dances moving
between what brian said the other day and this,,,, don't do it polygon don't give me hope for another cyberpunk video
Emelina, Right or Wrong really has everything you need in a song, fun verse, funky little jukebox soundin’ interlude, a chorus that doesn’t match the tone of the verses at all but somehow works completely, incredible harmonies, tambourine I think
some of you asked and all of you shall receive: Buffshroom boi, a compilation
art by: @duckneutron @scull-not-skull @frogsbee @cyberdumb and me
pat being upset at Way To The Woods is the cutest thing ever
unraveled gays reblog with your favorite moment from the perfect pokerap. im curious
can i just like, notice that literally every single song the altogether (and even its individual members by which i mean bdg) has produced literally SLAPS?? like, they have no bad songs. what the crap.
like, yeah, you’ve got classics like clean slated state’s “do you need someone, do you need a new me?” but then also like
billy and anne, arguably one of my least favorite of their songs, still goes hard: “and i don’t care what you say/the world looks beautiful today”
this manhattan man has incredible lyrics: “what better place to make mistakes than an island already filled with heartbreaks?”
but then also, like, in older songs? like, ladybug? ladybug SLAPS. the rhythm! the groove! the beatboxing and the buildup! the line “everywhere i’m lookin i see polka dots!” a Bop!!
and then ofc you have bri’s other work, with things like the humble knight with beautiful imagery and a good story- “trapped in a hard shell of onyx and gold/with heart as light as a dove” and disclaimer, which literally sums up ever feeling i’ve ever felt about coming with a lot of baggage into a relationship: “‘cause i’ve never met a girl/that makes me feel i’m on a tilt a whirl/and i’ve never felt so pleasantly ill”
anyway what im saying is. i appreciate the hell out of the altogether for being incapable of producing bad music