AsianBL - Blog Posts

not so quick pitch 

Light on Me (2021 - Korea) 

Rating: 10/10

Foundational Romance Trope: friends to love triangle

There were some who thought this BL slow, and I get that, but really it’s just subtle and quiet. With Light on Me, Korea gave us an honest to goodness high school set BL with some classic old school yaoi tropes almost like they were doing a bit of a, 

“now that we’ve hit our stride, let’s perfect the vanilla sheet cake BL style.” 

It was great, of course, but very refined and elegant which some found off putting. It made me think of something like this… 

It’s what Korea does, repackage and perfect vanilla cake into this pretty glowing confection of precision joy. I’m cool with that. By all means, please include BL in the Hallyu take over. This is the K-pop of BL En-Hyphen style, manufactured super-powered cute but… restrained. 

But that doesn’t make it any less gut wrenching to watch. In fact, it makes every subtle tentative movement of care that ShinWoo attempts that much more telling. It makes every fear of exposure that prevents DaOn from taking action that much more traumatic. It makes every moment of TaeKyung’s brutal honestly and blunt communication that much more powerful. 

It’s like that intense moment of focus on the hand flex in an Austen adaptation - we are awaiting every crack in the sugar sculpture with bated breath. 

The filming in this show was precision engineered. The frame was kept uncluttered, characters appeared exactly in the center, there was little visual noise, and the lighting was full on, even in night shots. To me this reflected the character of TaeKyung - honest and almost stilted in his mannerisms. I feel like the director filmed this series as if the show itself were TaeKyung: careful and clear and specific. 

This may come off as one-note or simplistic to a casual viewer but it’s actually quite difficult to film something so precisely and still make it interesting to watch. It forced the viewer to focus almost entirely on the actor’s faces, their nuanced emotion, and their interpersonal relationships to the exclusion of all else. Lucky for us those actors served the lens beautifully. 

There is literally NOTHING distracting about this directing style. It’s like the camera was a neutral white room, a well-lit gallery in which the narrative hung suspended for us all to stand and stare at in hushed silence.

A love triangle has never before looked so perfect or been executed so perfectly, and it never will again. All BL love triangles that come after Light On Me (and we will get them now) are going to be unfavorably compared to this show. 

When I posted about Korea’s history with BL, I talked about how strategic and clever they are with tropes. Light on Me is a master class in how to use tropes to manipulate audience sympathy so they can’t decide which pair they prefer. Korean BL never just throws in a trope without purpose - they calculate its impact on story structure. Basically, LoM used this technique to infect fans with Second Lead Syndrome. It’s SO GOOD.  

So yes, Light on Me was cleverly engineered, but it was also SPECIAL, and here’s why:

This show gave us a small cast of beautifully acted complex and sympathetic characters and dwelled on their different motivations, communication styles, and narrative roles. It gently explored not what it means to love, or even be in love, but what it means to act on love, and what that says about integrity and emotional courage. In doing so, it managed to treat its characters with integrity too. And not just the three main characters but the mentor, the faen fatal, and the best friend support characters too. 

This show felt very fair. Fair to its characters. Fair to its story. And fair to us, the watchers. 

For me this BL was classy, a real winner, not the least of which because they NAILED the landing, including the final kiss. Korea is DOMINATING 2021. Like seriously. What’s going on here?  

Full analysis of the love triangle trope under the context of the second half fo this BL here. 

Bravo, Korea.

(source)

Love Triangles & Tropes

I have to talk about love triangles for a moment and it is all Light on Me’s fault. 

Most BLs don’t employ true love triangles. Instead they throw in a faen fatal as a plot device who is obviously not a real threat to the main couple for various reasons: 

They’re an underdeveloped character with little back story. 

They’re the wrong gender. 

They enter late in the narrative and/or have very little screen time. 

They engage in no significant romance tropes with the lead. 

With a faen fatal we all know that our two boys will end up together. 

A love triangle is different. 

In a love triangle the audience actually believes the second lead has a good chance of winning over the main character. The second lead is given back story, is the correct gender to be competition, and has significant screen time. And, of course, tropes are used to make the burgeoning romance believable. 

