Oh My God This Is Amazing

Oh my god this is amazing

A three page comic featuring a young Daniel Molloy and Armand as they appear in AMC’s Interview With the Vampire

Page 1:
Daniel speaks to the hostess at a restaurant, “Yeah, table for one? Uh-”
He cuts himself off as he sees Armand already sitting at a table. It’s the dining room of the Copley Plaza Hotel, with tall arched windows and decorated wall lamps. The round dining tables are empty save for Armand, who is casually perusing a book resting in front of him.
Daniel tells the hostess, “Hold on a second,” and goes to confront Armand, demanding, “The hell are you-”
Armand cuts him off, “Your dinner’s already ordered, please, sit.” Then asks, “Did you know that ‘Interview With the Vampire’ is in the bookstores?” He rests his chin on one hand while the other holds the book open, “I must confess, I enjoy this small measure of notoriety. What puzzles me is that you do not want notoriety! You did not list yourself as the ‘author’, which means you are either very modest or a coward.”
Page 2:
Armand picks up his empty wineglass and looks to Daniel as he says, “Either explanation would be very dull.”
Daniel starts to get up from his seat, “...I’m not hungry, lets get out of here–”
He’s interrupted by a server, “The smoked duck breast, sir? And the beef tenderloin mignonette.”
The server continues listing dishes as other staff members fill the table with plates of food of all kinds, a trolley is left off to the side with even more food on it.
“The seared steelhead trout, the Maine lobster mac and cheese, the New England cod, the rooftop honey-cured chicken breast, the charred cauliflower steak.”
Armand holds out his wineglass for a server to fill, “I did not know what you wanted, so I ordered everything that they had.” He tilts his head and looks to Daniel, seeming pleased with himself.
Daniel scowls at Armand as another plate is set on the table, “You think you can drive me crazy, don’t you?”
Page 3:
Daniel gets more agitated, building into an indignant shout, “Well you can’t, let me tell you, every time I lay eyes on you I realize that I didn’t invent you, and that I’m sane!!” 
Daniel grabs a handful of the food in front of him and angrily shoves it in his mouth, he starts eating whatever is on the table with his hands, pasta and mashed potatoes and meat and bread. Armand is enraptured, a nearby server and seated couple are staring with concern.
Armand bursts into laughter, puts one hand to his face. Daniel freezes, mouth full, staring.
The narration reads: “It was the first time Daniel had ever heard that soft, silky laughter. He got drunk as fast as he could.”

big fan of daniel going completely off the rails while shouting "im nORMAL i am NORMAL im A NORMAL MAN" the whole time

i got commissioned to do another excerpt from the Devil's Minion chapter of Queen of the Damned and it was So Much Fun these two are insane

chapter excerpt under the cut:

An excerpt from "Queen of the Damned" by Anne Rice:
[...] And the following night in Boston, Armand was in the dining room of the Copley when Daniel came in. Daniel's dinner was already ordered. Please sit down. Did Daniel know that Interview with the Vampire was in the bookstores?
"I must confess I enjoy this small measure of notoriety," Armand had said with exquisite politeness and a vicious smile. "What puzzles me is that you do not want notoriety! You did not list yourself as the 'author,' which means that you are either very modest or a coward. Either explanation would be very dull."
"I'm not hungry, lets get out of here," Daniel had answered weakly. Yet suddenly dish after dish was being placed on the table; everyone was staring.
"I didn't know what you wanted," Armand confided, the smile becoming absolutely ecstatic. "So I ordered everything that they had."
"You think you can drive me crazy, don't you?" Daniel had snarled. "Well, you can't. Let me tell you. Every time I lay eyes on you, I realize that I didn't invent you, and that I'm sane!" And he had started eating, lustily, furiously - a little fish, a little beef, a little veal, a little sweetbreads, a little cheese, a little everything, put it all together, what did he care, and Armand had been so delighted, laughing and laughing and laughing like a schoolboy as he sat watching, with folded arms. It was the first time Daniel had ever heard that soft, silky laughter. So seductive. He got drunk as fast as he could.

More Posts from Thevoidlookedback and Others

3 months ago

I’m not trying to be an ad on main, but Oh My God

If you’ve ever thought about getting Loops earplugs, but figured “how much could they really help?”

