Wolf/Canine Teeth Study By TIFFASHY

Wolf/Canine Teeth Study By TIFFASHY

Wolf/Canine Teeth Study by TIFFASHY

More Posts from Zelo-ref and Others

9 years ago
Halberd Of The Guard Of The Electors Of Saxony
Halberd Of The Guard Of The Electors Of Saxony
Halberd Of The Guard Of The Electors Of Saxony
Halberd Of The Guard Of The Electors Of Saxony
Halberd Of The Guard Of The Electors Of Saxony

Halberd of the Guard of the Electors of Saxony

Dated: circa 1620

Geography: Saxony

Culture: Saxon

Medium: steel, wood, gold, textile, metallic thread

Dimensions: L. 8 ft. 8 ½ in. (265.4 cm); L. of head 50 ½ in. (128.3 cm); W. 11 ½ in. (29.2 cm); Wt. 7 lbs. 2.2 oz. (3237.5 g)

Source: Copyright © 2015 The Metropolitan Museum of Art


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9 years ago

*cough* I was wondering if you could make a tutorial or something on how you draw your arms. >=> or if you have any artists you got inspiration from... ;-; your Sourin makes me really happy btw :3

Arms huh…yeah I have to say, arms are a pain for me to draw sometimes. It’s hard to make them look natural and it’s part of what make drawing people so difficult, because if the arm don’t look right, the rest of the body looks stiff. The shoulder, arms, and hands are among the most expressive of body parts, so it’s important to keep that in mind. Everything I know about drawing arms is based off of real life observation lol. (seriously though, I’ll stare at people’s arms, and sometimes my own, when I’m at the gym. If you have especially nice arm muscle definition, I will stare a lot lmao. I also just stare at people’s arms in general too. I promise I’m not creepy.) This is a basic rundown of how I go about drawing arms:

image

I divide it into three parts, the shoulder part that connects it to the rest of the body, the upper arm, and the forearm. Three tube-like lumps lmao. You can vary the amount of muscle and muscle definition to change it up. 


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8 years ago
Evening Dress

Evening Dress

Patou

1947-1949

MET


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9 years ago
Gesture Drawing Top Image Row 2 Row 3 - 8
Gesture Drawing Top Image Row 2 Row 3 - 8
Gesture Drawing Top Image Row 2 Row 3 - 8
Gesture Drawing Top Image Row 2 Row 3 - 8
Gesture Drawing Top Image Row 2 Row 3 - 8
Gesture Drawing Top Image Row 2 Row 3 - 8
Gesture Drawing Top Image Row 2 Row 3 - 8
Gesture Drawing Top Image Row 2 Row 3 - 8
Gesture Drawing Top Image Row 2 Row 3 - 8
Gesture Drawing Top Image Row 2 Row 3 - 8

Gesture Drawing Top Image Row 2 Row 3 - 8


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9 years ago
Gesture Studies, By Ben Li
Gesture Studies, By Ben Li
Gesture Studies, By Ben Li
Gesture Studies, By Ben Li
Gesture Studies, By Ben Li
Gesture Studies, By Ben Li
Gesture Studies, By Ben Li
Gesture Studies, By Ben Li
Gesture Studies, By Ben Li
Gesture Studies, By Ben Li

Gesture Studies, by Ben Li


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9 years ago
Grey | Cream
Grey | Cream

grey | cream


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8 years ago
青藤スイ  -  Https://twitter.com/melonsoda_blue  -  Http://ramuneblue.tumblr.com
青藤スイ  -  Https://twitter.com/melonsoda_blue  -  Http://ramuneblue.tumblr.com
青藤スイ  -  Https://twitter.com/melonsoda_blue  -  Http://ramuneblue.tumblr.com
青藤スイ  -  Https://twitter.com/melonsoda_blue  -  Http://ramuneblue.tumblr.com
青藤スイ  -  Https://twitter.com/melonsoda_blue  -  Http://ramuneblue.tumblr.com

青藤スイ  -  https://twitter.com/melonsoda_blue  -  http://ramuneblue.tumblr.com


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9 years ago

HOW NOT TO DRAW ARCHERY: AN ART TUTORIAL.

DISCLAIMER: I was going to make this “how to draw archery”, but that would probably have taken the rest of my life. This is all stuff I’ve learned from practicing archery in the past, and the tips I’ve given should translate to many, if not all styles of archery. If you take issue with any of the information given here please contact me, as I’m aware I’m not an expert!

