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More Posts from Unecessary-death-of-a-fangirl and Others

God i wish all real life billionaires were more like tony stark đŸ˜©

Imagine watching Sherlock & Mycroft arguing

Mycroft: Are you tweeting?

Sherlock: No

Mycroft: Give it to me *gif*

Imagine Watching Sherlock & Mycroft Arguing

Y\N: *holds back a snicker*

Mycroft: reads “finally back on Terra green
#Oh what a beautiful morning”

Sherlock: such a spoilsport
 Oh are those ginger nuts? I love ginger nuts!*gif*

Imagine Watching Sherlock & Mycroft Arguing

Y\N: You two are acting like 5 year olds, yes I’m talking to both of you. You’re not except from this Mycroft

I love this scene so much. I can’t help but laugh

@bakerstreethound @sherlocks-mind @disneymarina

What’s So Bad About Periods

What’s so bad about periods

Reasons why George Blagden’s ‘Drink With Me’ video is heartbreaking

It’s Grantaire’s solo that didn’t make it to the final cut of the 2012 movie. And George sang it completely in character. It was calm and peaceful, but with undertones of fear and sadness.

It’s June 5th (or 6th in the east), the anniversary of the Paris Uprising of 1832, which the Les Amis de l'ABC could’ve been part of have they actually existed 184 years ago. GEORGE POSTED IT AT 1 A.M. A VERY APPROPRIATE TIME, PROBABLY THE TIME THE AMIS STARTED SINGING ‘DRINK WITH ME’.

George took the video at the intersection of Rue Rambuteau and Rue Mondétour, THE SITE OF THE BARRICADE. THE SITE WHERE THE LES AMIS DE L'ABC SUPPOSEDLY FELL. Let that sink in for a moment. 

For the reason above, “will the world remember you when you fall?” is very painful because the June Rebellion of 1832 is a very obscure piece of French history, and it is Hugo’s ‘Les MisĂ©rables’ that gave this event widespread renown, as Hugo himself witnessed the battles at the barricades. (Side note: Do you know why they call it ‘Rebellion’? It’s because it failed. The republicans lost. If they didn’t, it would probably be called 'Revolution’.)

Happy(???) Barricade Day, indeed. RIP, the fallen republicans of the 1832 Paris Uprising

It’s Funny What Can Happen When Someone Believes In You.
It’s Funny What Can Happen When Someone Believes In You.
It’s Funny What Can Happen When Someone Believes In You.
It’s Funny What Can Happen When Someone Believes In You.
It’s Funny What Can Happen When Someone Believes In You.
It’s Funny What Can Happen When Someone Believes In You.
It’s Funny What Can Happen When Someone Believes In You.
It’s Funny What Can Happen When Someone Believes In You.
It’s Funny What Can Happen When Someone Believes In You.
It’s Funny What Can Happen When Someone Believes In You.

It’s funny what can happen when someone believes in you.

“It was really important the show be about hope. This is a show about people who are heroic because they show up for work every day. And we liked that it’s an optimistic show. And that no matter how much they get beat up, they come back the next day.” — Jeffrey Bell

MARVEL’S AGENTS OF S.H.I.E.L.D. (2013 – 2020)

why do we not call boob physics in video game gravititty

Writing Tip: Don’t Be Afraid of Mixing Dialogue and Action

So I’ve been reading a lot of amateur writing lately, and I’ve noticed what seems to be a common problem: dialogue. 

Tell me if this looks familiar. You start writing a conversation, only to look down and realize it reads like: 

“I’m talking now,” he said. 

“Yes, I noticed,” she said. 

“I have nothing much to add to this conversation,” the third person said. 

And it grates on your ears. So much ‘said.’ It looks awful! It sounds repetitive. So, naturally, you try to shake it up a bit: 

“Is this any better?” He inquired. 

“I’m not sure,” she mused. 

“I definitely think so!” that other guy roared. 

This is not an improvement. This is worse. 

Now your dialogue is just as disjointed as it was before, but you have the added problem of a bunch of distracting dialogue verbs that can have an unintentionally comedic effect. 

So here’s how you avoid it: You mix up the dialogue with description. 

“Isn’t this better?” he asked, leaning forward in his seat. “Don’t you feel like we’re more grounded in reality?” 

She nodded, looking down at her freshly manicured nails. “I don’t feel like a talking head anymore.” 

“Right!” that annoying third guy added. “And now you can get some characterization crammed into the dialogue!” 

The rules of dialogue punctuation are as follows: 

Each speaker gets his/her own paragraph - when the speaker changes, you start a new paragraph. 

Within the speaker’s own paragraph, you can include action, interior thoughts, description, etc. 

You can interrupt dialogue in the middle to put in a “said” tag, and then write more dialogue from that same speaker. 

You can put the “said” tag at the beginning or end of the sentence. 

Once you’ve established which characters are talking, you don’t need a “said” tag every time they speak. 

ETA: use a comma instead of a period at the end of a sentence of dialogue, and keep the ‘said’ tag in lower caps. If you end on a ? or !, the ‘said’ tag is still in lower case. (thanks, commenters who pointed this out!) 

Some more examples: 

“If you’re writing an incomplete thought,” he said, “you put a comma, then the quote mark, then the dialogue tag.” 

“If the sentence ends, you put in a period.” She pointed at the previous sentence. “See? Complete sentences.” 

“You can also replace the dialogue tag with action.” Extra guy yawned. “When you do, you use a period instead of a comma.”

So what do you do with this newfound power? I’m glad you asked. 

You can provide description of the character and their surroundings in order to orient them in time and space while talking. 

You can reveal characterization through body language and other nonverbal cues that will add more dimension to your dialogue. 

You can add interior thoughts for your POV character between lines of dialogue - especially helpful when they’re not saying quite what they mean. 

You can control pacing. Lines of dialogue interrupted by descriptions convey a slower-paced conversation. Lines delivered with just a “said” tag, or with no dialogue tag at all, convey a more rapid-fire conversation. 

For example: 

“We’ve been talking about dialogue for a while,” he said, shifting in his seat as though uncomfortable with sitting still. 

“We sure have,” she agreed. She rose from her chair, stretching. “Shall we go, then?” 

“I think we should.” 

“Great. Let’s get out of here.” 

By controlling the pacing, you can establish mood and help guide your reader along to understanding what it is that you’re doing. 

I hope this helps you write better dialogue! If you have questions, don’t hesitate to drop me an ask :)

October can’t come soon enough

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unecessary-death-of-a-fangirl - Watch Me Fall Apart
Watch Me Fall Apart

Hello!!! Feel free to message me. I'm 21 and a student. I’m into basically everything. Current obsession: stray kids

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