Moggiesandtea: I’m gonna be curious to see what ZYL calls Shen Wei after they’ve hooked up, since he’s been calling him his wife and variants thereof for 70 some chapters
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How would you lure someone into reading MXTX's novels beyond the usual "the main CP is this and that"? Cos for example, every time someone tells me to read MDZS, they mostly just say Wangxian is married and have a child and leave it at that, which isn't encouraging at all??? Sorry to bother you with this question. I love reading your responses though!
Hi there anon!~
I think pitching MXTX novels as purely “couple is so-and-so” is also a bit of a disservice, too! One of my favorite things about many danmei novels is indeed that they are very plot-heavy and contain lots of thought-provoking concepts. For the sake of this answer, I will limit it to MDZS since you gave that as an example.
For me, the most interesting thing about MDZS is not necessarily that “Wangxian are married and have a son” but the actual struggles that both Wei Wuxian and Lan Wangji endure in order to get to a point where they can be happy together. It takes one of them dying and coming back, plus the shattering of social complacency that occurs during the present timeline of the novel. And even then, that’s not even really the main focus of the novel, it’s more like a product of everything else that happens. Their history is also long and marred with anger, confusion, heartbreak, and understanding.
I have my own preferences of how I read Wei Wuxian, for example, that I think differs from other people’s. Same for how I like to interpret Wangxian. In an effort not to rock the boat, I’ll just say that I think Wangxian is a very compelling and interesting couple because they both put in work to make it work. I like thinking of how they are just very fundamentally different people, but do well together because they choose to.
But again, I think MXTX made a point also in not focusing too much on their relationship itself, but rather the plot and how/why it develops the way it does. She had something she wanted to say with this work, as she does with each one of her works. MDZS is first and foremost a murder-mystery with the background of a war story. It’s about the dangers of mob mentality, how fast the crowd will turn against you if you step out of line. It’s about how rocking the boat has far-reaching consequences, and how society often wants the easiest and cheapest way to morality. It’s about how the pressure to be perfect will shatter someone, yet the cracks may not show until it’s too late. How oppression can make both heroes, and monsters – and that sometimes, that distinction is simply a matter of who is telling the story.
(I also want to note that there’s also the one theme that MXTX seems to really favor, and is present in all 3 of her works: having one person on your side can be enough.)
These are all incredible concepts that I think are really worth reading the novel for. Not to mention, they are eternally relevant conversations to have. MDZS is a novel painted in gray, and deserves thoughtful consideration of such. (Of course, it can also just be a lot of fun!) Even how you view the main character is absolutely dependent on what perspective you want to see him through. This itself is really interesting and unique.
The way the novel ends, with a lot let unsaid – intentionally so – is bittersweet yet satisfying. Fascinating in the sense that yeah, not everyone gets a happy ending, but in a way that genuinely makes sense. (But if you’re worried, fear not, Wangxian do end up married and with a son, after all lol!)
Ultimately, these are adult novels, meant for an adult audience – and created as much for the purposes of having fun, as they are to be discussed and analyzed through a scholarly lens. So I definitely share your frustration in being pitched a novel purely on the couple, because YEAH I do care a lot about the couple (see: how I devote at least 80% of my brain power to thinking about Hualian kissing), but I also do want a story that is satisfying in more than just one way. I.e., is stratifying in both terms of its main couple’s relationship AND a fleshed-out plot line with lots of themes to analyze, because I like having fun in both of those ways!
