphale : …We’re out of Capri Suns—

*

Crowley : Valentines Day? I'm ready. *Sprays an entire can of AXE body spray on themselves*

*

Crowley : *makes Aziraphale a cup of tea but puts salt in it*

Aziraphale : *sips tea*

Crowley :

Aziraphale : *finishes tea*

Crowley : Didn't it taste bad?

Aziraphale : Yeah, but I didn't want to hurt your feelings so I drank it all.

Crowley, tearing up: Oh, okay.

*

Aziraphale : How petty can you get?

Crowley : I once edited a Wikipedia article to win an argument I was wrong about.

*

Aziraphale : Crowley, I beg of you. Please, PLEASE go to the doctor.

Crowley : Hey, I'm sorry. Is this OUR stab wound?

*

Crowley, to The Squad: You should change your passwords to “incorrect”. Then, every time you forget it, the system will remind you, “your password is incorrect”.

*

Aziraphale : Not to brag, but I can go into the Spirit Halloween without crying.

*

Crowley : I wanna sleep for 40 hours.

Aziraphale : You know that's called a coma, right?

Crowley :

Crowley : That sounds so refreshing, I could totally go for a light coma right now.

*

Aziraphale : Ugh, crushes are so dumb.

Crowley : I know. Whenever I’m near the person I like I just start acting stupid.

Aziraphale : But you’re always acting stupid?

Crowley : ...

Crowley : Yeah, don’t think about that too hard.

*

Muriel : Hey, aren’t you Aziraphale ?

Aziraphale : You a cop?

Muriel : No.

Aziraphale : Then yes, I am.

*

Aziraphale : Crowley ! Have you no dignity?

Crowley : Of course not! How long have we known each other?

*

Aziraphale : What are you drinking?

Crowley : Vodka.

Aziraphale : Straight?

Crowley : No, gay. Why?

*

Aziraphale : So you like cats?

Crowley : Yeah.

Aziraphale : *tries to impress them by slowly pushing a glass off the table*

*

Cop: You ran a red light.

Crowley : So did you, hypocrite.

Cop: I was following you.

Crowley : That was dumb, I'm a terrible driver.

Cop: Get out.

*

Aziraphale : What is the one thing I told you not to do?

Crowley : Burn the house down.

Aziraphale : And what did you do?

Crowley : I made dinner.

Aziraphale :

Crowley :

Aziraphale :

Crowley : And burnt the house down.

*

Aziraphale : Do you need help getting up?

Crowley : Nah, I'm cool down here on the floor.

*

Crowley : Dracula had it right, sleep all day, live alone in a castle, and explode into bats to get out of all social situations.

*

Anathema: At first I thought you were foolish and incompetent.

Crowley : My apologies for whatever misstep I may have taken to dispel that impression. It was an honest mistake, I swear.

*

Aziraphale to Crowley : Turn that frown upside-down!

*a little while later*

Aziraphale : What are you doing?

Crowley , trying to do a handstand: You told me to “turn that frown upside-down” but it’s not working .

*

Gabriel: Think you can answer some questions without the usual level of sarcasm?

Crowley: If you can ask the questions without the usual level of stupid.

Good Omens Incorrect Quotes Part 1

Yeah, I found the incorrect quotes generator so…

I know some of these have been done but…

Crowley: You are the love of my life and I would do anything within reason to make you happy.

Aziraphale: I would be happy if you ate, stayed hydrated and got a reasonable amount of sleep.

Crowley: I said within reason, Aziraphale. How about I murder that guy?

Aziraphale: So murder is in reason but proper self care isn't?

Crowley: Well, duh. What kind of question is that

*

Aziraphale: I have feelings for you.

Crowley: Why? What's wrong with you? Are you sure you're okay?

*

Crowley: Aziraphale, you love me, right?

Aziraphale: Normally I’d say yes without hesitation, but I feel like this is going somewhere I won’t like.

*

Crowley: Relationships should be 50/50. Aziraphale cooks us dinner while I sit on the kitchen counter looking pretty.

*

Crowley: My hands are cold.

Aziraphale: Here, let me hold them.

Crowley: My lips are cold too.

Aziraphale: *covers Crowley's mouth with their hand*

*

Aziraphale: I don't know how to tell you this, but... I love you.

Crowley: That's great, Aziraphale. Especially considering the fact we've been married for 6000 f***ing years.

*

Aziraphale: Are you sure Crowley's even gay? They barely even looked at me.

*

Crowley, sweating: Aziraphale, there’s something I need to ask you-

Aziraphale: Finally! You’re proposing!

