Hibiya Outdoor Music Hall 2 DAYS Concert Sold Out On The Same Day!!

MALICE MIZER LIVE merveilles The End and Fate in NIPPON BUDOKAN 1998.4.1

Photograph: Hiroyuki Yoshihama

Report: Aya Yokomori

I had heard that Malice Mizer’s live performances were amazing. I had also seen the video recording of their live show at Ikenoya Public Hall on April 1, 1997.

But still, nothing could have prepared me for what I witnessed at their Budokan live show. It far exceeded anything I had imagined based on prior knowledge.

The moment I stepped into Budokan, my eyes widened in shock. The stage set was like a vast, two-story palace chamber, painted in pristine white. And to top it off, classical music was playing throughout the venue.

Where am I?!

That’s how I felt.

Everywhere I looked, fans were dressed in Malice Mizer cosplay, their faces painted with elaborate makeup. At exactly 7:18 PM, the lights dimmed, and the palace set was illuminated, making it look even more like a real mansion.

That alone was enough to make my heart race—but then, the way they made their entrance took it to another level. They rose dramatically onto the stage.

So cool!!

The extravagant, theatrical entrance sent a rush of adrenaline through me. As if that weren’t enough, the performance opened with real violinists playing live on stage. The pure sound of the strings filled the air, and the audience gasped in admiration.

Throughout the show, the visuals were breathtaking—images of Malice Mizer’s aesthetic world were projected onto the white walls of the stage, red and blue lights flashed, confetti flew through the air…

In "Kioku to Kage", the lighting shifted to a serene turquoise blue, transforming the atmosphere from one moment to the next. The power of the stage, the elaborate set, and the overall production were overwhelming.

Gackt’s performance was mesmerizing. At times, he contorted his face in anguish, clutching his head. Other times, he seemed to pray, as if offering his soul to the divine. He poured his entire being into his vocals, drawing the audience into his world. I was completely captivated.

And then, Gackt treated the audience to his signature piano solo, filling the vast Budokan with his hauntingly beautiful sound… At one point, the sound of Gackt’s piano filled the air with a heartbreaking melody.

That sound… it felt as if I were gazing out of a window into a deep, endless ocean. I don’t know why, but a scene from the movie Titanic suddenly came to mind— the image of a beautiful noblewoman’s lifeless body drifting underwater.

Then, as Kami’s drumming kicked in, the intensity of the performance escalated. But what makes Malice Mizer truly incredible is that their appeal goes beyond just gothic aesthetics and dramatic beauty. As the band switched into silver-themed outfits, the mood shifted completely.

They performed upbeat songs like Je te veux and Shûto Uwuburu, bringing a playful, almost pop-like energy to the stage. Mana, of all things, was running around the stage clutching a white teddy bear.

And then, Gackt, who had been so serious just moments before, suddenly transformed into a comedic character! In the first half of the show, he had said something profound:

"This stage may become a place that connects with your hearts." Yet later, dressed in his silver outfit, he was joking around: "Man, this outfit is seriously hot! I'm sweating like crazy!"

Then he went off on a completely bizarre tangent, he started talking about a lonely cat that wouldn’t cuddle with him.

"I thought, 'Fine, be that way! I won’t pet you anymore!'"

But then, the cat suddenly climbed onto his stomach, and he couldn’t resist exclaiming, "Ahh, it’s so cute! I love it!!"

The audience was in hysterics. Then, the atmosphere shifted again. The next performance had a distinctly gypsy-inspired rhythm, and Mana and Kozi focused on an intense theatrical performance.

They captured women dressed in white and brown, forced them into chairs, and enacted a scene that was almost chilling. The sparks from the stage effects were flying everywhere—it was surreal to witness.

After that, the band members reappeared in black, creating a completely different mood. The dramatic, intense performance that followed was mind-blowing. The sound, the movements—it felt like the entire stage was engulfed in a frenzy.

By the final moments, the entire band had gone wild. Kami threw his cymbals into the air. The bassist swung his instrument around so wildly that you could hear it colliding with the stage. The guitarist sent his guitar flying. The stage was pure chaos.

Then, a wave of "Encore!" chants erupted from the audience. Some fans even began clapping in rhythm, trying to start an encore call, but their voices were drowned out by the sheer excitement and emotion filling the venue.

That’s the power of Malice Mizer.