I think even when we pitch other MXTX novels (or danmei novels in general), it’s helpful to do it the same way. To focus on what makes the novel great in its entirety, not just a small, reductive portion of it. Especially when it’s very clear that the author has so many things they’re trying to say with the work. However, I’ll end this here because this answer is getting so long lol! I hope this helped you out, anon, and maybe even sold you a little more on MDZS haha! (ノ´ヮ`)ノ*: ・゚
every day people tell me that the untamed is good, i’ve seen the first episode, stop gaslighting me
Please can you explain the difference of meaning between hanfu and huafu ? Sorry if you already got the question
Hi, thanks for the question, and sorry for taking ages to reply! (hanfu photo via)
The term “hanfu” (traditional Chinese: 漢服, simplified Chinese: 汉服) literally means “Han clothing”, and refers to the traditional clothing of the Han Chinese people. “Han” (漢/汉) here refers to the Han Chinese ethnic group (not the Han dynasty), and “fu” (服) means “clothing”. As I explained in this post, the modern meaning of “hanfu” is defined by the hanfu revival movement and community. As such, there is a lot of gatekeeping by the community around what is or isn’t hanfu (based on historical circumstances, cultural influences, tailoring & construction, etc). This isn’t a bad thing - in fact, I think gatekeeping to a certain extent is helpful and necessary when it comes to reviving and defining historical/traditional clothing. However, this also led to the need for a similarly short, catchy term that would include all Chinese clothing that didn’t fit the modern definition of hanfu -- enter huafu.
The term “huafu” (traditional Chinese: 華服, simplified Chinese: 华服) as it is used today has a broader definition than hanfu. “Hua” (華/华) refers to the Chinese people (中华民族/zhonghua minzu), and again “fu” (服) means “clothing”. It is an umbrella term for all clothing that is related to Chinese history and/or culture. Thus all hanfu is huafu, but not all huafu is hanfu. Below are examples of Chinese clothing that are generally not considered hanfu by the hanfu community for various reasons, but are considered huafu:
1. Most fashions that originated during the Qing dynasty (1644–1911), especially late Qing, including the Qing aoqun & aoku for women, and the Qing changshan and magua for men. I wrote about whether Qing dynasty clothing can be considered hanfu here. Tangzhuang, which is an updated form of the Qing magua popularized in 2001, can also fit into this category. Below - garments in the style of Han women’s clothing during the Qing dynasty (清汉女装) from 秦綿衣莊 (1, 2).
2. Fashions that originated during the Republican era/minguo (1912-1949), including the minguo aoqun & aoku and qipao/cheongsam for women, and the minguo changshan for men (the male equivalent of the women’s qipao). I wrote about why qipao isn’t considered hanfu here. Below - minguo aoqun (left) & qipao (right) from 嬉姷.
Below - Xiangsheng (crosstalk) performers Zhang Yunlei (left) & Guo Qilin (right) in minguo-style men’s changshan (x). Changshan is also known as changpao and dagua.
3. Qungua/裙褂 and xiuhefu/秀禾服, two types of Chinese wedding garments for brides that are commonly worn today. Qungua originated in the 18th century during the Qing dynasty, and xiuhefu is a modern recreation of Qing wedding dress popularized in 2001 (x). Below - left: qungua (x), right: xiuhefu (x).
4. Modified hanfu (改良汉服/gailiang hanfu) and hanyuansu/汉元素 (hanfu-inspired fashion), which do not fit in the orthodox view of hanfu. Hanfu mixed with sartorial elements of other cultures also fit into this category (e.g. hanfu lolita). From the very start of the hanfu movement, there’s been debate between hanfu “traditionalists” and “reformists”, with most members being somewhere in the middle, and this discussion continues today. Below - hanyuansu outfits from 川黛 (left) and 远山乔 (right).
5. Performance costumes, such as Chinese opera costumes (戏服/xifu) and Chinese dance costumes. These costumes may or may not be considered hanfu depending on the specific style. Dance costumes, in particular, may have non-traditional alterations to make the garment easier to dance in. Dunhuang-style feitian (apsara) costumes, which I wrote about here, can also fit into this category. Below - left: Chinese opera costume (x), right: Chinese dance costume (x).