Okay, I’ve seen too many bad drawings of archery online. Most of the time I can overlook it, but I’ve made this guide to address drawings where a) the character would hurt/maim themselves if they shot like that, or b) if you tried to shoot like that, the arrow would just make a sad trajectory to the ground, the aerodynamic equivalent of a “WAH-WAH” on a trumpet.

With this in mind:

POINT ONE: WHY IS YOUR ARM LIKE THAT

If successful archery is about one thing, it is about consistency - being able to make your body take exactly the same stance over and over and over again. Your body is a key part of the weapon, and just as you wouldn’t want a gun that had components that wobbled and shifted, you don’t want your body to.

With this in mind, characters shooting, particularly at full draw (this is when the arm pulling the string is stretched all the way back), should have the arm that is holding the bow straight. Not locked - I’ll get into that - but straight. A straight arm is easy to replicate - a bent arm could be at a different angle each time. Simple as that.

image
image

POINT TWO: DON’T SHOOT YOUR TIT OFF

See this diagram

image

the dotted line is the path the string will take. The string is extremely tight - it has to be for the bow to work. It will therefore move extremely fast. Do you want any part of your body to be in the way of that.

image

if you have any part of your body (elbows and breasts/pectoral muscles tend to be the worst offenders) in the line of the string, they will get hit. And this will hurt. A LOT. Google “archery bruise” to see how. Yikes. Furthermore, if your arm or chest gets in the way, it’ll knock the arrow off course, and in addition to having sliced your nipple off you’ll have missed your shot too. So KEEP STUFF OUT OF THE PATH OF THE STRING.

side note: this is where the myth of amazons chopping their boobs off came from. Also, why archers sometimes wear chest-guards - this looks like a one-cupped unisex bra. Stylish. Also why archers often wear protective gear called a bracer. This goes on the tender inside of the arm and wrist that might get clipped by the string, not the outside that is nowhere near it.

image

POINT THREE: WHAT ARE YOU DOING WITH YOUR FINGERS STOP THAT

Okay I keep seeing this

image

Having the fingers clasping the arrow like this makes it highly likely that the pressure from them will send the arrow off-course.

Many modern bows have an arrow rest so you needn’t rest the arrow on your hand at all. If that isn’t the case, it works better to rest the arrow on the first knuckle of the index finger (where it meets the hand). If it’s just being used as a platform, the finger shouldn’t be able to exert enough pressure to make the shot go all over the place. Also you won’t end up shredding your fingers with the fletchings.

image

Talking of that…

POINT FOUR: DON’T SLICE YOUR FINGERS OFF

remember what I said earlier about how incredibly taut bowstrings are

imagine pulling that back with your soft fleshy fingers

it is basically like cheesewire through…soft fleshy fingers.

Use protection. Illustrated below are the tab and archery glove, or just go to google or something, stop the madness.

image

POINT FIVE: PHYSICS DOESN’T WORK LIKE THAT

A strung bow is taut. The body of the bow is pulled by the (very tight) string, making a D shape. An unstrung bow will be straighter.

The tension in the string means a string should always be a straight line. If the bow is drawn, it’s two straight lines. 

image
image

If there is any curve in the string, the arrow will probably fall limply to the floor.

ALSO. When the string is drawn back, it exerts more pressure on the bow, creating that really exaggerated curve. This is where the power comes from. (I think. I am not physics). Basically, if you’re drawing a character at full draw, the string should be straight and the bow should be curved. If the opposite is true something very wrong has happened and you should be sad.

image

OKAY! I hope this has been helpful, if you have any questions or concerns let me know. And if in doubt, doctor google will help you - look at olympic or professional archers, and see how they’re standing and how their bows behave.

GOOD LUCK DRAWING!

8 years ago
Slippers

Slippers

1800s

Museo del Traje

Help keep OMGTD up and running!


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9 years ago

If you're an artist looking to diversify your faces:

click this link

draw whomever you get

don’t worry about making it super-accurate, just focus on the characteristic parts of the face and have fun

the outcome might not look like the ref, but it will be different and more varied than faces you draw out of your head, an dprobably pretty rad on its own right!

feel free to reblog with your drawing, if you want!


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