They don’t just put on a show—they pull raw emotion from the audience. One moment, you’re mesmerized by breathtaking beauty. The next, you’re laughing. Then, you’re in tears.

Every single emotion is drawn out and experienced through their performance. By the end, my heart was shaken to its core. I can’t even begin to describe the final scene.

All I can say is… when it ended, it truly felt like my soul had been carried away.

STYLE MALICE MIZER

The act of "expression" is not something exclusive to a specialized field. For artists and creators involved in music if we were to put it simply, it is a means of offering hints and proposals that are deeply rooted in one’s personal sensibilities.

This series serves as a method to refine and cultivate those sensibilities in other words, it is a means of expression itself. Life itself is a style.

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Photography = Yohsuke Komatsu (印), Saori Tsuji (◇印)

Featuring MALICE MIZER

Guest = MALICE MIZER

Text by Kazumi Kanoh

Composition = Kazumi Kanoh

Photographs by Yohsuke Komatsu, Saori Tsuji

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ADDITIONAL SORROW

At first glance with their extravagant costumes and makeup, they may appear to be a theatrical troupe. At their live performance at Nippon Seinenkan in January of this year the stage was set in a medieval European aesthetic, reminiscent of a scene from a play.

The performance they delivered far exceeded the confines of a traditional rock band. With a spectacle that was breathtakingly opulent, MALICE MIZER has now drawn attention from various fields.

What do they think?

Where are they headed?

While retracing their past and present, we explore the "STYLE" that is uniquely theirs.

[ORIGIN]

Mana: "MALICE MIZER was formed in August 1992, with Kozi and me at the core. From the very beginning our concept was based on an image of medieval Europe. Nowadays we’ve started incorporating more pop elements but back then, we were fully immersed in Baroque and Gothic influences. We also incorporated a significant amount of classical music elements."

Közi: "At first there were no French influences like there are now. At that time there weren’t many bands focusing on twin guitar arrangements, so we wanted to feature guitar driven music."

Mana: "All of our songs were dark in tone."

Kami: "But even back then, we experimented a lot with unexpected elements."

Mana: "Our vocalist and drummer were different back then as well. In May 1993, Kami joined, and from that point on, we started playing more live shows. At that time, we didn’t have the money to advertise so the only way for people to learn about us was through live performances. So we decided to perform wherever we could. At that time, our concept was still very medieval Europe."

Kami: "We were already doing a lot with the stage back when I joined."

Közi: "We’d incorporate something special into our openings. We never made a typical rock band entrance."

Mana: "Back then, everyone was playing their instruments for the entire set, so the opening was the only moment we had to do something unique. But that was also the most exciting moment, so we wanted to make an impact right from the start. We started incorporating stage sets after we began doing one man shows but even before that, we tried our best to recreate our envisioned aesthetic in live houses. Before we became a one-man act we often opened for other bands during tours and even though we couldn’t build a full set we still decorated the stage. We wrapped it in vines, gathered tree branches from the forest, and placed them on stage."

Közi: "Yeah we’d wake up in the morning and start cutting branches (laughs)."

Mana: "Exactly (laughs). We also organized a series of events called "Tragic Banquet", hosted by MALICE MIZER, where bands like PENICILLIN and SIAM SHADE also performed. At the time, many band-led events were happening in Osaka and Yokohama, but we felt like someone needed to take the lead in Tokyo too so we took the initiative (laughs)."

- Fool's Mate 090

Mana and Kami, capturing precious memories with their adorable photos from years ago such as posing in front of the Statue of Hachiko or in Shibuya in the Hachiko Family Mural.

Enjoy 💜💙

"Malice Mizer's stage is like a scene from a movie."

Interviewer: Did you have a clear sound concept when you first started Malice Mizer?

MANA: I’ve always loved classical music and European music. So I wanted to create a band that fused the beauty and sorrow of melodies using twin guitars to create a mix of these elements. I wanted to combine a European, misty, beautiful image (in terms of aesthetic beauty) with the speed and energy of rock. As for the vocal lines I aimed to create music that has easy to listen to melodies while still hiding a sense of longing and beauty within them.

MANA: Of course when we perform I don't want people to say we sound like anyone else. I want to create Malice Mizer’s unique new sound. In terms of atmosphere, we are gradually getting closer to that, but right now we’re still in the process of experimenting and trying to carve out our own sound.

Interviewer: You’ve only been active for about half a year but do you feel like your sound is starting to solidify?

