Praise Be

Cutting through the pain? *Begins to cry tears of laughter that turn into tears of sadness*

To anyone in the TUC fandom who has looked at AHS and skipped it because they heard the ending is happy...

... and then assumed that it's just a wish fulfillment "ideal reality" kind of outcome of the TUC story that cuts all of the depth, pain, and realism ... Go back and read it right now.

Because that is not what AHS is. Not even close.

AHS is not "my version" of TUC where I just change whatever I dislike without regard for themes or characters in the original. Far from it. One of the main goals I had was actually to give more of the Underland. More characterization (that aligns with canon, although some characters develop in a different direction because of shifts in circumstances), more worldbuilding (that coincides with canon, adding onto it), ... just more, period.

The best way I can describe what it actually is is honestly saying that AHS is to TUC like Marvel's "What if ...?" is to the MCU. It is quite literally a "What if Henry had survived his fall at the end of "Gregor the Overlander"?" And I kid you not, 95% of the changes in the story, compared to TUC, are simply a result of exactly this change.

But the entire plot of the final book is different, right? Well, I didn't say that the consequences of that one change weren't substantial. They are. Without spoiling too much I can only say that Henry happens to be an optimist, and it also happens that an optimist was exactly what the TUC story needed to achieve a happier outcome.

Anyone who has actually read my version of the CoC plot will tell you that it is far from ideal, perfect, or pain-free. A lot more happens in the actual plot, but most of those new events are there to serve the dark, violent nature of war. There's so much talk about loss, and sacrifice, exploration of (also the dark side of) heroism, and whether "for the greater good" is worth it. There's corruption and death, injustice, and grappling with unkind fates and alienation/rejection.

Now, I will admit that I did put less emphasis on the societal pressure aspect of CoC, but mainly because that theme is a huge part of AHS 2 already, and it did not really fit this part of the story anymore. Instead, "Gregor against society" becomes "Questers against society" (quite literally, since they are — small spoiler — banding together to actually overthrow Solovet and bring about change.)

BUT ... if there is corruption, death, and the violence of war, how is it happier then? How can it have a happy ending?

Very simply because it is not only corruption but also redemption. Not only death and suffering but also growth and gain. Not only violence and breaking of relationships but also companionship, hope, and mending of relationships.

... The main change that happens to be so powerful it can give this series a happy ending without disrespecting or abandoning its original gritty violent core is ... a shift in mindset toward the positive. For Gregor, but also for everyone else. One of the main themes I added is the exploration of the double-edged nature of things: Everything has good and bad consequences. What we take away from it is what we choose to focus on.

Now you might see better what I meant by "All this series needed was an optimist" earlier. If there were someone to remind people of the bright side, to remind Gregor that his rager power does not make him evil and that he is never alone or choiceless, to embody this hopeful outlook and bring it out in everything ... I promise to you that this is all it would have taken.

And this is what I'm giving you.

Ripred establishing diplomatic relations between the Underland and the people of New York:

the wisdom of the elders

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Honestly, I'm more concerned about their sanity than their marriage.

Not to be THAT person but... How long do we thing Gregor's parents stayed together after the end of the books?...

This series is canon, as far as I'm concerned

Something I decided to cook up to celebrate the completion of the AHS 1 edit (YES THE FIRST BOOK HAS BEEN OVERHAULED AND IT'S SO MUCH BETTER NOW GO REREAD IF YOU LIKED IT PLEASE!! I PROMISE IT'S WORTH IT!)

Ripred & Henry are one of my favorite dynamics to write in AHS 3 and I adore how far they've come and where they started.

That and Henry in general. This is your AHS 1 vs AHS 3 Henry comparison as well (yes, ALL the text here are actual quotes from the books.)

Honestly, Ripred should start to consider paying rent with how much he and his words of harsh but wise truth live in Henry's head 🤣

doomed lovers? tragic, sure. but doomed siblings? the same blood is running through our veins, but the differences between us feel insurmountable. i love you. i hate you. sometimes i think i would’ve died without you. you drive me insane. i would take a bullet for you. i’d kill someone for you. i know you better than myself. i feel like i don’t know you at all. our parents failed us. you left me. i left you. you taught me how to love. you taught me how to be loved. i’m sorry. i miss you. i never want to see you again. i only ever wanted you to stay.

"I can teach you how to commit tax fraud in French."

"Please leave me alone."

I might have seen this said before, on a different post, but I couldn't find it, so I'm just gonna say a few words on this, partially because of that and partially because it's been ages since I've last read the series, despite it being ingrained into my head.

Almost all of the characters in TUC have moments where they are genuine assholes. Gregor has a few points where he says some genuinely disrespectful shit. Luxa, as well as most of the other humans (including Gregor, although arguably to a lesser extent), are deeply prejudiced against the gnawers. Ripred, is, well, Ripred (look, I love him, we all do, but he's a dick).

Even Vikus, arguably one of the nicest characters in the series, admires Sandwich (I think, been a while), a man who literally used poison to commit genocide in the name of stealing land that didn't belong to him.