6. Period drama costumes and fantasy costumes in popular media (live-action & animation, games, etc.), commonly referred to as guzhuang/古装 (lit. “ancient costumes”). Chinese period drama costumes are of course based on hanfu, and may be considered hanfu if they are historically accurate enough. However, as I wrote about here, a lot of the time there are stylistic inaccuracies (some accidental, some intentional) that have become popularized and standardized over time (though this does seem to be improving in recent years). This is especially prevalent in the wuxia and xianxia genres. Similarly, animated shows & games often have characters dressed in “fantasy hanfu” that are essentially hanfu with stylistic modifications. Below - left: Princess Taiping in historical cdrama 大明宫词/Palace of Desire (x), right: Wei Wuxian and Lan Wangji in wuxia/xianxia cdrama 陈情令/The Untamed (x).
7. Any clothing in general that purposefully utilizes Chinese style elements (embroidery, fabrics, patterns, motifs, etc). Chinese fashion brand Heaven Gaia is a well-known example of this. Below - Chinese-inspired designs by Heaven Gaia (x).
8. Technically, the clothing of China’s ethnic minorities also fit under the broad definition of huafu, but it’s rarely ever used in this way.
From personal observation, the term “huafu” is mainly used in the following situations:
1. Some large-scale events to promote Chinese clothing, such as the annual “华服日/Huafu Day”, will use “huafu” in their name for inclusivity.
2. For the same reason as above, Chinese clothing including hanfu will often be referred to as “huafu” on network television programs (ex: variety shows).
3. A few Chinese clothing shops on Taobao use “huafu” in their shop name. Two examples:
明镜华服/Mingjing Huafu - sells hanfu & hanyuansu.
花神妙华服/Huashenmiao Huafu - sells Qing dynasty-style clothing.
With the exception of the above, “huafu” is still very rarely used, especially compared to “hanfu”. It has such a broad definition that it’s just not needed in situations for which a more precise term already exists. However, I do think it’s useful as a short catch-all term for Chinese clothing that isn’t limited to the currently accepted definition of hanfu.
If anyone wants to add on or correct something, please feel free to do so! ^^
Hope this helps!
As I’m preparing my copy of MDZS to lend out, I’m re-reading about how crazy and difficult it is to translate XianXia.
Of course, I can’t share any of these posts with my uninitiated friends, since even the Name meta contains a spoiler. Ugh!
At least I’m enjoying it. And can maybe copy-paste abridged non-spoiler versions of some of these posts :)
Hi I’m jing (she/they, 海外华人) 🍆 You can find my mdzs/cql meta and translation posts on this blog :) Please note that I do not allow my meta and translations to be translated, reposted, edited, reproduced (including printing, and/or the distributing of electronic and physical copies), or used commercially.
The real meaning of 走火入魔 / “qi deviation”
The real meaning of 青山不改 绿水长流 后会有期 (cql only)
The differences between gongzi 公子 and shaoye 少爷
The differences between dizi 弟子 and mensheng 门生
The C-fandom’s nicknames for mdzs characters (novel only)
CQL subs critique
On the names of Lan Wangji’s bunnies (novel only)
What Jiang Fengmian might have done differently
The ideal wife, according to Jiang Cheng and Wei Wuxian (cql only)
The moment Nie Mingjue acted like a true Chinese parent in canon (novel only)
The 36 Stratagems in MDZS
Jiang Cheng: Family, responsibility, and love
Lan Sizhui: What Lan Sizhui’s birth and courtesy names mean
Lan Xichen: What Shuoyue and Liebing mean
Lan Xichen: Fairness, justice, and love
3zun: Oath of fraternity
Analysis of speech patterns in mdzs from character to character
What really happened in the love confession scene in the Guanyin temple (novel only)
Wei Wuxian’s heart and temperament 心性
What Nie Huaisang was saying about Lan Wangji in the flower petal scene (cql only)
Lan Wangji never said “you are an awful person” to Wei Wuxian (novel only)
The meaning of “jianghu” 江湖
Using Chinese names
A short note on translation
Right panel style 右衽 and left panel style 左衽 in hanfu
🐥 Meta originally posted on Twitter 🎨 Main art tumblr ☕️ Ko-fi
Congratulations to WYB for being Chanel brand ambassador, a long time collaboration. It is, as it should be.