KOZI: It’s still in its early stages just starting to take shape.

TETSU: It’s just begun to sprout you could say (laughs).

Interviewer: You mentioned "aesthetic beauty" earlier but does that mean you want to create a sound that’s based on melodies with an emphasis on an aesthetic world?

TETSU: Yes, that’s right. We’re not necessarily a "singing band," but we do want to place importance on the vocals.

MANA: As for the other instruments if you listen closely you’ll hear that we carefully craft the harmonies with the guitars and bass. But when it comes to harmonies the more we think about it, the more ideas come up. We often struggle with figuring out the best place to harmonize and where we should put the emphasis in the song, so we end up debating quite a bit.

Interviewer: The interaction between two guitars is quite challenging, right?

MANA: Exactly. It’s not like heavy metal, where there’s a lead and rhythm guitar, and then when you get to the chorus, you harmonize...

MALICE MIZER

"Rest of the aristocrats! Fans capture exclusive photos!! A new charm brimming in their post-concert appearance.

Please take a look at their rare unseen moments of rest.

The photo was given to me by a friend who used to follow Malice around back then. It’s from when i was just getting to know Malice so i couldn’t tell who was who without makeup. I even wrote their names on the back of the photo (lol). Looking back i realize how incredibly rude that was."

MALICE MIZER

“Merveilles” The End and the Return TOUR '98 / 7.22 Yokohama Arena

A dangerous drug that captivates those who see it

Text: Roku Ono

Photo: Miwa Oya

"Starting around 4 PM i t began to drizzle which soon turned into a downpour. Even with umbrellas it was only a slight comfort against the incredible intensity of the rain. In the midst of it, girls, filled with thoughts of Malice Mizer and a desire to get as close to them as possible, gathered while desperately lifting the hems of their dresses and cloaks.

On July 2nd at Yokohama Arena. Fans gathered for the final of Malice Mizer’s concert tour “merveilles" The End and the Return~TOUR '98," forming a long line from Shin Yokohama Station. Commuters completely unaware of what was happening, passed by with looks of sympathy and curiosity at the girls dressed in the most inappropriate outfits for the rain. But they didn’t care about that. Ignoring the rain, the fans gathered..."

KOZI (MALICE MIZER) ASTAN - 2005 Vol.21

Translated by my cousin (corrections are always welcome)

Malice Mizer: MALICE (MALEVOLENCE) AND MIZERE (TRAGEDY)

A comprehensive biography of this band, which is second only to X-Japan in importance within J-Rock or Visual Kei, would be too extensive. Here, we will focus on the period starting with Gackt's entry into the band.

Malice Mizer was founded in August 1992 by Mana and Közi (Kouji). After several line-up changes, the band consisted of: Gackt (vocals, piano), Mana (guitar, keyboards), Közi (guitar, violin), Kami (drums), and Yu-ki (bass) starting in August 1995.

Shortly thereafter, the group released their second album, "Voyage (sans retour)," marking a first step toward superstardom. The musicians' popularity steadily increased, attracting the attention of major record labels. Thus in 1997, MM signed with Columbia in Japan. Their first single, "Bel Air kuhaku no toki no naka de," was released followed by TV appearances and radio shows as well as the famous concert at Nihon Budokan.

In 1998, "Merveilles" was released. Malice Mizer was at the peak of their career, embodying everything associated with superstardom. Fan displays overshadowed anything conceivable, and Gackt could undoubtedly be referred to as the most popular Japanese show star at the time. The concerts were elaborate events, with costumes and staging that surpassed everything seen before. However, the fractures within the band were unmistakable. While Gackt seemed to thrive in the J-Pop Olympus the remaining members were striving for artistic quality. Disputes ensued, resulting in Gackt leaving the band in January 1999. As if that weren’t enough, drummer Kami passed away later that year due to an arterial brain hemorrhage. Following Kami's death, on September 21 1999 the band decided to take a hiatus.

Their fourth album, "bara no seidō," was released in August 2000 under an indie label, Midi:NetteM+M which was the newly established label owned by the band. The album "bara no seidō" is an epic work, heavily influenced by German classical music. Choral passages and long instrumental sections elevate this work to classic status. The trio of Mana, Közi, and Yu-ki experimented on this album without a fixed singer or drummer. This is undoubtedly the most impressive and monumental work by MM, although its reception from the audience could have been better. Perhaps under this impression, the band decided to recruit a new singer, Klaha, in August 2000. The sound shifted towards an epic and darker rock sound. With Klaha, MM returned to catchy melodies, though they were far removed from the J-Pop of the Gackt years. In my opinion, this is the best, albeit temporarily concluding, chapter of the group.