Crowley: How’d you know?

Aziraphale: Crowley, you’ve dropped the ring five times during dinner.

Aziraphale: I even picked it up once.

*

Aziraphale: You have to apologize to them Crowley.

Crowley: Fine! But I must warn you that this might make me a better, nicer person and that is NOT the person you fell in love with!

*

Crowley: I am so cool. I am an absolute Chad. I am the epitome of coolness and awesomeness—

Aziraphale: Hi.

Crowley: *melts down in a flustered heap of softness*

*

Aziraphale, to Crowley: We had a date!

Aziraphale: *aggressively points to Hello Kitty Coloring Book*

*

Aziraphale: Are we fighting or flirting?

Crowley: I'm pinning you against a wall with my hand around your neck-

Aziraphale: Your point?

*

Aziraphale: Is something burning?

Crowley, leaning seductively on the counter: Just my desire for you.

Aziraphale: Crowley, the toaster is literally on fire.

Princess and the Scoundrel Thoughts

Spoilers ahead:

First of all, the title and cover of this book are ridiculous. The art is pretty, but the pose looks like a cheesy romance. I think they’re paying homage to Courtship of Princess Leia, which while that story is hilarious, is one of the worst Star Wars books ever. But we get the Dathomir witches so it’s fine I guess.

On the other hand, Princess and the Scoundrel, is one of the best Star Wars books. Despite everything, despite all of the obstacles this book had from the beginning, it succeeds as having some of the best and most subtle character work in the entire franchise. Which is hilarious, because this book literally only exists to market a hotel. But Beth Revis said, “yeah, but what if it was good and I actually tried?”

Now, Beth Revis has clearly read COPL. You can tell and it’s kind of hilarious. For example, in COPL, there is a really long scene where Han plays sabacc (space poker) during a bout of insecurity and wins a planet to give to Leia and he uses THE MILLENNIUM FALCON for collateral. Han Solo would never do this. Now in PatS, Han plays sabacc while Leia is working to help her out by gathering intelligence. One of the players mentions that he wants to kidnap Leia (not knowing who Han is), and Han almost murders the guy. It’s awesome.

Here’s the thing, you can tell when Leia is being written by a woman instead of a man. In COPL, there is one moment where it’s brought up that if Leia marries Isolder there will be a planet for the survivors of the Alderaani genocide, but it’s only mentioned a few times and not by Leia. So any opportunity for a duty vs love internal conflict is not used. Her conflict is “Han and I are distant and space Fabio is hot so…”. Then HAN KIDNAPS LEIA USING A MIND CONTROL GUN. And she doesn’t murder him. So…I don’t care about this relationship anymore because both of them suck and it isn’t even clear why Leia falls in love with Han all over again.

Beth Revis gives Leia a very multi faceted internal conflict. Part of it is her dealing with her feelings about Vader, about being part of a team, and her guilt over Alderaan. It doesn’t take up too much time, but they inform a lot of her character.

Now, in a different canon book, that came out previously, it was mentioned in passing that Han and Leia got married on Endor. Now, at that point in both the EU and Canon, Han and Leia have been forcibly separated for a year and only actually got together a little bit before that. So, that’s really weird. But Revis is stuck with this. So she says to herself, “Why would they do this? Why would they move this quickly?”

And she remembers that this is Star Wars. They are living through war, they all almost died, and just spent a year forcibly separated. And they’ve decided that they’re done wasting time. Han just kind of…proposes and Leia (in typical fashion) debates for a second before deciding to take a leap of faith for love. It’s genuinely very, very sweet. Despite the title and cover this is not a romance book. There is no “will they won’t they” bullshit. Thank. God. They just get married and it’s really happy and Lando pranks Han into dressing nice, and it’s great. Then it’s a Star Wars adventure featuring Han and Leia.

That’s not to say Han and Leia don’t have any tension between them. The difference is it’s interesting. Han and Leia, especially her, do not know how to fully let each other into their lives. It isn’t that Han forgets for a bit that he married a very driven woman. He absolutely knows. His frustration stems from the fact that they are literally on their honeymoon, and Leia keeps leaving to work, because that is all she knows how to do. It is how she has coped with her trauma for three years. On the other hand, Leia feels like she is solely responsible for saving the galaxy, and that Han doesn’t understand that. Both sides of this argument are understandable. The book switches between Han and Leia’s perspectives. There are no stupid cutaways to Luke or space Fabio, there are no space witches. It is a focused relationship/ character study of Han and Leia while they’re on a decently interesting mission.

