Scott Treleaven, Untitled (Film Totem II) 61 X 11 X 11 X 11 Inches Triangular Wood Pillar, Archival C-prints,

Scott Treleaven, photography and collages for AnOther Man Magazine – published Spring/Summer 2010 Alister Mackie - Fashion Editor/Stylist Matt Mulhall - Hair Stylist

w/ models Benoit, Tom Robinson, Ross Crawford, Richie Cotterell

Scott Treleaven - Untitled (Hacheichi for H. Bey), 2012

pastel, crayon, pencil, house paint, gouache on paper

28 1/2 × 21 1/2 in / 72.4 × 54.6 cm

Scott Treleaven, My Ever Changing Moods (2009), original photographs, photocopies, collage and ink on paper

Scott Treleaven Untitled (Mercury/kalanchoe), 2017 Unique chromogenic photo collage, 35mm negative prints, archival tape, artist frame

Scott Treleaven, Fountain I (2012)

Ceramic, wood, paper, paint, phosphorescent liquid (activated under black light)

Scott Treleaven, Untitled (poppy), 2023 oil on canvas, 12 x 9"

Scott Treleaven, Before Become Extinct (2017) Gouache, acrylic and collage on paper 8 ¼" X 6 ¼" 20.32cm X 15.24cm

Scott Treleaven March 2, 2018 - April 1, 2018 Opening reception: Saturday March 3, 4-6pm COOPER COLE is pleased to present Meson, a solo exhibition by Scott Treleaven. This marks Treleaven's second solo exhibition with the gallery. Scott Treleaven’s most recent body of work is an ongoing series of torn photo-collages; bipartite constructions made from over two decades worth of the artist’s own 35mm snapshots. Produced by physically tearing in half and reassembling 4 x 6” photographs, Treleaven creates a new visual unity between the disparate pieces. The tear in the work becomes a transition between two fields; an edit, a horizon and a fulcrum. Usually depictions of atmospheric effects in nature, or quotidian domestic and studio settings, the assemblages avoid easy visual or surrealist puns, working instead with arrangements of subject, light, colour, and space. Each photo surrenders up a fraction of its original form, now segments in a new narrative that evokes the ghosts of their discarded halves. Treleaven’s artistic origins are in small-gage filmmaking and self-published zines that made an enduring contribution to independent, queer, and underground culture. The modest and democratic tenants of his early practice continue in his material choices, as well as his theory of collage as a basic gesture of insolence; a social strategy for both discord and unanticipated beauty. The photographs change from a serially reproducible, private object into a singular unique artwork by a process that usually signifies the ultimate rejection of an image.

Scott Treleaven, Kaliflower (2013) pastel, gouache, collage on paper 49 x 37.25"