The terrible hell that is living in city traffic? Suddenly it’s not bad to stand next to the street.

The 4 kids next door in the 3 bedroom apartment? I can only hear screaming if more than 3 chime in.

I can still listen to music and engage in conversation with them. Only downside is I’m very aware of the sound of my own breathing, voice, and my tinnitus.


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4 months ago

I’m a simple person (that is a lie.), I put on a suit jacket, and suddenly I’m possessed by the spirit of Narcissus


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4 months ago

I've been thinking a lot about the iconic Murray Gold theme This is Gallifrey, Our Childhood, Our Home. It's often referred to as "The Gallifrey Theme" or "The Time Lord Theme".

I don't think it is either of those things. In most scenes the theme is used in, it signifies either one or both of two things:

The Doctor's longing for home.

The Doctor and the Master's childhood friendship and their mutual longing for it.

The first time we hear This is Gallifrey, it is in Utopia when the Doctor is praising Professor Yana's scientific prowess. Of course, neither the Doctor, the audience, or Yana himself know that this is really the Master, but this theme underscoring the scene between the two men shows the immediate bond between them, and I think sets the tone of the Doctor/Master relationship for the rest of Murray's (first) era, the understanding that they are supposed to be friends, and if these two ancient beings had a clean slate from centuries of fighting and resentment and Time Wars, they would bond straight away.

The next major use is an episode later, in The Sound of Drums, when the Doctor is reminiscing about Gallifrey. However, I don't think the music is being used as a theme for Gallifrey itself, but rather the Doctor's memories of his childhood home. And the music continues playing when we see the flashback of the Master staring into the Untempered Schism. I think the use of This is Gallifrey is less about the place itself, but the Doctor missing home, and the Doctor remembering his childhood friend, and the moment his friend was cursed with the insanity that would ruin their friendship.

The theme is used once again, when the Master chooses to die to spite the Doctor. The Doctor breaks down sobbing while a heartbreaking rendition of This is Gallifrey plays. Once again, it is very much used as the Doctor and the Master's friendship theme, a sad variation as the Doctor loses his oldest friend once again.

The next time we hear This is Gallifrey, it is being used when the Doctor refuses to accept Jenny as his daughter or a Time Lord. We know that he is rejecting her because of his grief and regret over the family he lost on Gallifrey, and the theme is used again later in the episode when the Doctor admits this to Donna. This is Gallifrey is used to signify the Doctor's family, and all the painful memories of them that he feels when he looks at Jenny.

And then we're on to the End of Time. Simm's Master is far less open and vulnerable than either Missy or Dhawan's Master, but we get a rare moment when he and the Doctor are together in the landfill site. The Master remembering how he and the Doctor used to run through the fields as children. And sure enough, a very soft variation of This is Gallifrey can be heard, showing that the Master still misses their friendship.

A more militaristic variation of This is Gallifrey can be heard at the beginning of Part Two of The End of Time. I'd say this is one of the few times it can realistically be called a Gallifrey theme. However, I'd argue that it's less about the Time Lords themselves, and more about the Doctor's childhood home having become a warzone.

The theme is absent for most of Matt Smith's era, not returning until The Name of the Doctor. Once again, there's a credible argument that it's being used for Gallifrey/The Time Lords. However, it's important to note that the theme is being used for the flashback of an echo of Clara influencing the First Doctor to choose his TARDIS, and then showing Clara echoes helping the Doctor throughout his incarnations. I think this might come back to the theme of family, that while the Doctor mourns his family, there has been someone who has been with him from the very beginning on Gallifrey, even if he hasn't really met her yet.

One of the reasons I don't think This is Gallifrey is a Time Lord theme is that it is absent from The Day of the Doctor, despite Gallifrey and the Time Lords featuring heavily in that episode. Because Day doesn't really touch on the Doctor's grief or his longing for home. While those things undoubtedly factor in, the main drama in the episode is the Doctor's guilt for being forced to kill billions of innocent people, particularly the children, and how that came to define his future incarnations. This is Gallifrey was never really about that. That's what the excellent The Doctor's Theme represents.

This is Gallifrey is used when the Time Lords send the dying Doctor a new cycle of regenerations. It's quite an interesting use, when you consider Clara's dialogue immediately before:

CLARA: if you love him, and you should, help him.