And the build up to the fight they end up having, is great. It’s a slow build up, you can feel their mutual frustration, and once they have the fight it is very cathartic. They don’t fight for the entire book either. They flirt and tease and have real conversations too.

So, after this huge fight, Leia is trying to divert the cruiser they’re on to this other planet, and Han finds out and helps her. Together, they succeed, but Leia is confused. They haven’t made up from their fight yet, and she asks why he helped her fight to go on a mission that’s going to take up more of their time. And Han says, “You’re my wife. If you’re running a con, I’m going to help you.”

Now, this might just be one of my favorite lines. Beth Revis understands that Han Solo is very loyal to the few people he cares about. He loves Leia, it’s why he goes back for her on Hoth at his own risk, why he saves Luke at Yavin and on Hoth. (She also understands the little bit of dorkiness Han Solo has beneath the posturing, up to the point that she gives him a sweet tooth.) Neither of them are overly mushy, they just love and respect each other.

There’s this great symbolism with their wedding rings. They’re made of hardened amber by the ewoks, and their fragility is a constant reminder of Han and Leia’s issues. They crack under pressure, and have to be maintained carefully. They eventually end up breaking under immense water pressure, but Han gives Leia a new ring (the one she wears in the sequels) reminiscent of the amber ones, symbolizing that they’re coming out stronger. It’s so sweet, and while it’s a little bit on the nose, it’s a great literary technique.

He’s acknowledging that he recognizes this part of Leia’s character, Leia realizes she needs to also put him first. In the aftermath, they both feel bad, apologize, and resolve to work on their issues together. And when they make-up, it feels real. This runs through the entire book, and the way it ends is really satisfying. Now, we know what happens to them in the sequels, so we can see how this conflict may come back into play later and lead to their eventual separation in canon. But, it’s also easy to see a different path where they work through these issues and live happily ever after. It’s just ambiguous enough to be read as either a prelude to eventual tragedy or the beginning of a long, happy life between two complex people. (I prefer the first one, but whatever).

Other things I liked:

- Han proposing. It’s literally that “I want you” “For what?” “A really long time.” quote on the internet.

Han: I want you.

Leia: Me? For what?

Han: Forever. Marry me.

- Leia tells Han about her true parentage and he just does not care. Like, he’s sympathetic towards her feelings, but is like, “why would this impact my love for you?”

- Leia finally lets herself do something spontaneous.

- Luke and Mon Mothma ship it.

- This quote:

Leia: About time.

Han: For what?

Leia: You once promised me a good kiss. I’ve been waiting.

- The conflict on Madurs is also pretty interesting. Leia is unwilling to let another planet die, giving an insight into Leia’s feelings about Alderaan, especially since Madurs values art like Alderaan.

Honestly, I want Beth Revis to write the canon “trip to Bespin” book.

Also…

This book kind of implies that Leia is bi? There’s a scene where Leia is remembering a conversation with her mother. So, when Alderaanian royals get married, their parent straps the ceremonial Rhindon sword (also used during their coronation) around their waist before the wedding.

In the flashback, Breha specifically says “whoever you marry” and “your husband or wife”…

Some people may say that it’s just ‘forced inclusion’ but that’s boring. Now, in the EU, fanon, and canon, Leia always puts emphasis on how close she and her parents were. This is something that I don’t think is ever particularly well illustrated, especially in canon. In parts the Kenobi series (she gets better later) and Leia, Princess of Alderaan, Breha in particular comes off as really unlikable.

But, if Leia isn’t over romanticizing (and there’s no indication that she is), she was really close to her parents. So, it stands to reason that her mother would know her sexuality. They at least seem really accepting in this passage, so it doesn’t seem like something Leia would keep from them.

I have no other evidence, and as far as I know, Leia is always seen in romances with men in both canon and legends, but in this context, it is a very interesting hint of something new about her character.

On the Nina and Maggie Parallels

Good Omens Season 2 Spoilers Below:

I love Nina and Maggie, and love everything they say in their final scene. But they got one thing wrong.

Yes Aziraphale does believe in magic. That he can fix a system beyond repair. But he’s nothing like Maggie aside from aesthetic. He does not show his emotions, not really. Not when it counts. Maggie tackles emotional issues head on while Aziraphale is the literal embodiment of repression.

Crowley isn’t an exact parallel to Nina, because he’s never actually opened himself up. Despite all of the atrocities he’s seen, he’s still got a bit of hope and optimism.