Guess who is great on love triangles and even better at giving audiences bad cases of Second Lead Syndrome?

Why yes, that would be Korea.

When I posted about Korea’s history with BL, I talked about how strategic and clever they are with tropes. I think this is one of the reasons they are so good at believable love triangles. 

But so far they haven’t given us a love triangle in BL… until NOW. 

Light on Me is the Perfect Love Triangle

For the purposes of argument (and because of various elements like the lingering gaze, romance narrative conceits, focus of the camera lens etc) I am going to go with the following:

TaeKyung = our POV or main character (uke*)

ShinWoo = Lead (seme) 

DaOn = Second Lead (seme)

* In addition to specializing in soft low heat BL, Korea likes a slow burn romance and a weak seme/uke dynamic. So we are going back to the original definition of uke: basically the character the others are pursuing and want to take care of. 

Light on Me is using heavy hitting BL tropes to weight TaeKyung’s options fairly. Almost every time the director doles out one significant trope to SinWoo they will then give the same trope to DaOn or vise versa. It’s so smart and fun to watch I started keeping score. 

Crash Into Me AKA Proximity Alert 

(Camera then shows ShinWoo watching this, when it’s a trope he already got to have with TaeKyung.) 

Messy Eater

(Camera then shows DaOn watching this, when it’s a trope he already got to have with TaeKyung.) 

Meet Me In The Library 

Head Touch

(Honestly I am Team ShinWoo solely based on this neck grab.) 

Wound Tending

Light on Me is a master class in how to use tropes to manipulate audience sympathy so they can’t decide which pairing they prefer. Basically, this is how you infect fans with Second Lead Syndrome. It’s SO GOOD. 

Also, did you notice how they spaced this flip-flopping out at first, but then it got closer together? Crash into me with seme 1 then not with seme 2 until a few episodes later. But as the series progresses and the tension increases, the same trope for one seme comes closer in time to the same trope for the other seme, until finally at the end of episode 8, both semes want to wound tend TaeKyung in the same scene! Which mean’s this show is also pacing its tropes to amp up love triangle tension. 

This is clever enough to be mind boggling. I can’t even. 

On the other hand, they will dole out specific tropes to each seme (that the other one doesn’t get to have). So ShinWoo got to tie the shoelaces. But DaOn loaned the umbrella. SinWoo gets to grab and physically demonstrate interest. DaOn gets to flirt and verbally indicate interest. 

Partly this is because TaeKyung is on an enemies-to-lovers arc with SinWoo, but on a friends-to-lovers arc with DaOn (see True Beauty). But also it’s because the two semes are very different personalities. 

Similarly the narrative parcels out TaeKyung’s responses accordingly. 

So TaeKyung collar grab’s SinWoo. This is a trope that is always uke to seme in an agro relationship, because when an uke acts aggressively you know something is going down. It’s commonly used to give uke agency for the first kiss (see We Best Love). TaeKyung also rescues ShinWoo from bullies and gets hurt in the process, another aggressive move with relation to this particular seme and more common in enemies to lovers (see PeteKao in the Kiss series). 

Since DaOn is on a friends to lovers track, TaeKyung is a lot softer with him. 

In fact TaeKyung keeps trying to take care of DaOn, and even performs some seme acts of service (even though he’s the uke character), which is Korea being unbelievably clever with their love triangle. I mean how can we not root for them as a couple? 

Look, I’ve seen the seatbelt trope a million times but only PeteKao have ever flipped it so far as I can recall, and that’s just because Pete keeps getting beaten tf up. This is the kind of proprietary behavior (see also buckling on a safety helmet) only performed by seme on uke. 

Also TaeKyung took care of DaOn when he was sick, remotely, but still he used the umbrella to tell DaOn who was doing it. This is playing with the idea of mutual responsibility and partnership which is very unusual in BL, and makes me like them as a couple all the more because they act on an equal footing. Mutual care is adorable. (See Oxygen for more of this kind of exchange.) 