A few singles were released afterward. The last tour took place in July 2001, after which the band disbanded. Klaha began his solo career, Közi is currently active as a solo artist and as a member of Eve Of Destiny, while Mana has become a well-known figure in Japan with his own fashion line and Gothic Lolita shops. He continues to be active as a musician in his band MDM. Yu-ki is no longer prominently involved in music.

It’s also essential to look into the successor bands of Malice Mizer. I can't find anything appealing in Gackt and Klaha's solo works. I really enjoy Eve Of Destiny, as well as everything Mana releases to the public. EOD is an industrial goth band; Mana is much heavier but also more classical in orientation. Közi's solo work sounds very relaxed and somewhat French, although he writes in English.

I have met Közi several times and found him to be a somewhat shy and introverted man. However, he is a very nice guy. But that’s just a side note. What fascinates me is the band's fluctuating musical trajectory. By the time Gackt joined, the typical "growing pains" of any group had settled, and a first creative peak was reached with Gackt. The time with Gackt was the commercially most successful period, and the concerts were a dream visual event. The costumes changed multiple times during the show, and the staging would be compared to German theatrical productions.

Part 2

Groups like Rammstein would turn green with envy. Musically i find Gackt quite uninteresting. He knew how to present himself well in the spotlight but that’s about it. Gackt after Malice Mizer is nothing more than slimy, sweet-and-sour J-Pop. A nod to Herr Rohlen. Artistically an MM album like "bara no seido" is much more impressive. Some elements remind me that both Mana and Közi are great admirers of the German composer Bach. This influence is unmistakable. These influences, combined with Közi's and Mana's magnificent guitar playing, elevate "bara no seido" to a masterpiece for this group. The musicality of Malice Mizer is one of the outstanding characteristics of the Japanese band. The range of instruments spans from the standard instruments of a rock band to very European instruments such as clavichord, spinet, violin, or accordion. One might think that nothing catchy could emerge from this, but that is precisely one of the band's strengths.

Each song is assigned a style and a color. Mana represents the color blue, in which his clothing is designed. Mana is an imposing figure who can only be described as beautiful. When I first saw a video by MM, I thought the guitarist looked quite good. Not to mention, the guitarist is a male. In Japanese tradition, it is not so unusual for a man to appear feminine. Mana gives few interviews and hardly speaks in public, yet he is the creative mind behind Malice Mizer. He has perfected the Gothic Lolita style and can be understood as the counterpart to Gackt. Gackt does not wear white makeup and is considered by a large part of the female MM fans to be the quintessential fairy tale prince.

Közi represents the color red. He appears quite androgynous as an MM member. At the same time, he is aloof, reserved, and doll like fragile. Kami represents the color purple and Yu-ki represents yellow and/or orange. Noteworthy about him is his occasionally drawn-on occasionally real beard. Klaha’s color is either black or white. He later takes on Gackt's role but is much more masculine and less boyish than Gackt.

The look of this group. Malice Mizer seems to change costumes like others change underwear. It’s incredible how tastefully and stylishly Malice Mizer dressed and presented themselves. The staging on stage and in the videos is trendsetting and has not been achieved by any group known to me before or since. The transition from a metal band to a VK group and ultimately to a heavily Gothic-influenced act is marked by significant breaks. Yet, one can always recognize Malice Mizer's typical sound. For anyone who is now curious, I strongly recommend checking out the live DVDs or the group’s videos. Personally, I really enjoy the videos and music from the time with Klaha. The videos with Gackt are more colorful, vibrant and playful. I can recommend all DVDs from Malice Mizer.

The End

I did a translation of this interview. I hope you enjoy 🦋

Gackt: "You know, I can look someone in the eye and say, 'You're beautiful' (in a deep voice like Gackt's) even if it's the first time we're meeting (laughs)."

KO: "That's a very foreigner-like attitude."

Y: "Exactly. The way he delivers his lines perfectly fits his character. In a way, he's a dangerous person... ah, so scary, so scary (laughs)."

Everyone: (bursting out in laughter)

Y: "Honestly, I'm jealous. How many more encounters would I have if I could start conversations like that? I'll try my best."