In my opinion this is very much a "coming home" moment, a resolution to 7 seasons of storytelling. Yes, the Doctor doesn't physically reach Gallifrey, but the Time Lords have accepted him and saved him. He hasn't gotten home "the long way round" yet, but he's no longer the "Last of the Time Lords". He has somewhere to belong, at last.

Obviously, this doesn't last, and when the Doctor returns to Gallifrey in Hell Bent, it's not on pleasant terms. For this reason, This is Gallifrey never appears in the episode, because the episode isn't about the Doctor returning to his childhood home or reuniting with his loved ones. It's an episode about a man being driven to extremes by the loss of his love.

Series 10 heavily explores the Doctor/Master relationship, and This is Gallifrey underscores many of the Doctor and Missy's scenes together during the latter half of Series 10, most notably during the "Your version of good is not absolute" and "Every star in the universe" scenes. It's also used throughout the scene on the rooftop, when both Missy and Simm!Master are tormenting the Doctor, only for him to gain the upper hand. I think in this scene it is meant to show the cyclical relationship between them, how the Master's schemes inevitably fall apart at the Doctor's hands, and how normalised this game between them has become, to the extent that the Doctor takes apart the Master and Missy's scheme within the first ten minutes of the episode.

And then we get to what is in my view the defining use of This is Gallifrey: Missy killing her past self. To me, this is the moment the show had been building towards since that conversation between Ten and Yana in Utopia. The moment Missy chooses to reject her violent past in favour of rebuilding her friendship with the Doctor. And the music perfectly carries that story.

Or so we thought...

The next time we see the Master, Murray Gold has left the show and Segun Akinola is composing. Now, I'm not one of the people who thinks Akinola should've reused Gold's themes. Gold got to build his soundscape from the ground up, so it's only right Akinola got to do the same rather than riding Murray's coattails. While I don't think this is intentional, I think the absence of This is Gallifrey reinforces what is being made clear on screen, that the Doctor and the Master's friendship is over. There is now too much hurt on both sides. SpyDoc is a very different kind of relationship to either TenSimm or Twissy, with the Master's bitterness over the Timeless Child, and the Doctor's bitterness over Missy's seeming betrayal, leaving nothing but resentment between the two of them. Akinola speaks about the complexities of his theme for Dhawan!Master here , and how it reinforces the tragic nature of his character, and the thwarted potential for change in him.

Personally, I hope the Master gets a good long rest, but since RTD seems to be continuing the Timeless Child storyline, if Dhawan does return, and the possibility of reconciliation and healing after the revelation is considered, then I hope Murray does bring back This is Gallifrey as their friendship theme, possibly playing it against Akinola's Spy Master theme.


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1 month ago

no sentence fills me with utter loathing so much as "i asked chatgpt"

1 month ago

I love things more than most people. People often assume I’m manic. I’m not. 15 or so psychs have checked. (insert 2009 joke from Big Bang Theory here) I am So Tired of being told that there is something wrong with me and the scope of my obsessions and convictions simply because they’re more intense than others think appropriate.

I get that not everyone is gonna get my shakespearean poetry about religious trauma but

Everything that is me at my most undiluted is what gets me accused of putting on airs. I’m not trying to sound intellectual. I am not bragging about my education.

I don’t know what to do about that.


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3 months ago

Things my grandma thinks “made me” a homosexual:

#2 My best friend had a “lesbian” haircut.

She had the same haircut.

My vocalization of this thought was not appreciated.


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2 months ago

A Monthly Occurrence

Me: damn this playlist is AMAZING every single song is a hit, no skips. I should save it-

Me: This is my likes folder.


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1 month ago

Ilove him more than anything and I have endless side-eye for anyone who disagrees

i love book armand so much. everyone thinks he’s such a fuck up and can’t hack it, but he literally never stops trying and caring. despite it all he hangs out with humans and makes modern art and watches plays and has philosophical debates and rides a jet ski around fighting pirates and builds a mall for his friends to live in. he thinks he’s broken and incapable of love but he tries so hard at it anyway over and over :(


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3 months ago

Some of my poems got accepted for the first issue of a lit magazine. I haven’t told anyone but my sister. I’m scared they’ll change their minds by the time the issue comes out, and I’ll have looked silly for thinking my work was worthy of publishing.


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