For all of his hard edges, Crowley believes in magic too. He believes in love confessions in the rain, in looking into someone’s eyes and knowing it’s meant to be. That “one good kiss” means happily ever after.

Incorrect Shakespeare Quotes: Much Ado About Nothing 1

Benedick: Beatrice, I screwed up, big time.

Beatrice: Benedick, given your daily life experiences, you’re gonna have to be more specific.

*

Benedick: I can't take this anymore, someone needs to take me out!

Beatrice: In a dating type of way, or an assassination type of way?

Benedick: I don't know, surprise me!

*

Beatrice: I’m proud to identify as morosexual. I’m attracted to dumbasses and dumbasses exclusively. Someone asked me what the Spanish word for "tortilla" was once, and now I dream of kissing them under the moonlight.

Benedick: What kind of animal is the Pink Panther?

Beatrice, already taking off their clothes: God, Benedick, you’re so fucking stupid.

*

Beatrice: Valentine’s day is just a consumerist holiday that holds no real value other than drive people insane buying heart shaped chocolates for their significant others and pos-

Benedick: I wrote you a poem.

Beatrice, already crying: You did?

*

Benedick: Hey, random question, what are your favorite flowers?

Beatrice: Peonies, why?

Benedick:

Beatrice: Were you going to get me flowers?

Benedick:

Beatrice:

Benedick: ᶦᵗ’ˢ ᵃ ᵖᵒˢˢᶦᵇᶦˡᶦᵗʸ

*

Benedick: Strawberry milk doesn’t taste like strawberry OR milk.

Beatrice: Go the fuck to sleep Benedick.

*

Beatrice: You’re overthinking this.

Benedick: You don’t know the appropriate level of thinking, Beatrice. What if I’m underthinking?

*

Benedick: I have a problem.

Beatrice: Kill it.

Benedick: Can you chill for like, two seconds?

*

Benedick: Anyone down to take couples counseling and see at what point the therapist realizes we barely know each other?

Beatrice: Idiots to lovers, 20k words, angst with a happy ending.

*

Beatrice, laying in bed: Get out of my room.

Benedick, standing just outside of the door frame: I’m not in your room.

*

Beatrice, ordering Starbucks: Hey, I just got my heart broken, what do you recommend?

Benedick, who’s running the drive thru: …

Benedick: Tequila.

*

Beatrice: I don't know how to tell you this, but... I love you.

Benedick: That's great, Beatrice. Especially considering the fact we've been married for 6 fucking years.

*

Beatrice: *standing on a balcony and sneezes*

Benedick: *standing on the roof* Bless you.

Beatrice: God?!

*

Benedick: Do we have any orange juice left?

Beatrice: *pours the remaining juice into their cup*

Beatrice: Sorry, we’re all out.

*

Benedick: Am I right, Beatrice?

Beatrice: I’m almost certain you’re not, but to be fair, I wasn’t listening.

*

Benedick: Hey, Beatrice. What kind of flowers do you prefer?

Beatrice: I like sunflowers.

Benedick, pulling out a bouquet of Venus Flytraps: Well, shit-

*

Benedick: Go fuck yourself.

Beatrice: Come over here and fuck me yourself you coward!

*

Beatrice: Don’t weep for the stupid. You’ll be crying all day.

*

Benedick: Capitalizing every word in a sentence is vomit inducing.

Beatrice: Enjoy Your Trip To Puke Land, Boy!

*

Beatrice: Benedick, can I ask you a question?

Benedick: Sure, anything.

Beatrice: Why don't you go back to your own house and leave us alone?

“They only used AI for like, two minutes in The Brutalist 🙄”

I DON’T FUCKING CARE THEY SHOULDN’T HAVE USED IT AT ALL

AI is never necessary, ESPECIALLY not in creative spaces, and what you lot aren’t getting is that this sets a precedent, if The Brutalist can get away with it, what’s to stop other films using it and in larger ways

What’s to stop films from using AI for writing and reciting lines, for generating background characters, for creating music and animation

Stop defending AI, I don’t care if they used it for two seconds or two hours, I don’t want it in media at all

HELP MY BOSS IS TELLING US TO USE CHATGPT

FOR STUFF THAT IS GOOGLEABLE

SHE SAID AI IS A TOOL WE CAN USE IN OUR CLASSROOMS

EXCUSE ME WHAT

"It would make my heart happy if yall used ChatGPT" - boss

KILL ME

MIT News | Massachusetts Institute of Technology

Explained: Generative AI’s environmental impact

MIT News explores the environmental and sustainability implications of generative AI technologies and applications.