M: "Well, isn't he the guy who gives off the most seductive male pheromones? (laughs). In fact, when I'm on stage with him, I'm just mesmerized. 'Ah, so this is the pheromone he's emitting...' (laughs)."

KO: "You both seem to be mesmerized by each other (laughs)."

M: "He just makes you feel all sorts of things. You're practically ravished with his eyes. I totally get why women are so taken with him. ♪I want to hold you tight and sleep♪ I experience it firsthand when I'm hugged on stage (laughs)."

Y: "Next time, let's sell Gackt's pheromone-infused perfume (laughs). We could advertise it in magazines with a tagline like, 'This will attract women to you,' and it would be a hit (←completely convinced)."

KO: "Hahahahahaha!! (bursting out in laughter)"

KA: "He always stays calm and gives answers that hit the mark. I always think that's amazing. I'm also envious of how he can do anything. I think he feels a sense of aesthetics in creating himself through every gesture. But if I were to point out one thing, it's that if you keep saying 'thank you' over and over it might be hard to tell which one is sincere. That's the risk."

Gackt: "I'm always grateful, though (laughs)."

KO: "He's quick-witted, and like KAMI said, he can handle pretty much anything. He can even ravish a woman with his eyes."

Gackt: (laughs)

KO: "That's why I try not to make too much eye contact with him, or I'll turn to stone (laughs). There's something strangely persuasive about his eyes and words. His daily life is quite mysterious (laughs)."

Interviewer: "So, what is the common ground between these five unique individuals?"

Gackt: "A sense of uniqueness, loneliness, creativity, a strong desire not to lose..."

KA: "Including all of that, I think it's destiny. The five of us are the 'chosen ones'..."

Gackt: "The chosen ones? (laughs)"

KO: "KAMI is actually a god (laughs)! (←Note: this is where you laugh)"

~ End ~

Klaha [MALICE MIZER]

●Klaha

“I'm not as delicate as everyone thinks. I've got pretty thick nerves.”

PROFILE

(From left): yu~ki (B), Mana (G), Klaha (Vo), Közi (G)

The band name, MALICE MIZER, holds the meaning of “malice and tragedy.” Their concept driven songs soaked in a medieval gothic atmosphere, and their live performances transcending mere “shows” are truly worth experiencing

“I've been influenced by the other members in a lot of ways.”

- Klaha who joined MALICE MIZER as their vocalist last summer had already known the members for some time before officially joining the band. But what led him to make the decision?

“I’ve never really been interested in the band scene. What I’ve always cared more about is simply wanting to sing. But I felt like, if it’s MALICE MIZER, they could help elevate my singing and that my singing might also deepen their musical expression. To me MALICE MIZER is a solitary presence radiating a unique, lonely aura that you can’t find anywhere else.”

- For Klaha joining the band didn’t just affect him musically it also had a major impact on his fashion sense.

“We actually go shopping together sometimes (laughs). Before that, I always wore all black like, even in summer I’d be wearing long sleeves, sometimes even a coat. But after joining that started to change thanks to the other members. These days I’m into more natural styles. Since MALICE MIZER delves into such a fantastical world, I think it's more interesting to keep things natural in daily life. The contrast feels really refreshing.”

- Klaha is currently exploring a fashion style he’d never embraced before. Naturally, that comes with some missteps…

“When I only wore black i could tell what suited me without even trying it on. But now, even when I’m sure something looks good I’ll try it on at home and the collar will look weird or something. I mess up a lot now (laughs).”

- What about his hair styling habits?

“Well i put some styling lotion in and wrap the ends of my hair around my fingers to give it a wavy look, like natural curls. But if I zone out, I end up curling it the wrong way inward instead of outward. When that happens, I just spray more lotion, run my fingers through it and mess it up like, ‘Whatever, good enough!’ Honestly, I can’t even draw a decent circle, I’m that clumsy. So if it’s not working out, I just give up and move on (laughs).”

- A great cook and athletic too. But a bit of an airhead!? Tall, slender and quiet, he might come across as delicate and highly sensitive. But Klaha’s real personality is surprisingly relaxed and easygoing.

“People assume I’m terrible at sports, but actually I’ve got pretty good reflexes. If there were a sports festival for visual kei bands, I’d totally want to join (laughs).”

- One of his talents is cooking—he says he can make almost anything without even looking at a recipe.