Cr: 星川的绿
(We’re taking a calculus final. The TA is a well-known Lord of the Rings fan, and we’ve had running LotR jokes all semester.)
TA: “Okay, guys, everyone look at me. We’ve been over the rules, but just in case: no notes, pencil your answers in on the scantron sheet, and graphing calculators only – no more ‘can I just used my cell phone’ nonsense.”
Student: “[TA's name], my calculator batteries just died! What should I do?”
TA: “Here, I’ve got a big box of spares.”
Student: *struggling* “I can’t get this packaging open…”
Student 2: “Here, I’ve got a pocket knife.”
TA: “And I’ve got a pair of scissors if you need them.”
Student 3: *from the back of the room* “OR MY AXE!”
(Everyone starts laughing.)
TA: “The only axes allowed on the exam are in the graph section.”
(Everyone groans.)
TA: “Oh, come on, you’re in a math class. Deal with the math jokes.”
(The professor enters with a stack of exams. With him are two exam proctors.)
Professor: “Tolkien jokes already, [TA's name]?”
TA: “Hey, I didn’t start it.”
(The professor starts handing stacks of exams to the TA and proctors.)
Professor: “But I’m about to finish it. [TA], take these exams down the left flank. [Proctor 1], follow the desks down the center. [Proctor 2], take your exams right, along the wall.”
(At this point, many of the students have realized where this is going: Theoden’s lines from ‘Return of the King.’)
Professor: “Forth, and fear no problems! Solve! Solve, students of calculus! Points shall be taken, scores shall be splintered! A pencil day! A red-ink day! Until three thirty!”
(The professor pulls out a pencil, holding it out like a sword, and runs down the first row holding it out. Students hold up their pencils, hitting his as he passes.)
Professor: “Solve now! Solve now! Solve to good grades and the class ending! MAAATH!”
Entire Class: “MAAATH!”
Professor: “MAAAAATH!”
Entire Class: “MAAAAAATH!”
Professor: “Forth, exam-takers!”
(The entire class rises to their feet and gives him a standing ovation. A week later, we get an email from the professor.)
Professor: *at the end of the email* “PS: I appreciate all of you who wrote in their evaluations that I was the one professor to rule them all, but the best one yet was the student who called me ‘Mathrandir.’”
I spent a fair potion of my formative years idolizing Frank Frazetta / his artwork. He gave hope to all those who didn’t look like modern-day wraith-thin models. Though you have to do a Lot of working out to look like His models. Time to go do some push-ups!
older lotr illustrations sometimes depict éowyn wearing ridiculously small armour. apart from the problem general sexualisation of the only female character (who really does anything), there’s another hilarious thought:
éowyn pretended to be dernhelm, a man. to fit in, she must have worn men’s armor. so the armor in the illustrations is normal for rohirrim.
posting on twitter feels like throwing something you worked on for hours, days, weeks into a river, hoping it'll get swept out to sea for many people to experience, only for it to immediately crash into some rocks and explode. its gone now. if no one sees it in the 0.00003 seconds it exists on their timelines, no one ever will
posting on tumblr is like carefully placing your work in the middle of a dark abandoned factory, and slowly a bunch of weird little goblins manifest from the shadows and touch your work all over with their little raccoon hands and share it with each other. sometimes they find your thing again many years later and excitedly share it again
the weird goblins are much more enjoyable
There are Reasons for the Lan Rules! Imagine how crazy GuSu would be if they all roamed around wantonly like WWX…
lan xichen was really like *traumadumps the weirdest fucking story you’ve ever heard* *flute solo* “do you know my brother is in love with you?” at like 2am in the span of five minutes and no one stopped him