The only characters I can think of in TUC that don't have flaws are the ones who also have the least lines: Aurora, Dulcet, Miravet. Oh, and all of those characters? Probably also prejudiced against gnawers, just never explicitly stated (to my knowledge), probably due to their obscene lack of lines. Of course there are characters like Lizzie and Hazard, who are literal fucking children so as nice as they are, I think it's safe to say they can't really be counted up here. (Should probably also mention that Gregor and Luxa are also children, just ones that were forced to grow up faster, sadly).

Then again, all of these characters have redeeming qualities. Gregor can be disrespectful at times, but that's mainly because of the stress placed upon him by the various bullshit situations he has to go through, and he usually apologizes after. Luxa and all the humans are deeply prejudiced (actually, I should probably add the fliers might be in that category too), but they are basically raised from birth to hate and kill gnawers, and vice versa. plus, it's shown that despite what is practically being brainwashed from birth, they can grow and change to overcome their own bigotry and accept gnawers as genuine people, as well as friends.

And yes, Ripred, the glorious bastard himself, is a dick. But he's also a war veteran who's lost his family, and most of the respect from his people, meaning he mainly works with humans, who tend to treat him with suspicion, if not outright hostility (until they get to know him). And he makes up for it by letting his guard down at times to be a father to the traumatized pups that dragged him into their pack.

Point is, flawed characters are one of the things that make TUC so great. They're not few and hid away either, they're everywhere, with visible flaws. If you want to make a good character, TUC is a great series to use as an example. Everything casts a shadow, just like every character has a flaw. If they don't, you probably just can't see them from your angle. And if they don't? Like, at all? Give them some, just make sure the shadow they cast matches up with the object itself.

I have an incredible idea. Hear me out here

Buddy-comedy PJO spinoff where Percy and Grover hunt down the Stingray that killed Steve Irwin.

More random things in Blue Lock I find endearing:

-> Brothers

LOOK AT THE HAND PLACEMENT OF SAE. JUST LOOK AT IT. LOOK. AT. IT. OHMYGOD I'M GONNA CRY.

Oh god.

It's tough to explain, but to see him supporting Rin's arm instead of the trophy makes me want to punch a wall. It feels like, "Yes, we won this together, Rin." OHMYGOD! AAAAAAAA!!!

-> Hushed wisher

I really don't think we have ever seen Noa coaching any player other than Isagi, so him silently rooting for Kaiser caught me off guard real hard. Of course, it doesn't seem like much of a big deal, but to see that Noa hadn't completely taken his eyes off of Kaiser and that he hadn't completely pulled away his trust from Kaiser hits a certain type of emotion in my heart.

Considering that Kaiser wants to win over Noa too—a fact Noa, probably, knows—makes everything feel a bit.. bittersweet.

-> CHEERS!!

The above panel happened after Shidou scored a goal against Barcha and honestly—

CUTE!!!

I mean, BM was next in line to face PxG—it's probably the reason why they were watching the match live—and they were going to face Shidou which makes them rivals, and yet, when he does something cool, they all go, "WOOHOO! THAT'S COOL!!" instead of worrying or being jealous.

It's called sportsmanship, I guess?

It's sweet.

-> BM's Dad

There's another translation, but I find the above one way better because it's so... soft.

I mean, Noa has always been shown as this cold, emotionless person who inhales and exhales logic, so it was sweet when he tried to reassure Kiyora—when he showed some kind of compassion. It was like, "Hey, Kiddo! It's okay, don't worry, you'll play the next time! Cheer up!"

It also makes it sound like even if Kiyora were not to have the required stats for the next match, then Noa was prepared to against his own ideals and let Kiyora play regardless.

Sweet!

-> Protective

When Nagi got pissed off because Barou's violent behaviour nearly hurt Reo. Like, just look at that stance, he was ready to beat the crap out of Barou if Reo wouldn't have stopped him.

No matter what label you give Nagi and Reo—lovers or friends—you can't deny that they are probably the best thing that happened to eachother.

I really want what they have.

-> "It's their love language"

They barely knew eachother and yet when these two started to brawl, they all intervened immediately—Nanase and Isagi are literally hanging onto them with their dear life. It's tough to explain, but I found the gesture really sweet, like, they didn't know them! They could bash open their skulls—it wouldn't affect them at all and yet, they are trying to stop them!

Adorbs!!

Also, Chigiri was on the other side of the field, I guess. He came running!!! So sweet!

-> First friend

The way Bachira blindly believed in Isagi. Like, he had full trust that Isagi will come and play with him. He never doubted him at all! The healthiest duo of Blue Lock!

Also, look at his duck lips. Cutie.

-> "Welcome to the academy!"

Anybody who has shifted to a completely new place full of completely new people knows how good and relieving it feels when others make an effort to help you feel welcomed.

No idea if those three extra characters got selected in the tryouts or not, but they were nice. If Kaiser would've met them earlier, then they all would've surely been good buddies.

-> Beloved Ace

The way everyone instantly got mad at Shidou when he hurt Sendou—sweet! Also, the fact that they all refused to play if Sendou didn't play makes me giggle.

I adore bonds like these so much.

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Pt: 1, 2, 3.

Probably the last of this series.