“I haven’t cooked for the other members or staff yet, so they’re all kind of skeptical about it. But what really gets to me is when people say I’m an airhead. They say the way I talk is kind of offbeat, but I’m like. What exactly about it is off? As far as I’m concerned, I’m explaining things logically. It all makes perfect sense to me totally perfect, actually (laughs).”

Moi dix Mois

Welcome to the Strange Year End Party

Moi dix Mois' annual grand year end party, sandwiched between their signature dark live performances with a spectacular ending! This year as well Seth (Vo) appeared as the character "Umezawa Sesuo" performing the song "Yume Shibai," while Mana (G) displayed his brilliant drum and bass playing.

The evening's feast began with a comedic opening hosted by K (G, Voice) and included highlights such as the anime "Martin Theater," which evoked shouts of "kawaii!" from the audience. Of course when Moi dix Mois performed they swiftly shifted from the fun atmosphere to their signature coolness, impressing as always.

Now witness an entertainment show infused with the dark aesthetics that define Supreme Commander Mana.

Dis inferno Vol. IV LAST YEAR PARTY 2006.12.26, Shibuya O-East

The venue dimmed and the host K appeared on a small stage on the right side of the floor, announcing today's opening act. The band was called MANALEY CRUE (a play on the name Mötley Crüe). As the curtain opened to "Red Hot," Mana appeared first, wearing tight slim pants decorated with mesh and handcuffs in a very Mötley Crüe like outfit. For a moment, you could almost think you were witnessing the LA metal scene of the early '80s. As the other members appeared, their resemblance to the original band was quite impressive, especially Sugiya (G), whose appearance was strikingly similar to Mick Mars. It seemed like Mana's choice for sure.

After playing drums in the past, Mana took the double bass drum kit for this show, setting the tone for this two-year comeback event, Moi dix Mois' Last Year Party under the name Dis inferno. Though usually known for their serious live performances, on this night, it was all about fun, giving fans a rare glimpse into the band members' hidden talents and unique sides. As always, the central figure was Moi dix Mois' leader, Mana.

The band played "Looks That Kill" with enthusiasm continuing the Mötley Crüe tribute and series of covers. The next act saw a dazzling Seth take the stage as "Umezawa Iku," performing Umezawa Tomio's "Yume Shibai." Seth's performance was remarkable, fully immersing himself in the song's world. Hayato dressed as a stagehand, added manual effects like tossing confetti, making it a full-fledged show.

Following the metal and enka (Japanese ballad) performance, Fukuyama Kenji's "Squall" was performed with an acoustic guitar, not by K, but by Keiny-chan. Although casually dressed in a white shirt and jeans, his face was still decked out in the usual death/gothic makeup, with half of his hair braided and the other half spiked—an extreme look that added an eerie touch to the performance. Despite the visual contrast, his voice resonated powerfully.

Next up was "The King of Knowledge" Sugiya, who appeared as "Sugick" to perform... balloon art! Yes, twisting long balloons into shapes like animals and flowers in a street-performer style. In a short time, he created a parrot, leaving the audience exclaiming, "Amazing!"

Afterward, the atmosphere completely shifted as "Now the other side in blood" began, marked by the intense double bass drumming. The live performance by Moi dix Mois proper started, powerfully leading with "Front et Baiser." The band's signature sound, featuring crushing metal riffs, had the audience headbanging enthusiastically, creating an electric atmosphere.

During the break, an animated short, "Martin Theater," featuring Mana as a chibi character, was shown on the screen. The whole band appeared in super-deformed (SD) style in a cute and comical story, delighting the audience with its adorable depiction.

On this night, the setlist was built around particularly aggressive songs, driving the audience into a frenzy. The combination of metal riffs and fierce melodies, like in the nostalgic track "Lamentful Miss," echoed strongly through the venue. Moi dix Mois’ performances, such as "Ange," highlighted their unique style, combining intensity and a haunting beauty that remains true to their essence.

The visual spectacle also included Mana’s new guitar, "Jeune Fille X Bronze -Cross Ray-," which had a glowing blue cross in the center. He concluded his performance by collapsing dramatically on stage, leaving a lasting impression. This glimpse into the recording of their upcoming album, due in March, hinted that intensity would be a major theme.

After the show closed with a powerful and flawless performance, the grand year-end party concluded with the entire Moi dix Mois band plus K performing a massive singalong to "Can't Take My Eyes Off You," with giant balloons floating through the crowd, bringing the festive night to a spectacular finish.