The interesting thing about DaOn as a second lead is that we know more about his back story than we do our mains. We know he is a neglected child, a people pleaser, and the ultimate caregiver. We watch him fall in love with TaeKyung because TaeKyung is the first person to give DaOn care back. Of course he wants to hold onto that. Also it makes DaOn very very VERY sympathetic to watchers. 

It got bad enough in episode 8 that I begin to wonder, despite all the many narrative clues, if DaOn actually might win TaeKyung in the end. 

See what I mean? 

Second Lead Syndrome! 

I know this has been a praise post, but flipping heck do I hate a love triangle. Because ARGH I want them both! 

Bravo, Korea. 

SoloGui appreciation post. 

Possibly the healthiest sweetest quietest most pure couple in all of Thai BL. 

If Solo & Gui set up a coaching session for all the other BL couples to help them heal their relationships, we would have no BL plots. 

You Make Me Dance 

I wasn’t going to do this anymore, but at least these short series out of Korea don’t lend themselves to epic posts. 

Look. It’s just. I HAVE THOUGHTS. 

Korea is being very strategic in their execution of topes and I think it’s a marker of their intent to dominate BL. Or at the very least an interesting side effect of their late entry into the market. They are picking up and playing with tropes in a very intentional way. It’s markedly different from the hap hazard check-list style (with occasional parody) that we get from Thailand, or the cartoon jocularity murder-gay of Japan (capricious god of BL), or the tongue-in-check meets earnestness of Taiwan. 

You Make Me Dance is doing BL tropes so very pretty. But simultaneously, kinda dirty too. 

You Make Me Dance Episode 1-2 

YMMD is a love story between Hong Seok (loan shark) and Shi On (student dancer). It’s also about the love of art and the passion that drives creators and those who experience and respond to their passion. Like all love stories, the drive is connection, but it’s on two levels when art is involved. There is not just a romantic connection to explore, but the intimacy of creativity and how it is received and absorbed. I’m not sure how deeply YMMD will go into is, but I’m excited to see them try. 

Fated Mates

Unexpectedly, YMMD launched with a take fated mates by talking about the red thread pinky-finger mythos. Shi On looks around on his bus and sees a stranger with his pinky finger up. They have a moment. 

But the real twist comes later when loan shark Hong Seok is sent to threaten Shi On and ends up wrapping a red scarf around Shi On’s feet. So many parallels:

that RED scarf around feet of a dancer, binding and limiting, like the red thread around the finger  

but also the care represented by a warm scarf around cold feet

the loan shark threat contrasted to the servile nature of tending to someone else’s feet

and then Hong Seok hoists Shi On over his shoulder like a sack of potatoes but also a dancer’s lift 

Then later we get Shi On hopping around, which was so cute and funny but is an allegory for the crippling nature of both fate and love. 

I think I both bounced and clapped. 

Pinky Swear

Honestly, if you have a physical trope like this one that’s all about body language, make a dancer do it. Very smart. This is such a childish innocent move and to have this sweet college kid give it out to a sinister loan shark when his life is on the line was kind of gut wrenching to watch. 

Also note the servile level, emphasizing the differential power dynamic? So clever. Contrasted to earlier when Shi On finished dancing and is standing before him, above him, filled with the power of having touched him with his dance. 

It also harkens back to the original pinky meeting on the bus and the red thread connection. 

So this pinky swear was both executed and subverted, and you know I love that. 

Rooftop 

They ended ep 2 with a rooftop assignation combined with crash into me. They are moving this one along quickly, which they have to with so few episodes.  

According to the series description we are heading towards forced proximity (cohabitation) which is a shorthand for forcing intimacy when you don’t have a lot of time to develop the story. 

Korea seems well aware that their curtailed time frame for these BLs means they need to crib in certain tropes to get any kind of character development (Color Rush used fated mates, To My Star and Wish You used forced proximity). 

I’m really looking forward to next week to see where YMMD goes with this. Since they have elegantly danced with all the tropes they picked up so far, forced proximity should be a waltz for them. 

Yes I am going to use dance metaphors and terminology with these recaps. Gotta put that dance minor to good use somehow. Right?